8/02/2012

Homeward Bound (1993) Review

Homeward Bound  (1993)
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This is a Disney film based on Sheila Burford's book __The Incredible Journey__, about three household pets (specifically a bulldog named Chance, a Himalayan cat named Sassy, and a golden retriever named Shadow) who run away from a faraway ranch in order to find their way back to their home in San Francisco. Meanwhile, the owners (specifically 3 kids: a little brother named Jamie, a big brother named Peter, and a sister in the middle named Hope) call a search-and-rescue while at the same time trying to cope with a stepfather. As you may expect, this film eventually comes to a happy ending where everyone is reunited and all is well.
Now, I'm 15 years old and I have loved this film ever since I saw it in the theater at the age of 6. I had many reasons why I loved it at the time--I thought it was funny, I thought it was exciting, and the ending made me cry (hey, don't snicker, I was six years old back then). But now I have a reason why this film has stood the test of time against much flashier and less "cute" movies that I see nowadays, and that's simply because...well, because it's really a good movie!
Don't understand? Well, this film is so much more than just a movie with talking (sort of) animals that go on a journey in order to entertain little 6-year-olds. The pets aren't just animals; they exude the human personalities of their owners! Chance, owned by Jamie, is a mischievious pup who's always sticking his nose where it doesn't belong. Shadow, owned by Peter, is a wise old golden retriever who's always trying to keep Chance out of trouble. And Sassy, owned by Hope, is a fickle cat who always acts like she's sick of being stuck with her "brothers", if you know what I mean.
And then there's the fact that even though the pets start out acting like siblings who drive each other crazy, they wind up going through thick and thin and actually realizing that they really love each other. Also, this film also has a subplot that turns out happy too; Peter, Hope, and Jamie finally learn to love their stepfather and actually call him "Dad". When the pets are back home in the end (face it, you KNEW it was going to happen) and they see the happy faces of their ecstatic owners, and EVERYONE is actually LOVING each other like a REAL family, Chance thinks with pride, "For the first time in my life, I was HOME." Never before have I heard such a profound statement in a Disney movie.
Any idiot can entertain a 6-year-old by making him laugh, cry, and be excited. However, it takes the work of a genius to entertain a 6-year-old with a work that he will even love nine years later. See this film NOW!
P.S. Don't see the sequel--it's completely insipid, and the pets have totally lost their human personalities in it.

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Gigi (1958) Review

Gigi  (1958)
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For those wondering why they should purchase another edition of "Gigi" on DVD, here are all the extras; however, if you own a Blu-ray, you might want to wait and pre-order Gigi [Blu-ray]. Other than the technical specs, the extras are the same on both versions.
Winner of 9 Oscars, "Gigi" was produced after the demise of the original 3-Strip Technicolor system, and photographed in the industry-standardized Eastmancolor process, which had a tendency to fade to reds and purples. For this new DVD release, Gigi has been photo-chemically restored from its original camera negative and safety separations to produce a much sharper and colorful image than has been seen in decades. It also contains a 5.1 audio mix created from the original multi-track source elements.
Disc 1 (Gigi '58): 2.35:1 Anamorphic Widescreen * English DD5.1 Surround * French Mono * English, French and Japanese subtitles * Bluray specs: 1080P 2.40:1 Widescreen, English 5.1 Dolby TrueHD, English 5.1, French 2.0, Spanish 1.0 (Both Castilian and Latin), German 1.0, Italian 1.0 Dolby Digital, Subtitles (Main Feature): English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish, Subtitles (on Select Bonus Material): English, French, Spanish, German, Italian, Japanese, Portuguese
*New Commentary with Leslie Caron & Film Historian Jeanine Basinger
*The Million Dollar Nickel [1952 MGM short]
*The Vanishing Duck [1958 MGM cartoon]
*Theatrical Trailer
Disc 2: "Thank Heaven! The Making of Gigi" The story of how 1958's Best Picture winner (the last of the classic MGM musicals) survived a turbulent production that included censorship battles over its daring sexual content and creative struggles between a studio in turmoil and a demanding, visionary director. Featuring an all-new interview with star Leslie Caron, and a rare interview with Oscar-winning director Minnelli
Original 1949 Nonmusical version of Gigi starring Daniele Delorme in the title role and directed by Jacqueline Audry (in French Mono with English subtitles)
For those not familiar with the plot, Gaston (Louis Jordan) is the descendant of a wealthy Parisian family who rebels from the superficial lifestyle of upper class Parisian 1900s society by socializing with the former mistress (Hermoine Gingold) of his uncle (Maurice Chevalier) and her outgoing, tomboy granddaughter, Gigi (Leslie Caron). When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt (Isabel Jeans), who have educated Gigi to be a wealthy man's mistress, enjoin on him to become her provider and on her to accept such a golden opportunity. However, true love adds a surprise twist to this Cinderella story that was actually filmed in Paris.

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8/01/2012

She (1935) Review

She (1935)
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If the 1935 SHE reminds you vaguely of the 1933 KING KONG do not be too surprised: both films were produced by Meriam C. Cooper, who endowed them with similar visual styles--and who tweaked the 1887 novel by H. Rider Haggard to create a similar story line as well. Starring Broadway actress (and later two term Democratic congresswoman from California) Helen Gahagan in her only film role as The Eternal One, SHE did not, however, meet with the same financial success. It lost a tremendous amount of money for RKO, was withdrawn, and for many years was thought to be completely lost.
Although the film alters the Haggard novel in a great many ways, it retains the basic elements. Lured by a family legend, Leo Vincey (Randolph Scott) braves the frozen European north with family friend Horace Holly (Nigel Bruce, best known for his appearances in the Sherlock Holmes series) and innocent Tanya Dugmore (Helen Mack, popular 1930s ingenue.) When an avalanche exposes a cavern, the three find that the Vincey family legend is not quite so fanciful after all.
Most particularly, they find themselves at the mercy of She Who Must Be Obeyed, a woman who recalls talk of Jesus Christ in the Jerusalem market place, a woman two thousand years old who preserves her life by bathing in a radioactive flame that vents from the volcanic floor of her hidden kingdom. She (known here as Queen Hash-A-Mo-Tep) has been waiting for the reincarnation of her long-dead love, and Leo is his spitting image.
The acting styles are stiff even by 1935 standards and although Miss Gahagan is attractive in a 1930s way she lacks the stunning beauty attributed to She by the Haggard novel--but the great draw of the film was never intended to be great acting: like KING KONG, it is an action-adventure film with knockout sets (a few of them actually lifted from KING KONG), memorable special effects, and remarkable cinematographic set pieces. Even as it borrowed from earlier films such as the 1932 Boris Karloff THE MUMMY, it would also influence later films in turn; it is hard, for example, to imagine the 1937 Ronald Coleman LOST HORIZON without it, and even the look of the evil queen in Disney's 1938 SNOW WHITE is said to have been inspired by Gahagan's look and performance.
The film has been released in several editions to the home market, and fans may be tempted by less expensive editions. A word to the wise: Don't. The film shows its age and there is no significant bonus material, but the Kino Video release (be it on VHS or DVD) offers what is probably the best print short of a digital restoration. Recommended for fans of 1930s fantasy cinema.
GFT, Amazon Reviewer

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From the creative team that brought you the original "King Kong" comes a thrilling tale of adventure, immortality and lost love. -In color for the first time and includes fully restored black & white versions -Great Ray Harryhausen bonus features, Additional Scenes, Classic Sci-fi Toy Commercials, Original She Trailer

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Barney's Christmas Star Review

Barney's Christmas Star
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As usual, the show opens inside of Barney's Playhouse. There are four children: one African-American, one Asian and two Caucasian. There are two boys and two girls.
This show starts with Barney discussing the holidays and they show and sing about each of three tables: one with the nativity scene for Christmas, one for Hanukkah, and one for Kwanzaa. This is where all references to the religious aspect of the holidays and Christmas end. Then Barney sings a generic song "I love the holidays". A girl enters and announces it is snowing and they all go outside to play, they sing songs about winter and snow, and build a snowman.
The girl invites everyone to help decorate a big Christmas tree in a public park that her great-great grandfather planted many years ago. They are off to help out and sing "O Christmas Tree". Soon they realize the star for the top of the tree is missing. Grandma sends Barney and the children back to her house to look for it in the attic.
Once in the attic, Grandfather gives them free reign to search for the missing star. They sing songs and talk about what they find and sing non-religious Christmas songs. Classic toys such as Raggedy Ann, drummer boys (soldiers), and teddy bears are found with glee. Barney finds a copy of a picture book version of "The Night Before Christmas" and reads it aloud while images of Santa on his sleigh are shown. Santa comes down the chimney and eats cookies that have been left for him while two children watch.
BJ and Baby Bop appear out of nowhere and eventually they find the star. They take it to the park, sing a new song about the star to the tune of "Twinkle, Twinkle, Little Star" and Barney helps put the star on top of the tree since none of the adults can reach it, even with a ladder. (Typical of Barney shows, Barney is more of an authority figure and more capable than the human adults, and "saves the day".)
Overall this show is very much centered on presents and decorations such as the Christmas tree. One scene asks what is best about the holidays and the boy says "wrapping presents, giving presents and opening presents". Christians may not like that the central focus of this Christmas show is not religious despite the title containing the word "Christmas".
Overall this is typical Barney fare: inclusion of many ethnicities, trying to be fair by showing multiple celebrations of various peoples, and making the main focus something that is not secular. The songs are new and old classics. It is very much like the TV shows in content and quality.
If your child loves the Barney TV shows then s/he will love this show. As for how much the adult finds this entertaining, it would be equal to how much the adult likes the television show. The best part of this show is that it is the typical innocence, song and dance we expect from the Barney programs, which I feel makes it a good choice for young children, or at least better than most programming that is out there for children! It is what it is: a Barney show!!

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The Immoral Mr. Teas / Eve and the Handyman ( Mr. Teas and His Playthings ) ( Steam Heat ) Review

The Immoral Mr. Teas / Eve and the Handyman ( Mr. Teas and His Playthings ) ( Steam Heat )
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I had seen this movie in the mid 1960's and was glad to be able to purchase and watch this film recently. The DVD quality is very good and the movie is funny,as well as sexy. I recommend buying it.

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The Plutonium Circus (1995) Review

The Plutonium Circus  (1995)
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It's a tragedy that I've lived in Amarillo for 5 years and have only now seen this movie. Ratliff manages to mix the absurdly humorous and frightening aspects of this town and the nuclear bomb disassembly/assembly facility housed here, and gives a great forum to some of the most interesting people in this town. I did laugh through a lot of it but I have to admit that I was nervously looking over my shoulder to the North-East when I did it.
In the end, it's a great tribute to Mr. Ratliff, this movie, and the ever entertaining Amarillo population that the most well known nutcase in the panhandle of Texas comes out as the most intelligent and well spoken "character" in Plutonium Circus.

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"I grew up thinking the world was always about to end.That's a pretty common belief in the Texas Panhandle..."It's the final decade of the millennium.World peace has broken out. And an estimated 150,000 pounds of weapons-grade plutonium are out of a job and looking for a place to stay.Welcome to "The Plutonium Circus," where sideshow freaks, fire-eating politicians, and a sizeable cadre of clowns gather under a Texas big top to celebrate the town's newest residents: thousands of dismantled nuclear warheads, capable of destroying the world hundreds of times over (and with no place to go for the next 24,000 years).But check your p.c. hysteria and conspiracy theories at the door... all you'll need at this circus is a sense of humor and a healthy appreciation of all the mutations of human behavior that are the true fallout of the nuclear age.Featuring: Stanley Marsh 3, Kevin Knapp, Charles Johnson III, Buck Ramsey, Bill O'Brien, Bruce Friedrich, Mavis Beslile, Father Darrel Birkenfeld, and Kerry CampbellGeorge Ratliff: Director, Producer, Editor & ArchivistJudd Metni: Director of Photography & Co-ProducerCharles Burmeister: Sound Operator & Creative ConsultantMarina Burini: Production Manager & First A.C.Documentary, 73 minutes

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Emmanuelle 2 - The Joys of A Woman Review

Emmanuelle 2 - The Joys of A Woman
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This rating is not for the movie which is good and every bit what the other reviewers have noted. My beef is with the DVD which is 85 minutes and even shorter than the VHS version which is 92 minutes. Can someone tell me why? If anything, the director's cut should have been produced on DVD. What a disappointment!

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