James Clavell's Shogun (1980) Review

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(More customer reviews)It has been two decades since James Clavell's novel first aired, but "Shogun" is still one of the finest mini-series yet produced and it still holds up. The stranger in a strange land story of an English navigator shipwrecked in fuedal Japan strikes such a strong chord because the audience is in the same predicament as the main character, confronted with an unknown and dangerous world that refuses to make sense. "Shogun" was filmed in Japan with remarkable fidelity to both the original story and local culture.
As Pilot-Major John Blackthorne, Chamberlain is often called upon to do more with looks than with dialogue. As the "King of the Mini-Series," it is easy to forget what Chamberlain can do as an actor given the proper material (I wish his version of Christopher Fry's "The Lady's Not For Burning" was available on video tape). Actually, there is a sense in which Chamberlain's performance is arguable the weakest of the cast, but that speaks more to the strength of the supporting players. Certainly John Rhys-Davies steals every scene he is in as Vasco Rodrigues, Damien Thomas' Father Alvito personifies political machination, and Nobuo Kaneko as Lord Ishido has that glare down perfectly. Ultimately, it is the Japanese actors who carry "Shogun." From the legendary Toshirô Mifune as Lord Toranaga, to the novice actress Yôko Shimada as Mariko, to Frankie Sakai as Yabu and every one of the characters who make up Blackthorne's Japanese household, these actors provide the new word that confront's Chamberlain's character. The choice of producer Eric Bercovici to also adopt Clavell's novel was the ideal choice. Bercovici was not only familiar with the mini-series format, having done "Washington Behind Close Doors," but he was the writer on "Hell in the Pacific," a 1968 movie with Lee Marvin and Toshirô Mifune. During WWII the two men end up on a deserted island. What made the film unique was that it was done without subtitles; Marvin spoke English and Mifune spoke Japanese and the idea was to show it in both countries without subtitles. Okay, unfair advantage to the Japanese, but you have to appreciate the idea which "Shogun" certainly uses to great effect.
Director Jerry London does an admirable job of presenting Japanese culture on its own terms, which is exactly what is right for the story. My understanding was that the Orson Welles narration was added at the, uh, request of the network who felt audiences would not be able to read between the lines. I think that for the most part "Shogun" would work without the excessive explanations, even if you have not read the novel, but we will never know.
If you are looking for something to lose yourself in next weekend, you would not find too many things as intelligent and as fascinating as "Shogun." Just be sure you do the complete original mini-series and not the one cassette mini-version.

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