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(More customer reviews)This is a made-for-TV movie which has now been released by Sony Pictures on DVD in 2010. It won multiple awards as a TV performance. Joan Allen BECOMES Georgia O'Keefe, the way George Scott became General Patton--I think now I will always see her as Georgia O'Keefe. Jeremy Irons gives a great performance (as usual) as her much older husband, Alfred Stieglitz. I have always admired Georgia O'Keefe but did not know details of her life until I watched this documentary. It's a great look at her development as an artist, her personality, and her marriage. Stieglitz was a pioneer of American photography, and his last great photographs seem to be his series of photographs of O'Keefe.
The film is 1.5 hours long. Subtitles are available in multiple languages and also (unusual for a TV-to-DVD production) there are previews of other films (most of them not so well-matched to this documentary) and a short "making of" special feature. The film is not rated but if it were, it would probably rate a PG-13 for occasional partially-nude scenes.
The cinematography is beautiful, the acting is high-quality, the dialog is good and of course, the paintings are beautiful: I just wish there had been even more examples of her art in the movie. If you're interested in Georgia O'Keefe in the slightest, you will enjoy this film. I recommend it.
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Star-studded movie about the famous artist. Celebrated photographer and art impresario Alfred Steiglitz (Jeremy Irons) is shocked to learn that the extraordinary drawings he has recently discovered were rendered by a woman. Deciding to display the work of then-unknown artist Georgia O'Keeffe (Joan Allen) in his gallery without her knowledge, the fiercely private artist orders him to remove the collection. Once Alfred convinces her to allow him to become her benefactor and to champion her artistry, their relationship evolves as they fall deeply in love. Alfred leaves his wife for Georgia, but soon finds her rising star is poised to eclipse his light. As their relationship suffers, Alfred finds twisted ways to emotionally wound her, including taking a younger lover. Georgia's search for solace moves her west, where she finds new inspiration for her paintings – and ultimately her own voice – in the New Mexico landscape.
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