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(More customer reviews)I have gotten to the point in watching horror films that when I watched the American production "Dead Birds" I was wondering if this was another adaptation of a Japanese horror film. Apparently the Japanese approach to the genre, which has become well established on this side of the Pacific because of the success of "The Ring" (nee "Ringu") and "The Grudge" (nee "Ju-on"). However, with "Dark Water" ("Honogurai mizu no soko kara") I found myself thinking how different this 2002 effort from director Hideo Nakata (who did the "Ringu" films) from contemporary American efforts in a different way. Too many American horror films go the route of "Jeepers Creepers," where there is a pretty good set up and then the film goes down hill and the payoff is disappointing in the extreme. But with "Dark Water" I was not overly captivated by the set up, but found that the payoff really hit home.
At this point let me warn you that when you start watching "Dark Water" on DVD it goes right into the dubbed English track, at which point I start having flashes back to all of the badly dubbed Japanese movies I grew up on (which inevitably leads to thoughts of Woody Allen's "What's Up Tiger Lily?"). My strong recommendation is to stop the film and make sure you have the original Japenese language track and the English captions. Fans of the horror genre should be at the point where they can appreciate the natural language and rhythm of Japanese cast. Most of the key sequences here do not require you to do a lot of reading so it is not a great sacrifice and the nuances of the culture are totally lost in the dubbed version.
Yoshimi Matsubara (Hitomi Kuroki) has divorced her husband and is in a custody battle for her six year old daughter, Ikuko (Rio Kanno). In an attempt to make a new start, mother and daughter move into an apartment, where strange things start happening. The weirdest are the huge water stains that appear on the ceiling and start dripping away and the red children's bag that start popping up every place Yoshimi goes. Then the dead child to whom the bag belongs starts showing up as well. So we have what we would now be thinking of as your basic Japanese ghost story. But there is a bit more going on here as well.
You see, Yoshimi has some trouble being a working mom. She needs a job to survive, and too often Ikuko gets lost in the shuffle, which sometimes means the kids is left standing outside her kindergarten waiting for her mother when all of the other kids have left. As you would anticipate, there is an attendant irony in this as well. But the pressure is getting to Yoshimi who thinks that she is slowly going insane, which works well given all of the above. Characters in these sorts of movies often get so scared that they might go insane, complete with wild eyes and mad cackling, but you do not have them questioning their sanity as often.
"Dark Water" is a less complicated and more subtle horror story than "The Ringu," which is the obvious point of comparison since Nakata and his co-screenwriter Takashige Ichise did both films (the story here is from a novel by Kôji Suzuki. So it is inevitable that this film seems a lesser effort, but that does not really take away from its effectiveness. When we got to the conclusion I found that I liked what happened, and when the inevitable epilogue reinforced the fact, I liked it even more. I do not think this is a great horror film, but I think it is a solid one and I certainly liked it more than the original "Ju-on."
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No one loses their mind instantly –Sanity seeps away one drop at a time. Yoshimi simply wanted a better life – for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko's schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.
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