Showing posts with label horror films. Show all posts
Showing posts with label horror films. Show all posts

5/16/2012

Daisy Chain (2008) Review

Daisy Chain (2008)
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Yes this may be one of the really bad movies I have ever see.
The trailer has everything of any importance that happens in the movie. The reason that the trailer might indeed be far better than the movie is that there are no fake ear piercing screams.
Yes scream after scream after SCREAM, I stopped counting after 345 screams.
Oh and by the way the cover has nothing to do with the movie nor does the name.
Don't even rent this thing......just let it sink into oblivion all by itself.

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5/08/2012

Finale (2009) Review

Finale (2009)
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First off, please disavow the ghastly cover artwork that implies things that this movie simply doesn't revel in. I fell in love with the photography, with so much beige tones, big grain, and that "big head" screen filling where the entre frame is taken up by tight close ups of someone talking, that I felt like it could have been a Paragon release from 1982. Kudos are in order for making a film with so many old cars, phones with cords, and early 80s decor that when the scene with the son and the cll phone came up at the end I felt it was a deus ex machina until I realized, hey, it just adds to the phantasmagorical aspects of it all. The plot concerns one mother who finds a demonic plot in her son's suicide, which at the onset of the film may be a descent into her insanity, and winds up with her fighting tooth and nail against a devil cult led by someone who may be another mother- or Maeter of B. (something I kept from writing out fully to avoid ruining the plot, just keep an eye out for the feather boa to see who I mean), as it were, as this films quickly veers into what could be construed as another option of the Third Mother of "Suspiria De Profundis". I am going to take heat for this one, but I felt like this film would have made for a more satisfying conclusion to the Mothers' trilogy than the film Argento eventually made as it has more of a rabbit hole approach to it, and has a dream-like aspect to it- so much so that it reminded me in parts of "Inland Empire." And hey, when was the last time you saw a DTV horror flick that didn't have gratuitous rock music during the end credits. Overall, I think I will be watching this one again- it would make a great 80s throwback double bill with "House of the Devil." (And don't take offence at the Argento comment because I am- and will always be- a great fan of his work!)

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4/06/2012

The Maid (2005) Review

The Maid (2005)
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Like a lot of the other reviewers, I'm a big fan of Asian horror of all kinds--I had overlooked this modest little film until now, but it was reasonably entertaining and, despite the occasional silliness, has a cohesive plot and some good effects. (There's a very brief moment when the shadow of a passing coffin falls over a young woman's face, which then contorts into the most terrifying expression I've ever seen. I don't know if it was CGI or not, but it's *really* creepy.)
It's not exactly non-stop terror and the young heroine's cluelessness occasionally gets irritating, but I still found it preferable to some of the earlier j- and k-horror movies that suffer from disjointed plots and ridiculous inconsistencies. Stylistically, it's much closer to the Pang brothers' Eye movies.


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3/22/2012

Silent Night, Deadly Night (2008) Review

Silent Night, Deadly Night (2008)
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NOTE: The four stars are merely for the film and it's earlier DVD presentation.
I've been waiting for December 11th, 2007. Why? Because I'm a huge fan of the "Silent Night, Deadly Night" film series. Most folks either love the films or loathe them. For me, they're all guilty pleasures. Never 100% genre classics in the conventional sense (the first is the closest, while the 3rd has the benefit of a most-skilled director, Monte Hellman), but fun nonetheless.
Of course, this isn't the first time "Silent Night" has appeared on DVD. Anchor Bay previously released a double feature DVD in 2003, containing the original film in it's uncut, restored form along with the notoriously bad "Silent Night, Deadly Night, Part 2". While I was thrilled to have these films on DVD, it always irritated me that neither a theatrical trailer nor TV spot was included for the first film (there was a trailer included for "Part 2"). How could this be? Anyone who knows the history of SNDN also knows that the film itself wasn't the cause for the tremendous uproar from parental groups, everywhere. Rather, it was the actual publicity materials (movie posters and televised commercial spots, especially) that sparked the true controversy. There had already been Christmas-themed horror films, some even involved Santa-suited psychopathic slasher fiends, but none of which received the degree of SNDN's multimedia marketing saturation. These were the ads that freaked out the mass public and ultimately won SNDN it's forbidden reputation. Overwhelmed by the astounding negative attention (including a slew of horrible reviews), the film's distributor, Tri-Star Pictures, withdrew it from circulation and eventually disowned the film entirely. Ironically, Tri-Star distributed "Santa Claus: The Movie" the following year.
I've come to expect such goodies from Anchor Bay and was truly disappointed to find that no trailers or TV spots were made available. So, when I learned of a new edition, I was hopeful that it might include SOMETHING more.
With the latest DVD firmly in hand, my eyes delighted to the words "theatrical trailer" advertised prominently on the back cover. That was all the incentive I needed to plop $13 at the checkout counter. Sadly, after a quick spin in my DVD player, I discovered these words held no such relevance. No trailer to be found. Even though the packaging boasts "one of the most controversial slasher films of all time... uncut, uncensored and back like never before," this is the exact same pressing as the '03 release. Such a phrase should indicate a "fresh presentation" of sorts. If by "like never before" Anchor Bay meant that this release features newer, over-blurbed packaging and that the disc is no longer a double-sided one containing a sequel, then perhaps the statement is correct.
On the subject of having no new special features, why didn't Anchor Bay consider doing an interview with Miss Linnea Quigley just for this disc? It could have been easy. They actually had such an opportunity after previously interviewing her for their "Night Of The Demons" release. "Hey, Linnea... might we ask about 'Silent Night' now... for a possible future DVD re-release?" Guess not.
To summarize, really what we have here is a re-hash of Part 1 only, in exactly the same presentation as before. The catch being that this DVD is in print while the other is not. I want my thirteen dollars back... like never before! NAUGHTY! NAUGHTY! NAUGHTY!

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2/22/2012

Frankenstein (2004) Review

Frankenstein (2004)
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The first thing you need to know about this particular "Frankenstein" is that it the pilot for an aborted USA Network series based on concepts and characters by Dean Koontz. However, Koontz and USA apparently came to a parting of the waysd with two significant results: Koontz's name disappeared from the USA project and the author wrote a series of novels with Kevin J. Anderson, the first of which, "Dean Koontz's Frankenstein, Book One: Prodigal Son," appears to cover a lot of the same ground (but I have not read it and therefore can not speak to specific differences). This may well be enough information to forestall Koontz's fans from watching this pilot movie and proceeding directly to the novels. But I like pilots and tend to watch as many as I can because I find them intrinsically interesting.
The premise of this "Frankenstein" is basically that Mary Shelley got most of the story right and changed some names. In the novel Frankenstein brings his creation to life and then abandons him, with the latter being his greater sin for which he and his family must pay. In this pilot the doctor is now named Victor Helios (Thomas Krestchmann), the filthy rich owner of a biotech company in New Orleans. Helios has found ways of keeping himself alive for several centuries and has been continuing his experiments with an eye towards replacing flawed humanity with his master race spawned in his company's vats. Helios even gets to program his creations as he desires and has just come up with a new version of his wife, Erika (Ivana Milicevic). A good question here is whether "Frankenstein" still applied to the doctor, as in the novel, or to his creation, as in pop culture, but it does not matter because both are here.
The first creation is now called Deucalion (Vincent Perez), and while the name comes from classical mythology it is not, as you might suspect, one associated with Prometheus. As you will recall, Prometheus created the first humans in Greek mythology and the subtitle of Shelley's novel was "The Modern Prometheus." Decaulion, on the other hand, is the Greek counterpart to Noah, who survives the great flood with his wife Pyrrha and repopulates the world. However, to the extent that he is the first human to have a name in mythology, Decaulion has that in common with Adam as well. Since Helios (the name of the god of the sun, son of Hyperion) is the villain, that allows Decaulion to be the heroic figure. This is necessary because there are a whole bunch of Helios creations running around and one of them appears to be a serial killer.
Working on the case are Detective Carson O'Conner (Parker Posey) and her partner Detective Michael Sloane (Adam Goldberg), and once Carson and Decaulion start running into each other on a regular basis you are going to have to make a point of reminding yourself this is "Frankenstein" and not "Beauty and the Beast" (the Vincent and Catharine one on television and not the Disney musical one that was nominated for a Best Picture Oscar). This is key because that gives you a better sense of the dynamic of this would-be series than having watched all of the Universal films regarding Frankenstein. Also involved in the case and its developments is Detective Harker, and since he is played by Michael Madsen you know this is not a good sign. There is more to the serial killer than meets the eyes, and we find out some interesting things about these creations that would have implications for the series that this pilot never got off the ground.
As much as I like Posey as an actress with strong Independent credibility and Goldberg as comic relief in just about everything he does, they really seem too young to be detectives. I also have some questions as to how Helios can create enough of his creatures to keep up with the birth rate in New Orleans let along the state of Louisiana, the former states of the Confederacy, the United States, North American, the Western Hemisphere and eventually the entire world, because I tried doing the math and I do not see it working out that way. The script by John Shiban, who worked as both a writer and a producer on "The X-Files," certainly sets up sufficient premises for an on-going series, but I do not know if it is a good thing when I find myself more interested in the relationship between Helios and Erika than the one between Decaulion and Catherine, er, I mean Carson.
The reason I ended up rounding up on this one in the end is because I liked the look of the film, not just in terms of Leslie Keel's art direction, but also the efforts of director Marcus Nispel. His updated version of "The Texas Chainsaw Massacre" creeped me out, which is a pretty good accomplishment given more of the jetsam and flotsam out there in the world of contemporary horror films. Take into account that he is doing this for television (albeit cable) and not a theatrical film and the results are pretty impressive. There is a great look to the film and Nispel is again working with cinematographer Daniel Pearl to come up with some interesting shots, so if you do not think that style over substance is an inherently bad thing that would be another reason to give this "Frankenstein" a try (and if you really want the substance the Koontz-Anderson novels are out there waiting for you).

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2/10/2012

Frankenstein Unbound (1990) Review

Frankenstein Unbound (1990)
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Despite campy moments and the occasional silly special effect, Frankenstein Unbound surprisingly offers up an intriguing morality tale. While it is definatly a horror/sci-fi film, it really is (as the box claims) a monster movie for the thinking person.
When a future scientist (John Hurt) creates an invention that implodes space, he finds himself catapulted back to 19th century England. There he meets Mary Shelly, Percy Shelly, and, of course, Dr. Frankenstein and his monster.
The relationships between Frankenstein, Hurt's arrogant scientist, and their respective "monsters," explore the idea that once you create something you cannot un-create it. Even if you destroy your creation you can never make things the way they were before--It is unbound.
I agree with "THNEEBAN" about the monster--it is the best Frankenstein I have seen on film. I too found the ending surreal and very fitting. While not for all tastes, I am always surprised by how long this film--especially the ending--lingers in my mind.

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12/12/2011

Murder by Numbers (Full-Screen Edition) (Snap Case) (2002) Review

Murder by Numbers (Full-Screen Edition) (Snap Case) (2002)
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Finally, Sandra Bullock has acted in a good film! Ever since I saw her in 'Speed', I always thought that she was a talented actress. But then 'While you were sleeping' and 'Hope floats' were thoroughly cliched and made me wonder if she was just a one-film wonder. Well, she did prove me otherwise in 'Murder by numbers'.
If you thought from the title or the trailer that this film is about a serial killer, you are wrong (I did that same mistake too!). This film is about the perfect crime or what the killer(s) think will be a perfect crime. As is the case with all killers, they do one simple mistake and that is enough for Casey (the cop played by Sandra Bullock) and her partner Sam to solve the case.
Even though there is no actual suspense in the film, I will not spoil the plot by telling who the killers are. The director does not attempt to hide the identity of the killers, it is fairly clear who the killers are right from the first or second scene. In spite of this, the film continues to gather momentum, with Sandra Bullock and her partner doing their detective work meticulously. Where the film lacks in suspense, it more than makes up for it in the tight story-line and the excellent acting by all the actors.
Sandra Bullock is very convincing as the troubled cop who has a checkered history of her own and that comes to light as the film progresses. Ben Chaplin, who plays Bullock's partner Sam is good too, but the best acting in the film comes from the two young men played by Ryan Gosling (who plays Richard) and Michael Pitt (who plays Justin). Gosling is nothing less than brilliant in his portrayal and his future as an actor sure looks bright.
The film drags a bit towards the end, with the climax being a bit cliched. But this is surely a film that is worth seeing!

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The body of a young woman is found in a ditch in the woods of the small California coastal town of San Benito. SANDRA BULLOCK ("Divine Secrets of the Ya Ya Sisterhood," "Miss Congeniality"), stars as Cassie Mayweather, the seasoned homicide detective and crime scene specialist assigned to the case along with her new partner San Kennedy (BEN CHAPLIN - "Lost Souls," "The Thin Red Line"). The two dectectives make their way through microscopic hints of evidence, which seem to indicate a random act of violence, but Cassie has a gut feeling that there is more to this murder than meets the eye. Something about this case reminds her of her past exactly at a time when she is asked to appear at a parole hearing on an old police matter. These events force Cassie to revisit the past.

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12/09/2011

The Exorcist (25th Anniversary Special Edition) (1973) Review

The Exorcist (25th Anniversary Special Edition) (1973)
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For those of you that like The Exorcist and wondered if you should have seen the movie in the theaters *just* becuase it has some new scenes I can tell you it's definataly worth it.
The added scenes improve the continuity for the most part and provide a few new shocks (as if this movie needed more).
The soundtrack is radically reworked as well, employing newly scored music that adds to the mood of the movie.
There are new sound effects that have more "oomph" for the modern six channel digital sound.
Have the 25'th Anniversary tape? Saw the Spider walk scene in the Documentary? Well, in the new release, it's a different version and 10 times more creepy (it took a minute for the audience I was with to calm down).
It was great to see this in a theater and see people jaded by cookie cutter slasher flicks respond to this movie so well. This movie is not fast paced and that allows it to build up a foundation of dread and fear about the developing possession of the girl. Until it finally unleashes in the more horrifying scenes you've all heard about.
The overall color scheme of the movie is grayish and colorless, further drawing you into that fear and dread. The background music (the new and the limited amount utilized in the original version)has very little melody with a lot of sustained low chords. It doesn't call attention to itself but does unnerve you.
The possessed girl is probabaly one of the scariest faces in movie history. It's incredible that all that was really done to Linda Blair's face was to add a few asymetrical cuts, cover over her eyebrows and darken her sockets (giving her eyes a skull like look). But of course, it was the makeup master Dick Smith that was doing it so it's not too much of a surprise. The crowning feature of the scariest face was the unhuman look of the eyes, done with contact lenses.
The upcoming DVD of the "version you never saw" deserves a place in my colection and yours.
Besides a faithful transfer of the new version to DVD and the trailer, I can suggest that Warner Bros. include the tour of Washington sequence. This is another sequence that was not used in the final cut. It still exists but with no soundtrack. Putting it on the extras section of the DVD with an explanation of the missing soundtrack and subtitles would make this DVD an even better purchase for fans of the movie (like myself).

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An innocent girl is evilly possessed -- and a doubting priest becomes her last hope. Linda Blair and Ellen Burstyn in the two-time Academy Award(R) winner that shocked the world.DVD Features:Audio Commentary:Separate Commentaries by Friedkin & BlattyOther:"Fear of God" 3 trailers Nwe InterviewsTV Spot:6 TV Spots: "Beyond Comprehension", "You Too Can See The Exorcist", "Between Science and Superstition", "The Movie You've Been Waiting For", "Nobody Expected It", "Life Had Been Good"


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12/04/2011

Dark Water (2005) Review

Dark Water (2005)
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I have gotten to the point in watching horror films that when I watched the American production "Dead Birds" I was wondering if this was another adaptation of a Japanese horror film. Apparently the Japanese approach to the genre, which has become well established on this side of the Pacific because of the success of "The Ring" (nee "Ringu") and "The Grudge" (nee "Ju-on"). However, with "Dark Water" ("Honogurai mizu no soko kara") I found myself thinking how different this 2002 effort from director Hideo Nakata (who did the "Ringu" films) from contemporary American efforts in a different way. Too many American horror films go the route of "Jeepers Creepers," where there is a pretty good set up and then the film goes down hill and the payoff is disappointing in the extreme. But with "Dark Water" I was not overly captivated by the set up, but found that the payoff really hit home.
At this point let me warn you that when you start watching "Dark Water" on DVD it goes right into the dubbed English track, at which point I start having flashes back to all of the badly dubbed Japanese movies I grew up on (which inevitably leads to thoughts of Woody Allen's "What's Up Tiger Lily?"). My strong recommendation is to stop the film and make sure you have the original Japenese language track and the English captions. Fans of the horror genre should be at the point where they can appreciate the natural language and rhythm of Japanese cast. Most of the key sequences here do not require you to do a lot of reading so it is not a great sacrifice and the nuances of the culture are totally lost in the dubbed version.
Yoshimi Matsubara (Hitomi Kuroki) has divorced her husband and is in a custody battle for her six year old daughter, Ikuko (Rio Kanno). In an attempt to make a new start, mother and daughter move into an apartment, where strange things start happening. The weirdest are the huge water stains that appear on the ceiling and start dripping away and the red children's bag that start popping up every place Yoshimi goes. Then the dead child to whom the bag belongs starts showing up as well. So we have what we would now be thinking of as your basic Japanese ghost story. But there is a bit more going on here as well.
You see, Yoshimi has some trouble being a working mom. She needs a job to survive, and too often Ikuko gets lost in the shuffle, which sometimes means the kids is left standing outside her kindergarten waiting for her mother when all of the other kids have left. As you would anticipate, there is an attendant irony in this as well. But the pressure is getting to Yoshimi who thinks that she is slowly going insane, which works well given all of the above. Characters in these sorts of movies often get so scared that they might go insane, complete with wild eyes and mad cackling, but you do not have them questioning their sanity as often.
"Dark Water" is a less complicated and more subtle horror story than "The Ringu," which is the obvious point of comparison since Nakata and his co-screenwriter Takashige Ichise did both films (the story here is from a novel by Kôji Suzuki. So it is inevitable that this film seems a lesser effort, but that does not really take away from its effectiveness. When we got to the conclusion I found that I liked what happened, and when the inevitable epilogue reinforced the fact, I liked it even more. I do not think this is a great horror film, but I think it is a solid one and I certainly liked it more than the original "Ju-on."

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No one loses their mind instantly –Sanity seeps away one drop at a time. Yoshimi simply wanted a better life – for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko's schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.

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10/24/2011

Dawn of the Dead (Ultimate Edition) (1979) Review

Dawn of the Dead (Ultimate Edition) (1979)
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Zombie movies. Lots of "serious" types look down on them. That's a shame, because some of them are really first-rate films. Dawn of the Dead, the middle film of George Romero's "dead" trilogy, is a case in point. You want zombies, we got your zombies RIGHT HERE! You want blood? Guts? Flesh eating? Oh boy, does Dawn of the Dead ever deliver!
And then it does something really unique - it also delivers drama, engaging characters with realistic delimmas, a smartly crafted story, and a heavy dose of dead-on social satire. And did I mention that it's just flat-out scary as hell, too?
There is one scene in particular, toward the beginning, that still haunts me - twenty some-odd years after I first saw it. The National Guard has been called in to clear a tenament building. In the basement, they find a cage where the dead have been locked away. The simple, unsettling music of Goblin rises on the soundtrack, underscored by a heartbeat-like bass drum. There are the zombies, many in death shrouds, feasting on body parts. Guardsman Peter Washington (Ken Foree) steps into the nightmare with a pistol to dispatch the zombies with bullets to their heads. The whole thing takes on a surreal, hellish texture, like a Bosch painting. Foree's performance is striking - he is truly IN THE MOMENT, as they say, without a hint of the winking self-awareness we see in other genre flicks. If the dead really started coming back to feed on the living, this is exactly what it be like. This is the toll it would exact on people trying to grapple with the situation.
Yet, in a way, Dawn of the Dead IS self-aware. It knows when to step back, too, and admit that it's playing with you. Another scene, of this sort, occurs when we see a group of rednecks hunting the shambling corpses as though they were deer. They sip coffee from thermoses, pass sandwiches around, and banter about their accuracy with their rifles. It's a very funny bit, in part because it's so deadpan.
Those are just two favorite examples. There is much, much more to this film, and almost all of it works beautifully. Even the sometimes obviously low budget and gleeful use of library stock music doesn't hurt. Romero turns these limitations to his advantage, by making them serve as searing comments on mass media, consumerism, and pop culture.
Performances by David Emge, Scott Reiniger, and Gaylen Ross are worthy of mention, too. They play real people in an extraordinary situation, rather than two-dimensional horror-movie characters.
Dawn of the Dead schlock as high art - complex, funny, scary, and engaging. And thank goodness it's coming back to DVD, because it's one worth watching over and over again.

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No Description AvailableNo Track Information AvailableMedia Type: DVDArtist: DAWN OF THE DEADTitle: DAWN OF THE DEADStreet Release Date: 09/07/2004

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10/23/2011

I Sell the Dead (2010) Review

I Sell the Dead (2010)
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This movie has been getting good press in mags like "Fangoria" and "Rue Morgue." It can be rented at Blockbuster as one of their exclusives and is scheduled for a street release at the end of March. It is a low budget project, but one that's produced with a lot of class, wit, energy and a respect for the genre.
It involves a couple of low-life, but likable Burke and Hare-type grave robbers named Grimes and Blake, and their misadventures supplying fresh corpses for a local doctor/mortician (Angus Scrimm). They unearth the usual rotten and not-so-rotten corpses, vampires, zombies and even an extraterrestrial (!), but their most dangerous adventure comes in the form of a sick, violent family of grave robbers who don't appreciate the competition: The House of Murphy. The daughter, who was burned beyond recognition, wears a mask identical to the burned daughter in the classic French film "Les Yeux sans Visage" ("Eyes Without a Face")-great touch! The son grinds up his victims' bones and uses the bone dust for snuff.
Overall, a fun, tongue-in-cheek movie with laughs and thrills that belies its low budget with a great script, excellent actors and above-average production values. Special features include several IFC trailers, including "I Sell the Dead." I would suggest using the subtitle feature as the accents are thick in some places. Highly recommended.

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10/08/2011

Halloween 5 - The Revenge of Michael Myers (Divimax Edition) (1989) Review

Halloween 5 - The Revenge of Michael Myers (Divimax Edition) (1989)
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Halloween is the best horror movie series. This DVD will be perfect even if it only included the High Def transfers. I hope they are working on the Blu-Ray Halloweens.
What is included:
* Widescreen Presentation enhanced for 16x9 TVs
* Audio commentary with director Dominique Othenin-Girard and actors Danielle Harris and Jeffrey Landman (HALLOWEEN 5)
* Inside Halloween 5: Documentary featuring rare behind the scenes footage, a cut scene, and interviews with Danielle Harris, Ellie Cornell, Don Shanks, Executive Producer Moustapha Akkad and Cinematographer Rob Draper
* Introduction by stars Danielle Harris and Ellie Cornell
* On-Set Halloween 5 Footage: Rare, never-before-seen footage taken on the set
* Theatrical trailer

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MICHAEL LIVES. AND THIS TIME, THEY'RE READY! Now Remastered In HD And Featuring An All-New Audio Commentary!Because Hell would not have him, Michael Myers survived the mine explosion thought to have killed him. One year later, his traumatized young niece Jamie (Danielle Harris of HALLOWEEN 4) is horrified to discover she has a telepathic bond with her evil Uncle…and that Uncle Michael is on his way back to Haddonfield. But Dr. Loomis (the late, great Donald Pleasence) has a new plan to destroy The Boogey Man in his childhood home using Jamie as bait. Tonight, the carnage begins again: Michael Myers is back with a vengeance! Ellie Cornell and Beau Starr return for this hit sequel that features grisly gore by K.N.B. EFX Group (ARMY OF DARKNESS, SCREAM, HOSTEL), and is now fully remastered in DiviMax™ for the ultimate in Michael Myers mayhem!

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9/16/2011

Jeepers Creepers (2001) Review

Jeepers Creepers (2001)
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Boy, do I feel slow on the uptake...I've seen this film twice now, and I just got the 'other' meaning of the license plate on the Creeper's truck. I guess if it were a snake, it would have bit me...oh well...I may not get there the quickest, but I will get there...eventually. Jeepers Creepers (2001) is a fun, interesting, stylistic film that runs out of gas about halfway through, but still had enough going for it to earn critical and commercial success, spawning a sequel, Jeepers Creepers II (2003) which broke Labor Day box office records for that year. Written and directed by the controversial Victor Salva, who also did the chilling horror film Clownhouse (1988) and Powder (1995), Jeepers Creepers brings to life (or death) a new figure in the Hollywood creature pantheon with the Creeper, a demonic looking figure that awakens every 23 years and feeds for 23 days, according to legend.
The film stars Gina Phillips as Trish and Justin Long as her brother Derry, traveling together by car a lonely and desolate country highway on their way home from college. After a scary incident with an old truck, the two witness a sinister, cloaked figure unceremoniously dumping what appears to body sized parcels wrapped in cloth and rope down a large, corrugated metal pipe next to a boarded up church. Also parked nearby is the same truck that nearly ran them off the road earlier. Once past the old church, the two begin to question what exactly they saw, but are soon joined again by the mysterious truck, more intent than ever now to ram their car, and drive them off the road. After losing the truck, the two go back to the church, despite Trish's protests, to investigate. Derry proceeds to do something stupid, and see something no human was mean to see...oh, he did confirm what they originally thought, that the figure was indeed dumping bodies down this large drain, but that's just the tip of the proverbial iceberg. What other secrets are uncovered? What is the nature of the creature? Do Trish and Derry survive long enough to get help?
I thought the makeup and such on the Creeper looked quite good and suitably malevolent. And the revelations revealed about this character came at a nice, even clip as the plot unfolded. There were a number of minor points where one could argue that the plot is weak or very thin, and I would have a hard time disagreeing, especially during the last half hour of the film. I really enjoyed the scenes that focused on something in the foreground, but provided enough leeway on the screen to see something in the background, even if it was fuzzy and out of focus, before the characters on the screen understood what was happening. Cheap scares are had here, as things pop out `and go boo!' but there is also a nice build up of real tension throughout the film, along with a smattering of comedy, usually of the sarcastic kind, to temper the horror. The weakness of the film comes from the predictability of the second half of the film. The original beginning had brought forth high hopes, but these hopes diminished slightly as the film eventually tread the path repetition as most end up doing, but at least this one did so with style and professionalism most uncommon with those in the same genre. You may recognize Justin Long from TV's Ed were he plays Warren Parker Cheswick. It's pretty much the same affable character played in this film, but a little bit older and a little more cynical. Gina Philips is quite lovely, with her flowing, brownish hair and doe eyed appearance that conflicts with her more cynical than her brother attitude. Both actors did a wonderful job, showing a mixture of inherent and hard earned talent, the kind gained through lots of work and dedication.
The picture here, available in both wide screen and full screen, looks wonderful and crisp. Special features include theatrical trailers, a photo gallery, deleted, extended, and alternate scenes, behind the scenes featurettes (six), and a commentary track with director Victor Salva. Many of these features are located on the flip side of the disc, with the film being on the other side. I guess the one thing I took away from this film more than anything else is if you see a darkened figure dumping what appears to be bodies down a sewer pipe next to an abandoned church, just keep on moving. You can make a report at the next town, for sure, but avoid actually crawling into the pipe to confirm what you already know.
Cookieman108

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You can keep your doors locked. You can keep your eyes closed. But still, he'll get what he wants and what he wants is you. Brace yourself for "90 minutes of steadily mounting horror [that] delivers more than its share of honest chills" (The Baltimore Sun). From "the scariest opening sequence of any horror picture in recent memory" (Los Angeles Times) to "one of the gutsiest endingsto a film this year" (Dallas Morning News), Jeepers Creepers is the real deal in terror!On a desolate country highway, two homeward-bound teens (Gina Philips, Living Out Loud and Justin Long, TV's "Ed") are nearly run off the road by a maniac in a beat-up truck and later spot him shoving what appears to be a body down a sewer pipe. But when they stop to investigate,they discover that the grisly reality at the bottom of that pipe is far worse than they could have ever suspected and that they are now the targets of an evil far more unspeakableand unstoppable 'than they could have ever imagined!

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7/29/2011

The Hills Have Eyes (Unrated Edition) (2006) Review

The Hills Have Eyes (Unrated Edition) (2006)
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This past weekend I saw film critic Roger Ebert and the other guy he does a show with talking about the worst films of 2006 (so far), and one of them on their list was The Hills Have Eyes (2006), which is actually a remake of a 1977 movie made by Wes Craven. Roger's biggest gripe seemed to be the film was too `by the numbers' (it is a remake), and he would have preferred more character development in the antagonists (Roger, they're radiated, grotesque, cannibalistic mutants...what else do you need to know?). Co-written and directed by Alexandre Aja (High Tension), the film features Dan Byrd (A Cinderella Story), Emilie de Ravin ("Roswell", "Lost"), Aaron Stanford (X-Men: The Last Stand), Kathleen Quinlan (Lawn Dogs), Ted Levine (Heat, "Monk"), and Vinessa Shaw (Corky Romano). Also appearing is Tom Bower (Die Hard 2), Robert Joy (Land of the Dead), Desmond Askew ("Roswell"), and Billy Drago (The Untouchables, Freeway).
The movie begins by telling us that between 1945 and 1962 the United States performed over three hundred atmospheric nuclear tests in the American southwest, and has yet to own up to the possibility of any negative genetic effects that may have resulted. Soon after we see some gooberment men in radiation suits performing various radiation checks in a desert in New Mexico, only to get seriously jacked by someone with a pickaxe. Following this bit of nastiness we see a large family traveling cross-country through the desert, stopping off at a dilapidated filling station in the middle of nowhere. There's Big Bob (Levine), his wife Ethel (Quinlan), their children Bobby (Byrd), Brenda (de Ravin), and Lynn (Shaw), her husband Doug (Stanford), their baby Catherine, two German Shepherds, two parakeets, and a partridge in a pear tree (a decent sized pool of potential victims is always appreciated)...anyhow, the old man (Bower), working the service station, lets Big Bob in on a shortcut, one that turns out to be anything but as Bob ends up crashing his Suburban into a giant rock after a mysterious blowout of all four tires. Big Bob and Doug try to go for help, each going in separate directions. Soon after Doug returns (he came up empty), the unpleasantness begins...you see, these here deserts are populated not only by snakes, coyotes, and scorpions, but also by hideously deformed, homicidal mutants with a hankering for fresh meat and a penchant for violence. Things get particularly nasty as Big Bob returns (sort of), comely Brenda makes some new friends, Bobby freaks out, some characters bow out of the production, and the mutants abscond with Catherine (babies are good eatin', I guess). As those remaining try to pull it together (the mutants said they'd be back), Doug, armed with a bitey dog and a baseball bat, goes off in search of Catherine and ends up finding a whole mess of trouble as he makes his way to mutant central...
Overall I thought this remake a very slick and intense entry in the survival horror genre, one that does get extremely messy at times, so if you can't stomach scene of extreme violence (the piercing of flesh with sharp implements, blood spurting, etc.), you might want to skip this movie (the unrated version has like two extra minutes of violence, bits originally cut to secure an `R' rating). One aspect I liked is the movie seemed to try and stay true to Craven's original, while adding a lot of extra material in terms of the mutants (here we get more of a back story as to who they were and how they came about). There were a couple of parts that did bug me though, the first being when Big Bob and Doug are preparing to go for help. Big Bob, a former police detective, gives Bobby a gun (supposedly Bobby's been trained in the use of firearms), and Bobby proceeds to joking point the gun at Doug. Now I've never handled a firearm, but I do know one thing...you never point a loaded weapon at someone unless you're willing to shoot them (I don't care if the safety is on). Not only that, but no one said anything, especially not Big Bob, who wasn't all that fond of Doug, but still...the other bit that annoyed me was when Big Bob got to the filling station and some stuff went down. At one point he begins firing blindly into the dark, which seemed really stupid and a waste of valuable ammunition, especially given he was supposed to be a hardened veteran of some police force...oh well...I did learn a number of things from this film including the following...
1.There are no shortcuts in the desert.
2.There's a real shortage of non-radiated, hot, young women out in the desert, making them extremely coveted.
3.Babies are juicy.
4.Desert mutants can imitate dog sounds really well.
5.Whiny cell phone salesmen are a lot tougher than I would have thought.
6.There are some serious economic opportunities to be had in opening a dentistry practice in the desert.
7.Dogs desire payback just as much as humans.
8.While years of exposure to atomic radiation can make you deformed and ugly as sin, it can also make you ridiculously strong and difficult to kill.
9.Bobby can't shoot for spit.
10.Doug, the guy who hates guns, wields that boomstick like a pro.
11.Nuclear test houses built by the military aren't all that solid.
12.Movie dogs will run off every chance they get.
13.Chevrolet Suburbans are quite roomy, enough so to store a few corpses.
14.Desert mutants are well organized.
15.Bobby might be able to run faster if he pulled his damn pants up.
16.Doug stole that `feigning helplessness and then jabbing a sharp implement in the foot of your attacker' bit from the movie True Romance (1993).
I thought all the performers did well, and I really liked how once things got going, the action rarely let up. I didn't really get too much into the amount of violence or many of the specifics within my review as not to spoil any of the shocks for those who haven't had a chance to watch the film, but know things do get nasty. I did see a few scenes taken from other films (besides the original film) scattered throughout, possibly indicating the writers influences, and perhaps they could have done a better job in not making their usage as obvious as it was, but then again the movie industry tends to be in the business of recycling, so it's probably best not to get too hung up on this aspect.
The picture quality, presented in widescreen (2.35:1) anamorphic looks very sharp and the Dolby Digital 5.1 surround audio comes through clearly (it's also available in Spanish Dolby Digital Surround 2.0). Included are English, Spanish, and French subtitles, a commentary track with co-writer/director Alexandre Aja, art director/co-writer Grégory Levasseur, and producer Marianne Maddalena, a second commentary track with producers Wes Craven and Peter Locke (both of whom behind the original film), a `making of' featurette titled `Surviving the Hills', production diaries, and a music video for the song `Leave the Broken Hearts', by The Finalist.
Cookieman108
By the way, I saw on the IMDb that Alexandre Aja is signed up to make a sequel to this movie, scheduled for a 2007 release...I hope it turns out better than the sequel for the original film.


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Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.

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6/30/2011

Friday the 13th Uncut (1980) Review

Friday the 13th Uncut  (1980)
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I've already recorded my thoughts on the original Friday the 13th. I think it's among the top two or three greatest slasher films ever made. It has a kind of 'Blair Witch Project' feel about it, as you never see who or what you are dealing with until very close to the end. This creates an aura of dread, as well as a nearly tangible feeling that these characters are pretty much doomed.
I don't waste too much time mincing words about such matters-to me, this is a great movie. Not just a great slasher film, but a great film, by ANY standards. And it continues to grow on me. By now, I've seen it around 100 times, but I continue to like it better over time.
One word of caution, though. They refer to it as 'uncut',as if this is a big deal. I expected there to be major differences, such as reinserted deleted scenes or something of that nature. There isn't. So don't expect to get anything radically different than what you've had in the past. In fact, the major difference-the death scene of Kevin Bacon-looked better BEFORE. Some things get cut for a reason.
But the picture and sound quality are outstanding. The other special features are okay. But if you are satisfied with the version you have at present, there is no overwhelming reason to replace your old dvd with this one.
A lot has been said about this being a graphically violent film. That may be the case, up to a point. But I believe that it's often what you DON'T see that most powerfully affects your imagination. And that's where this movie really sets itself apart. The killer is hardly ever shown, up until the final twenty minutes,but their presense hovers ominously and continually over the entire movie.
For example, you could consider the scene where the girl is brushing her teeth at the sink. Off to her far left, we see a shower curtain shift a couple of inches. We, as the audience, realize the implications: if she goes back there, she will be killed. She,of course, is oblivious to the danger. The killer is back there, silently waiting. The movement of the shower curtain is so subtle, so understated.........yet you know full well what it means.
Most of the horror movies I have sat through, even taken in their entirety, simply do not compare with that brief, seemingly trivial scene. Mystery, dread, suspense,horror, tension-all found, in abundance, in a scene that only lasts a minute or two.
I regard this as a masterpiece.

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Item Name: Friday the 13th Uncut [Blu-ray]; Studio:Paramount

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6/22/2011

More Coming Attractions Time A Collection of Classic Movie Trailers Review

More Coming Attractions Time A Collection of Classic Movie Trailers
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I confess. I love movie trailers. They show you the best scenes of the movie in under a minute. They're usually better than the movies they advertise. This collection is for movies of the 1930s-1960s mostly. There are a lot of great movie ads, and some drive-in snack bar intermissions. See Bogart stroll into a library and ask librarian Lorren Bacall for a book as exciting as The Maltese Falcon. See ads for sequels to The Thin Man. See ads for The Wizard of Oz, Harvey,Secret Agent Fireball,and more! Get the popcorn!

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