Average Reviews:
(More customer reviews)First off, please disavow the ghastly cover artwork that implies things that this movie simply doesn't revel in. I fell in love with the photography, with so much beige tones, big grain, and that "big head" screen filling where the entre frame is taken up by tight close ups of someone talking, that I felt like it could have been a Paragon release from 1982. Kudos are in order for making a film with so many old cars, phones with cords, and early 80s decor that when the scene with the son and the cll phone came up at the end I felt it was a deus ex machina until I realized, hey, it just adds to the phantasmagorical aspects of it all. The plot concerns one mother who finds a demonic plot in her son's suicide, which at the onset of the film may be a descent into her insanity, and winds up with her fighting tooth and nail against a devil cult led by someone who may be another mother- or Maeter of B. (something I kept from writing out fully to avoid ruining the plot, just keep an eye out for the feather boa to see who I mean), as it were, as this films quickly veers into what could be construed as another option of the Third Mother of "Suspiria De Profundis". I am going to take heat for this one, but I felt like this film would have made for a more satisfying conclusion to the Mothers' trilogy than the film Argento eventually made as it has more of a rabbit hole approach to it, and has a dream-like aspect to it- so much so that it reminded me in parts of "Inland Empire." And hey, when was the last time you saw a DTV horror flick that didn't have gratuitous rock music during the end credits. Overall, I think I will be watching this one again- it would make a great 80s throwback double bill with "House of the Devil." (And don't take offence at the Argento comment because I am- and will always be- a great fan of his work!)
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