Showing posts with label gore. Show all posts
Showing posts with label gore. Show all posts

9/08/2012

Slaughtered Vomit Dolls Review

Slaughtered Vomit Dolls
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A friend brought this over to the house a few months ago. I'm a big fan of deranged, extreme horror, underground stuff, etc. Yet I found this film to be a bore. No offense.
Dunno...call me old school, but I still prefer the Richard Kern stuff from the late 80s.

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9/04/2012

Jungle Holocaust (1978) Review

Jungle Holocaust  (1978)
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Finally, Deodato's first cannibal epic gets a re-release in it's uncut
format - having been out of print for years ever since it's very rare mid 80's vhs release from Video City. The new DVD from Shriek Show touts "uncut for the first time in the US!!" which is somewhat untrue since the Video City tape was also uncut. In fact, the print on the old Video City vhs release ran 91 1/2 minutes, whereas the new DVD only runs 88 minutes (but this appears to be only due to the projection speed or NTSC/PAL difference - the DVD runs slightly faster). However, the new
DVD can be called even more "uncut" since it is now in widescreen. The old VHS suffered from horrible pan-and-scan which elimated important information (including in one early scene - a quick glimpse of a cannibal's face in an airplane window - completely off-screen on the old VHS even though there's an audio shock sound accompanying it). In fact, not only is there extra substantial information to the left and right of the screen, but the DVD even adds a sliver to the top and bottom! The DVD is a great looking presentation compared to the old vhs - no question.
Shriek Show delivers the goods with this release. I've heard some differing opinions on the quality of the transfer of the film, but I must say, I am totally satisfied with the job they've done here. Although not 100% perfect, the anamorphic widescreen image is crisp, colorful and sharp - and it does not suffer from any blatant artifacting or shifting. Aside from some Very minor blotchiness in a scene near the end at the river, it looks great throughout. No complaints. Also featured on this DVD is an audio commentary by Deodato (in italian!), but if you don't speak italian you can watch the movie with the english subtitle translation of his commentary! The subtitles are mostly in the black bar underneath the lbx film so they don't really interfere with the image.
And is this commentary a hoot or what!?! Deodato keeps saying "this is a realistic movie","everything is real", "this scene is real", "isn't this scene real", "nothing is fake", "everything is real", etc. You get the idea? He also contradicts his own previous statements and claims he had nothing to do with the numerous animal torture-killing scenes and blames them all on the producer. He says the producer shot and added all of these scenes to the film afterwards to satisfy East Asian markets. But look at the alligator scene -- Deodato says the skinning part of it was shot later in Singapore with the skinners playing the cannibals - but then we cut to a long shot obviously directed by Deodato of the skinned alligator right back where the scene started. Hmmm. It's also funny to hear him say later that the producer died years ago - thus, the guy has no way to defend these statements and accusations himself. All quite amusing - gotta love Deodato!
Other extras on the DVD include short on-camera interviews with stars Massimo Fosche and Ivan Rassimov (looking old) plus a still/promo art gallery, a weird US trailer (as "Last Cannibal World") which doesn't look like a US trailer at all ... I remember the film getting a US release in my town as "The Last Survivor" - wish that trailer could have been
included. There are a few bonus trailers for upcoming Shriek Show releases such as "Beyond the Darkness" (Buried Alive), "Nights of Terror" (Burial Ground), "Zombie Holocaust" and "Eaten Alive". Plus, to top it all off, inside the keepcase are 10 miniature lobby cards!
So, if you're a cannibal junkie, this is one to devour. It's no "Cannibal Holocaust" and suffers from a somewhat simplistic script, but
there's enough grue and nudity to satisfy gorehounds and enough animal cruelty to enrage everyone else. It ain't pretty, folks, but it is one of a kind. They don't make 'em like this anymore and even though Deodato says he wants to now make "Cannibal Holocaust 2001" (too late ruggero!) - - don't hold your breath. This is a long-dead genre destined to stay that way. Bon appetit!

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Item Name: Jungle Holocaust; Studio:American International Pictures (AIP)

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6/30/2012

Stockholm Syndrome (2009) Review

Stockholm Syndrome (2009)
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This might ave been a good movie, had it had more money spent on it.
Unfortunately its shortcomings are all too obvious. The acting is beyond cretinous, the camerawork shoddy, and the picture grainy and wobbly.
Sound is also chronic in parts with voice sound volume decreasing abruptly when actors walk away from the boom mike.
Although the gore is plenteous and quite well delivered, it seemed that Mr Cavalline was just direcing a series of horrific scenes to shock.
There was no cohesion and it came across like he was trying just that bit too hard. There is not much (if any)storyline, so all in all not a success.
I'd recommend this film to horror boneheads who can understand gore when they see it, but would be confused by any semblance of plot or realistic acting. Strictly Amateur Hour i'm afraid.
PS Ignore Todd Proesl's review. Not only does he "act" in this film, he is the worst "actor" in the entire thing.

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5/05/2012

Cannibal Ferox (A.K.A. Make Them Die Slowly) (1983) Review

Cannibal Ferox (A.K.A. Make Them Die Slowly) (1983)
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The DVD itself is a very satisfying package - we get commentaries, a beautiful transfer. Whether the film itself really has any merit depends on personal taste really. For my money, this is not a patch on Deodato's excellent Cannibal Holocaust, which is just as gory and a hell of a lot more realistic, with believable actors and an intelligent script. In comparison, Ferox seems like just an exploitative rip-off. But taken in its own terms, Cannibal Ferox does deliver the goods (I'm talking gore-wise) with hard-to-watch sexual violence accompanying genuine animal deaths. The music is cheesy, and again not up to the standards of Holocaust, but it grows on you.
Overall, this Holocaust rip-off is obviously a must-buy for italian cannibal/gore fans (legions ahead of rubbish like Eaten Alive etc). People new to the genre may do best to check out Cannibal Holocaust (availible on import from europe) first, as it is cinematically far better although harder to watch. But if you're in the mood for a little mindless gore, and don't mind certain scenes looking a tad unrealistic not to mention the laughable dialogue, you could do far worse.

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Here it is! The original uncensored, unrated director's cut of one of the most notorious and violent films of all time. Banned in 31 countries, "Cannibal Ferox" assaults your senses as a group of Americans lost in the jungles of Amazonia experience brutal retribution at the hands of savage cannibals. This is the legendary Grindhouse Releasing deluxe edition of Umberto Lenzi's infamous classic of graphic horror. Warning - due to its shocking and violent nature, no one under 17 should view this film. Audio Commentary by director Umberto Lenzi and star John Morghen - Trailer - Production Stills - Filmography - On-camera interview with director Umberto Lenzi; Other surprises1.85:1 - Color - Italian - Stereo - English Dub: Stereo

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5/01/2012

Splatter: Naked Blood Review

Splatter: Naked Blood
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Let's face it, you're not here for a story.
Yeah there is one, with a deep message about excess.
But you're here for the blood.
And when it rains, boy does it pour.
If you're freaked out by self-mutilation, give this one a pass.
I personally had to pause this movie a number of times to make it through.
It takes a while for the gore to get going,
(there is a story here after all)
But once it does, grab your umbrella.
Here's what it's about:
Eiji infects his mothers 3 patients (all women testing out a new contraceptive)
with the ultimate pain-killer,
A pain-killer that turns pain into mounting pleasure.
This in turn, has disasterous effects.
One pateint is obsessed with eating
Another patient is obsessed with beauty
And the last suffers from extreme insomnia.
(She hooks herself up to a cactus, in order to sleep. Why? I have no idea)
***GORE SPOILER***
In this flick you'll see:
- one woman eat herself alive (hands, eyes, nips, and bajingo)
- another pierce herself to death (and I mean pierce)
- & a guy crawl into a woman's open chest cavity.
Sound up your alley?MORAL OF THE STORY:
The pain of life cannot be masked by excessive pleasure.
It will consume you.

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4/22/2012

The Living Dead Girl (1982) Review

The Living Dead Girl (1982)
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Yet another well-done, beautiful-looking Jean Rollin film. Some workers storing chemical waste in a crypt decide to moonlight as grave-robbers and open a coffin containing an astonishingly well-preserved young woman. But oops, there's this earthquake, y'see, and chemicals spill and o' course this brings the girl back to life and she starts killing (sharp fingernails!). Then she wanders off to a large chateau, of which her undead brain contains vague memories. There she meets her best friend, who's so glad to see her back among the living (sort of) that she decides to help her get the blood she craves by luring in victims. This leads to some pretty heavy gore - more graphic than what you usually see from Rollin - and o' course there's plenty of nudity, all of it beautifully, poetically filmed. Pretty extreme in all counts, and has that dreamlike suspension-of-logic that'll make you not worry about details (like why didn't the girl decay at all? and is there anything worse than the accordian-rock of The Fireflies?). Another good 'un from Rollin.

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4/06/2012

Abduction (2009) Review

Abduction (2009)
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While this is yet another movie I own about people disappearing in New Jersey, it's nothing like Nothing But Trouble. This is not a wonderful comedy with a roller coaster of death, this is some kind of bizarre misogynistic bondage and psychological horror movie. It's pretty well made in terms of camera work, acting, etc. And it makes me uncomfortable to watch it. The treatment of women is horrific. They're just beautiful bodies for impregnating or organ harvesting. Men too, but not as much. The problem is that the abuse isn't portrayed stylistically. This movie portrays the abuse in a clinical realistic way. In the movie A Boy And His Dog, they strap the man down to harvest his sperm to impregnate women and its hilarious. In this movie, they kidnap men and kidnap women and they force to have sex with tasers, and they kill people who refuse to have sex or fail to achieve pregnancy by wrapping their heads in plastic and making them suffocate to death.
On the plus side, it has lots of nudity. On the down side: it's absolutely horrifying and patently offensive.

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3/16/2012

It's Alive (1974) Review

It's Alive (1974)
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Larry Cohen has always had fun making no-frills, slightly creepy "B" Horror movies. As a result, his films tend to be non-cerebral, quirky, violent, cheesy-looking, infectiously funny, and, most of all, fun. It is in this spirit of fun that I write this review for one of Cohen's most memorable and fun films, IT'S ALIVE! (1974).
The plot is simple: a relatively normal (though slightly quirky) middle-aged couple with an 11-year-old son, who decided to have one more child, is going through what is obviously a prolonged, painful pregnancy for the expectant soon-to-be-second-time-mother. The Davis family, consisting of Frank (John P. Ryan), Lenore (Sharon Farrell) and Chris (Daniel Holzman) just want to get through it, already. Lenore finally goes into labor one night, and the whole family drives to the hospital, during which time Frank tries to lighten the mood with a little humor. During the interminable wait in the hospital lobby, Frank overhears two men discussing something about the toxins being released into the environment and how scientists are warning of the possible mutations this could cause for humans. Suddenly, a badly wounded doctor comes stumbling out of the O/R and drops dead on the hallway floor. Frank and the others run into the room to find a scene of sheer horror: five doctors and nurses dead, their throats all torn and bloody. As they stare in shock and amazement, Lenore (who is uninjured) delivers the chilling news: she gave birth to a newborn baby monster. As Frank and the police try to find the Davis' mutated son, who had escaped the hospital through a ventilation shaft, Baby Davis tries to find his way home by himself, dispatching several unaware victims in the process. Frank is torn amongst his feelings of protectiveness for his son, of the sense of duty to snuff out this newborn killer's life, and anger at those he feels are overly anxious to kill him.
I have rented this film and seen it on three separate occasions (all on VHS, of course; unfortunately, Warner Brothers has not yet seen fit to issue it on DVD) and it gives me something new to focus on each time. The first time, it was the visceral violence of the film (it is quite bloody); the second time, it was the sheer campiness of the whole thing. The third time, it was the emotional suffering of Frank Davis, as he tries to simultaneously make sense of the situation, figure out what his newborn monstrosity will do next, and to make it right.
Although all of the acting in the film is effective and dependable, none stands out more than John P. Ryan. I love his goofiness at the beginning of the film as he's talking to his "young whipperschnapper" son in a comic Humphrey Bogart-meets-Edward G. Robinson voice. I like the effectiveness of the quiet, tense scene that takes place right after the horrible slaying in the hospital, in which the police try to dance lightly around Frank as they begin to ask him uncomfortable questions at this very awkward time. Frank's foot-shifting, equally uncomfortable responses and increasing agitations hit just the right note, and are a subtle example of great Method Acting. Finally, I like the heartbreakingly somberness of the climactic, and inevitable, final scene.
The PG-rating for IT'S ALIVE! remains something of a deceptive mystery; it IS quite bloody, although there isn't much in the way of graphic gore. Still, this got rather strong ratings abroad: According to IMDb, it received a "15" rating in Sweden, an "18" rating in both the U.K. and The Netherlands (the numbers referring to the age at/above to which the film's viewership was restricted), an "R" rating in Australia, and in Finland, it was banned!
I know it's cheesy, I know that you hardly see the monster baby (which, given the lack of special effects, was probably a good thing and even added to the suspense), and I know that future multiple-Oscar-winning makeup genius Rick Baker was basically beginning to learn his craft here; the fact is, I find it impossible not to like IT'S ALIVE! If you love those late-night creepy old movies, then you know you will like this too. You've got to admit, you like this kind of stuff--and director Larry Cohen sure makes it fun to watch!
RECOMMENDED
HIGHLY RECOMMENDED FOR FANS OF 1970'S FILMS

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A couple expecting a baby discover it's a monster that kills when it's scared.DVD Features:Audio Commentary:Commentary by Writer/Director Larry CohenTheatrical Trailer:Trailers of this and the sequels "It Lives Again" and "It's Alive III: Island of the Alive"


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1/27/2012

Guinea Pig Flower of Flesh and Blood/Making of Guinea Pig Double Feature Review

Guinea Pig Flower of Flesh and Blood/Making of Guinea Pig Double Feature
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I think nearly every horror movie fan is aware of the notorious "Guinea Pig" series by now. If you like horror films or gory curiosities and aren't aware of this explosive series of Japanese movies, you ought to rush out right now and see a few of them. Made throughout the 1980s and 1990s, "Guinea Pig" pushes envelopes few people in this country would ever conceive possible. After viewing one of these repugnant films, a natural impulse is one of extreme revulsion. Why would anyone create such soul shattering images? It's important to remember that Japanese audiences possess a different attitude about horror films. As far as I can tell, in Japanese cinema anything and everything is fair game. A typical jaunt through the wilderness of Asian horror cinema (in which Japan plays a significant role) typically reveals graphic scenes of dismemberment, torture, and other no-no nasty behavior that rarely, if ever, appears in American films. Some films containing such stomach churning themes do occasionally rear their heads on this side of the pond, but these films rarely play to a wide audience. In Japan, the "Guinea Pig" franchise was a spectacular hit.
I haven't seen all of the films in this series, but out of the two installments I have watched, "The Flower of Flesh and Blood" easily wins the prize for outright sleaze and nastiness. It's difficult to imagine any film approaching (or descending to) the levels seen in this mind blasting forty-minute movie. Even Pier Paolo Pasolini's sickening homage to the evils of fascism, "Salo," fails to invoke the visceral sensations that "The Flower of Flesh and Blood" wallows in. This movie is a sledgehammer blow to the head and stomach with its unrelenting scenes of carnage and depravity. They ought to sell copies of this wrapped in a barf bag.
Manga artist Hideshi Hino directed this nightmarish look into the activities of a sadistic serial killer. That we know this guy is a serial killer and that he likes to stalk his prey before committing a brutal murder constitutes the plot in its entirety. There simply isn't much more here than a short stalking scene at the beginning of the story followed by a thirty-minute dismemberment filmed in nauseatingly sadistic detail. That's right, folks: "The Flower of Flesh and Blood" exists to show the viewer what it might be like to watch a snuff film.
Forget about character development. Two characters exist in this movie: the poor young woman picked up by the killer, and the killer himself. At least they made the murderer look like a complete psycho, as the guy wears a samurai helmet, a full body leather apron, and some sort of black caps on several of his teeth. This gentleman does not fit the bill of a role model in any way, shape, or form. He's a degenerate who likes to wax philosophic between removing arms and legs, blurting out weird lines about how his next activity will imitate blooming flowers and the like. At the end of the movie, he sings a melancholy song about sending people to the underworld. He also shines a different colored light on his victim at various times, although why he does this makes little sense. The majority of the film takes place in some seedy basement splashed with blood and filled with numerous tools of pain. Then you watch this guy commit his atrocities and that's it. There is nothing more to "The Flower of Flesh and Blood" than close up shots of bloody mayhem.
The DVD contains many interesting extras. There are several trailers from the other installments in the "Guinea Pig" series, one for the zombie film "Junk," several text interviews with director Hideshi Hino, an overview of the controversy involving Charlie Sheen (who supposedly saw this film and believed it was a real snuff film), a behind the scenes look at the special effects involved in the series, and a reproduction of a manga comic book with loose ties to the film written and illustrated by Hino. The documentary on the special effects provides some comfort after watching the gruesome movie, showing that it is all nothing more than a well made horror film. Still, I'm uncomfortable with the knowledge that "The Flower of Flesh and Blood" made such a big splash with Japanese audiences. Remember, this is the same country that committed the atrocities in Manchuria during the late 1930s, and there are still people living in Japan today who were intimately involved in mass murder and mass torture throughout Asia during World War II.
I think this entry in the "Guinea Pig" series ultimately fails to deliver the goods. As a gorehound, I appreciated the awesome special effects displayed in the movie, but the movie never rises to the occasion in terms of character development and plot. I watched the other Hino directed entry in the series, "Mermaid in a Manhole," a few years ago and I thought it well developed and interesting. In that film, which contained numerous graphic scenes, Hino developed a plot heavy on human suffering that showed emotional pain as a real tragedy. In "The Flower of Flesh and Blood," he indulges in sadism for the mere sake of sensationalism. If you really want to see this movie, just steel yourself for the depths of degradation. If you have kids in the house, don't even think about buying this film if there is any chance your children might find it. This is not acceptable viewing for youngsters, and it probably isn't acceptable viewing for most people. Beware, oh beware! "The Flower of Flesh and Blood" is upon you!

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1/12/2012

Broken (Unrated) Review

Broken (Unrated)
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I was watching the previews on the DVD for "Black Sheep" when the trailer for "Broken" came on. In that week's rentals I had a film called "Broken," but it was an Indie film starring Heather Graham and Jeremy Sisto and not this film, which turns out to be another example of the torture porn horror film, albeit with pretensions. What is interesting is that that both "Broken" films came out in 2006 and that apparently both have just been released on DVD in the past month. This brings to mind the possibility that somebody would recommend the Heather Graham "Broken" and rent this one by mistake (Don't laugh, I recommended the Academy Award winning "American Beauty" to a co-worker once and they went to the video store and picked up "American Pie" and could not figure out why anybody would give Jason Biggs and the gang the Oscar). But the thought of people watching the wrong "Broken" was enough to make me check the other one out to see how much damage could be done to the psyche of some unsuspecting soul.
At the start of the film a title card informs us that "The slave girl is reared in an atmosphere of fear." The quote is from Harriet A. Jacobs (1813-1897), an American abolitionist who wrote the 1861 book "Incidents in the Life of a Slave Girl." Written and directed by the tag team of Simon Boyes and Adam Mason, this movie is about Hope (Nadja Brand), a woman who puts her young daughter to bed one night and wakes up trapped in a coffin-like box. We know from the opening scene of the film that whatever is about to happen to Hope has happened to another woman, who clearly has been pushed beyond her limits. Consequently, given the Jacobs quote the implication is that the title of this horror film has to do with a woman's broken spirit. However, in the final analysis most of what gets broken here is physical rather than spiritual.
Hope is being held in the forest by a man (Eric Colvin), whose goal in dragging women out there is not to torture, rape, and kill them, but to help them get their minds right to being his domestic slave (unless the tending the garden bit is supposed to reference "Candide" in some way I have not yet figured out). So when his victims are required to use a pointed stick to open up an incision in their abdomens while bound by the neck to a tree while balanced on a perch nailed several feet off the ground, it might involve blood (and sometimes guts), but it is not torture but a test. One of several as the man attempts to break Hope. But unlike previous victims, who have not worked out as the man has intended, Hope has something to hang on to: the possibility that her daughter is still alive.
This is a low budget film and if you go through the DVD's special features you will find out that Boyes and Mason came up with the script as something that they could afford to film: if you shoot in the forest you do not have to worry about building sets and if one of you is married (at the time) to the lead actress that explains how you get somebody to make a movie like this when you are shooting outdoors in England during the winter. If the movie delivered more of what it promised, it would have gone over better with me, especially given that opening quote which put me in a particular frame of mind. "Broken" is different from most splatter flicks in that it takes place over several weeks, which is appropriate to the psychological dimension. Just do not expect to understand how this nut gets his victims out there in the first place, because that is not part of the game here.
For all of its shortcomings, the end game of "Broken" is probably the best part of the movie. What happens to Hope and the man, respectively, struck me as being different and quite possibly original for this type of genre, and I ended up rounding up on the movie because of that (usually the ending of a splatter flick is the weakest part, especially when they contrive some stupid way for the killer to get killed). There are other decent parts of the film as well: the parts that are suppose to revulse you in this movie do so, the cinematography does not look low-budget, and there were several nice cuts to good effect, so this is not a case of just wallowing in blood and gore. "Broken" is not the torture porn film its trailer makes it out to be, but there is enough here to recommend checking it out.

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Hope and her young daughter are abducted and brought to a remote forest by a mysterious and nameless man. As Hope is forced to undergo a series of humiliating, violent, and degrading trials, she fights desperately to escape and discover the fate of her missing daughter.

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12/26/2011

Vampire Girl vs.Frankenstein Girl Review

Vampire Girl vs.Frankenstein Girl
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Based on a best-selling manga by Shungiku Uchida, this slice of dementia was fabricated for the hardcore audience of 'Tokyo Gore Police', 'Meatball Machine', 'Machine Girl' and 'Robogeisha', and ups the ante considerably when it comes to off-the-chain, over-the-top insanity, audacity and mind-melting hyper-violence.
A non-stop, balls-to-the-wall send-up of all the classic Universal horror flicks, we've got an adorable schoolgirl Vampire chick, a goth-girl gang whose leader becomes the Frankenstein girl after a fatal accident at the hands of the vamp chick, a hunchback dwarf who incinerates corpses left by the vamp, a school principal who's also the resident mad scientist / Dr. Frankenstein with a lab in the school basement, aided by an over-sexed faculty nurse who later becomes an undead killing machine at the hands of the good doctor. Have I got your attention yet?
And we're just scratching the surface of this psychotically-psychedelic celluloid centerpiece of all things absurd, offensive and voraciously violent. Imaginative beyond your wildest dreams, unapologetic in it's insensitive use of stereotypes (there's a group of girls who wear afros, facepaint, big lips, put plates in their lips and gangsta rap, ghetto dance and spew Ebonics about Michael Jackson, Barack Obama, Joyce Joyner and Michael Jordan - remember, these are Asian girls!), this flick has more WTF moments than anything I've ever seen, and that's saying a lot.
Then there's a parody of disturbingly real-life adolescent behavior in Japan, the wrist-cutting kids (who do this out of boredom, rebellion and status-seeking), and here we have a school sanctioned, annual wrist-cutting championship contest that the kids practice for after classes. Needless to say, the arterial blood-spray quotient has never been higher in one of these movies, and I thought that crown went to 'Machine Girl' when I saw it for the first time. Guess again. Noah's Ark couldn't withstand this sanguinary storm.
As the film progresses, the violence gets more vehement, the gore more grandiose, the larger-than-life lunacy now nearing apocalyptic proportions - there are no words that can adequately prepare your senses for this onslaught. It just keeps on building steam until the frenzied finale and a tip-of-the-hat parody of 'Let The Right One In' along with so much more. The only thing missing was nudity, but now I'm just being gluttonous...
For a low-budget film, the special effects work most of the time (even when not so special), and you can't analyze or over-think what's happening on-screen without ruining it for yourself - this is a roller-coaster ride, one of the largest you've ever been on. If you thought about this, you'd probably never get on one, and if you've never ridden one, you won't enjoy this flick. You need to turn your mind off for a spell and get sucked into the bizarre madness on display. It's not for everybody, hell, it's not meant for most folks. But if you've seen the movies referenced above, you're already in the choir and need to check this one out immediately. (By the way, it's much better than 'Robogeisha', which I found to be a let down...).


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The deranged genius behind Tokyo Gore Police is back with a chilling new flick that's re-writing the hallowed history of the horror genre. Vampire Girl vs. Frankenstein Girl is the terrifying story of two classic monsters re-imagined as super hot - and extremely lethal - Japanese school girls. Gore rules supreme in this blood-cake cavalcade of carnage chosen as the winner of the Audience Award at the 2009 NY Asian Film Festival. Fan boys and movie blogs are already buzzing over this bloodbath du jour, and aficionados of psychedelic blood-filled chocolates, mad scientist principals, sumo wrestlers from hell, and sex-crazed school nurses are guaranteed to lose their heads over this old school splatter-fest.

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10/31/2011

Shogun Assassin (1980) Review

Shogun Assassin (1980)
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"Shogun Assassin" is a great film. Much "controversy" has arisen over the years regarding this film having been cobbled together from two other films in the Lone Wolf series. I think that what has been achieved is an extremely entertaining, fast-paced piece of action. By eliminating non-essential story lines and including a voice over narration, the action moves at break neck speed. The amount of blood spilled is so over the top as to be cartoonish, which only adds to the uniqueness of the movie. The DVD transfer is excellent and the restored picture is high quality. Some reviewers have complained about certain scenes being unrestored, it is actually only two shots totaling maybe five seconds in length. Both shots are of a castle and the excuse for not restoring them was that they were stock footage with no original element available. I do not know why the company had to place the disclaimer of this fact on the film, as I doubt anyone would have really noticed anyway. An added bonus on the DVD is the inclusion of the trailer which, I had never seen before. I can only imagine an audience seeing this trailer and somehow not wanting to see the film, it is awesome. Anyway, if you have never seen "Shogun Assassin" or have seen it a thousand times, buy this DVD, it is well worth it.

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In a time of evil and tyranny, a stone-faced ronin wanders the countryside with his young son (and a weapon-filled baby cart), hunted by the merciless minions of an evil Shogun. Once a noble samurai, he is now the most feared assassin in Japan, known only as Lone Wolf.

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10/24/2011

Dawn of the Dead (Ultimate Edition) (1979) Review

Dawn of the Dead (Ultimate Edition) (1979)
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Zombie movies. Lots of "serious" types look down on them. That's a shame, because some of them are really first-rate films. Dawn of the Dead, the middle film of George Romero's "dead" trilogy, is a case in point. You want zombies, we got your zombies RIGHT HERE! You want blood? Guts? Flesh eating? Oh boy, does Dawn of the Dead ever deliver!
And then it does something really unique - it also delivers drama, engaging characters with realistic delimmas, a smartly crafted story, and a heavy dose of dead-on social satire. And did I mention that it's just flat-out scary as hell, too?
There is one scene in particular, toward the beginning, that still haunts me - twenty some-odd years after I first saw it. The National Guard has been called in to clear a tenament building. In the basement, they find a cage where the dead have been locked away. The simple, unsettling music of Goblin rises on the soundtrack, underscored by a heartbeat-like bass drum. There are the zombies, many in death shrouds, feasting on body parts. Guardsman Peter Washington (Ken Foree) steps into the nightmare with a pistol to dispatch the zombies with bullets to their heads. The whole thing takes on a surreal, hellish texture, like a Bosch painting. Foree's performance is striking - he is truly IN THE MOMENT, as they say, without a hint of the winking self-awareness we see in other genre flicks. If the dead really started coming back to feed on the living, this is exactly what it be like. This is the toll it would exact on people trying to grapple with the situation.
Yet, in a way, Dawn of the Dead IS self-aware. It knows when to step back, too, and admit that it's playing with you. Another scene, of this sort, occurs when we see a group of rednecks hunting the shambling corpses as though they were deer. They sip coffee from thermoses, pass sandwiches around, and banter about their accuracy with their rifles. It's a very funny bit, in part because it's so deadpan.
Those are just two favorite examples. There is much, much more to this film, and almost all of it works beautifully. Even the sometimes obviously low budget and gleeful use of library stock music doesn't hurt. Romero turns these limitations to his advantage, by making them serve as searing comments on mass media, consumerism, and pop culture.
Performances by David Emge, Scott Reiniger, and Gaylen Ross are worthy of mention, too. They play real people in an extraordinary situation, rather than two-dimensional horror-movie characters.
Dawn of the Dead schlock as high art - complex, funny, scary, and engaging. And thank goodness it's coming back to DVD, because it's one worth watching over and over again.

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No Description AvailableNo Track Information AvailableMedia Type: DVDArtist: DAWN OF THE DEADTitle: DAWN OF THE DEADStreet Release Date: 09/07/2004

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10/11/2011

Grizzly (1976) Review

Grizzly (1976)
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I remember when I first saw "Grizzly" at the movie theater during the mid-1970s. I must be truthful. At the time, filled with a child's energy undoubtedly spawned by too much candy and coke, I thought it was a terrifically exciting action flick. I loved the thundering musical score by Robert O'Ragland, the dizzying camera angles during the helicopter sequences and the likeable camaraderie between leads Christopher George, Richard Jaeckel and Andrew Prine.
When watching the film again as an adult, I was pleasantly surprised that many of my fond memories still held up. Granted, "Grizzly" is strictly a B-Movie imitation of the far superior "Jaws," complete with an inexperienced law enforcement official, an eccentric zoological expert, a salt-of-the-earth guide and a corrupt supervisor/executive. But there is a surprising energy to the proceedings as these hunters slowly close in on a prehistoric 18-foot grizzly dining on unsuspecting (and for the most part female) campers.
The picturesque scenery (filmed at a state park in Georgia) adds to the energetic proceedings, camouflaging the film's conservative budget. But not even the tallest of pine trees can cover up a painfully awkward supporting cast (many of whom are the title character's appetizers), backyard special effects (a man in a bear suit) and the prolonged, violent deaths of two important cast members.
Granted, "Jaws" was an extremely violent film, but the violence was always stylish. The corpses which begin popping up (and falling down) in "Grizzly," look as if they've been bathing in buckets of discount Karo syrup.
What I like about "Grizzly" is the tremendously exciting final battle between the bear and the surviving members of the hunting party. Intense close-ups and quick editing truly create a suspenseful confrontation. We should probably thank director William Girdler (a schlock hack whose infamous credits include "Three on a Meathook" and the horrible "Day of the Animals"), in what is most likely the only good film he ever helmed.
An added note must be made about the film's rather somber conclusion, where a survivor sadly inspects the chaos surrounding him. While "Grizzly" does not necessarily have a sad ending, there is general remorse shown by this character for the victims of the title beast. This haunting moment is actually an improvement over the rather lighthearted conclusion to "Jaws" the year before.
The three leads are uniformly likeable, as Christopher George, Richard Jaeckel and Andrew Prine utilize their experienced personas to full effect. As a child watching these brooding and flawed heroes traipse through the forbidding woods hoping to somehow kill this indestructable beast, I remembered thinking..."They are so cool."
The movie's premise is unbelievable, several scenes are laughably bad and the gratuitous violence is unpleasant to say the least. But even today, 30 years removed from the cramped mall theater, George, Jaeckel and Prine versus The Grizzly is still oddly...."cool."
Somewhere, Jack Arnold is smiling.

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9/22/2011

All Night Long Collection (2003) Review

All Night Long Collection (2003)
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Japanese people are just plain scary. I'm not being prejudiced, because I love the Japanese but they have created some of the most gut wrenching and mortifying movies ever made. Audition and the Guinea Pig series come to mind. But this puts those to shame (except maybe Devil's Experiment, and Flowers of Flesh and Blood) as one of the most unsettling films ever made.
All Night Long:
The story in this one is three guys are one day standing at a railroad crossing waiting for the bars to raise up, when a crazed man comes up to a girl. The man kills the girl right in front of the three guys. And then was about to murder one of them when another rams the guy with his motorcycle. The three decide to celebrate by having a "party" in which they are all to bring a girl over for some fun. One of the guys actually falls in love with the girl he was going to bring to the party, but is murdered by a group of young men that bully and harass people. The guy goes insane and gets the others to come with him to kill the group. When one tries to back out. He is threatened that when they are done with the group they'll come and kill him.
The movie is quite unsettling and quite graphic in its portrayl of rape and murder. It especially show rather effectively one of the character's descent into insanity.
All Night Long 2: Atrocity:
The best of the three on this collection in my opinion. The story focuses on a nerdy student named Shinichi during his summer vacation. Shinichi is a shy and quiet individual who's only solice in life comes from painting a model of a nude manga girl. One day A rich kid and his gang of thugs start picking on Shinichi. They beat him up and torch his model. Then one day Shinichi is visited by the leader of the thugs. Claiming that he wouldn't be harmed, Shinichi takes the invitation to go to the leaders home. There the leader shows Shinichi a girl that one of the thugs have kidnapped, and raped. the leader shows Shinichi how he is capable of being abusive, and cruel to people that are "trash." This movie is more F***ed up than the first ANL movie. Maybe it is because it looks like it was filmed with a personal camcorder, and was made on a relatively low budget. This movie was actually more upsetting than the most vile of the Guinea Pig movies. This one is definitely not for the weak of heart or stomach.
All Night Long 3: Final Atrocity:
First off I would like to say that the title is misleading, there are two more All Night Long movies that were made after this one. This one was actually sort of a letdown, especially after the great horror that was Atrocity. Although this one is a bit more offensive. It focuses on Kiku, a mentally handicapped guy who works in a love hotel. He is a normal person until one night he comes across some of a female neighbor's garbage. He takes it home and nails some of it to his walls. I'm talking everything even used tampons. He then starts becoming obsessed with this girl. Always stealing her garbage, leering at her at her work. He even gets pissed when a guy takes her to the love hotel he works at. He also meets up with an old man who has been doing the same thing Kiku has been doing, stealing people's garbage, but he's been doing it for years. Kitamura (the director) really shows off the message of the movie series, that message being, humans are garbage, in this movie.
In short this is one of the most f***ed up series of movies to ever have been released. If you are the type that is easily upset by this style of movie you should avoid it like the plague. It is deeply disturbing and makes you say WTF more than once after you have watched them. If your into Guinea Pig, Audition, or Ebola Syndrome you would like this collection. Just be prepared for a sickening experience. Also if you're thinking about buying these movies, buy the boxset. It only costs thirty dollars, for all three of them. That is more cost effective than buying all of three of them seperately for around ninety dollars.

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8/09/2011

Grindhouse Presents, Planet Terror - Extended and Unrated (Two-Disc Special Edition) (2007) Review

Grindhouse Presents, Planet Terror - Extended and Unrated (Two-Disc Special Edition) (2007)
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First, a word about this childish boycott. "Grindhouse" gave us two brilliant genre films for the price of one in the theaters. It was a once in a lifetime experience for most of us and a chance to see the two most bada$* directors in Hollywood give us 3+ hours of hardcore horror entertainment including the funniest faux-trailers your likely to ever see. And it bombed. Big time. Why? Because lazy America said it'd wait for the DVD because the film was too long and lost the chance to support a truly brilliant idea and show that we are sick and tired of cardboard cutout PG-13 teen horror and bad remakes of beloved cult classics. They went to see "Disturbia" instead. "Grindhouse" was what true horror fans -hell, what all true film fanatics- have been dying for and shame on all of you who missed it. So the studio took a loss for taking a chance on this idea and as a result, they've split the two films up with extra scenes that were cut for time and are giving us these two films as we haven't yet seen them, each in double-dic editions packed with extras. Awesome, right? Weeeeeellllll, now the same whiners who stiffed the films in the theaters are angry they missed out and want both films on one DVD (as if there'd even be room) for a discount price. Sorry, but it don't work that way. The theatrical cut was packaged as just that, an experience for the theaters simulating the double-feature drive-in days of old. Even if that experience would translate to DVD, why would the company re-release it in a form that already failed miserably? The bottom line is this: we now have another chance to show that THIS is what we as horror fans want to see and the only way to do that is to buy these great-looking DVDs. The notion that making the films bomb yet again on DVD is going to lead to some super-duper deluxe theatrical edition must have been conceived in the mind of a five year old on crack. If we don't support these editions, these films will die and the studio will waste no more money on this failed project or any like it in the future. This is basic business sense. Support true horror and boycott crappy remakes and bloated sequels *cough*Spiderman3*cough* instead.
"Planet Terror" as you already know, was Robert Rodriguez's half of "Grindhouse" and while it's artistically inferior to it's sister film (Tarantino's "Death Proof"), Rodriguez brings the campy action, hardcore gore, and zombie awesomeness hard and fast like you know he can. The music, as always, rocks and grooves, the deaths will make you laugh and recoil in disgust, and Rose McGowan may well be the sexiest thing on the planet. The story is nonsense, of course, and the dialogue is hammy and shooting a grenade launcher directly into the ground will NOT launch you into the air (not in one piece, anyway) like a superhero, but this film is of the kind where this sort of unreal madness only makes you love it more and leaves you drunk and giddy with the chaos. It's silly, but you will love it. Much of "Planet Terror" makes me feel like I'm watching the most kicka$# video game ever made; a game I'd really love to play.
The movie is packed with recurring jokes and funny, memorable dialogue (much of which is based on Rose McGownan's real personality) that pays off in spades down the line. Rodriguez did not skimp on the cast, either. Sure, he cast most of his family plus his doctor and even his freakin' real-estate agent, but they are all fantastic. Bruce Willis chews the scenery, Freddy Rodriguez is THE zombie-killing machine, Quentin Tarantino plays "rapist #1", and you know it's a true undead party when Tom Savini hits the scene. Also, Fergie plays a lesbian who gets her brain eaten by the marauding undead. Yes, I know if this was realistic the scene would have played out like the Simpsons episode where the zombies moan "braaaaaainsss" as they feel her head and then, finding none, leave the so-vapid-she's-sexy pop tart to ponder her 15 minutes of fame; but like I was saying, this is not a realistic movie and any dead Black-eyed Peas member is a good one.
If anyone knows how to do extras right, it's Robert Rodriguez. You've got the standard commentary, plus the audience reaction track from the film's premiere (a personal favorite), his patented "10 minute film school", and yes, the "Machette" trailer still precedes the film. Sweet. The rest of the bonus features largely mirror the "Death Proof" DVD with lots of love for the cast and stuntpeople; very informative and very entertaining. I was actually hoping for more restored footage to the actual movie then we get (more crazy babysitter twins, anyone?) and the visual defects and missing reel -which was fun in the theater- are still there and not nearly as cute, but these are my only gripes. I could seriously write for days about all the things I love about this movie, but I'll just say one more thing before wrapping up: I sure could go for some barbeque.
"Planet Terror" brings some seriously awesome action-horror that delivers everything you want in a zombie film and you'd be a fool to pass on it just because you don't get a whole other movie free. Buy it, buy "Death Proof", and then go wave your copies at the moron down the street who's boycotting.

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(Horror) A fun zombie film that busts at the seams with gross special effects, amazing action, and deliciously over-the-top moments, as gun-legged Cherry Darling and one man wrecking crew El Wray try to save the world from a horde of flesh-eating zombies.

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7/29/2011

The Hills Have Eyes (Unrated Edition) (2006) Review

The Hills Have Eyes (Unrated Edition) (2006)
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This past weekend I saw film critic Roger Ebert and the other guy he does a show with talking about the worst films of 2006 (so far), and one of them on their list was The Hills Have Eyes (2006), which is actually a remake of a 1977 movie made by Wes Craven. Roger's biggest gripe seemed to be the film was too `by the numbers' (it is a remake), and he would have preferred more character development in the antagonists (Roger, they're radiated, grotesque, cannibalistic mutants...what else do you need to know?). Co-written and directed by Alexandre Aja (High Tension), the film features Dan Byrd (A Cinderella Story), Emilie de Ravin ("Roswell", "Lost"), Aaron Stanford (X-Men: The Last Stand), Kathleen Quinlan (Lawn Dogs), Ted Levine (Heat, "Monk"), and Vinessa Shaw (Corky Romano). Also appearing is Tom Bower (Die Hard 2), Robert Joy (Land of the Dead), Desmond Askew ("Roswell"), and Billy Drago (The Untouchables, Freeway).
The movie begins by telling us that between 1945 and 1962 the United States performed over three hundred atmospheric nuclear tests in the American southwest, and has yet to own up to the possibility of any negative genetic effects that may have resulted. Soon after we see some gooberment men in radiation suits performing various radiation checks in a desert in New Mexico, only to get seriously jacked by someone with a pickaxe. Following this bit of nastiness we see a large family traveling cross-country through the desert, stopping off at a dilapidated filling station in the middle of nowhere. There's Big Bob (Levine), his wife Ethel (Quinlan), their children Bobby (Byrd), Brenda (de Ravin), and Lynn (Shaw), her husband Doug (Stanford), their baby Catherine, two German Shepherds, two parakeets, and a partridge in a pear tree (a decent sized pool of potential victims is always appreciated)...anyhow, the old man (Bower), working the service station, lets Big Bob in on a shortcut, one that turns out to be anything but as Bob ends up crashing his Suburban into a giant rock after a mysterious blowout of all four tires. Big Bob and Doug try to go for help, each going in separate directions. Soon after Doug returns (he came up empty), the unpleasantness begins...you see, these here deserts are populated not only by snakes, coyotes, and scorpions, but also by hideously deformed, homicidal mutants with a hankering for fresh meat and a penchant for violence. Things get particularly nasty as Big Bob returns (sort of), comely Brenda makes some new friends, Bobby freaks out, some characters bow out of the production, and the mutants abscond with Catherine (babies are good eatin', I guess). As those remaining try to pull it together (the mutants said they'd be back), Doug, armed with a bitey dog and a baseball bat, goes off in search of Catherine and ends up finding a whole mess of trouble as he makes his way to mutant central...
Overall I thought this remake a very slick and intense entry in the survival horror genre, one that does get extremely messy at times, so if you can't stomach scene of extreme violence (the piercing of flesh with sharp implements, blood spurting, etc.), you might want to skip this movie (the unrated version has like two extra minutes of violence, bits originally cut to secure an `R' rating). One aspect I liked is the movie seemed to try and stay true to Craven's original, while adding a lot of extra material in terms of the mutants (here we get more of a back story as to who they were and how they came about). There were a couple of parts that did bug me though, the first being when Big Bob and Doug are preparing to go for help. Big Bob, a former police detective, gives Bobby a gun (supposedly Bobby's been trained in the use of firearms), and Bobby proceeds to joking point the gun at Doug. Now I've never handled a firearm, but I do know one thing...you never point a loaded weapon at someone unless you're willing to shoot them (I don't care if the safety is on). Not only that, but no one said anything, especially not Big Bob, who wasn't all that fond of Doug, but still...the other bit that annoyed me was when Big Bob got to the filling station and some stuff went down. At one point he begins firing blindly into the dark, which seemed really stupid and a waste of valuable ammunition, especially given he was supposed to be a hardened veteran of some police force...oh well...I did learn a number of things from this film including the following...
1.There are no shortcuts in the desert.
2.There's a real shortage of non-radiated, hot, young women out in the desert, making them extremely coveted.
3.Babies are juicy.
4.Desert mutants can imitate dog sounds really well.
5.Whiny cell phone salesmen are a lot tougher than I would have thought.
6.There are some serious economic opportunities to be had in opening a dentistry practice in the desert.
7.Dogs desire payback just as much as humans.
8.While years of exposure to atomic radiation can make you deformed and ugly as sin, it can also make you ridiculously strong and difficult to kill.
9.Bobby can't shoot for spit.
10.Doug, the guy who hates guns, wields that boomstick like a pro.
11.Nuclear test houses built by the military aren't all that solid.
12.Movie dogs will run off every chance they get.
13.Chevrolet Suburbans are quite roomy, enough so to store a few corpses.
14.Desert mutants are well organized.
15.Bobby might be able to run faster if he pulled his damn pants up.
16.Doug stole that `feigning helplessness and then jabbing a sharp implement in the foot of your attacker' bit from the movie True Romance (1993).
I thought all the performers did well, and I really liked how once things got going, the action rarely let up. I didn't really get too much into the amount of violence or many of the specifics within my review as not to spoil any of the shocks for those who haven't had a chance to watch the film, but know things do get nasty. I did see a few scenes taken from other films (besides the original film) scattered throughout, possibly indicating the writers influences, and perhaps they could have done a better job in not making their usage as obvious as it was, but then again the movie industry tends to be in the business of recycling, so it's probably best not to get too hung up on this aspect.
The picture quality, presented in widescreen (2.35:1) anamorphic looks very sharp and the Dolby Digital 5.1 surround audio comes through clearly (it's also available in Spanish Dolby Digital Surround 2.0). Included are English, Spanish, and French subtitles, a commentary track with co-writer/director Alexandre Aja, art director/co-writer Grégory Levasseur, and producer Marianne Maddalena, a second commentary track with producers Wes Craven and Peter Locke (both of whom behind the original film), a `making of' featurette titled `Surviving the Hills', production diaries, and a music video for the song `Leave the Broken Hearts', by The Finalist.
Cookieman108
By the way, I saw on the IMDb that Alexandre Aja is signed up to make a sequel to this movie, scheduled for a 2007 release...I hope it turns out better than the sequel for the original film.


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Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.

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