Showing posts with label grindhouse. Show all posts
Showing posts with label grindhouse. Show all posts

9/04/2012

Jungle Holocaust (1978) Review

Jungle Holocaust  (1978)
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Finally, Deodato's first cannibal epic gets a re-release in it's uncut
format - having been out of print for years ever since it's very rare mid 80's vhs release from Video City. The new DVD from Shriek Show touts "uncut for the first time in the US!!" which is somewhat untrue since the Video City tape was also uncut. In fact, the print on the old Video City vhs release ran 91 1/2 minutes, whereas the new DVD only runs 88 minutes (but this appears to be only due to the projection speed or NTSC/PAL difference - the DVD runs slightly faster). However, the new
DVD can be called even more "uncut" since it is now in widescreen. The old VHS suffered from horrible pan-and-scan which elimated important information (including in one early scene - a quick glimpse of a cannibal's face in an airplane window - completely off-screen on the old VHS even though there's an audio shock sound accompanying it). In fact, not only is there extra substantial information to the left and right of the screen, but the DVD even adds a sliver to the top and bottom! The DVD is a great looking presentation compared to the old vhs - no question.
Shriek Show delivers the goods with this release. I've heard some differing opinions on the quality of the transfer of the film, but I must say, I am totally satisfied with the job they've done here. Although not 100% perfect, the anamorphic widescreen image is crisp, colorful and sharp - and it does not suffer from any blatant artifacting or shifting. Aside from some Very minor blotchiness in a scene near the end at the river, it looks great throughout. No complaints. Also featured on this DVD is an audio commentary by Deodato (in italian!), but if you don't speak italian you can watch the movie with the english subtitle translation of his commentary! The subtitles are mostly in the black bar underneath the lbx film so they don't really interfere with the image.
And is this commentary a hoot or what!?! Deodato keeps saying "this is a realistic movie","everything is real", "this scene is real", "isn't this scene real", "nothing is fake", "everything is real", etc. You get the idea? He also contradicts his own previous statements and claims he had nothing to do with the numerous animal torture-killing scenes and blames them all on the producer. He says the producer shot and added all of these scenes to the film afterwards to satisfy East Asian markets. But look at the alligator scene -- Deodato says the skinning part of it was shot later in Singapore with the skinners playing the cannibals - but then we cut to a long shot obviously directed by Deodato of the skinned alligator right back where the scene started. Hmmm. It's also funny to hear him say later that the producer died years ago - thus, the guy has no way to defend these statements and accusations himself. All quite amusing - gotta love Deodato!
Other extras on the DVD include short on-camera interviews with stars Massimo Fosche and Ivan Rassimov (looking old) plus a still/promo art gallery, a weird US trailer (as "Last Cannibal World") which doesn't look like a US trailer at all ... I remember the film getting a US release in my town as "The Last Survivor" - wish that trailer could have been
included. There are a few bonus trailers for upcoming Shriek Show releases such as "Beyond the Darkness" (Buried Alive), "Nights of Terror" (Burial Ground), "Zombie Holocaust" and "Eaten Alive". Plus, to top it all off, inside the keepcase are 10 miniature lobby cards!
So, if you're a cannibal junkie, this is one to devour. It's no "Cannibal Holocaust" and suffers from a somewhat simplistic script, but
there's enough grue and nudity to satisfy gorehounds and enough animal cruelty to enrage everyone else. It ain't pretty, folks, but it is one of a kind. They don't make 'em like this anymore and even though Deodato says he wants to now make "Cannibal Holocaust 2001" (too late ruggero!) - - don't hold your breath. This is a long-dead genre destined to stay that way. Bon appetit!

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Item Name: Jungle Holocaust; Studio:American International Pictures (AIP)

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9/02/2012

Cherry, Harry & Raquel / Common Law Cabin (Megavixens / Three Ways to Love) (Big Six / Conjugal Cabin) Review

Cherry, Harry and Raquel / Common Law Cabin (Megavixens / Three Ways to Love) (Big Six / Conjugal Cabin)
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This is one of Russ Meyer's finer films, a late 60's collage of psychedelia, sex and violence occasionally overdubbed with psuedo-scholarly narration about class struggle(?) A bizarre and thoroughly entertaining mix. Charles Napier shines, as usual.
The DVD, on the other hand, is a bit of dissapointment. While it sports the "MINT QUALITY--From Original Negative" tag on the cover, don't be fooled..the picture (full frame) and sound (mono) are pretty much indistinguishable from the VHS edition of the same film. You get an animated menu, chapter stops, and a few trailers from other RM films, but that's about it.
If you already own the VHS, you may want to skip the DVD. Otherwise, go for it.

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8/31/2012

Pandora Peaks / Finders Keepers, Lovers Weepers Review

Pandora Peaks / Finders Keepers, Lovers Weepers
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Russ Meyer's "Pandora Peaks" gets a bad rap, but it is a fitting final film celebrating all the sexy things Meyer celebrated. While there is no story, there is wit and self-parody. "Pandora Peaks" is a remake or a redo of his wistful "Mondo Topless" in the 1960s complete with tape recorders. I don't share Meyer's predilections, but I find a lot of things to enjoy in his films and I find them in "Pandora Peaks".
Perhaps "Pandora Peaks" is his Warhol film. You can come and go as you please. Leave it playing and check it out as you go about your household chores.
"Finders Keepers Losers Weepers", which I had not seen before, is probably more conventional and straight than his official straight films, "Beyond the Valley of the Dolls" and "The Seven Minutes". Could have been better with humour, but still a good B grade thriller to pass the time away.

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8/26/2012

Bikers From Hell, Triple Feature: Run Angel Run/Hell's Angels 69/Hell's Bloody Devils (1970) Review

Bikers From Hell, Triple Feature: Run Angel Run/Hell's Angels 69/Hell's Bloody Devils (1970)
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Pretty good trash that is well embellished by Billy Bob Briggs comments. I'm just listing this 'cause Amazon hasn't ... at least yet.
3-Disc Set
Disc 1: HELL'S ANGELS '69
Keep Case
Full Frame - 1.33
Additional Release Material:
Audio Commentary - Joe Bob Briggs -
Actor/Author
Trailers - Original Theatrical Trailer
Disc 2: RUN ANGEL, RUN
Full Frame - 1.33
Audio:
Mono - English
Additional Release Material:
Audio Commentary - Joe Bob Briggs -
Actor/Author
Introduction - Joe Bob Briggs -
Actor/Author
Trailers - Original Theatrical Trailer
2. Guilty Pleasures Trailers
Disc 3: HELL'S BLOODY DEVILS
Widescreen - 16:9
Audio:
(unspecified) - English
Additional Release Material:
Audio Commentary - Samuel M. Sherman -
Producer
Trailers - Original Theatrical Trailer
Text/Photo Galleries:
Stills/Photos


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Item Name: Bikers From Hell, Triple Feature: Run Angel Run/Hell's Angels 69/Hell's Bloody Devils; Studio:Guilty Pleasures

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8/22/2012

The Beach Girls (1982) / Coach (1978) Review

The Beach Girls (1982) / Coach (1978)
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More drive-in/grindhouse-style fun! A grindhouse, by the way, was one of those 70's & 80's-era theaters that usually showed the same kind of sexy, violent exploitation fare as your typical drive-in theater. Sadly, both grindhouses and drive-ins have mostly fallen by the wayside in our slick multiplex culture. But, fear not, you get a sharp taste of that bygone era with these terrific "Welcome to the Grindhouse" DVDs. So, what's in store when you pop this particular double-feature disc into your DVD player and kick back? Glad you asked.
First (well, after the cheesy, scratchy, yet colorfully hypnotic "previews of coming attractions" bumper that every theater seemed to show in those days), you get a short trailer to something called "The Van" (randy guys cruising for chicks in their specially-outfitted-for-love vehicle) and a longer trailer for something called "Jocks" (randy guys on some vague high school or college sports team who party and chase girls a lot). Do you sense a theme here?
Next up, our first feature, "The Beach Girls". In a nutshell: one long party, frequent nudity (skinnydipping in the pool, skinnydipping on the beach, and just an overall casual attitude about the importance of clothing in general), and lots of pot smoking. With its lenient attitude about drug use and sex, along with the way it ridicules men in uniform (especially the poor U.S. Coast Guard, whose officers are portrayed as ascot-wearing dopes), I can't imagine that "The Beach Girls" was very popular with PTA groups, law enforcement, and other organizations that usually sport a sour attitude about those kinds of things. But you're not among those groups, are you, so all you need to know is this: the girls are sexy; the jokes are stupid but undeniably chuckle-inducing; and there's a general, upbeat "sun & fun" flavor that keeps things bopping along. The result: 90 minutes of silly, clothing-optional fun.
Next up: more sexy previews. "Malibu Beach" looks like the official sister film to "The Beach Girls". In fact, many of the visual gags performed by the extras in "The Beach Girls" (dog stealing the bikini top from the gal sunbather, for example) are seen again- the exact same footage, I mean- in the trailer for "Malibu Beach". I guess Crown International Pictures was an economical operation. There's also a trailer to a film called "My Tutor", featuring that classic theme of the exploitation era, the student/teacher liaison (more on this later). Oh, and be sure to remember: in order to see all these high-art previews and trailers, you need to hit the "grindhouse experience" icon on the DVD's menu screen, not just select an individual movie. The "grindhouse experience" means you get all the goodies discussed here.
Next we have our second feature, entitled "Coach". Of the handful of "Welcome to the Grindhouse" movies I've seen so far, this one is the most like, well... a real movie. It's a nice little story about a female high school basketball coach winning over her detractors (the high school's old boy network, the skeptical team members, etc.) and eventually making her underachieving team into winners. It's nothing groundbreaking, but this polished movie, with its recognizable actors (Cathy Lee Crosby, Keenan Wynn, etc.) was clearly an attempt by Crown International Pictures to break into more mainstream markets. Fear not, though, exploitation fans... in many respects, Crown still couldn't help being Crown, so you still get the following from "Coach": occasional female toplessness (by the girl students, but not, alas, by Ms. Crosby... except for one short, teasing shot); lots of male butt views in the team shower for gal viewers; a hot affair (unfortunately, discreetly filmed) between Cathy Lee Crosby's coach character and one of her teenage charges (a very young Michael Biehn, who went on to play the time-traveling Reese a few years later in the first "Terminator" film); a surprisingly benign view of that teacher/student liaison on the part of the film makers (no 11th hour punishment or tragedy to break up the illicit lovers); and the usual goofy but fun jokes.
The prints used for the two films are both very, very good. They're sharp, clear, and bright, and free of scratches and other glitches. That, coupled with the fact that the films themselves rate a couple of notches higher on the production quality scale (especially "Coach"), made these goofy, sexy comedy/dramas (well, "dramas" might be too strong a word) a pleasure to watch. After all, there's nothing wrong with a little polish and professionalism with one's exploitation fare.
Well, enough with the sun, fun, and bikinis. Now it's time for me to check out some of those "Welcome to the Grindhouse" DVDs that feature martial arts double features. Everything can't be about girls and hedonism, you know.

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8/14/2012

Night of the Howling Beast (1975) Review

Night of the Howling Beast (1975)
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This movie just makes me smile. Wacky plot(?), the general low-budget 70s "we're having a good time" tone that is just absent from today's movies. The story is something about a werewolf, a yeti, cannibal vampire naked women. I never quite got the gist of it, but I sure enjoyed watching it.
Anyone know any stories about this movie, the production, the release, the status of the rights, etc.etc.?
Contact me if you have any thing. This movie captivates me.

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8/10/2012

Wham-Bam-Thank You, Spaceman (1975) Review

Wham-Bam-Thank You, Spaceman (1975)
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I am not sure exactly what is expected from people that gave this film a poor review. It is 70's standard sexploitation schlock. No story, no acting, no dialogue. I would tend to think it rare to find ANY soft core 70's film to be much different. Still, the DVD is LOADED with great bonuses. If nothing else, consider it archival footage of the "late night after 11pm on a Friday night at Cinemax" film clip festival. There are some 6 trailers, all replete with nudity, as well as dozens of posters/ephemera of these and many other Harry Novak films that play on the screen while accompanied with audio tracks. The tracks are radio spots for these films, and I would dare anyone to find this stuff anywhere else. Best of all, there are two short films, one of which is VERY racy.
The goofy film gets 3 stars of 5 for the type of film it is. Let's not confuse it with Casablanca or Star Wars or something it should not be stacked against. The DVD itself gets 5 stars+ out of 5. A wonderful surprise to see a DVD so loaded with great stuff since the title itself is so poor.

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8/06/2012

Sadomania ( Sadomanía (el infierno de la pasión) ) ( Hellhole Women ) Review

Sadomania ( Sadomanía (el infierno de la pasión) ) ( Hellhole Women )
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OK, briefly, women's prison movie, two guys show up, they help the girls escape, kill warden, the end. Franco, so that means a lot of silly camera effects, but no red and green lights this time. I think that about covers it.
The most interesting thing about this particular version is that everyone is topless, all the prisoners, most of the guards and even the (female) warden, all the time. Aside from lingerie, they don't even appear to own tops! There's a lot of R sex and nudity, and that's about it, practically no torture or whipping (which, considering Franco's lack of skill in filming such scenes is probably a blessing). There's also a lot that makes no sense, like, what exactly is the topless chain gang trying to accomplish hacking at the soil most of the way through the picture? And why, after all their breasts get dirty from working all day, is there no shower scene? There should be ten shower scenes in this thing, it looked pretty hot and sweaty to me, wherever it was filmed. Of course, the main purpose of shower scenes is to display some nudity, and there's no need for an excuse here, this looks like a nudie parody of a women's prison film.
Well, never mind, picking at a Franco film is a pretty empty exercise, but there's really not much here for fans of sex sleaze, despite the screaming DVD box descriptions, as usual. There's one minor pinning the medal on the prisoner (no shirt and no medal), but it pales next to the "Wicked Warden" pin scene. But all those swinging and bouncing boobs . . . we'll have to give it two stars for the NTRL factor alone (nudity to total running length), which is about 98%, a record.

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7/29/2012

Marquis De Sade: Dark Prince (1997) Review

Marquis De Sade: Dark Prince  (1997)
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Im fed up! I can't rely on the movie industry to put out a reasonable, (purely)fact-based representation of the Marquis' life!I actually had high hopes for this movie bacause it was said to be based on the true story. SORRY! TRY AGAIN! I was apalled!Bad acting, bad directing, horrible story line, and low budget. Thats not even all of it. When are the creators of movies going to realize that enough happened in his life that its not even nessesary to make things up? Theres no way in [heck] that the things that happen in this movie could have happened, so why proclaim it "based on a true story"? It's clear to me this is not so, and that he is merely a character in a line of events (so distorted and rearanged!) based on a loose description of De Sades' life (with some conveinient changes).I'm sorry, but I thought this movie was atrocious, and I once again wait to see a biographical movie worthy to carry his name.

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7/15/2012

Yellow Hair and the Fortress of Gold (1984) Review

Yellow Hair and the Fortress of Gold (1984)
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Pretty standard movie for the era, involving brutal tortures of gold hunters in the opening scenes, the twisted, comical Spanish/Mexican general as the evil villian, "noble" savages, a lost inca temple, humor, a tough (and very plain) leading lady, an easy-going western hero, this is a Western adventure. Bar fights, stage coach chases, running out of ammo, snakes in tumble weeds hured at the enemy, neither nudity nor sex - wasn't anything new for westerns. Acting was sometimes cheesy, film was not always perfect but was okay, it starts as if it's part of a cliffhanger series ("Last time our hero...") and ends as one. Hard core western fans might want to give it a try and people wih simple tastes. I was tempted to give it 2 stars - it's pretty vanilla - but I don't watch movies I don't think I'll like.

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7/04/2012

Welcome to the Grindhouse: Malibu High/Trip with Teacher (1975) Review

Welcome to the Grindhouse: Malibu High/Trip with Teacher (1975)
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Another exploitation double feature disc emulating the formula of the 2007 film, "Grindhouse", which featured two simulated 70's-era low rent thrillers (contributed by Robert Rodiguez and Quentin Tarantino), along with simulated trailers and concession-stand ads from the same era. Here, though, you get two actual low-rent, 70's-era epics featuring babes, guns, and some nasty violence. "What?" you say. "The cover of the DVD makes it look like you get lots of sexy fun. Where do the guns and violence come in?"
Well, that's the fun of these independent thrillers from a bygone era, an era when independent fare 90% consisted of sleazy gems like these, not the latest Jane Austen adaptation. And added fun always came from the fact that, regardless of the poster art, you never knew what you were actually going to get from these unpredictable movies. So, what are you getting from "Malibu High" and "Trip With the Teacher"? Glad you asked...
"Malibu High" delivers the nudity and high school hijinks promised in the poster... at first. But then it slowly goes off on a kind of descent-into-crime-and-madness riff where the central teen-age girl character, in an effort to gain independence from her nagging mother, becomes a prostitute (first small time, then as a busy, going concern), then- I kid you not- a cold-blooded hit woman working for a mob kingpin.
Oh, yes, during all of this the girl is still concerned about getting good grades, so she bribes her teachers with sexy fun at the local lovers' lane in return for A's. So, yes, the producers do drift back from time to time to the sexy exploitation theme promised on the poster, but it's soon back to assassinations in parking garages and rich guys' mansions.
While many "grindhouse" movies are unfairly lumped into the "so bad it's good" category, this one probably rightfully belongs in that particular bin. But it's definitely worth a look, preferably with a group of friends and a case of beer.
"Trip with the Teacher" doesn't want to distract you with a complicated plot, so it simply employs that old stand-by, "teens on a field trip get terrorized by crazed motorcycle thugs", and uses the rest of its energy to come up with particularly brutal ways for the thugs to terrorize the girls. Though the poster art indeed suggests that there's some kind of menace in the film and not just naked girls, it really doesn't prepare you for the unsavory deaths in store for several of the characters, and not just the girls. Yes, these thugs are mean to everybody, so it would be unfair to hit this creepy little epic with a lot of "another movie that hates women" reviews.
Things are lightened up a bit by a "good" motorcycle guy who comes to the girls' aid, but it's still all rather unpleasant. In the end, though, I have to concede that "Trip with the Teacher" is ultimately an edgy, and (unlike the earlier film) not at all ridiculous example of the grindhouse form. And since you all want to know this: Yes, there's a fair amount of nudity, but none of it is really fun to watch, due to the violent context in which most of the nudity takes place.
Extras include trailers for something called "The Stepmother", offering more thriller/exploitation fun, as mom gets it on with everyone but her husband; and "Weekend with the Babysitter", a silly movie that examines the "relevant" issue of white-haired, late middle-aged married guys suddenly taking up with their teen-age babysitters and their "now generation" friends. This trailer appears on at least one other "Welcome to the Grindhouse" double-feature DVD, but it never gets old. The disc features one or two other trailers from the 70's, but those were the best ones.
The prints used for the main features are generally fine, but both show some wear and tear. But you're not supposed to let that bother you, as scratchy prints and even the occasional missing reel were supposed to be part of the classic grindhouse experience.
In the end, I'd say that "Malibu High" is about 80% worth seeing because it's "so bad it's good" and 20% worth seeing because it's genuinely sort of interesting. "Trip with the Teacher" reverses things: it's 80% actually involving (but only if you can tolerate violent exploitation fare) and 20% fun-to-laugh-at badness.
With that said, if any of this sounds at all interesting to you, go pick this DVD up and see for yourself how you'll respond. After all, what's to lose considering the dirt-cheap price?


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6/29/2012

The Erotic Adventures of Zorro (1972) Review

The Erotic Adventures of Zorro (1972)
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When I watched this one, I was reminded of the cheesy comedy of Flesh Gordon...there's all the token nudity and sexual situations...watching white people try spanish accents is pretty entertaining as well. Don't be looking for fabulous effects on this one, it's just a funny little movie, cheesy humour, erotica, might remind you of zorro the gay blade, just with nudity...

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6/23/2012

Russ Meyer's Mondo Topless (1966) Review

Russ Meyer's Mondo Topless (1966)
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A lively, bouncy, kaleidoscopic view on the topless dance girls of the late 60's.
The most memorable short scene, is that of a ridiculously proportioned girl, Darlene Grey, doing a topless boogie in the desert. Otherwise petite, she almost falls over on several occasions, because of the weight of her swinging breasts!
Unlikely to be forgotten in a hurry.

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6/17/2012

Daddy Darling (1972) Review

Daddy Darling (1972)
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The creepy taboo of incest is explored/exploited by Joe Sarno (All The Sins Of Sodom) in this flick, but at least it`s the daughter lusting after Dad and not the other way around (I ain`t sayin` it`s right, but there IS a psychological condition known as 'The Electra Complex' that exists in certain young girls who have an unnatural preoccupation w/ their fathers). Katja lives alone w/ her father, and they share a deep affection - too deep, perhaps. One day Dad announces he`s re-marrying, and Katja`s world comes unglued. When she sees them in bed together, she decides to take matters into her own hands (no pun intended) and tries to disgrace her new mom while attempting to seduce her dad, who`s oblivious of his daughter`s fixation. This film is Danish-produced, and they were/are more lax in the apparant taboos we have ensconced in our American society, so the subject matter doesn`t seem so unusual or wrong (again, I ain`t sayin` it`s right, I`m just sayin`). And that`s why the movie works. For a film made in 1969, it`s notariety lies in its stretching the limits and possibilities of soft-core erotica, just before the advent of hardcore movies took us over the top. It helps that the actresses are attractive, the nudity abundant, and the exploitation envelope pushed. All in all, a good example of reasonably intelligent erotica from a lost era, well-handled (again,no pun intended) and well-executed. (Ignore the reviewer who whined about the picture quality, mine was fine). Loads of extras, trailers for other Joe Sarno flix, and a booklet - now, who`s your daddy?

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6/11/2012

Women's Prison Massacre Uncut (1983) Review

Women's Prison Massacre Uncut (1983)
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AMAGAD!!!!! AMAFACKINGGAD!!!!! AMAMOTHAAFACKINGGAD!!!!! This movie is a *beep* masterpiece! It's so bad that it's totally awesome! It's one of the funniest movies I've ever seen! It's full of sleaze, gratuitous nudity, gratuitous violence and absolutely hilarious lines! I couldn't stop laughing my ass off! I think that it's even funnier than Troll 2! Bruno Mattei is a god! 10/10!!!! AMAGAD!!!!!!
If you like cheesy Italian horror and/or exploitation movies, you'll love it! If you don't like cheesy Italian horror and/or exploitation movies because you take them seriously and you can't laugh at the bad acting and ridiculous dialogue, you're a boring person and you don't have a sense of humor. Stick with your technically perfect movie.

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6/05/2012

SS Hell Pack Triple Feature Review

SS Hell Pack Triple Feature
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Three tedious Nazisploitation efforts, each largely indistinguishable from the vast majority of pictures in this genre.
SS GIRLS (1977), a SALON KITTY knockoff from the feeble mind of Bruno Mattei, is set in a secluded mansion wherein a crazy and debauched Nazi commander (Gabriele Carrara) employs prostitutes--each highly trained in ballet, weightlifting, fencing, gunplay and schtupping the spectrum of physically disgusting men--to lure unsuspecting Nazi traitors to their doom. The nudity quotient is high but the sex scenes, not unlike most of the male participants involved in them, are flabby, unrealistic and repetitive. And then there's some unpleasant business between a whore and a severely deformed man that, had this not been directed by one of the worst Italian directors of all time, would surely have engendered ill will. But with Mattei, it's tough not to have anything BUT ill will toward virtually everything he's ever done, so I suppose exploitation of the diseased should come as no surprise. The film is by design rather low on the torture and "cruelty" one associates with this genre, with even the mass suicide ending--which at last releases us from the company of these ridiculously smarmy actors--almost completely devoid of blood. In an interview included on the disc, Mattei reveals that he hates watching nearly all of his own films because he always sees many things he could have done better with more time and money. One would think that a director who worked extensively (and repeatedly) on low budgets and tight schedules would certainly not hurt for ingenuity, or style, as often as Mattei has, but such was not the case, if his long, depressing trail of visually ugly and sloppily plotted exploitationers is any indication.
Moving up a rung on the ladder of quality--arguably a lateral step, really, as the production value isn't much better--is Sergio Garrone's SS EXPERIMENT LOVE CAMP (1976), a once-notorious "video nasty" in England which features more full frontal nudity and butcher-meat-laced cruelty than the Mattei picture, though the romantic couplings are again rather uninvolving despite their showcasing far more attractive performers of both sexes. In this camp, ladies not chosen to improve the German race through ridiculous sex experiments are instead deemed fit for ridiculous medical experiments. (Garrone was known to do research for his films, so in all likelihood his onscreen experiments also happened in real life, and were equally as pointless) The film's key plot device--and arguably it's wildest asset--involves the camp commandant's desire for a new pair of testicles with which he can get a proper leg over for Der Fuhrer's greater glory, items duly (and seemingly unwittingly) removed from one of his officers. When good guy Helmut discovers he's a nut-free by-product of the Nazi machine just before mounting his love camp lovely, he races naked throughout the compound until he finds the duplicitous Colonel von Kleiben (Giorgio Cerioni, who looks very much like one of the puppets on Gerry Anderson's THUNDERBIRDS), furiously demanding to know "what have you been doing with my balls!?!" before inciting an all-out riot. Still, it's decidedly a case of parts surpassing the whole, as it tends to be with Nazi pictures that don't star Dyanne Thorne in a lead role.
The set concludes with Sergio Garrone's SS CAMP: WOMEN'S HELL, actually known as (and ID'd onscreen as) SS CAMP 5: WOMEN'S HELL. Exploitation Digital's sleeve for this dates it to 1977, though it's obvious Garrone shot it at the same time as SS EXPERIMENT LOVE CAMP using the same locations and most of the same cast in different roles. Garrone admits as much in the accompanying interview, and the comparatively stronger plotting, acting and action elements on offer suggest this was actually the first of the two pictures completed. Thanks to its meatier scenes of torture and medical experimentation, WOMEN'S HELL ventures closer to being a "video nasty" than LOVE CAMP, but then as now, it's tame stuff, notable mainly for introducing a Pam Grier blaxploitation vibe in the form of Rita Manna as the cunning Jamaican whore Alina, who takes advantage of besotted camp commandant Col. Strasser (Giorgio Cerioni, again sporting a THUNDERBIRDS coiffure and the plastic complexion to match) to plot the bullet-riddled liberation of her fellow prostitutes. Again, Garrone's superficial research informs the film's scenes of cruelty and degradation--including a cheap-but-effective optical that allows dead bodies to jerk and twitch in the camp's ovens (a trick used several times in LOVE CAMP as well)--but the vintage newsreel footage of actual Jews being stripped of their belongings and their lives sits uncomfortably amidst all the gratuitous boobs and beaver on display. But this was Italy in the 70's: "anything goes" was the cinematic order of the day, but cheap moralizing in a film such as this is offensive.
Thankfully, this thematically-challenged genre wasted away on the merits of films such as those included in this set. They're worth watching if you're new to the genre and want to see three average examples at a budget price rather than getting burned on the individual releases (which each cost nearly as much as this triple feature), but there are better examples out there, most notably ILSA: SHE WOLF OF THE SS. Extras on each disc include an interview with the respective director (running 10-15 minutes), meager still galleries, and selections of trailers, including some for other Nazisploitation titles.

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