Average Reviews:
(More customer reviews)VAN NUYS BLVD.
The best of this bunch, especially if you've ever actually been to Van Nuys, and the theme song is hilarious. It's mostly just a loose collection of scenes, very few of which have anything to do with cruising or Van Nuys Boulevard. It's really more of a California fantasy lifestyle teen flick than anything else, loosely based on car culture, sex in vans, the beach, etc. Director's commentary is only occasionally interesting but at least there is one. Some lame-brain comedic scenarios, a lot of toplessness, and one scene that would be right at home in American Pie. But in spite of product claims to the contrary, Bobby does not 'get involved with topless dancers and bikers'. There is dancing, there is toplessness, there are bikers of a sort, but that's not the same thing.
THE POM POM GIRLS
A fun dumb high school flick that isn't really about the Pom Pom Girls. It's mainly about rebellious football dudes (who are remarkably non-jock types) playing outrageous pranks on each other and their rival high school. Loose, freewheeling, unencumbered by plot, but enjoyable.
THE BABYSITTER
The only black-and-white movie in this bunch and a pretty solid b-movie that balances the legitimate acting of George E. Carey against the guilty pleasures of gratuitous sex, bikers, lesbians, psychedelic bands, etc. But who wrote the synopsis on the DVD package? Were they high, or did they write it two weeks after seeing it and confuse the details? Candy does not "take a job working for the powerful district attorney" - she has an affair with a prosecutor who works for the DA. Candy also does not "step in and blackmail the D.A." - she tries to stop a biker chick from blackmailing George, the prosecutor. Get your story straight, man!
BLOOD MANIA
Another fine example of exaggerated titling and bunko synopsis writing. There are 2 murders but it's hardly blood mania. Craig, a doctor who used to perform abortions, is being blackmailed for 50 grand by a hilariously miscast 'heavy'. One of Craig's patients is a wealthy old benefactor, the daughter of whom is a crazy art chick who is in love with Craig. She decides to kill the old man to get the inheritance money to solve Craig's blackmail problem, but it doesn't work. This has a Movie of the Week feel, for the most part. But again, the synopsis on the DVD package is way off - it is not about "a scorned daughter [who] murders her abortionist/physician father to get his inheritance and help out her junkie boyfriend."
WEEKEND WITH THE BABYSITTER
Written and produced by the star, George E. Carey, who also wrote, produced, and starred in The Babysitter. Almost the same film, just updated a bit and in color this time, with a subplot about a heroin addict wife getting caught up in a botched drug deal on a boat. There's a disconcerting combination of faux hippy culture, shamelessly age-inappropriate sex, and moments of unabashed sincerity. A strange mishmash of The Trip (lite), Hawaii Five-O and Lolita. And another cul-de-sac sudden ending.
MALIBU BEACH
Very light fare, typical beach movie.
PINK ANGELS
The first time I tried, I could not finish this movie. The setup of six gay bikers riding down the West coast to a drag cotillion in L.A. was fine, but the seemingly improvised dialogue and sketch comedy scenes of clashes with straight society felt like it wasn't paying off really - neither funny nor particularly captivating. I just watched it a second time, to the end, and although it is somewhat trying at times, the shocker of an ending recontextualizes the ambling, slight scenes that lead up to it and add an unexpected layer of poignancy.
In typical early 70s fashion, the Angels shock and run afoul of the law, roadside diner employees, clothing store clerks, a straight motorcycle gang, and so on, interspersed with plenty of road footage and initially inexplicable cuts to a general in a remote office. It's essentially a typical loose counterculture road movie with a gay twist. As genres go, it's probably one-of-a-kind, and as gay cinema, it's probably also historically significant. I just thought it fell short of the mark in terms of comedy, characters, and what I generally am looking for in "drive-in cult classic"-type films: either so bad it's good, or surprisingly good for how bad I expected it to be.SINGLE ROOM FURNISHED
Painfully horrible. Within 15 minutes you're in a digression within a digression and have the sinking feeling you stumbled into a black box theater where a scene study class is taking place. A blue collar couple is on a fake firescape talking about their not-actually poignant lives. The guy can't for the life of him fake a New York accent and can't stop moving his head with every word he speaks. Gave up after 30 minutes. Two nights later I picked up where I left off. That scene thankfully ended and another couple was introduced. They were no more watchable than the first, so I gave up again.
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Drive-In Cult Classics, Vol. 3 (2010)
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