Cannibal (2006) Review

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(More customer reviews)It has taken me awhile to write this review because I was so shocked by this movie after I saw it. It has stuck with me for the past week and it is probably a movie that I will never forget. What makes it so scarey is that it is based on a true story and is very factual. Be warned: this is a very gory movie and some of the scenes are very graphic for the gore. This movie also doesn't have much for dialog, but it really doesn't need dialog for the story being told. If you want a truely scarey horror flick, then see this movie. I do highly recommend it.

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In 2003, a man with a lifelong cannibalistic obsession placed an advertisement on the Internet in search of a victim to eat. Unbelievably he received a reply from a willing victim, whereby the stage was set for one of the most awful and depraved crimes of modern times. The gruesome incident was captured on camcorder and the footage formed part of the evidence at the trial of the world's most infamous cannibal. CANNIBAL is a horrifying dramatic reenactment of the gruesome relationship between two depraved human beings: One with an insatiable appetite for human flesh, the other with a yearning to be consumed and thereby become one with the predator. Gruesome, repulsive but riveting, CANNIBAL cannot help but hold an awful fascination for devotees of the macabre.

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Girls in Chains Review

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(More customer reviews)What you see on the cover is not what you get.However,this movie was still entertaining enough.There are girls in a cellar that are used as playthings for two momma's boys who live with their mother(who we don't see till the end),one brother has the mind of a 5 year old. They have mommy issues that are reminiscent of Norman Bates but 1000's of light years away from the Hitchcock horror classic .They use dog leash collar chains when they take the girls out to play.Never do they chain any girls up.The monster on the cover is not in the movie and there are no bars,only a rack on a cellar window with a bunk bed.The house where most of the movie takes place is a neat nice looking home in a secluded part of a suburb.The torture is more mental then anything else.A twisted drama,so no whips and chains.Expect some gratuitous nudity without any S&M or gore(i.e. bloody torture) if your looking at buying "Girls in Chains"based solely on the cover alone.3 stars for some funny scenes.Good for a laugh.

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Ilsa - She Wolf of the SS (1975) Review

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(More customer reviews)"Ilsa: She-Wolf of the SS" is perhaps one of the better known exploitation films made in the last thirty years. The picture, directed by Don Edmonds and starring Dyanne Thorne in the titular role, is also one of the most disturbing. Oddly enough, I found this movie even more sickening the second time around. The first time I watched Ilsa do her stuff was on an old VHS tape about five years ago, and I didn't think the film was as horrific as many viewers made it out to be. Usually, the disgust factor works the other way around: the first viewing is the worst with the shock value wearing away on subsequent viewings. I should probably question the value of even watching "Ilsa: She-Wolf of the SS" more than once, but I wanted to see what the picture looked like with a snappy new transfer to DVD. Moreover, I wanted to listen to the commentary track with Edmonds, Thorne, and producer David Friedman of "Blood Feast" fame (billed here as Herman Traeger). I wasn't disappointed; the picture quality of "Ilsa" is stunning for such a low budget piece of trash. The commentary track too makes this disc a must have for lovers of schlock cinema. Just don't pop this one in the DVD player when the relatives show up or as a substitute for taking your gal out on the town.
Set in the waning days of the Second World War, "Ilsa: She-Wolf of the SS" takes place in a special medical camp where the brutal camp commander Ilsa (Dyanne Thorne) and her busty minions wreak havoc on a bevy of female prisoners. There are a few guys around too, mostly to act as boy toys for Ilsa's ravenous appetites. Ilsa's supposed to be conducting experiments on helpless prisoners that will benefit the German military effort, but she's got quite the disturbing side project going on as well. According to the She-Wolf, women possess certain biological characteristics that make them more resistant to pain then men. You can almost guess what happens next. Ilsa sets aside a hidden little laboratory in the basement of her office to test out her personal theories while the approved experiments take place in another building. Both sets of trials are excruciating to watch. The Germans test the effects of high pressure, boiling temperatures, and diseases on the female inmates of the prison. Down in the basement, Ilsa and her two blonde goons strip down to the waist in order to administer severe beatings to selected troublemakers. There's a lot more I could detail, but believe it or not these are the least offensive scenes in the movie. "Ilsa: She-Wolf of the SS" is sick, sick stuff.
A sort of hope fills the prisoners' hearts when Wolfe (George Knoph) enters the camp. The new inmate has a "special ability" that allows him to find a way into the frosty heart of the buxom camp commander. Behind the scenes, the prisoners plot to escape from the prison any way they can. It won't be easy, not when one faces Ilsa, her she-wolfettes, her male assistant, a pack of sadistic guards, and machine gun towers. In the meantime, the degradations continue unabated. Ilsa whips up a few special treats for a visiting general (Wolfgang Roehm) that truly turn the stomach as Wolfe, Mario (Tony Mumolo), and Kala (Nicolle Riddell) carefully map out there plan. Will the prisoners escape? Will Ilsa and her handmaidens receive their just desserts? Will the Allies arrive at the camp before everyone perishes at the hands of the Germans? Will tough chick Anna (Maria Marx) withstand Ilsa's experiments and thus prove the commander's theory? Will you be able to keep your lunch down during the hour and a half it takes to watch the movie? These questions, and many others, will find resolution by the time the final credits roll.
What won't find resolution is your utter disgust with the film. A gallon of mouthwash won't remove the bad taste this movie leaves behind in your mouth. I found myself inadvertently comparing Edmond's picture with "Schindler's List," another film dealing with German atrocities during the Second World War. Truth be told, "List" is much more harrowing in its depictions of the concentration camps and the horrible living conditions of those people enslaved by the Germans. What sets "Ilsa" apart, what makes it even worse than "Schindler's List," is that it's all done for cheap, value neutral kicks. Why else play up endless scenes of nudity in a movie about war crimes? Despite Thorne's amazingly campy performance, "Ilsa: She-Wolf of the SS" is a ghastly film that should repulse more than it exhilarates. Even more disturbing is the admission on the commentary track that the movie sets come from the television show "Hogan's Heroes." You won't see LeBeau, Carter, Sergeant Schultz, or Colonel Klink in this movie! If you find anything remotely exhilarating about this picture, you've been falling behind on your electroshock therapy treatments again.
Dyanne Thorne does pull off her role with ease, coming across as a heartless, cold monster without an ounce of remorse in her bones. It's quite the contrast to listen to the commentary track and realize the actress seems like an intelligent, sunny personality with a good sense of humor. Unfortunately (or fortunately, depending on your view), the commentary track, a trailer, and a few biographies are the only extras on the disc. If you feel up to it, after you watch Ilsa ham it up as a German camp commander, you can watch her in three other films reprising the character-with slight modifications-in the Middle East and in Siberia. These are classic movies, for sure, but they're upsetting ones as well.

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Luther the Geek Review

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(More customer reviews)Sorry for the ridiculous title but this crazy film deserves nothing less. "Luther the Geek" is a basic slasher movie containing a few things that truly set it apart from most. First, the actor who portrays Luther does an excellent job at portraying a seriously deranged psychotic. I don't know of too many actors who could pull off the fact that their only dialouge consists of squawking like a chicken, yet not make it seem funny. Second, a generally twisted feel overall that culminates in a very unsettling ending. The film also has a clausterphobic feel to it as most of the action takes place in or around an isolated farmhouse, somewhat in a "Texas Chainsaw Massacre" mold. The gore effects are generally good with the vomiting blood scene being the most shocking. "Luther the Geek" is simply a disturbing movie that is one of my guilty pleasures, check it out. One note, since Troma acquired this, they have tacked on a rather obscene prolouge with Lloyd Kaufman introducing the film. Normally his stuff is kind of funny, this one is just tasteless.

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A young country boy is plunged into the depths of homicidal madness after witnessing the strange exploits of a carnival "geek", a caged drunk so desperate for whiskey that he bites the heads off of live chickens in front of a freak show audience.30 years later, Luther is all grown up and out on parole after spending his childhood behind bars for a series of grisly murders.Armed with a pair of razor-sharp metal dentures and only able to communicate through chicken clucks, Luther starts his bloody rampage anew as he terrorizes the citizens of a small town and takes a young mother and her family hostage in their isolated farmhouse.Featuring one of the most intense endings ever put on film, Luther the Geek is good gory fun in the splatter flick tradition of The Texas Chainsaw Massacre and The Toxic Avenger!DVD Features Introduction by Lloyd Kaufman, President of Troma Entertainment and creator of The Toxic Avenger!- Interview with Luther the Geek director Carl J. Albright -Deleted scenes from "The Shower", "The Bedroom" and "The Bullet Hits"- Troma's "Freak of the Week" from Troma's Edge TV, featuring "Tim the Torture King"! -Tromatic music video "Freak of the Week" featuring Ron Jeremy and DJ Polo and directed by Lloyd Kaufman! -Freaky theatrical Trailers for Luther the Geek, Bloodsucking Freaks, Tales From the Crapper, and Citizen Toxie! -Freaky poster art and production stills! -"Make Your Own Damn Movie" Film school in a box! -Radiation March -Learn about the only truly independent film festival with the Tromadance PSA! -Special tribute to Rue Morgue Magazine

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Salo: The Criterion Collection (1975) Review

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(More customer reviews)"Salo" is most certainly one of the most controversial films of all time. With an eye sensitive to horrific imagery, it is easy to fall into a trap and see the imagery for only what it is, as opposed to what it represents. For, the power of "Salo" is to be seen in the relentless metaphor that it contains. Once one knows a couple of basic hints it becomes far easier to peel off the layers of disgust to reveal the true essence of this powerful film.
The basic characters fall into several archetypes:
1) The 4 Men: represent the fascist rule that dominated Italy during the Nazi rule. Given more power than they should have, they are content to savage the people they rule over with no respect for the humanity that they have been given control over.
2) The teens: the victims of this fascist control (the Jews of the Holocaust, the Italian people, etc.) who quickly lose all their dignity and rights under such savage treatment. Escape appears to be only a couple of steps away and seems quite easy; yet, for these individuals, it is impossible.
3) The madams: The politicians that (although not participating directly in most of the exploitation of the populace) provide the direction and desire to commit such crimes to humanity. Easily recognizable, they are just a step below the 4 men in the line of power.
4) The soldiers: the populace of Germany/Italy who allowed these atrocities to go on. Witnessing the entire situation as it escalates (much like it did in Nazi Germany), these people fall under the Nazi spell. For them, it is impossible to sympathize with individuals that have been so debased, so no guilt is felt on their part for the crimes they are involved in.
5) The piano player: the populace of Germany/Italy who allow the atrocities to go on, but eventually become aware of the horrors that they have helped cause. Inevitably, rather than direct their guilt externally to change the system, these individuals internalize it upon themselves.
6) The viewer: as an individual watching this movie, the viewer is being asked by Pasolini what side they are going to fall one: the soldier or the piano player? Are we to feel sympathy for these violated teens or are we to look at their plight with the same detached lack of interest as the soldiers?
Thus, Pasolini has created a large allegory that can be seen in today's light, as well as those of WW II. Essentially, these archetypes are applicable to most any situation in the world where individuals are being exploited...and this is Pasolini's message. As individuals outside the loop (viewers) we possess the ability to evaluate the scene and react in a way that can alleviate or enhance the scenario, it is up to us to decide.
A word about the imagery: This too is an essential aspect of "Salo;" for, in its relentless onslaught, Pasolini is trying to tell us something. Once upon a time imagery like that of the Holocaust in WWII was capable of shocking the populace of the world (as it was REAL); however, much of humanity has become desensitized to this. Pasolini is trying to offend us with the imagery of this movie in order to parallel how we SHOULD be offended by the imagery of the Holocaust. He is showing us these atrocities without "Hollywoodizing" them (try "Schindler's List" for that)...these are images we cannot deny and they are based on reality. Humanity is capable of tremendous horror and through the imagery of "Salo," Pasolini is forcing us to acknowledge a side of our species that we have lost sight of over time.
In this fashion, "Salo" is an exploration on the psychology of mass fascism. Not only are the soldiers placed under the spell due to the debasement of the people that are being exploited, but the exploited individuals are turned against themselves to continue to live (one particular scene is "Salo" articulates this perfectly). Promises of "freedom" that are never delivered also helps to keep these individuals in line. This mass psychology is evident throughout "Salo;" for, there are ample chances to attempt escape, but all are kept in line with minimal effort.
Finally, a quick word about the ending (I will keep this vague so as not to spoil it for those that have not seen it): Pasolini is telling us that, in the end, we have become so desensitized to the horrors that surround us that we are all inevitably the soldier archetype. No longer able to see the suffering that surrounds us, we are dancing right along with the 4 Men...although perhaps not directly involved, we see all that is going on and help allow it to happen through our lack of action. Pasolini is describing humanity's fate here and forcing us to confront it so that, perhaps, something can be done to change it.
This movie is one that is NOT recommended to potential viewers unless they see this movie for the imagery it represents. Contrary to what many will tell you, this movie is NOT a dark comedy and is, indeed, as dark and relentless as they come. Again, the imagery is RELENTLESS...be prepared if you decide to see this; after all, the imagery is only a fraction as disturbing as what it represents.
Hope that helps...

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Broken (Unrated) Review

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(More customer reviews)I was watching the previews on the DVD for "Black Sheep" when the trailer for "Broken" came on. In that week's rentals I had a film called "Broken," but it was an Indie film starring Heather Graham and Jeremy Sisto and not this film, which turns out to be another example of the torture porn horror film, albeit with pretensions. What is interesting is that that both "Broken" films came out in 2006 and that apparently both have just been released on DVD in the past month. This brings to mind the possibility that somebody would recommend the Heather Graham "Broken" and rent this one by mistake (Don't laugh, I recommended the Academy Award winning "American Beauty" to a co-worker once and they went to the video store and picked up "American Pie" and could not figure out why anybody would give Jason Biggs and the gang the Oscar). But the thought of people watching the wrong "Broken" was enough to make me check the other one out to see how much damage could be done to the psyche of some unsuspecting soul.
At the start of the film a title card informs us that "The slave girl is reared in an atmosphere of fear." The quote is from Harriet A. Jacobs (1813-1897), an American abolitionist who wrote the 1861 book "Incidents in the Life of a Slave Girl." Written and directed by the tag team of Simon Boyes and Adam Mason, this movie is about Hope (Nadja Brand), a woman who puts her young daughter to bed one night and wakes up trapped in a coffin-like box. We know from the opening scene of the film that whatever is about to happen to Hope has happened to another woman, who clearly has been pushed beyond her limits. Consequently, given the Jacobs quote the implication is that the title of this horror film has to do with a woman's broken spirit. However, in the final analysis most of what gets broken here is physical rather than spiritual.
Hope is being held in the forest by a man (Eric Colvin), whose goal in dragging women out there is not to torture, rape, and kill them, but to help them get their minds right to being his domestic slave (unless the tending the garden bit is supposed to reference "Candide" in some way I have not yet figured out). So when his victims are required to use a pointed stick to open up an incision in their abdomens while bound by the neck to a tree while balanced on a perch nailed several feet off the ground, it might involve blood (and sometimes guts), but it is not torture but a test. One of several as the man attempts to break Hope. But unlike previous victims, who have not worked out as the man has intended, Hope has something to hang on to: the possibility that her daughter is still alive.
This is a low budget film and if you go through the DVD's special features you will find out that Boyes and Mason came up with the script as something that they could afford to film: if you shoot in the forest you do not have to worry about building sets and if one of you is married (at the time) to the lead actress that explains how you get somebody to make a movie like this when you are shooting outdoors in England during the winter. If the movie delivered more of what it promised, it would have gone over better with me, especially given that opening quote which put me in a particular frame of mind. "Broken" is different from most splatter flicks in that it takes place over several weeks, which is appropriate to the psychological dimension. Just do not expect to understand how this nut gets his victims out there in the first place, because that is not part of the game here.
For all of its shortcomings, the end game of "Broken" is probably the best part of the movie. What happens to Hope and the man, respectively, struck me as being different and quite possibly original for this type of genre, and I ended up rounding up on the movie because of that (usually the ending of a splatter flick is the weakest part, especially when they contrive some stupid way for the killer to get killed). There are other decent parts of the film as well: the parts that are suppose to revulse you in this movie do so, the cinematography does not look low-budget, and there were several nice cuts to good effect, so this is not a case of just wallowing in blood and gore. "Broken" is not the torture porn film its trailer makes it out to be, but there is enough here to recommend checking it out.

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Hope and her young daughter are abducted and brought to a remote forest by a mysterious and nameless man. As Hope is forced to undergo a series of humiliating, violent, and degrading trials, she fights desperately to escape and discover the fate of her missing daughter.

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Pirates Scourge Of The Seven Seas Review

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(More customer reviews)Very well done, as expected, coming from the Discovery Channel. Interesting facts about the many pirates and privateers, and the geographical areas they sailed. I learned a lot and will be watching this again to pick up bits and pieces I missed the first time around. Included is a Mythbusters pirate special that was very informative as well, dispelling popular myth surrounding the scourge of the seas.

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The Girl with the Dragon Tattoo (2010) Review

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(More customer reviews)The Girl With The Dragon Tattoo is the first in the trilogy of crime novels written by Swedish journalist Stieg Larsson. Larsson wrote them during his spare time, as a form of amusement. However, the novels were not published until after Larsson's untimely death in Nov 2004. The author never had the opportunity to enjoy the critical and the commercial success his books eventually earned. In 2008 Larssen became the second best selling author on the planet.
Now, on to the story:
Mikael Blomkvist is a journalist, convicted, unjustly he believes, of libel against a powerful industrialist. As Blomkvist awaits the commencement of his sentence, he is hired by a scion of a wealthy family to investigate the disappearance of the man's bellowed niece 40 years earlier. Everyone, initially including Blomkvist, believes the case is hopeless. Unexpectedly though, help comes in form of "the girl with the dragon tattoo", Lisbeth Salander. The mysterious woman clearly has a severe past: despite being 24 years old, her person and finances are being managed by a court appointed guardian. She does however, have a brilliant mind and, as we are about to learn, a powerful will... She quickly becomes the driving force of the investigation. We watch transfixed, as the past reaches into the presence, and touches the lives of Blomkvist, Salander, her guardian, the industrialist and the wealthy scion.
The story, as written by Larsson, is extremely brutal (consider that the original, and the very apt, Swedish title is "Men Who Hate Women"). However, I am inclined to believe the violence serves as another character in the story and as such is necessary. I am therefore glad that the filmmakers did not seek to tamper it, thus neutering the punch the story delivers. Though this Swedish adaptation is scripted and directed to the highest standard, the focus must be on the performance of the actress Noomi Rapace. Her portrayal of Lisbeth is shockingly faithful to the text and the actress manages to take over the film with her very appearance.
The Girl With The Dragon Tattoo is one of the best adaptations I have seen, ever. I encourage you not to miss it; though do see it with friends, as you will afterwards feel strongly compelled to discuss the various explosive plot twists. I hope Hollywood never touches this gem. I am anxiously waiting for the next two installments to hit US screens.
PS: Keep in mind, this film is NOT for the underaged.


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Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her beloved uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist (Michael Nyqvist) and the tattooed and troubled but resourceful computer hacker Lisbeth Salander (Noomi Rapace) to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vanger's are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.

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May (2002) Review

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(More customer reviews)I suspect the movie "May" snuck in under most people's radar. In fact, I am not sure many people know about this wonderful little picture even now. I only came across it through pure chance, read a short review about it, and decided to give it a shot. I am certainly glad I watched "May" because this film about a meek young woman with a desperate need to belong really delivers on multiple levels. This movie underscores the fact that there are plenty of films floating around out there that deserve more attention than they receive from general audiences. I cannot say whether "May" got a theatrical release or not, but the film is available on DVD and is well worth picking up if you are a horror film aficionado or if you just enjoy great acting performances.
Angela Bettis plays May, a young woman with several serious mental issues. Her problems started as a child, when doctors diagnosed May with an eye problem that required an eye patch. Of course, the kids at school thought May was a pirate or flat out ignored her. The parents did not provide much in the way of assistance either, as May's mother falls into the "overprotective and abrasive" category. When May celebrates a birthday, her mother presents her with a fancy doll enclosed in a glass case. Her daughter wishes to take the doll out and play with it, but Mom goes off the deep end and lectures May on the necessity of never taking the doll out of its box. This doll plays a significant role in May's later life, as the young woman believes the toy is her only real friend in the world. In short, May's childhood provides the foundations for a life loaded with insecurity, boredom, and a complete inability to connect with other people on an emotional level. May is one troubled person.
Most of the film deals with May's awkward attempts to function in real life. Her job as a medical assistant at a veterinary clinic allows some contact with a verbally challenged doctor and a goofy lesbian co-worker who keeps her eye firmly fixed on May, but May longs for a boyfriend to fulfill her ambitions. This dream of love takes on a new dimension when she notices Adam (Jeremy Sisto), a guy who spends his time slouching around in a cafe, smoking cigarettes, and attending Dario Argento film festivals. Obviously, Adam doesn't even notice the existence of May until the she makes several painfully inept maneuvers designed to grab his attention. May succeeds to some extent, but ultimately her fragile mental state causes problems that threaten to send May into a downward spiral of bloody violence committed against anyone who ever wronged her.
"May" is Angela Bettis's film, body and soul. Since she fills the shoes of the title character, Bettis's performance should command most of the audience's attention. Thank goodness she possesses the necessary chops to carry out the role to perfection. I cannot remember the last time I saw an actor/actress convey the range of emotions that Bettis adroitly delivers in this film. The viewer knows May has serious problems, but at the same time the character is oddly charming. The embarrassing interactions with Adam, the painful encounters with her trampy co-worker, and her attempts to reach out and help a class of blind children all reveal a young woman desperate to make friends and live like a normal person. Even more disconcerting for the viewer is the realization that May is, well, cute. Just when you notice May doing something bizarre, you cannot help recognizing that this girl is alluring no matter how quirky she is. That's the mark of a fine actress when a performance conveys two opposing emotions at the same time, and Bettis does it with ease. Who is this amazing young lady? The only other role of note I found for her was in the Winona Ryder vehicle "Girl, Interrupted." Keep an eye on Bettis because if "May" is any indication, this gal ought to go far in the future. You seldom see a performance of this caliber in a low budget horror film.
My only complaint with "May" concerns a lack of sufficient background about the title character. We do get a few scenes about May's childhood, but I think a bit more development in that area would have helped flesh out the story. It's a niggling complaint because the picture works splendidly overall. Kudos to Lion's Gate for releasing this on DVD with a great film transfer and two commentaries with the director and actors. It's a darn shame more people don't know anything about this movie. The time has come to spread the word about "May": this is an immensely entertaining horror film with a great actress doing great work in the lead role.

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All Night Long Collection (2003) Review

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(More customer reviews)Japanese people are just plain scary. I'm not being prejudiced, because I love the Japanese but they have created some of the most gut wrenching and mortifying movies ever made. Audition and the Guinea Pig series come to mind. But this puts those to shame (except maybe Devil's Experiment, and Flowers of Flesh and Blood) as one of the most unsettling films ever made.
All Night Long:
The story in this one is three guys are one day standing at a railroad crossing waiting for the bars to raise up, when a crazed man comes up to a girl. The man kills the girl right in front of the three guys. And then was about to murder one of them when another rams the guy with his motorcycle. The three decide to celebrate by having a "party" in which they are all to bring a girl over for some fun. One of the guys actually falls in love with the girl he was going to bring to the party, but is murdered by a group of young men that bully and harass people. The guy goes insane and gets the others to come with him to kill the group. When one tries to back out. He is threatened that when they are done with the group they'll come and kill him.
The movie is quite unsettling and quite graphic in its portrayl of rape and murder. It especially show rather effectively one of the character's descent into insanity.
All Night Long 2: Atrocity:
The best of the three on this collection in my opinion. The story focuses on a nerdy student named Shinichi during his summer vacation. Shinichi is a shy and quiet individual who's only solice in life comes from painting a model of a nude manga girl. One day A rich kid and his gang of thugs start picking on Shinichi. They beat him up and torch his model. Then one day Shinichi is visited by the leader of the thugs. Claiming that he wouldn't be harmed, Shinichi takes the invitation to go to the leaders home. There the leader shows Shinichi a girl that one of the thugs have kidnapped, and raped. the leader shows Shinichi how he is capable of being abusive, and cruel to people that are "trash." This movie is more F***ed up than the first ANL movie. Maybe it is because it looks like it was filmed with a personal camcorder, and was made on a relatively low budget. This movie was actually more upsetting than the most vile of the Guinea Pig movies. This one is definitely not for the weak of heart or stomach.
All Night Long 3: Final Atrocity:
First off I would like to say that the title is misleading, there are two more All Night Long movies that were made after this one. This one was actually sort of a letdown, especially after the great horror that was Atrocity. Although this one is a bit more offensive. It focuses on Kiku, a mentally handicapped guy who works in a love hotel. He is a normal person until one night he comes across some of a female neighbor's garbage. He takes it home and nails some of it to his walls. I'm talking everything even used tampons. He then starts becoming obsessed with this girl. Always stealing her garbage, leering at her at her work. He even gets pissed when a guy takes her to the love hotel he works at. He also meets up with an old man who has been doing the same thing Kiku has been doing, stealing people's garbage, but he's been doing it for years. Kitamura (the director) really shows off the message of the movie series, that message being, humans are garbage, in this movie.
In short this is one of the most f***ed up series of movies to ever have been released. If you are the type that is easily upset by this style of movie you should avoid it like the plague. It is deeply disturbing and makes you say WTF more than once after you have watched them. If your into Guinea Pig, Audition, or Ebola Syndrome you would like this collection. Just be prepared for a sickening experience. Also if you're thinking about buying these movies, buy the boxset. It only costs thirty dollars, for all three of them. That is more cost effective than buying all of three of them seperately for around ninety dollars.

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Crash (1997) Review

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(More customer reviews)David Cronenberg takes chances and his pushing the edge of cinematic art is what makes his films so interesting. JG Ballard's controversial novel CRASH seemed an unlikely prospect for a film, so dark were its explorations of the outer zones of excitation and their relationship to near-death events. But Cronenberg worked through making Ballard's visions visual and his screenplay based on Ballard's book is more about interior dialogue and visceral sexual encounters as they relate to trauma.
James Ballard (James Spader) is a successful TV director who spends as much time as a lothario as he does making film. He is married to Catherine (Deborah Kara Unger) whose own sexuality leads her into stray paths. The two seem to connect physically but the fire is diminishing: they both concur that encounters with other partners enhance their sexual experiences. James is in a car accident and survives with a broken leg and scars, but the other car's male driver was killed and his surviving female companion Helen Remington (Holly Hunter) is hospitalized with James. While in the hospital both encounter a strange, scarred, limping male photographer Vaughn (Elias Koteas) who takes photos of the scars and trauma results of both James and Helen. Catherine visits James in the hospital and seems to find excitement in the scars and orthopedic paraphernalia binding her husband.
Once James is released from the hospital he is strangely drawn to the car he wrecked and finds Helen in the same mindset. The two move into physical attraction as well as an emotional attraction to Vaughn. Vaughn is obsessed with auto accidents, having been in many, and he stages famous car accidents (James Dean, Jayne Mansfield, etc) for a captive audience - which includes James, Helen, and Catherine. Vaughn insidiously draws the three into his obsession, sharing his 'actors' and fellow travelers - including Gabrielle (Rosanna Arquette - with both legs in orthopedic mechanisms), Colin and Vera Seagrave (Peter MacNeill and Cheryl Swarts) and those who help him stage his 'accidents'. Vaughn explains that he is exploring how to achieve that sensation of terror one feels during a car crash and equate it with orgasm. The odd group of folks all sexually interact with abandon: the crashed car becomes the bedchamber for bizarre sexual acting out. And how this all plays out in the end is the part of the film that simply must be seen to feel the experience.
This is clearly NOT a movie for everyone. The CD contains both the NC and the R rated version: I watched the NC version and while it is graphic and focused on sex it is oddly uninvolving emotionally - we care little about the people we meet. Perhaps part of the story here is that with the progressively dehumanization of man in his symbiotic relationship with machines, relating to fellow humans on anything except the sensual gratification is something we are losing. That is the kind of powerful statement Cronenberg shows us with these passionate yet cold people. The cast is exceptional, especially Koteas whose warped character is wholly three-dimensional as opposed to the oddly uninvolved characters Spader, Unger, and Hunter portray. A dizzying experience! Grady Harp, October 05


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A psycho-sexual journey into oblivion in this controversial film from acclaimed director David Cronenberg. James Spader is a bored film director who explores new realms after a near-fatal car accident introduces him to a world of sexually obsessed car cra
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