Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

9/07/2012

Water for Elephants (2011) Review

Water for Elephants (2011)
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I have to admit that Water for Elephants was a decent representation of the book. Take into consideration that a movie is never going to give you 100% of the book. That being said, I was disappointed with the parts of the book the movie left out. There were lots of little details and nuances that just can't come across on the full screen anyway, although you would have liked to have seen how they would have been portrayed. Although too numerous to mention and for those who haven't read the book it wouldn't matter anyway, the biggest (for those who have read it) would be the comedic scenes that play out with Jacob in the nursing home. All of those chapters were completely left out.
We open with an old man (Hal Holbrook) wandering into the parking lot of a circus that is packing up and moving out. A workman comes out to see if he is lost and invites him in out of the rain while the man calls the nursing home. The old man looks at the old black and white circus photos on the wall and recalls out loud which circuses they are from. This grabs the worker's attention and he mentions the Benzini Brothers Circus tragedy from years ago. The old man says he was there and the worker asks him to tell him about it. We flash back to a younger gentleman played by Robert Pattinson and the movie is played out as a flashback of the old man's story.
Although I never would have expected it, Robert Pattinson plays out a perfect Jacob. That irresistible smile he gets on his face when he's around the animals definitely lets us connect with Jacob the way we wanted to see him connecting with Rosie the elephant. Perfect choice for the part!
Christoph Waltz was a decent August, the ring master and circus owner. I pictured someone larger and darker, maybe more Italian looking, when I was reading the book but August's charm and charisma as a business man, and brutality and harshness as a monster, really made him a different type of character that readers will both appreciate and despise. We really see him on the verge of snapping and just how quickly it can happen. There is one scene where he becomes angry with Rosie that really sets that uncomfortable tone you get from him in the book.
Reese was Reese, what can I say. She's beautiful to look at, but just not as sexy and alluring as Marlena comes across sometimes in the book. Still a decent performance from her though and she and Robert make a cute couple.
Speaking of sex, there's a lot of it in the book including a strip tease tent in the circus. Those scenes are in the movie, but treated with dignity and careful camera angles - obviously allowing this movie its PG13 rating. It drags in places where we have to witness the slow glances and connections being made between Jacob and Marlena. August's discovery of the two is a bit rushed, but after that the action picks up making the last half of the movie pretty solid. The sad redlighting treatment of circus workers being thrown from the train out of spite and to lighten the financial load is there, balanced with a breathtaking scene of Jacob and August walking across the top of the train in motion. And then there's old Rosie, and you can't help but smile along with Jacob at the gentle beast when she performs or is providing comedic relief.
Non-book readers might find the movie a bit slow at times but will enjoy it overall. After all, we each have our own favorite circus act, right? Some book lovers will certainly be disappointed, but if you try hard to approach the movie with a different set of eyes (and lower your expectations just a tad) you will be well entertained. I know I was.

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Sauna ( Sauna - Wash Your Sins ) ( Filth ) Review

Sauna ( Sauna - Wash Your Sins ) ( Filth )
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Interesting foreign language film (subtitles) based on a late 1500s storyline of a joint Finnish/Russian expedition working to define the border between their two countries. As they walk the actual disputed line, they commit a few unchoice acts that come back to haunt them, and also discover a village that is not on any map. Eerie things follow (trying to avoid giving a spoiler).
Overall, this was generally enjoyable. The mood maintains a dreary and eerie feeling throughout, but perhaps too much. It almost never lets up, as strange acts continue and the actors engage in several savage acts. This could be a negative; the story unendingly plods through dark territory with interspersed horror moments that more abruptly arise rather than be built up. Also, its kinda slow. The story unfolds somewhat discontinuously (which, at times, is very well done), but generally it moves from one slowly developed scene to another, all of which are more notable for the human-human brutality (which is more often implied than actually shown) than the paranormal horror.

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9/06/2012

The Tiger & The Pussycat (1967) Review

The Tiger and The Pussycat (1967)
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It is very insulting to Ann-Margret and her longtime fans for a video company like Koch Music to misspell her name on the cover. She has been in the business for over 50 years! You would think that would be long enough for people to know how she spells her name.

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9/05/2012

George Mckenna Story (1986) Review

George Mckenna Story  (1986)
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I seriously doubt Mr. Denzel Washington is able to give anything less than a performance of total conviction, as he proves once again to me here in one of his earliest leading roles. In a true-life portrayal of George McKenna, new principal to the trouble-torn George Washington Memorial High School, he is wholly convincing. The problems he encounters are not solely those caused by the students, but also the parents and indeed some of the teachers. His determination to turn things round stems from his passion that his pupils WILL graduate to college if they want to, and that this will never happen if they don't feel anyone cares about them. Despite resistance from some pupils and teachers,(not to mention ongoing gang warfare within the grounds), others rise to the occasion, both for themselves and for McKenna himself, such is the respect he gains. In the process of such diligence his once supportive girlfriend leaves him under the pressure of his split commitments, but as for the School, he succeeds. Seeing the graduating students really is a heartwarming moment! Having previously seen "187", it does make the violent scenes and troublesome pupils here look bland by comparison, but its hard to tell if this film was sanitised or "187" sensationalised. Regardless, its still well worth the watch, especially if you respect Denzel's work in later movies already.

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8/28/2012

Someone is Watching Review

Someone is Watching
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I bought this movie thought it was excellent Give it 10 Stars.It has a little bit of everything in it. Like the title Someone Is watching you.Scary!!


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7/30/2012

Disclosure (1994) Review

Disclosure  (1994)
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For those of you who have not seen disclosure you are missing quite a bit. It is the story of a business man(Michael Douglas) who's ex girlfriend(Demi Moore) comes to work at his office. In the coarse of events she become his boss and tries to further the relationship. One night in his office she tries to seduce him, even as far as having oral sex with him. After a little foreplay he turns her down and goes home to his wife. Well the next day he is charged with sexual harassment. Douglas proceeds to counter the suit. The movie shows the double standards between men and women concerning sexual assult. The audience watched as a once well thought of man becomes a outcast and a devious woman gets placed on a pedistal. What really makes this moving worth watching is the knowledge that the higher the pedistal the longer the fall. When Demi Moore's character falls, she falls hard. It's an excellant movie with a lot of surprises and a sweet kind of justice.

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7/21/2012

Mother Lode Review

Mother Lode
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I don't think the critics cared much for this film but I remember seeing it when I was younger and thought it was pretty intense. Charlton Heston does a great job with his role. Kim Basinger also does a good job in an early role for her. The story line is tense and leaves the viewer guessing up until the end. I was also very impressed with the locations and the sets used in the film. The scenery of the British Columbia location is impressive and the scenes in the mine set a great tone. All in all I really enjoyed this film and hope to see it re-released in the future.

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Studio: Warner Home VideoRelease Date: 03/29/2011Run time: 101 minutes

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7/13/2012

Stepfather II (1989) Review

Stepfather II (1989)
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I actually enjoy Stepfather 2 more than the first Stepfather movie. The haunting theme does a lot for creating a truly sinister atmosphere. Rarely does a film score stick in my head, but this one does. And then there's Terry O'Quinn who plays the character just right.
You have to remember that this film was basically made in only 4 months. That's writing the script, casting, shooting, post production, etc. It was made for about 1 and a half million dollars and originally was supposed to be a direct to video release. Some additional shots were added and changed when the studio decided it was going to run a theatrical release like the first Stepfather, and they needed a more violent "Horror Movie".
The DVD release presents the film in it's original Widescreen format, and it's a very sharp Animorphic transfer. A great thing included on the disc is that it has many alternate and extended scenes that were from the original Director's cut. There is also a short still gallery, and a very interesting full-length commentary by the Director and Producer of Stepfather 2. The only thing missing is a theatrical trailer...albeit most Buena Vista DVD's lack a trailer so it's no big surprise there.
If you like this film then you need this DVD, it easily blows away the old VHS and Laserdisc editions. Now, if only they'd release the 1st Stepfather movie on DVD!!!

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6/30/2012

Stockholm Syndrome (2009) Review

Stockholm Syndrome (2009)
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This might ave been a good movie, had it had more money spent on it.
Unfortunately its shortcomings are all too obvious. The acting is beyond cretinous, the camerawork shoddy, and the picture grainy and wobbly.
Sound is also chronic in parts with voice sound volume decreasing abruptly when actors walk away from the boom mike.
Although the gore is plenteous and quite well delivered, it seemed that Mr Cavalline was just direcing a series of horrific scenes to shock.
There was no cohesion and it came across like he was trying just that bit too hard. There is not much (if any)storyline, so all in all not a success.
I'd recommend this film to horror boneheads who can understand gore when they see it, but would be confused by any semblance of plot or realistic acting. Strictly Amateur Hour i'm afraid.
PS Ignore Todd Proesl's review. Not only does he "act" in this film, he is the worst "actor" in the entire thing.

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6/01/2012

Murder 101 (1991) Review

Murder 101 (1991)
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MURDER 101 written and directed by Bill Condon (who would later grab an Oscar for GODS AND MONSTERS) is a great little movie that I had never heard of. Suffice to say, Condon's neat little script gives us two big surprises at the end. The murderer is hard to spot and the ending is just "Wow, did I just see what I think I saw?"
At any rate, Pierce Brosnan in his pre Bond days stars as a best-selling crime writer who teaches a class in how to write the perfect crime novel. Brosnan gained famed writing a true crime thriller that sent his friend to prison for murdering his wife. Brosnan returns to teaching, to meet his estranged wife, played sweetly by Dey Young, who has taken up with another professor, played smarmily by Mark L. Taylor (Fangs). Another friend of his is Detective Mike Dowley (played with a surly masculinity by Antoni Carone). Soon, though, things take a demonic twist when Pierce is set up for murder by one of his students. Rachel Sbarge in a crafty performance seems to be the one who is setting him up.
The pace is good; the script witty and inventive; and overall, a tidy, surprising mystery.

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5/26/2012

Breaking Dawn Review

Breaking Dawn
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So..I had some time to kill while doing my laundry and saw this movie was on my ONDEMAND. I decided to take a chance and watch it. I was surprised to be completely entertained through the whole film. There are some points where the acting is a bit overdone and the story does have a few ways it could be improved...but... how many big budget, over advertised, movies have crappy acting and yet make a lot of money just because they are either A) a sequel to a famous franchise (how many Jason movies do we need?) or B)have big name actors. This film is pretty darn good. I believe more movie makers should quit trying to make the next big, arty, trend setting, overly thought out movies and just do what films should REALLY be...a couple of hours of decent entertainment. I beleieve this movie accomplishes just that.

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5/21/2012

Unborn 2 (1994) Review

Unborn 2 (1994)
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One thing you can say about Roger Corman: he's consistent. "Consistent" meaning his films always turn a profit (supposedly). "Consistent" also means that a viewer sitting down to a watch a Corman flick will consistently find the film in question larded with enough cheese to clog an elephant's arteries. You will see cheesy acting, cheesy special effects, and cheesy plots. Depending on the type of genre, you'll also find plenty of gory mayhem, beautiful babes, and nudity from the aforementioned beautiful babes. That's Roger Corman in a nutshell. Oh wait, I almost forgot; he's also the biggest ripoff artist in Hollywood history. Any film that has hit the big time in the last forty years invariably sees Roger Corman making a similar flick in an effort to cash in on the more successful offering. For example, when "Jaws" hit the jackpot back in the 1970s, Corman followed up with several pictures capitalizing on monsters run amok. When the car movie craze swept America in the late 1970s, Roger quickly jumped aboard by releasing films focusing on cars. "Star Wars" saw our man releasing several science fiction films strongly resembling, well, "Star Wars". That's Corman for you. Love him or leave him.
"The Unborn II," an inferior sequel to the intriguing 1991 film "The Unborn," begins with a slam-dunk scene one won't see in many American films. A woman, Linda Holt (Robin Curtis), approaches a playground overflowing with happy tykes. She coolly surveys the scene, walks up to one of the youngsters, and proceeds to pump him full of bullets. The movie could have ended right there and I probably would have given it five stars. You just don't see scenes like this in horror movies these days. It's too politically incorrect. Let's move on. Main character Catherine Moore (Michele Greene) moves into a nice neighborhood with her baby boy Joey. The film immediately treats us to scenes of domestic tranquility punctuated with encounters between Catherine and her nosy neighbors Artie and Marge Philips (Darryl Henriques and Carol Ita White). These two give a whole new meaning to the word "intrusive" as they pepper our protagonist with all sorts of annoying questions. They also want to see the baby, predictably enough, but Catherine won't reveal her offspring. Why? If you've seen the first film, you already know the answer to that question. Quit bothering me and just read the darn review! Sheesh!
Anyway, a few other characters arrive on the scene. We see another one of Catherine's neighbors, the overly friendly John Edson (Scott Valentine desperately looking for a career after "Family Ties"), and the two strike up one of those friendships we the viewer recognize as having the potential for romantic interaction. The movie also introduces us to the blazingly hot Sally Anne (Brittney Powell), daughter of the aforementioned Philips and the future babysitter of the enigmatic Joey. What else? Oh, remember that dame wreaking bloody havoc at the playground in the opening scenes of the movie? We learn she's out tracking down the monstrous babies from the first film. Her mission apparently involves engaging in open gun battles with the cops in the middle of hospital maternity wards. Fun. Her goals also involve tracking down one Joey Moore. In the meantime, Catherine has other problems. Like explaining to Sally Anne why she keeps Joey locked up in his bedroom. She also must hide what happens to a couple of meddling social workers when the two nosy nellies run straight into the jaws of an angry Joey. And Joey? By the time we see him, fully revealed to the camera, we're laughing too hard to take any of this seriously.
Does a movie like "The Unborn" really need a sequel? Already a belated ripoff of Larry Cohen's "It's Alive" series, Corman obviously saw dollar signs in resurrecting the baby run amok genre. The first installment worked well. Brooke Adams did a good job, and we also got to see Kathy Griffin's character murdered with a hammer. Sadly, "The Unborn II" doesn't achieve these Olympian heights. For one thing, the film just looks cheap. It has that sparse look one sees in most of Corman's 1990s and early 2000s efforts, a look that's one step above camcorder filmmaking but far short of the rich tapestry of colors and textures filmmakers achieve with properly developed celluloid. The performances and dialogue also leave a lot to be desired. In other words, both elements tank badly. They really need to quit writing scripts on toilet paper over there at Corman headquarters. Lastly, the special effects look appallingly awful. I didn't know whether to laugh or cry when the film unveiled Joey for the first time. The kid has a noggin that looks like a globe covered with flesh colored newspaper. It's that bad, folks. Just appalling. He looks like something I would've created in grade school--while tripping acid.
Supplements. You're kidding, right? Expect a full frame picture transfer, a trailer for this film, and a few previews for other House of Corman extravaganzas. Expect much less in the audio and picture quality department. Like I said earlier, the movie looks cheap. So why should you watch "The Unborn II"? Well, if you saw the first one and really liked it, you should definitely check out this inferior sequel just to see how far an idea can fall in the hands of Roger Corman. You can also watch the film with a few friends and do your own MST3K treatment. That's always fun, and quite easy to do with this movie. Finally, you should watch this flick just to see the opening scenes on the playground. It's nasty stuff executed in a way that will make you flinch. Too bad the film couldn't live up to the high expectations it set for itself at the beginning. I'll give "The Unborn II" three stars because of that scene, Sally Anne, and the hilarious hijinks that kept me laughing throughout.

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Evidence of Love(True Stories Collection TV Movie) (1990) Review

Evidence of Love(True Stories Collection TV Movie) (1990)
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"Evidence Of Love" a.k.a "Killing In A Small Town" when it aired on CBS in the early 90's features an EMMY Award winning performance by Barbara Hershey (Beaches)The film is adapted from the book "Evidence Of Love" which is based on the true story of Candy Morrison who appeared to be an upstanding wife, mother and respected member of the community.
After an affair with her best friend's husband things spin out of control and Candy soon realizes the damage she has caused is irreversible. Confronted by her friend about the affair, their anger quickly becomes violent.
The film ends with a courtroom scene which has become all to familiar in made for TV movies. However, this film rises above such conventions with stellar performances by Hershey, Brian Dennehy and Hal Holbrook, a clever script by Cynthia Cidre and skilled direction by Stephen Gyllenhaal.
The DVD has no special features other that full screen presentation and scene selection. The picture quality is quite good and is beautifully packaged in a keep case coverbox.
This is feature film quality entertainment! Not your average made for TV movie!

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5/19/2012

Deadfall (1968) Review

Deadfall (1968)
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From 20th Century Fox's new Cinema Classics Collection, whose prerequisites seem to be that a film be old and somewhat ostentatious, comes the feature Deadfall (1968), based on a novel by Desmond Cory and adapted and directed for the screen by Bryan Forbes (The Stepford Wives, International Velvet), starring Michael Caine (Dressed to Kill, Deathtrap), Giovanna Ralli (The Invisible Woman), and Eric Portman (The Spider and the Fly, "The Prisoner"). Also appearing is David Buck (The Mummy's Shroud) and legendary composer John Barry (Dr. No, Midnight Cowboy), who also provided the music for the film.
As the film opens we meet Henry Clarke (Caine), a professional jewel thief and apparent alcoholic, who's currently residing in a sanatorium of sorts attempting a recovery (we eventually learn he really doesn't have a problem with the booze, as he's only their to get close to a potential mark). Anyway, as Henry is finishing up his `convalescence' he's approached by a smartly dressed young woman by the name of Fe' Moreau (Ralli) as she's got a business proposition. Seems she and her husband, a much older man named Richard (Portman), who, by the way, seems to enjoy the company of men more than he does women (i.e. he's a little on the fruity side but manages to keep the mincing to a minimum) are in the same business as Henry, and seem to know an awful lot about not only what he does, but what he has done, particularly in some of his past heists. Turns out Richard is more of a planner than a thief, and he needs Henry to basically do all the breaking and entering so that he can come in at the end and gain access to where the valuables are stored. Once the details are squared away, the trio begins working on a preliminary job, one that involves stealing some jewels from large and well-protected estate while the owners are away at a concert. Things go fairly smoothly in the beginning, but the pair do encounter some difficulties on the back end. Eventually they make the score and decide to head off to Richard's villa somewhere on the coast of Spain, if only to rest up and plan their next job. And this is when things start to get really weird...you see, Henry and Fe' head out early and end up developing a romantic affair, while Richard shows up a few days later with a...friend...a young male friend named Antonio. Henry, taken with Fe', wants her all to himself, but she's unable to commit due to the fact she's married and all, and while she doesn't really love Richard, she does have a certain attachment to the man, one she can't just give up easily. This back and forth goes on for awhile and eventually Henry learns some disturbing truths about both Fe' and Richard, truths that could jeopardize their plans for their next heist...
I enjoyed a number of aspects about this film, my favorite being the sequence involving the initial robbery performed by Henry and Richard. This was a lengthy piece of footage as the shots of them breaking into the large mansion were cut with scenes of the orchestra concert, the same concert the people who owned the house being burglarized were attending. As a result the music performed during the concert is also played during the heist, all of which was edited in such a way to make everything quite exciting and engaging. The first hour or so of the film (the movie runs about two hours) things move along fairly well, but then the next forty five minutes the story gets bogged down with a whole lot of relationship type material, as Henry tries to figure out why Fe' is as attached as she is to Richard, and why Richard is unwilling to let her go. There are some interesting and ultimately creepy revelations made around this time as we learn a number of things about Richard's past, but it kind of felt dragged out and slightly pretentious by the end. Things do pick up during the last fifteen minutes, but I do believe the film could have been shortened by at least ten minutes, perhaps in an effort to provide better pacing. The crux of the story isn't really the heists themselves, but the interactions that develop between the characters in terms of their relationships, so perhaps this aspect of the film was intentionally drawn out to provide the necessary development as perceived by those making the feature. Anyway, some other aspects that worked really well for me were the European settings and the smart dialog. There's a lot of philosophy thrown around, as Richard seems to pontificate endlessly while playing his odd, little head games, but Henry does counteract this well with his streetwise wit and natural charm. I'm generally intrigued by characters on film or in novels that always manage to pull an appropriate retort or reply out of their ash. I thought all the performances were very professional and Caine was entertaining as usual. The one element that tends to stand out the most, as I think most who've seen the film will agree, is John Barry's beautiful musical score (he also appears in the film as an orchestral director), which complements the activity on the screen remarkably well. If you're a fan of exceptional musical scores, it might be worth seeing this film on that aspect alone. Overall I thought this a curious feature with some definite entertainment value, but certainly not for everyone's tastes. If you prefer a quick pace, lots of action, and minimal character development, this feature probably wouldn't be of interest, but if you enjoy a textured and layered storyline with a focused eye towards the characters and a moderately bizarre twist or two, then perhaps this will fit the bill.
The anamorphic widescreen (1.66:1) picture on this DVD release comes across really well as the picture is exceptionally clean and clear, and the audio, available in Dolby Digital mono (English and Spanish) and stereo (English only) is excellent, in my opinion. There are some extras including a featurette titled The John Barry Touch - The Music of a Master, an original theatrical trailer, an isolated musical score and sound effects track, subtitles in English and Spanish (the back of the case states there are also subtitles available in French, but this isn't true), and a couple of trailers for some other Michael Caine films, Peeper (1975) and The Magus (1968), both of which were recently released onto DVD.
Cookieman108


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5/03/2012

Let Me Die Quietly (2011) Review

Let Me Die Quietly (2011)
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First off, let me say that I am not really one for low budget independent films, as they tend to disappoint heavily in both story content and acting ability, but being familiar with Charles Casillo's books I threw caution to the wind and decided to give Let Me Die Quietly a shot. I was completely blown away! The film is a well-crafted, phenomenally acted little thriller that builds slowly with each little plot twist and turn until the final shocking moments. Even in big budget Hollywood films, you would be hard-pressed nowadays to find a film with a shred of an original plot device, but Casillo manages to take a genre that has been done to death and injects a ton of originality into this thriller. Kudos to Casillo for a stellar script and storyline that held my interest throughout, as well as for his spectacular, haunting performance as Mario. Dana Perry is also outstanding as Gabrielle. There were several plot twists that I did not see coming at all - I won't give them away here - but for a debut independent film I was extremely impressed by the acting, the writing and the overall production values of everyone involved. I am so glad I took a chance and bought a copy and didn't go the usual route and do the rental thing!

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4/28/2012

Kate's Addiction (1999) Review

Kate's Addiction (1999)
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Okay, when I saw the trailer I couldn't wait to see it. Although I'm a fan of WINGS, I really like the idea of two hot women together. Now that I've seen the movie, I'm more convinced than ever that I should be making these movies instead of the jabones who are making them now. The plot was decent, but it was erratic, and uneven. Too often I felt like the filmmaker strung clips together. Once the movie got going, I sort of got into it. Kari Wuhrer is as beautiful as she is convincing in the role of the psycho. When the two did finally meet, it was too short, too R, and not steamy enough. I mean, come on. You have two gorgeous actresses--let them act! Overall, the movie was a letdown. It could have, and should have been so much more.

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4/12/2012

The House of the Devil (VHS/DVD Bundle) Review

The House of the Devil (VHS/DVD Bundle)
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I attended a midnight screening of Ti West's 'House of the Devil' in Boston last weekend. I had seen a lot of press about the film which led me to watch the trailer. Seeing the inclusion of genre vets Tom Noonan, and Mary Woronov assured me that this was a film that had it's roots firmly planted in the late '70's through to the mid '80's.
The film is one that is not for those who are looking for a quick paced, gore filled scream fest. It is, however, for those who enjoy an atmospheric, character driven movie. The film does have well done effects, a very atmospheric score, and very solid cinematography.
If Mr. West is involved with the marketing of this film then I say job well done. For a film that really does feel from that era the choice to simultaneously release it on VHS as well as DVD is a great one, and for people who collect VHS, like myself, should buy this one as it comes in an over sized clamshell case.

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The Horror Film of the Year available on DVD, Blu-ray and VHS EXCLUSIVELY AT AMAZON.Sam (Donahue) is a pretty college sophomore, so desperate to earn some cash for a deposit on an apartment that she accepts a babysitting job even after she finds out there is no baby. Mr. and Mrs. Ulman (cult actors Noonan and Woronov) are the older couple who lure Sam out to their creaky Victorian mansion deep in the woods, just in time for a total lunar eclipse. Megan (Gerwig) is Sam's best friend, who gives her a ride out to the house, and reluctantly leaves her there despite suspecting that something is amiss. Victor (Bowen) at first seems like just a creepy guy lurking around the house, but quickly makes it clear that Sam will end this night in a bloody fight for her life...2009 Top 10 List Selections:TimeOut New YorkThe OnionAMCtvSound on Sight

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