Water for Elephants (2011) Review

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(More customer reviews)I have to admit that Water for Elephants was a decent representation of the book. Take into consideration that a movie is never going to give you 100% of the book. That being said, I was disappointed with the parts of the book the movie left out. There were lots of little details and nuances that just can't come across on the full screen anyway, although you would have liked to have seen how they would have been portrayed. Although too numerous to mention and for those who haven't read the book it wouldn't matter anyway, the biggest (for those who have read it) would be the comedic scenes that play out with Jacob in the nursing home. All of those chapters were completely left out.
We open with an old man (Hal Holbrook) wandering into the parking lot of a circus that is packing up and moving out. A workman comes out to see if he is lost and invites him in out of the rain while the man calls the nursing home. The old man looks at the old black and white circus photos on the wall and recalls out loud which circuses they are from. This grabs the worker's attention and he mentions the Benzini Brothers Circus tragedy from years ago. The old man says he was there and the worker asks him to tell him about it. We flash back to a younger gentleman played by Robert Pattinson and the movie is played out as a flashback of the old man's story.
Although I never would have expected it, Robert Pattinson plays out a perfect Jacob. That irresistible smile he gets on his face when he's around the animals definitely lets us connect with Jacob the way we wanted to see him connecting with Rosie the elephant. Perfect choice for the part!
Christoph Waltz was a decent August, the ring master and circus owner. I pictured someone larger and darker, maybe more Italian looking, when I was reading the book but August's charm and charisma as a business man, and brutality and harshness as a monster, really made him a different type of character that readers will both appreciate and despise. We really see him on the verge of snapping and just how quickly it can happen. There is one scene where he becomes angry with Rosie that really sets that uncomfortable tone you get from him in the book.
Reese was Reese, what can I say. She's beautiful to look at, but just not as sexy and alluring as Marlena comes across sometimes in the book. Still a decent performance from her though and she and Robert make a cute couple.
Speaking of sex, there's a lot of it in the book including a strip tease tent in the circus. Those scenes are in the movie, but treated with dignity and careful camera angles - obviously allowing this movie its PG13 rating. It drags in places where we have to witness the slow glances and connections being made between Jacob and Marlena. August's discovery of the two is a bit rushed, but after that the action picks up making the last half of the movie pretty solid. The sad redlighting treatment of circus workers being thrown from the train out of spite and to lighten the financial load is there, balanced with a breathtaking scene of Jacob and August walking across the top of the train in motion. And then there's old Rosie, and you can't help but smile along with Jacob at the gentle beast when she performs or is providing comedic relief.
Non-book readers might find the movie a bit slow at times but will enjoy it overall. After all, we each have our own favorite circus act, right? Some book lovers will certainly be disappointed, but if you try hard to approach the movie with a different set of eyes (and lower your expectations just a tad) you will be well entertained. I know I was.

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Fly Away Home (1996) Review

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(More customer reviews)The multiple chords struck by Carrol Ballard's heartbreaking work "Fly Away Home" are so universal, it is difficult to imagine a person of any gender or any age not being touched in some way by this genuine family film. Make no doubt, "Fly Away Home" is a true classic, timeless in beauty yet timely in theme. So many subjects are tackled, from estranged family dynamics to environmental messages, it is difficult to fully grasp this film's important impact from just one viewing. Each time I view this movie, I come away with new ideas, and a new hope for our common man and woman.
Film director Carrol Ballard has achieved such lofty heights before with his debut film "The Black Stallion" and his stunning follow-up "Never Cry Wolf." Amazingly, he has once again climbed to the top of a very high mountain with "Fly Away Home." The story is anything but simple, but its a tale of a mother, lost in a car accident, thereby forcing the reunion of a daughter and estranged father. He's an eccentric Canadian, living in the country, working on multiple sculptures and experimenting with flying machines. She's a lost soul, seemingly homeless without the guidance of her late mother. Yes, father (Jeff Daniels) and daughter (Anna Paquin) bond, but it's due to the nature which surrounds their rural homestead. In this case, an orphaned flock of geese Paquin raises from birth after the destruction of their natural habitat by encroaching development.
Paquin's character becomes a surrogate mother for these geese, and eventually she must learn to fly to enable the lost birds to travel south for the winter. Daniels accompanies his daughter out of love, and eventually understanding that this has become a rite of passage for his budding, maturing teenage girl. And somewhere along the way, a girl becomes a woman, and a father becomes a man.
Much of the credit for "Fly Away Home" goes to the brilliant cinematographer Caleb Deschanel, who also worked with Ballard on "The Black Stallion" and "Never Cry Wolf." Certainly the musical selection of Mary Chapin Carpenter's haunting "10,000 Miles" is an inspirational if not brilliant choice. But the story is the key, and during a time of changing family dynamics amidst a society of shrinking nature, I can't imagine a film utilizing both themes with such skilled and relevant ease.
"Fly Away Home" is such an important film, not only because a female protagonist breaks away from traditional bonds to find herself (no boy and his dog here), but because a self-centered man/father overcomes his weaknesses to find not only himself, but the person/daughter/child who defines his soul. "Fly Away Home" is about us finding our spirit during a trying time of divorce and misguided independent values. By bonding with the land, and as importantly with our family, we find our true spirit.
And finally, "Fly Away Home" will bring a tear to the most hardened spirit, causing us to hug the ones we love, human or animal. Is that not the purpose of art - film, book, music or otherwise? I have applauded Carroll Ballard before. After "Fly Away Home," I not only applaud this extraordinarily gifted director, I salute him.

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The Infernal Comedy: Confessions of a serial killer - featuring John Malkovich; Laura Aikin; Aleksandra Zamojska; Orchestra Weiner Akademie (2009) Review

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(More customer reviews)The 2009 play "The Infernal Comedy" - confessions of a serial killer by Austrian dramatist Michael Sturminger is a "comedy" only in the most dark and ironic sense. Based on the true events surrounding the conviction, release and recapture of Jack Unterweger, this is a strangely compelling vision. John Malkovich created the role and is, essentially, talking to his audience as if they are witnessing a lecture and book signing from the "Vienna Woods Killer", back from the dead. The drama and vision are made more complete and surreal by having a Baroque orchestra accompany two sopranos as a form of commentary throughout the monologue. The arias are chosen carefully for their depiction of various operatic women in abused, subjugated, disadvantaged and mistreated roles. The two sopranos, Laura Aikan and Aleksandra Zamojska, perform wonderfully and also serve to act as if they are but two of Unterweger's many victims. In real life, Unterweger had written a book, gone on tour, exhibiting the same charm that no doubt gave him access to women, all while still executing an additional nine women, only to commit suicide while awaiting trial in prison. The irony and the palpable "deadly charm" that Jack Unterweger probably possessed are carried off brilliantly by Malkovich, who excels at portraying unusual characters in intense ways. The opera extracts and the performances by the sopranos - musically and dramatically - actually highten the mood and make one want to learn more about this strange case. The orchestra, playing period instruments conducted by Martin Haselbock plays wonderfully and this play/opera/commentary makes a fascinating addition to anyone's collection. The "comedy" is present, especially in some of Jack's almost "throw away" dialogue (like his disgust with the laptop computer provided him) but ultimately the realization that this man was real and notorious and scarily unique make the comedy less funny and more - infernal.

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'The Infernal Comedy' is a stage-play for a Baroque-Orchestra, twoSopranos and one actor. It is based on the real-life story of JackUnterweger, a convicted murderer, acclaimed imprisoned poet, pardonedand celebrated author and journalist, notorious womanizer,and prime example of reintegration, who gradually was suspected ofkilling a growing number of prostitutes in Vienna, Graz,Prague and Los Angeles, later vanished from Vienna, fled into theU.S, got arrested in Miami, transferred to Austria, accused and finallycommitted suicide after being convicted of homicide in eleven cases.'If you wear this name, women will love you or hate you - call you a liar or pervert - but they will never leave you alone.'BONUS: inside THE INFERNAL COMEDYThe deceitful criminal history of Jack Unterweger, the prisoner convicted of killing a woman who subsequently became aliterary sensation and was considered to be a model of rehabilitation, is the true source and subject of the musical theatrepiece for Baroque orchestra, two sopranos and an actor. This role is perfectly impersonated by John Malkovich. Observationsat the rehearsals for this unusual and genre-leaping theatre evening are interwoven with historic background information.

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