Showing posts with label psychological thriller. Show all posts
Showing posts with label psychological thriller. Show all posts

5/03/2012

Let Me Die Quietly (2011) Review

Let Me Die Quietly (2011)
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First off, let me say that I am not really one for low budget independent films, as they tend to disappoint heavily in both story content and acting ability, but being familiar with Charles Casillo's books I threw caution to the wind and decided to give Let Me Die Quietly a shot. I was completely blown away! The film is a well-crafted, phenomenally acted little thriller that builds slowly with each little plot twist and turn until the final shocking moments. Even in big budget Hollywood films, you would be hard-pressed nowadays to find a film with a shred of an original plot device, but Casillo manages to take a genre that has been done to death and injects a ton of originality into this thriller. Kudos to Casillo for a stellar script and storyline that held my interest throughout, as well as for his spectacular, haunting performance as Mario. Dana Perry is also outstanding as Gabrielle. There were several plot twists that I did not see coming at all - I won't give them away here - but for a debut independent film I was extremely impressed by the acting, the writing and the overall production values of everyone involved. I am so glad I took a chance and bought a copy and didn't go the usual route and do the rental thing!

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4/12/2012

The House of the Devil (VHS/DVD Bundle) Review

The House of the Devil (VHS/DVD Bundle)
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I attended a midnight screening of Ti West's 'House of the Devil' in Boston last weekend. I had seen a lot of press about the film which led me to watch the trailer. Seeing the inclusion of genre vets Tom Noonan, and Mary Woronov assured me that this was a film that had it's roots firmly planted in the late '70's through to the mid '80's.
The film is one that is not for those who are looking for a quick paced, gore filled scream fest. It is, however, for those who enjoy an atmospheric, character driven movie. The film does have well done effects, a very atmospheric score, and very solid cinematography.
If Mr. West is involved with the marketing of this film then I say job well done. For a film that really does feel from that era the choice to simultaneously release it on VHS as well as DVD is a great one, and for people who collect VHS, like myself, should buy this one as it comes in an over sized clamshell case.

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The Horror Film of the Year available on DVD, Blu-ray and VHS EXCLUSIVELY AT AMAZON.Sam (Donahue) is a pretty college sophomore, so desperate to earn some cash for a deposit on an apartment that she accepts a babysitting job even after she finds out there is no baby. Mr. and Mrs. Ulman (cult actors Noonan and Woronov) are the older couple who lure Sam out to their creaky Victorian mansion deep in the woods, just in time for a total lunar eclipse. Megan (Gerwig) is Sam's best friend, who gives her a ride out to the house, and reluctantly leaves her there despite suspecting that something is amiss. Victor (Bowen) at first seems like just a creepy guy lurking around the house, but quickly makes it clear that Sam will end this night in a bloody fight for her life...2009 Top 10 List Selections:TimeOut New YorkThe OnionAMCtvSound on Sight

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4/01/2012

Twisted Path Review

Twisted Path
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"I love independent horror movies but lately got a bit tired of slashers. I noticed Twisted Path's trailer on YouTube, got curious, read some reviews and decided to check it out.
Here are my thoughts after watching it: the first thing I noticed (like in the trailer) are good photography and cool locations. I thought the beginning was a bit too slow, but over all I found Twisted Path pretty entertaining. I thought the movie had a good twist at the end, but what I liked the most about it was the subject, which touches something I personally experienced and can relate to. Besides the subtitles, the Blu-ray doesn't have any extra features, but sound and picture are good quality."


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10/14/2011

The Haunted Airman (2006) Review

The Haunted Airman (2006)
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I'm sure that most of the renewed interest in this film is because it stars Robert Pattinson. If that's your motivation you won't be disappointed with his performance specifically. He was brooding, handsome, and believable in the title role.
That being said, this movie doesn't have a lot to offer otherwise. At the end of the movie I felt like I had missed something important. Maybe I'd have to read the book to fully understand what was going on, but this movie didn't give me a lot of incentive to want to do that either. Throughout the entire story it was hard to see the motivation behind the characters actions. I don't believe it was that the actors failed to effectively portray the story, I think that the script (or maybe the book itself?) was fundamentally flawed somehow. There just wasn't enough backstory to understand how the characters became the way they are emotionally. Additionally, the movie did a very poor job explaining how the characters' relationships with each other came to be, instead expecting the audience to just accept those relationships as a given. Without the proper development between the characters, it was very hard to care about what happened to them.
The music was also terrible. It had that cheesy, old, horror movie vibe and didn't add to the movie overall.


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10/04/2011

The Uninvited (2009) Review

The Uninvited (2009)
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The Uninvited begins with our protagonist, Anna, in a mental ward after dealing with the emotional trauma of losing her mother in a freak fire. As the film begins, her psychiatrist believes she is ready to go back into the real world and she is allowed to move back in with her father and her older sister, Alex. Unfortunately, father is now seeing Rachel, a nurse who was in charge of Anna's mother. This weird situation is further complicated by the fact that Anna is becoming more and more convinced that her mom wasn't killed in a freak accident...maybe she was murdered.
So if you have watched ghost movies over the last ten or so years, you basically know this film. It hits all of the major plot points, has a couple requisite twists and throws weird scares at you (it is based on a Korean film, you know). I expected all of this. I even expected one twist that I thought was revealed very early on. Even so, the ending still surprised me and I have to say that this film was classy in telling a familiar story. The truth is, there hasn't really been a genre-changing film in the ghost story genre for awhile now. The Uninvited is no different. So, what is important is not what is being told (as there's nothing new under the sun), but how it's told.
Here The Uninvited soars where a lot of recent ghost stories (Unborn, for example) have failed. The storytelling is far classier than it has any right to be, the script is well-written and convincing and the actors are terrific. Emily Browning, playing Anna, practically carries the weight of the film on her slender shoulders. With her forlorn and innocent gaze, you really start to feel for her increasingly desperate plight. Meanwhile, her sister is played perfectly by Arielle Kebbel who brings a sexy older sibling charm to the proceedings. And then there's Elizabeth Banks, playing the stepmother who might not be all she says she is.
All of this is pitted against a murder mystery or two and wrapped up in a perfect bow. There's not a dull moment in the film, the scares actually startled me, even when I expected them and some of the ghostly hauntings could give the weird factor of The Grudge/Ring a run for their money. It's effective and very well done.
I definitely recommend going to see it. The Korean film, A Tale of Two Sisters, is definitely in my scope now, to see how it stacks up. Go see The Uninvited if you're in the mood for a fun, classy and, yes, sometimes scary ghost story.

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UNINVITED - DVD Movie

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7/04/2011

The Rite (2011) Review

The Rite (2011)
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The Rite looked like it would be a mixed bag right from the start. The film seemed to suffer the same fate many other films before it fell victim to and that's giving away too much of the storyline in the trailers. On top of that, it was a film that revolved around exorcism which is a subject that usually leads to disappointing results. Expectations would lead one to believe that The Rite would have enough momentum to reel you in only to drop the ball during its finale similar to last year's The Last Exorcism (except hopefully without the appearance of a neon red, glow in the dark fetus). Luckily, the film has a few surprises up its sleeve.
The cinematography in the film is probably the first thing you'll notice visually. The opening of the film makes things like dripping embalming fluid, a swing set on a playground, and an overturned shopping cart seem more interesting than they really are. Rain is an element used fairly often in the film to usually signify when something has gone wrong or is about to. Whether the camera is placed up high to make it seem like you're looking down on the cast from the heavens or down low as if you're looking up at them from the depths of the earth, the rain sequences in the film are definitely some of the most memorable due to the camera work.
This is probably a pretty obvious statement, but the film is worth seeing for Anthony Hopkins alone. It's not that Colin O'Donoghue does poorly since he certainly has a strong screen presence and does a fantastic job carrying the film, but Hopkins just manages to trump that while stealing every scene he's in and rightfully so. Father Lucas Trevant is the strongest and creepiest role Hopkins has played since Hannibal Lecter and his best role overall in years. It's just amazing seeing a man in his seventies give a performance that's this physical and this absorbing. Speaking of distinguished actors, it was nice seeing Rutger Hauer as well even if it was just for a small role.
The dream sequences and hallucinations in the film may have been my hands down favorite. I've always been a fan of the surreal, the imaginative, the creative, and the things that don't seem to make sense at first but gain meaning as the film or story progresses. I never thought I'd find myself intrigued with the actions of a mule or that frogs could have an even deeper meaning than what you're probably expecting, but The Rite accomplishes this very well.
Thankfully, The Rite delivers an exorcism film that is actually worth seeing. It'll probably be forgotten about in a year filled with so many blockbuster film releases, but considering that January and February are usually filled with such monstrous duds at the box office The Rite manages to surpass expectations. While the film does seem rather reminiscent of The Last Exorcism and borrows the atmosphere from the Heath Ledger film The Order, The Rite is actually a better experience overall. With an engrossing performance by Anthony Hopkins along with a fairly strong cast all around, its fantastic cinematography, surreal dream sequences, and a satisfying conclusion that doesn't hint at a sequel, The Rite is actually a surprisingly decent film all around.

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Inspired by true events, this supernatural thriller follows a seminary student (Colin O'Donoghue) sent to study exorcism at the Vatican in spite of his own doubts about the controversial practice and even his own faith. Only when sent to apprentice with legendary Father Lucas (Anthony Hopkins), who has performed thousand of exorcisms, does his armor of skepticism begin to fall. Drawn into a troubling case that transcends even Father Lucas's skill, the young seminarian glimpses a phenomenon science can't explain or control - and an evil so violent and terrifying that it forces him to question everything he believes.

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7/02/2011

Black Swan (2010) Review

Black Swan (2010)
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Darren Aronofsky has been circling movie news sites pretty frequently as of late. He recently signed on to direct the stand-alone sequel to X-Men Origins: Wolverine (appropriately titled The Wolverine). He also developed a rather large and devoted fanbase over the course of directing fantastically surreal films such as Pi, Requiem for a Dream, and The Wrestler, but his psychological thriller Black Swan has also been gaining quite a bit of steam leading up to its December 3rd release. Despite Aronofsky's already well-established reputation and the rather high anticipation for the film, Black Swan still delivers a product that is even better than expected.
Like most ballerinas, Nina (Portman) lives, breathes, and is completely devoted to dance. Artistic director Thomas Leroy (Cassel) is preparing a new spring production of his interpretation of Swan Lake. Nina is next in line to become prima ballerina after the former dancer to hold that spot, Beth Macintyre (Ryder), reluctantly retires. Everything seems to be shifting in that direction until a rather unorthodox, provocative, and unstable (in a dangerous kind of way) dancer named Lily (Kunis) arrives. Lily seems to have an eye for Nina's spot as soon as she walks through the door. Thomas begins to see Nina as the White Swan, which signifies innocence and perfection and Lily as the Black Swan, which is more sensual and deceptive. The problem is that one dancer is required to play both parts. Other than the stiff competition she has to deal with, The Swan Queen role begins to take its toll on Nina who begins to think Lily wants even more than her spot in the production. Nina's obsessive behavior leads to her releasing her dark side that she must now struggle to control.
Aronofsky has always had an exceptional eye for cinematography in his films. His use of micro-photography in The Fountain made the entire film a visually stunning spectacle that will stand the test of time while something like a someone's pupil dilating or a drug deal gone bad in Requiem for a Dream is memorable because of the way and angle Aronofsky shot it rather than relying on its disturbing content to make the scene a classic. Black Swan is no different. Being placed behind Nina whenever she heads to the dance venue gives the viewer a rather unique third person perspective that also gives the impression that you're walking right behind the main character of the film. The intense dream sequences are also shot in a way that flawlessly blur the line between reality and hallucination. Is this really happening or is it all a figment of Nina's deteriorating imagination? Figuring that out is half the film's charm.
The extraordinary main cast is the main ingredient to the film being as great as it is though. The key players all seem to have this twisted side to them that is nearly the exact opposite of the way they first appear to be, which coincides with the Swan Lake theme. Winona Ryder steals most of the screen time she's given whether she's trashing her dressing room, yelling obscenities in Portman's face, or sitting in a hospital room. Even though Mila Kunis seems to play nothing more than her role in Forgetting Sarah Marshall to the most extreme degree on the surface, it's the edge she's given that results in unpredictability for her character. While Vincent Cassel's performance is strong thanks to his sensual reputation with his dancers and Barbara Hersey is both charming and disturbing as Nina's mother who seems to secretly be trying to live in her daughter's dance shoes after a missed opportunity in her past, it's no surprise to hear that Natalie Portman is the heart of the film. Nina is so consumed with dance that she keeps pushing herself even when her mind and body begin to show her that she's had enough. Her breakdowns are heartbreaking and engaging to watch while her transformation by the end of the film can best be described as a monstrous beauty. It's all thanks to Portman's powerful, phenomenal, tour de force performance.
While some might not be surprised that Aronofsky has created yet another masterpiece, this may be his most solid and well-rounded film to date. Black Swan is a beautiful, disturbing, and captivating work of art that features gorgeous camera work, an excellent and mindbending story, and what is perhaps the performance of Natalie Portman's career. It's hard to argue with Black Swan being the best film of the year.

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A BALLET DANCER WINS THE LEAD IN SWAN LAKE AND IS PERFECT FOR THE ROLE OF THE DELICATE WHITE SWAN - PRINCESS ODETTE - BUT SLOWLY LOSES HER MIND AS SHE BECOMES MORE AND MORE LIKE ODILE THE BLACK SWAN, DAUGHTER OF AN EVIL MAGICIAN.

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