Showing posts with label italy. Show all posts
Showing posts with label italy. Show all posts

9/09/2012

Sorry, If I Love You ( Scusa ma ti chiamo amore ) Review

Sorry, If I Love You ( Scusa ma ti chiamo amore )
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Simpática comedia romántica de factoria italiana. La historia es bonita, y su metraje avanza bien, pero le cuesta de finalizar. Los actores están bien. Tanto Raoul Bova como Michela Quattrociocche tienen química, aunque la diferencia de edad se nota, sobretodo por la manera de comportarse de cada uno. Ahora a esperar para la segunda parte: Scusa ma ti voglio sposare.


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9/08/2012

The Last Contract (Sista kontraktet) (1998) Review

The Last Contract (Sista kontraktet) (1998)
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This is an absorbing drama based on the assassination of Olof Palme, and has divergent stories: the killer himself, and the one investigator in particular trying to solve it, and having difficulties thrown in his way.
Michael Kitchen is superb and Mikael Persbrandt is a marvel in this. The ending was a complete surprise!


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4/01/2012

Ubalda, All Naked and Warm (1972) Review

Ubalda, All Naked and Warm (1972)
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This comedy is about two men in late Middle Ages Italy trying to bed each other's wives. Things are complicated by the fact that both men put their wives in to chastity belts, which only aids the women avoid sex with either of them. However, as the girls have both managed to procure duplicate keys, it hasn't slowed down their interest in other men, so there are assorted lovers secreted in or under various items of household furniture.
The comedy is based on light slapstick: falling down ladders, being clunked over the head with a pipe, brawling in the flour mill. That sort of thing. It has a lightweight script and plot which romps happily along and makes the movie reasonably enjoyable, aided by the Maciavellian machinations of all concerned.
What makes the movie even more enjoyable are the two female leads (Edwige Fenech, before she so tragically cut her hair, and Karin Schubert) who are both sensationally gorgeous and who are rarely fully clad. There is no full frontal nudity or graphic sex scenes, thus preventing the movie deteriorating into outright sleeze, but the ladies spend considerable time desporting themselves in only their chastity belts, which, although they are supposed to have been made by the local blacksmith, appear to have been designed by the Middle Ages equivalent of Victoria's Secret. There is a marvellous scene of Edwige running through the countryside in slow motion in only her chastity belt. This scene on its own makes the movie worth the price and demonstrates, without doubt, why healthy, naturally beautiful women are so much more attractive than modern anorexic, young skeletons with two halves of a basketball sewn on their chests. Especially when they are running topless! Oh, for the good old pre-plastiboob days!
In short, this movies is no masterpiece, but it is lightweight, sexy fun. Watch and enjoy! Oh, and watch for the priest with the reputation!

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Twisted Path Review

Twisted Path
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"I love independent horror movies but lately got a bit tired of slashers. I noticed Twisted Path's trailer on YouTube, got curious, read some reviews and decided to check it out.
Here are my thoughts after watching it: the first thing I noticed (like in the trailer) are good photography and cool locations. I thought the beginning was a bit too slow, but over all I found Twisted Path pretty entertaining. I thought the movie had a good twist at the end, but what I liked the most about it was the subject, which touches something I personally experienced and can relate to. Besides the subtitles, the Blu-ray doesn't have any extra features, but sound and picture are good quality."


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2/23/2012

Acla's Descent into Floristella (La Discesa di Aclà a Floristella) Review

Acla's Descent into Floristella (La Discesa di Aclà a Floristella)
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This film was inspired by true events. It's an unflinching exploration of social mores and disturbing sexual practices. It exposes the endless cycle of religious hypocracy and poverty that allowed it to sacrifice generations of children.
Those who toiled in the sulfur mines had no access to their wives and family for 24/6. Both men and boys shared a communal sleeping chamber where the weak were subject to the spector of sexual abuse on and off the job.
The only thing that kept this film from getting 5-stars from me was the dialogue. At times, the dialogue was stiff and it seemed as if the actors were reciting their lines. I would highly recommend this movie for viewing for those who want to understand why conditions that the film presented could exist.

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1/12/2012

The Roman Spring of Mrs. Stone (1961) Review

The Roman Spring of Mrs. Stone (1961)
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The Roman Spring of Mrs. Stone is a film about need and seduction and the fear of being all-alone in the world. Legendary New York stage actress Karen Stone (the legendary Vivian Leigh) is unhappy with her latest performance, and is even more distraught when the play turns out to be a flop. She decides to retire from acting, telling everyone she needs a holiday to take care of her ailing husband.
However, when he dies on board a jetliner on the way to Rome, she decides to stay in the City and book herself into a lavish rooftop apartment. She wonders the streets, drifting in a haze of expensive loneliness, wondering what to do with her life now that acting is over for her. She soon falls in with the Contessa (Lotte Lenya), a female pimp, and a sharp procuress of handsome young men for forlorn wealthy old widows.
The Contessa hooks her up with the young Paolo di Leo (Warren Beatty). The sexy Paolo thinks nothing of acquiring money out of rich, older women, and with the Contessa's encouragement, he wines and dines Karen. Karen, however, isn't your typical widow. At around fifty, she's is still very beautiful, although she worries about getting older, she's obviously enamored of Paolo and she's desperate for affection, but she's determined that Paolo's need for money will not triumph her need for love.
They eventually become lovers. Karen showers gifts upon Paolo and they take a trip to Tangier. The Contessa becomes furious that Paolo isn't "cutting her fifty-fifty on the deal." Karen also doesn't heed the warnings of her friend, journalist Meg (Coral Browne) that she has "a disease" that can't be fulfilled. When Paolo begins to make the movies on younger starlet Barbara Bingham (Jill St. John), Karen begins to see Paolo for what he really is.
Based in Tennessee Williams novella, Roman Spring of Mrs. Stone is full of his trademark themes of desperation and isolation of fearful people aching to connect. There's no doubt that Paolo is an attractive man, but he's also selfish, spoilt and petulant and he thinks nothing of two-timing Karen. Karen is an intelligent and intuitive woman, and she's well aware of Paolo's agenda, but it's as though she's observing life through a looking glass, and is ultimately seduced by the gigolo lifestyle.
Director Jos? Quintero bathes the movie soft hews of gold and orange and he makes the most of Rome's stunning surrounds. Vivien Leigh remains a rather downcast presence - she's plays Karen with a fascinating mixture of neurosis and foreboding, she knows the relationship with Paolo will probably lead nowhere but she just can't help herself.
When their romance starts to sour, she and her young and deceitful companion trade sharp words but there no extravagant theatrical exchanges. Likewise Beatty plays down the truculent Paolo - much has been made of his Italian accent, but I found it perfectly suitable, and he's totally convincing as a manipulative pretty-boy Italian gigolo.
The Romance of Mrs. Stone was probably pretty sensational when it was released in 1961; and it's moral ambiguities - paying for sex and high-class prostitution, quite shocking to some. The film as aged well, although it dances around the more intimate aspects of the relationship - there's only one short love scene, which fades to black - the film certainly does a good job of highlighting the trials and tribulations of poor lonely women with bags of money who find themselves at a loss, living in exotic places and desiring to connect with someone. Mike Leonard May 06.


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An ageing starlet is off to vacation in Rome with her husband when he suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome where she leases a magnificent apartment with a view of the seven hills from the terrace. Soon, a contessa comes calling and introduces Mrs. Stone and a young man named Paola. A wary Mrs. Stone ultimately succumbs to Paolo's charms.DVD Features:DocumentariesFeaturette:? New Featurette Mrs. Stone: Looking for Love in All the Dark Corners


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12/03/2011

A Farewell to Arms (1957) Review

A Farewell to Arms (1957)
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When David O. Selznick undertook to remake "A Farewell to Arms" he was hoping to top Gone With the Wind. Needless to say, every movie he made after GWTW would be compared to it and deemed inferior. Most of his films have merit. However, "A Farewell to Arms" is a bona-fide disaster on most counts. David O. Selznick, who broke up Jennifer Jones and Robert Walker, was only concerned with Jones and her portrayal. Unfortunately, Jennifer Jones with her distracting facial contortions (which the director should have kept in check) is terrible in this film right down to the last reel where we have to endure an interminable child birth scene and her subsequent death. "A Farewell to Arms" could have been a superb film. Instead, it is an overlong, talky, mishmash of romanticism between two characters who are portrayed by good actors who have no chemistry between them. Hudson was perfect. He did the best he could under less than ideal circumstances. But Jones is the flaw in this film. A fine actress if directed properly and that twisted mouth and deep voice inflection distracting kept in check, Jones is horribly miscast. At the age of 38 she is certainly too old to be playing Catherine, a 23 year old nurse. She is supposed to be british but her playing is stilted and forced, not to mention over-intense. Even the musical score is unmemorable. No wonder this film failed at the box office. And no wonder David O. Selznick never made another film. He was an anachronism by this time. Skip this one folks unless you are a die hard JOnes and Hudson fan. I recommend "Song of Bernadette", "Portait of Jennie" or "Love Letters" if you want to see Jones at her best!

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