The Last Contract (Sista kontraktet) (1998) Review

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(More customer reviews)This is an absorbing drama based on the assassination of Olof Palme, and has divergent stories: the killer himself, and the one investigator in particular trying to solve it, and having difficulties thrown in his way.
Michael Kitchen is superb and Mikael Persbrandt is a marvel in this. The ending was a complete surprise!


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The Mirror Crack'd (1980) Review

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(More customer reviews)It's not big, it's not terribly clever, and it won't change the way anyone thinks about anything at all, but this 1980 version of one of Agatha Christie's less-loved novels of the same name is still an enjoyable tale of murder and gentle rebuke.
Set in a highly stereotypical American vision of the 1950's English countryside, the whole town is abuzz when Lola Brewster (Kim Novak) and Marina Rudd (Elizabeth Taylor) take up residence to film a production of 'Mary, Queen of Scots'. When one of Ms. Rudd's long-time fans is murdered at a reception given for the Star, Miss Marple (Angela Lansbury) and her nephew Inspector Delbert Craddock (Edward Fox) investigate the crime.
Script and direction are nothing more than diverting, with a nod here and there to the likes of Joan Crawford and Bette Davis - the two movie Queens feud continually - and some extremely clever one-liners - Ms. Taylor's line about Doris Day takes on a whole new level of meaning, as her director husband Jason is played by Rock Hudson. As Christie's well-loved sleuth, Angela Lansbury as Miss Marple is amusingly self-depracatory in her role, claiming that not everyone who comes into contact with her winds up dead. She'll never be Joan Hickson, but in a film such as this, Lansbury's lighthearted and somewhat campy performance is perfectly pitched.
Tony Curtis and Rock Hudson do passable jobs in their respective roles as Producer and Director, and the supporting cast is nothing more than perfunctory (including a rare nonspeaking cameo from a VERY young Pierce Brosnan), but for all that, they hang together well enough as an ensemble.
The plot and subsequent climax are forgettable, but, as with the rest of the film, come with a gentle likeable atmosphere that saves them from being mundane.
If you can pick it up cheaply, then go for it, it's perfect Sunday afternoon viewing. In total, 'The Mirror Crack'd' is a sweet, campy film that unfortunately stays too close to 'Average' to be a definite recommendation.

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The Hound of the Baskervilles (2003) Review

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(More customer reviews)This is a wonderful story and production...originally. However, the BBC Video (company) version I purchased which is 100 minutes in length had been edited so much that there were entire scenes missing right from the begining! I know because I taped the original when it aired on Masterpiece Theatre.
Buyer beware: This is not the full length version of the otherwise excellent program.

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In this energetic and bold adaptation, Conan Doyle?s legendary characters are portrayed with a pace and vigor that capture the spirit of the original story. Sir Charles of Baskerville lies dead on the moors of his family estate. The look of abject fear on his face and the presence of animal footprints around his corpse suggest the impossible; that the ghost of a fearsome hound, long feared by the Baskerville family, is responsible for his death. As the new heir, Sir Henry Baskerville takes up residence at the estate, legendary detective Sherlock Holmes and his trusted associate Dr. Watson arrive to investigate the mystery.

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Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes (2000) Review

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(More customer reviews)"Murder Rooms" consists of five episodes, starring Ian Richardson as Dr. Joseph Bell, the historical personage on whom Arthur Conan Doyle allegedly based Sherlock Holmes; with Dr. Watson based on Doyle himself. The 116-minute first episode ("Dr. Bell and Mr. Doyle, The Dark Beginnings of Sherlock Holmes") was a BBC series pilot released in January 2000. In "Dr. Bell and Mr. Doyle...," Robin Laing starred as the young Doyle in medical school. This pilot has been available in NTSC for two years (see Amazon's listing) and IS NOT INCLUDED IN THIS PACKAGE. In the remaining four 90-minute episodes comprising this set (on BBC in September-October 2001), episode chronology begins three years later, Charles Edwards assuming Laing's role as the young, idealistic but adult Doyle with his own medical practice. Information on source books, author David Pirie, screen credits, histories, plot synopses and cast are available at murder-rooms.com
FOR BEST APPRECIATION, ONE MUST TREAT THIS SERIES AS AN INTEGRATED FIVE-PART, EIGHT-HOUR MINISERIES, beginning with the pilot "Dr. Bell and Mr. Doyle..." setting the backdrop against which the other four, described IN ORDER below, play out. Missing "Dr. Bell and Mr. Doyle...," this reviewer STRONGLY RECOMMENDS you purchase this set now and set it aside until that pilot can be seen. In "The Patient's Eyes," a black-shrouded cyclist repeatedly stalks a lady patient cycling to Dr. Doyle eye appointments through eerie wooded terrain, leading to a mysterious abandoned house, love-interest conflicts, betrayal, and murder. (There are striking scene similarities to "The Solitary Cyclist.") In "The Photographer's Chair," a series of murder victim corpses bearing strange marks lead to mesmerism, spiritualism, séances, apparitions, erotic mutilation, daguerreotype photography, and genuinely chilling moments. In "The Kingdom of Bones," the publicized spectacle of unwrapping an apparent Egyptian mummy for scientific study yields highly unexpected results leading to suicide, dinosaur bones, gypsies, kidnapping, attempted murder, multiple murders, and political terrorism. And in "The White Knight Stratagem," Doyle and Bell come to a near falling-out involving a Dickensian business climate leading to suicide and murder; with a curious chess enigma hovering over everything. This last episode concludes the miniseries and should be viewed last.
These adaptations get this reviewer's highest commendation, being at least the equal (or better?) of the David Suchet / Jeremy Brett adaptations in their prime.The general tone is exceedingly dark, uncompromising, and far more menacing than the light-hearted Poirot-Holmes adaptations. (The atmospherics remind this reviewer of that excellent film "From Hell.") Excepting as discussed below, nothing in these episodes is short of first-class: plots, incredible principal and supporting cast, direction, cinematography depicting 1880s Victorian Edinburgh, hauntingly mysterious musical score, period mood, and the appallingly brutal times with modern medicine in infancy. Sound is fine; extraneous background noise is nil; diction is clear with no accent barriers.
So superior is MPI's production that current PAL DVD owners may want to buy the NTSC release anyway! The widescreen 16x9 anamorphic picture is excellent, with night scenes sharp yet still mysterious. This reviewer doesn't know how the original episodes were recorded, but suspects that the widescreen image seen here was likely achieved by slicing off top and/or bottom portions of an original 4x3 TV image: some close-up shots have head-tops suspiciously out of range, a typical symptom. But such trimming is a small price for what one sees on an HDTV system as contrasted to the original PAL release. Unlike that release, MPI also provides both running time display and chapter breaks; and the periodic PAL scene blackout interruptions (presumably omitting advertisements) are gone, greatly enhancing the narrative flow. There are two DVDs contained in one keep-case with an inner leaf. Each DVD has two episodes on the same side with full menu accessibility.

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Item Name: Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes; Studio:Bfs Entertainment

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Agatha Christie's Marple: Series 1 (2005) Review

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(More customer reviews)I watched the new Miss Marple series, excited to see what Geraldine McEwan would do with the role. Unfortunately, I don't like what they've done with this latest batch of Christie's. Mrs. McEwan is a fine actress and she brings a "fluffiness" to the role that is missing from the Hickson version. Still, there is too much tampering with the plotlines to suit me. There are significant changes made in a couple of the stories, most notably in "The Body in the Library" so let the buyer beware. This isn't a minor change either as it involves the resolution of the case. They also add an odd, on-going storyline involving Miss Marple's own past love life that is simply not part of the books and isn't even close to being in keeping with the character of Miss Marple. As Agatha Christie is arguably the most acclaimed and accomplished mystery writer that ever lived, these changes were pretty outrageous. Her books stand the test of time and need no updating simply to satisfy 21st century ideas. I was surprised at this as the British are usually the ones who can be depended upon to leave good stories alone. So, if you just want a few hours of light entertainment, have at it, but if you're an Agatha Christie purist, you won't like this dvd so save your money.

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She's back! Proper, demure, and sharp as a tack, Agatha Christie's beloved Miss Marple returns to the limelight in sparkling new adaptations of four classic Christie novels. Geraldine McEwan (The Magdalene Sisters, Mapp & Lucia) is the ladylike sleuth, a wispy senior citizen who blows the police professionals out of the water with her keen insight and shrewdly analytical nature. Fearless and uncommonly wise to the worst in human nature, Marple has lived a long time-and she's paid attention. As seen on the PBS Mystery! series, these lavish 21st-century productions are rich in post-WWII period atmosphere and delicious Christie wit, with star-studded casts that include Joanna Lumley, Derek Jacobi, Tara Fitzgerald, Ian Richardson, Janet McTeer, Zok Wanamaker, Simon Callow, James Fox, John Hannah, and Celia Imrie. The Mysteries: Murder at the Vicarage The Body in the Library A Murder Is Announced 4:50 From Paddington DVD special features include an hour-long behind-the-scenes featurette with cast and crew interviews, a history of Miss Marple adaptations, a photo gallery and more.

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The Scarlet Pimpernel Boxed Set (1999) Review

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(More customer reviews)Having read most of the reviews here and on other websites, there seems to be 3 main groups of people checking out this DVD set.
1. Those who love the books and want to see an adaptation of the books.
2. Those who loved the 1982 version (with Andrews and Seymour) and want to see more of that.
3. Those interested in seeing the work of Grant, Shaw, Vibert or McGovern.
Group 1 is generally sorely disappointed. This version changes the main character of Percy in ways that will be highly discomforting: he uses minimal disquises, he kills people willy-nilly, he uses Bond-esque gadgets instead of wit and cunning, small things like that. Not to mention, some well loved league members are killed off for no reason. To see a hilarious list of grievances from Group 1 go to: http://www.blakeneymanor.com/grievances.html
Group 2 is generally disappointed too. That whole love affair/courtship thing between Percy and Marguerite is missing here. #1 of this DVD starts right off with Percy giving Marguerite the cold shoulder after their marriage. Group 2 is also upset by the change in Percy (that no disguises and murdering bit). And then Elizabeth McGovern is not as beautiful (or animated or witty) as Jane Seymour and many in Group 2 are bothered by that. Group 2 absolutely ADORES Anthony Andrews as Percy, and Grant isn't Andrews.
Group 3 generally really like this DVD set -- especially if they are not burdened by preconceptions of this famous literary story. However, Group 3 is likely to be a little lost in the beginning. Note: Percy and Marguerite were madly in love with each other before getting married (you won't believe this when you see the first DVD, but it's true). On the wedding night, he receives information that she has betrayed some aristocrats. But he doesn't talk with her to find out what really happened. That's why their marriage is in need of counseling at the beginning of DVD #1.
When you read the reviews (many from folks in Group 1 and 2), you'll get the impression the acting drags and the screenplay is boring. This is NOT the case (well, not in #1 and #3). Personnally I enjoy the tongue-in-cheek take on the Scarlet Pimpernel; the fact that this Pimpernel kills loads of people(!) and walks around in English clothing(!) is hilarious. Richard Grant has a lot of fun with his role; I like him more and more each time I see these DVDs. Also Shaw and Vibert plus numerous supporting cast give excellent performances (Shaw in particular is my favorite), the costumes and settings are GREAT, and the script is well-moving and entertaining (especially in #1 and #3 at least).

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SCARLET PIMPERNEL - DVD Movie

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Five Days (HBO Miniseries) (2008) Review

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(More customer reviews)FIVE DAYS is a slow moving but ultimately rewarding British miniseries that tells the story of a drawn-out policy inquiry through a different sort of dramatic lens. Each hourlong episode focuses on a different day of the case, the first two close together, the third a disconcertingly long time later, the fourth on a day when public interest in the case has nearly lapsed, and the fifth a year after the original police report. Screenwriter Gwyneth Hughes sets her tale in a British suburb, apparently normal on the outside, but inwardly torn by seething disputes, broken families, and long-simmering racial tensions. Beautiful Leanne Wellings seems to have it all, happiness with a handsome second husband, three beautiful children (two under eight years of age, and a teenaged girl), and a family heavily invested in community and heritage. When she stops her car on sn impulse to buy some flowers for her ailing grandfather, and leaves her two youngest in the car while she hops across the road, the tension begins right there. Somehow, you imagine, somebody is going to nab the kids right out of the car while Leanne is picking out flowers from the strange makeshift gypsy trailer parked in the "Lay-by" not fifty yards from a bustling expressway. But what happens, while shocking, is not what you would suppose!
Everything you thought about any of the characters in part one gets turned on its head by episodes two and three. The seeming closeness of Leanne's family is just an illusion, and the fact that Leanne's second husband Matt is black serves as a bombshell for revealing much about the prejudice lurking behind the white picket fences of modern day suburbia. David Oyelowo, whom we last saw in Kenneth Branagh's AS YOU LIKE IT and in THE LAST KING OF SCOTLAND, has a field day playing embittered, passionate Matt, despised by his slutty stepdaughter Tanya and desired both by a socialminded neighbor and a policewoman drawn to him against her common sense and warnings by her superiors.
Leanne's mother and father are in their own private hell, too, as their gradual distrust of Matt builds up into a tremendous holocaust of hate and fear for the kids. Patrick Malahide and Penelope Wilton build up thoroughly detailed portraits of these two, written by Hughes as if by Edward Albee on a really scathing day, and when you see Wilton break down at a televised press conference, able to utter only syllables and gasps, you will be thinking of Artaud or Nijinsky, while Malahide does his own transformation scene later on in the series. But you know who steals the show, the unbelievably ribald and honest Janet McTeer as Detective Sergeant Amy Foster, a veteran cop who's been on the job far too long to have stayed 100 percent human. She's counting down the days to the retirement and her farewell speech is among the most remarkable pieces of acting you will ever witness.
FIVE DAYS is flawed--the directors seem to have forgotten really to keep the suspense going throughout the entire length of the show--and some characters wind up spinning their wheels in familiar kitchen sink postures of deep kitsch. In addition, you might suppose that the race issue finally becomes too complex for them to deal with, and they scurry away from it into an absurd solution lifted from an old Jean Claude Van Damme direct to video "movie," but don't let these minor flaws deter you from watching this sleeper all the way to the end.


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A mother, Leanne, vanishes into thin air. Her children, abandoned in her car, also go missing. As police search for clues over three gut-wrenching months, the Leanne's husband and family learn that nobody's quite what they seem. Everyone is a suspect. In the end, five days prove critical in solving the case in this five-part, five-hour thriller.

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Poldark, Series 1 (2010) Review

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(More customer reviews)I challenge anyone to watch this series and not be moved, amused, intrigued, and glued to the screen. Faithful retellings of Winston Graham's unforgettable characters, coupled with a setting that makes me feel as though I am in Cornwall in reality, make this production of POLDARK an absolutely unmissable story. I chanced upon the series years ago (I wish PBS would rerun it) and had the forethought to tape some, but not all, of the episodes. The quality of my tapes, however, is not exceptional, and I've been hoping the DVD would come along.
Robin Ellis as Ross Poldark, Angharad Rees as Demelza, Jill Townsend as Elizabeth, Ralph Bates as Warleggan, and others make this fully-fledged epic of Cornish history and the people who made that history come alive in a story at once part soap opera, part action adventure, and all wonderful. Demelza is fiery, vulnerable, intense, steadfast in her love for Ross; Ross is headstrong, volatile, proud, but highly intelligent; Warleggan is everyone's imagined perfect villain, who actually had promise at one time but now is eaten away by jealousy. Jud Paynter, played with wicked, hilarious understanding by Paul Curran, was one of the most memorable side characters in the production; he has me laughing on the floor at nearly every appearance. The interweaving of all the lives in this tale - Ross, a member of landed gentry who has the odd trait many of the overlords don't - compassion for the working class - is so intricately done that it is hard to believe they aren't the actual characters. The accents are just right (it is almost worthy of a college course to try to unravel what Jud is saying sometimes) and the heartfelt performances by everyone in the cast are amazing. This series is at the top of my list of BBC productions, and instilled a need in me to absorb every book in the series as well (many times by now). I felt almost related to the people onscreen.
If you enjoy English period histories, superbly acted and staged, I cannot recommend anything higher than this series. I am looking forward to it coming on DVD. Even dated, it rings true and fresh. Now I want to go to Cornwall.

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As seen on Masterpiece Theatre "Romantic adventure, complete with raging ambition, terrible betrayals, frustrated loves, daring deeds, and a marvelously dashing hero" —The New York TimesHailed as a British Gone with the Wind, Poldark created a sensation on PBS's Masterpiece Theatre with its dashing, romantic hero and his infamous exploits. Based on the novels by Winston Graham, this classic miniseries demonstrates the enduring appeal of a gripping storyline and unforgettable characters.Returning to Cornwall after the American Revolution, Capt. Ross Poldark (Robin Ellis, The Good Soldier) finds his life at home has fallen apart. His estate is in disarray. His former flame, Elizabeth (Jill Townsend, Cimarron Strip), is engaged to his cousin. And his family's copper mines have become targets for the Poldarks' bitter rivals. Duels, smuggling, and attempted murders unfold as Ross strives to resurrect his fortunes and find true love. This spellbinding saga dramatizes the deep rifts in British society on the brink of industrialization, played out against the rocky, ruggedly beautiful Cornish coast. 16 episodes; approx. 821 min.; 4:3 full screen; color; British drama; not rated; SDH subtitles

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The Agatha Christie Miss Marple Movie Collection (Murder at the Gallop / Murder Ahoy / Murder Most Foul / Murder She Said) (1964) Review

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(More customer reviews)The first thing that catches your eye (rather your ear) about these 4 approximately 90 minute movies made by MGM in the 1960s is the catchy theme music used in the opening and closing credits. These 4 films may not be the in depth stories shown on BBC (and then A&E or PBS) in the mid to late 80s, but they are still delightful thanks to the performance of their star Margaret Rutherford, who brings some humor to the role. The 2 other regulars in them are Stringer Davis as her friend Jim Stringer (notice the similar name) who "strings" along and eventually helps her solve the case, and Charles Tingwell as the Scotland Yard Inspector amazed and sometimes befuddled by the "old bat's" Sherlock Holmes like methods to solve mysteries. In Murder She Said (a sort of variation on 4:50 From Paddington) Miss Marple poses as a maid at a mansion near a train station where she witnessed a murder on a passing train trying to solve the case. Look for future BBC/PBS Miss Marple Joan Hickson in this one as the cook. In Murder At The Gallop, she tries to find a murderer at an equestrian hotel. In Murder Ahoy, she goes aboard ship to when a Naval Captain is a suspect in a murder. Finally in Murder Most Foul, she joins a theatre troup to find a murderer, and I'll leave it at that. I'm glad these will be sold as a set, they are way too short (let alone too funny) to be sold individually. Definitely an addition to your library whether you have the 80s series or not.

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Murder She Said (1961): Margaret Rutherford's debut as Agatha Christie's Miss Marple Murder at the Gallop (1963): Murder and mystery start with a funeral Murder Most Foul (1964): Miss Marple joins a theatrical troupe whose specialty is death scenes. Murder Ahoy (1964): Miss Marple takes the helm in a seagoing whodunit

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State of Play (BBC Miniseries) (2003) Review

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(More customer reviews)"The more compelling moments of the series come not in the various subplots surround the mystery in front of us--although it is a great mystery indeed--but in how indoctrinate and incestuous the interplay between politics, media, and industry are in the modern information age. All three stand at cross-purposes, yet secretly acknowledge that none can succeed without careful consideration of the other two. Vital communication often runs deep underneath the observed interactions between the groups, taking place in back-room meetings and clandestine e-mails, and through veiled threats." Judge Arsenault
Having just come off the viewing of 10 weeks of the critically acclaimed HBO's TV show 'The Wire', I needed a pick me up, and wowser did I find one. This BBC 6 show series that aired in 2004 has it all and it is an even toss up with me as to which show is best, 'The Wire' or 'State of Play'. In both series the acting is superb. Bill Nighy as the wry, buttoned down, full of himself editor of the Herald hits the mark every time and won the UK's Best Actor award. Polly Walker known to most of us from HBO's 'Rome' is the politician's wife and is flawless. David Morrissey, as the politician, John Simm and Kelly Macdonald as the intrepid reporters for the Herald mark this cast as fully realized.
The shotgun murder of a drug-related killing, and the apparent accidental death of Sonia Baker, a researcher for Member of Parliament Stephen Collins seems unrelated. The one difference is the makings of a scandal when the news of Sonia's death hits the streets. Stephen Collins the Parliament member who employed Sonia is visibly shocked and upset when her death is announced. The editor of the Herald suspects some hanky-panky and sends two of his best investigative reporters out to look the matter over. Cal McCaffrey and Della Smith find that these two deaths are not only related but were linked to the oil industry and the British government. One scandal after another is uncovered and this minor story soon leaps to the largest story of the year.
The story of corruption and mayhem and lies and deceit are all realistic. The fact that the media, government and industry could all be in collusion seems all too true to those of us in the US looking at the war in Iraq and what has been wrought. What we don't count on is that once we think we have everything figured out, a new twist occurs. Some of this is a little over the top, but the superb acting counters any fallacy.
'State Of Play' shines on the media, in this case, the newspaper, the Herald. Financial success is intertwined with the government, and it is not easy to convince the CEO and the board that publishing the story is the right thing to do. Everyone in this series is touched in some manner by the final decisions and actions that take place. The action, the suspense, the writing, the cinematography are all as one to produce one of the best BBC series I have viewed. Helen Mirren and Russell Crowe are at this moment filming a movie version of this series. We have the best here, how could they ever top this series?
Highly, Highly Recommended. prisrob 03-13-08
The Girl in the Cafe
8 1/2 Women


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Stephen Collins is an ambitious politician. Cal McAffrey is a well-respected investigative journalist and Stephen's ex-campaign manager. En route to work one morning, Stephen's research assistant mysteriously falls to her death on the London Underground. It's not long before revelations of their affair hit the headlines. Meanwhile a suspected teenage drug dealer is found shot dead. These (apparently unconnected) events expose a dangerous habit within modern government of dancing too closely with the corporate devil. Friendships are tested and lives are put on the line as an intricate web of lies unfolds.

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