Showing posts with label period movie. Show all posts
Showing posts with label period movie. Show all posts

8/31/2012

The Song of the Lark (2001) Review

The Song of the Lark (2001)
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After the horrid job Hollywood did on her novel A LOST LADY, Willa Cather refused to allow her works to be converted to dramatic form--and she put it in her will. But that was before Masterpiece Theater raised the stakes for the transformation of literary classics to film. Now that a few of Cather's works are no longer in copyright, some have been filmed with mixed results. The Masterpiece Theater film, THE SONG OF THE LARK, is the best of the lot, a fine presentation of the story of a young girl who finds her voice when she connects the two things--the western lands and the music--that she loves. This production has the good sense to end the story at its climax, leaving the weaker ending (which Cather herself acknowledged) to the reader's imagination.

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8/29/2012

Knockin' on Heaven's Door (1998) Review

Knockin' on Heaven's Door (1998)
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A little bit like "Lock, stock, and Two Smoking Barrels" with less people involved in the story. Great movie if you can watch it. The German only made it a bit difficult for me!
Once the major downfall I found with the film was the lack of subtitles on the copy that I had purchased. This time I gave it a 5 star so people might actually look at it, one. Two, because the film itself was a 5, and this region 2 version may have the one thing I had missing.
*I do not own the DVD listed here on amazon, but this is the only copy I have ever seen with English language listed on it.

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7/23/2012

Bonnie Prince Charlie (1948) Review

Bonnie Prince Charlie  (1948)
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This English version of Charles Stuart's attempt to seize the British crown from the House of Hannover, is disjointed and relatively unexciting. The crucial Battle of Culloden Moor is talked about, but not depicted. David Niven, as the Young Pretender, is very sincere, and does a good job, but he is betrayed by the script and the editing. The highlight of the film are the Scottish Highlands themselves. The color photography is breath taking. A word of caution on the VHS tape. The edition available is issued by Republic Pictures of Canada. It is in the EP mode, and the audio is TERRIBLE. One literally has to turn the volume to Max to hear anything.

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7/05/2012

Wives and Daughters (2002) Review

Wives and Daughters (2002)
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This is a superlative period piece and a brilliant adaptation of Elizabeth Gaskell's 1865 novel of the same name. This BBC mini-series is a superb costume drama with stellar performances by the entire cast. Set in rural England, the film centers around Molly Gibson, the seventeen year old daughter of a country doctor. Richly drawn portraits of Molly's neighbors and friends quickly emerge and weave an absorbing tapestry of nineteenth century life.
Molly and her father, a widower for most of Molly's life, have an exceptionally close and loving relationship. Their relationship is put to the test when he decides to marry a widow and former governess, Hyacinth, who is a pretentious, self absorbed, ridiculous woman. She has a grown daughter named Cynthia, a beautiful young woman, close to Molly in age, but as different from Molly as night and day. Cynthia is best described as a Marilyn Monroe of the Victorian age. Cynthia and Molly become fast friends, while Molly barely tolerates her nigh intolerable step-mother.
The series really revolves around Molly's relationships with all the characters in the production and her handling of the various everyday situations in which she finds herself. Richly drawn, memorable characters, as well as intrigues, secrets, and romance, make this a highly absorbing drama and one that those who love period pieces and lush, well acted costume dramas will enjoy. It is simply a masterpiece.
With stunningly crisp visuals and beautiful clarity of sound, the production value of this three disc, five hour DVD is simply first rate. It is also value laden with some very interesting features. There is an engaging fifty five minute portrait of Elizabeth Gaskell, the author of the novel upon which this mini-series is based. There is a also a twenty minute documentary on the making of the film which is entertaining, as it gives a bird's eye view of the thought that went into the making of the film and the development of the characters. There is also a who's who guide to the performers. This DVD is well worth having in one's collection.

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From the team that brought you "Pride and Prejudice." Set in a richly portrayed society well-stocked with eccentric nobles and gossipy villagers, the story centers around 17-year-old Molly Gibson, the only daughter of a respected country Doctor.

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7/03/2012

David Copperfield (2000) Review

David Copperfield (2000)
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A sumptuous, wonderful adaptation; unexpectedly and disarmingly excellent.
I was a little hesitant going into this: having read the novel a couple of times and declared it my own, I had long fondly imagined the scenes and characters without any need for assistance, thank you very much.
Consequently, I felt the way many Tolkien fans must have felt before those three recent movies came out: leery that my coveted imaginings would be sullied by what might prove to be a jarrring and irreversible contamination.
These fears were misplaced, however. The full vitality of Dickens's bittersweet classic -- all the heaping joys and sorrows of life -- comes through quite powerfully in this handsome BBC version. After about 25 minutes I was literally on the edge of my seat.
Oh, and speaking of this version: they spent some money on it, you'll be happy to know. It's not one of those innumerable stuffy BBC dramas that take place (for budget considerations if nothing else) in an intolerable series of drawing rooms and antechambers. No, they did this one right: the blokes went outside and built some proper sets, and it shows.
Yes, though fully prepared to dislike it, I find myself here with little ammunition for complaint. I wish Traddles hadn't suffered deletion; he is one character I have difficulty picturing and could have used some help. Also, the actress who played Dora was not exactly my conception of her . . . but this is nitpicking.

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The classic David Copperfield was not just Charles Dickens' favorite work. It has been the most popular of his books since it was first published 150 years ago. Micawber, Peggotty, Betsey Trotwood, Uriah Heep, Mr. Creakle, Mrs. Crupp, and Mr. Dick... never were so many of Dickens' famous and vest-loved characters gathered together in just one of his works.They are all brought to life by a world-class cast including Daniel Radcliffe (Harry Potter and the Sorcerer's Stone), Oscar-winner Maggie Smith (The Prime of Miss Jean Brodie), Bob Hoskins (Hook), Nicholas Lyndhurst (Bullshot) and Pauline Quirke (The Elephant Man) in this sparkling adaptation.The most autobiographical of Dickens' work, David Copperfield often echoes the writer's own life. It tells a moving story of David's journey from birth to maturity, a journey which inextricably links his life with some of Dickens' most colorful and extraordinary families.Special DVD features include: Cast list; Masterpiece Theatre poster gallery; access to David Copperfield Web site featuring production notes, interviews with the cast and crew, a Dickens timeline, a guide to the featured characters, and more; scene selection; English audiotrack; and closed captions.One one DVD9 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Widescreen (Anamorphic)

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6/09/2012

The Mill on the Floss (1978) Review

The Mill on the Floss (1978)
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It would be unreasonable to review the BBC miniseries without having a sound relationship with the novel or the author of the novel, for the entire premise of the production rests on it being faithful to the novel. In fact it is masterfully adapted by James Andrew Hall, who is a purist in the full sense of the term, and directed deftly by Ronald Wilson.
The dry nature of the tale is bewildering and draining of the influx of tenderness that George Eliot infuses her writings with. If this was by design it is reprehensible; if by accident unfortunate. The 8 episodes are a quick watch and dramatized expertly, but for a few liberties which are inevitable and must be forgiven. If we are to judge the work independent of the novel it ought to receive one star. It lacks a sense of momentum and remains indifferent to the flow of the narrative which it chooses to highlight and substantiate through an episodic definition and by strength of allusions strewn strategically throughout the period drama. I fear the accuracy and representational realism stops at the recreation of a style, but cannot claim likewise when it comes to the mood of the era, which is all-too-often dramatized as dry and restrained, empty and distant, privileged and scarcely populated. I beg to reason that it is an imagery that has now become branded as accurate, but caters only to the prejudiced imagination we give sway to.
If the production attempted to stay faithful to George Eliot and the novel then it baffles one completely. Why was the end so shoddily patched? Why have so many (actually all) of the events and vignettes of an ostracized Maggie find no place. You watch the previous 7 episodes and appreciate much of the recreation, then you watch the last episode and wonder what happened to the preceding (read: missing) one. It is as if all that follows after Maggie's return from her "eloping" (here treated as Stephen's doing outright and exculpating nature completely) has no bearing on the narrative. And religion is relegated to the vague presence of a Bible when in Eliot's masterpiece it spills into the very fiber of everyday life in ways that are comical, tragic and overtly critical of the church's relationship with the townspeople.
This miniseries is an undeniably appreciated effort which inexplicably falls short of its intention. The casting is practically perfect. Indeed it is. Even Mr. Wakem, here much more loving towards his son than we may like to interpret (but happy to become engaged into the critical dialogue). Stephen, Lucy, the adult Tom and the aunts and uncles are extraordinarily portrayed and the three stars are a testament to the excellence of the cast and the skill they display.
One more episode and it would be a huge success.


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The tragic tale of Maggie Tulliver, the miller's daughter, who defies her embittered brother in standing by the man she loves - shocking the stifling society in which she lives - in an attempt to pursue her blighted dreams. Drama, romance, tragedy and humor all have a place in this most popular of George Eliot's novels.

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5/16/2012

Bleak House (2005) Review

Bleak House (2005)
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For once, I am happy to find a remake of a fine old Masterpiece Theatre offering that is as good as the original. "Bleak House" is currently available on an DVD with Diana Rigg as the most familiar name; and except for some incomprehensible line readings by a young character named Joe, it is a very good account of the Dickens novel. Having already appeared on Public Television, the remake has Gillian Anderson (yes, the one from "X-Files") as Lady Dedlock, and a cast of 80 speaking roles, many of which are played by actors that will send you searching the cast listings that go by too quickly at the end of each episode.The eight parts will be shown so that the first and last will run two hours and the four in between an hour each. I found the complex plot actually easier to follow in this version than I did in the earlier one. And while I prefer Rigg to Anderson, I think I can easily recommend this new adaptation over the other.The story--lawyers will hate it--involves the infamous Court of Chancery in which disputes over estates can be buried for years until the lawyers' fees make further legalizing unnecessary. Against this background, the case of Jarndyce vs. Jarndyce being a major part of it, we have the story of John Jarndyce (Denis Lawson), his ward Ada (Carey Mulligan), her companion Esther (Anna Maxwell Martin), and Ada's beloved Richard (Patrick Kennedy).The latter becomes obsessed with the case, while Esther becomes involved in the mysterious past of Lady Dedlock, who happens to recognize the handwriting on some legal documents delivered by the utterly immoral family solicitor Tulkinghorn (Charles Dance). I will not reveal any more of the plot, lest it spoil your enjoyment. You will wind up guessing much of it, but it is a lot of fun--unless you are a lawyer.Peripheral to the plot are the usual cast of Dickens "characters": Krook the junkman (Johnny Vegas) who finds some incriminating letters (and dies the strangest death in all fiction), Smallweed the moneylender (Phil Davis) who cannot walk by himself and must be "shaken up" by his weird niece every few minutes and who gets the letters, and Miss Flite ( Pauline Collins) who looks forward to "judgment day" when her case will finally be settled and she can set her birds free.Most interesting of all is the policeman Bucket (Alun Armstong), the first real detective in English fiction. Although he looks like a toady for the rich, he does his job and does it well, solving a murder case and being considerate to a certain lady who would suffer if her connection with the case should come out.Of course, the arm of coincidence in Dickens is a long one; and while a good deal of the plot does strain credulity, the acting and period ambience are of the highest level. The only thing that annoyed me was the director segmenting his "establishing shots" (exterior views of buildings to let us know where we are) into two or three rapid cuts with some electronic "whoosh" for each one. Pretentious and irritating after the first dozen or so.


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An all-star cast comes together to bring to life some of Dickens?s most famous creations. There is the icily beautiful Lady Dedlock (Gillian Anderson), who faces the revelation of her dark past once Mr. Tulkinghorn, her husband?s sinister lawyer, catches wind of it. Then there?s Esther, whose own background, shrouded in mystery, begins to come to light after the murder of a strange man. Adopted by the kindly John Jarndyce, Esther acts as chaperone to wards Ada and Richard. But will the passionate young love of Ada and Richard survive Richard?s obsession with Jarndyce and an obscure legal case which seems to have no resolution in sight and threatens to destroy all who become entangled in it?

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4/29/2012

Great Expectations (Masterpiece Theatre, 1999) (1999) Review

Great Expectations (Masterpiece Theatre, 1999) (1999)
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This movie is excellent. I stumbled onto it on the Net accidentally because of the leading actor (Ioan Gruffudd) and his earlier portrayal of another classic character--Hornblower. Great Expectations is by far my favorite of Dickens and of all other classic literature, and this movie portrays the book wonderfully! Every scene--nearly every WORD can be found in some form in the book, from the younger Pip's nervous recital of Old Clem, to Orlick's reappearance and attempted revenge. As with all adaptations, there are a few drawbacks (and for this reason I would HIGHLY reccomend reading the book itself!). But I've seen very few movies adapted as accurately as this. Very very fine!

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Ioan Gruffudd, Justine Waddell and Charlotte Rampling star in this adaptation of Charles Dickens' enduring classic Great Expectations, the story of a young orphan named Pip who lives with his sister and her blacksmith husband, Joe.One day Pip is sent to play at the residence of Miss Havisham, a frightening, elderly woman who seems locked in the past. She wears ancient bridal attire and never moves from the dusty upper rooms of her home. Miss Havisham's beautiful but contemptuous ward, Estella, makes Pip feel appallingly inferior, creating in him a desire to better himself-changing his life forever. But despite his efforts to improve himself, the frustrated Pip seems destined to remain Joe's apprentice. Until one day a lawyer calls to inform Pip that he has "great expectations:" Pip is to be released form his apprenticeship and educated in London as a gentleman! The benefactor who has made this life transformation possible, however, wishes to remain anonymous.

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2/11/2012

Tom Brown's Schooldays (2005) Review

Tom Brown's Schooldays (2005)
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"Tom Brown's Schooldays" was originally published in 1857. Thomas Hughes had attended Rugby School, an English public school for boys from 1834 to 1842, but it seems the title character was based on his older brother George. The book is considered the first in the genre of school novels, spawning a host of imitations during the Victorian era, the most successful of which would be the Harry Potter novels of the 21st century. The BBC did a mini-series version of "Tom Brown's Schooldays" in 1972, where as this 2005 television adaptation by ITV runs only 93 minutes. I was going to say that this was by far the shortest BBC literary adaptation I had ever seen, but it turns out it was by ITV.
The relative short length of this production is especially interesting since it omits the chapters at the start of the novel dealing with the childhood of Tom Brown in his home in the Vale of White Horse. There young Tom spends days riding his pony and leading a happy, carefree existence, before being sent to the living hell of his schooldays. Instead, the script by Ashley Pharoah takes the two major stories that make up the actual school days, Tom being bullied by Flashman and Tom being told by Dr. Arnold to look after young George Arthur, and weaves them together instead of having them comprise separate parts of the story. So in this version Tom Brown (Alex Pettyfer) shows up at Rugby School and immediately becomes the target for the bullying Flashman (Joseph Beattie, and, yes, this is the character that George MacDonald Fraser made the "hero" of his "Flashman" historical novels). Meanwhile, headmaster Dr. Thomas Arnold (Stephen Fry) is trying to reform the rowdy school into a more Christian place, insisting that he will take the students at their word, just like he would a grown man, a policy that Flashman will sorely put to the test.
The conflict between Tom and Flashman is at the heart of this version, featuring an escalation of effronteries by the older boy that exceed what is in the novel. Flashman's big crime in the novel was to get exceedingly drunk, and Pharoah's script comes up with bigger and badder things in this version to expedite the villain's demise. The problem is that while I like the way the script makes Flashman's bullying a lot more threatening to a contemporary audience, the twist regarding George Arthur (Harry Smith) changes the ending way too much. Instead of thinking of the lessons that young Tom Brown has learned from his schooldays, I am watching the final credits wondering if this is supposed to be an implicit rejection of George Arthur's Christian idealism. Just because I appreciated some of the major changes in the story does not mean that I do not think there are certain lines you should not be crossing over, and I have to round down because of the line this one crosses at the end.
Young Pettyfer does not have to do much as Tom beyond reacting to the indignities heaped upon him by Flashman and the others and coming to the defense of Tadpole (Dane Carter) and other younger classmates who are the prey of the older bullies. Beattie plays Flashman with great relish, both when he is bullying the little boys and when he lies right to the face of Dr. Arnold. The key performance is that of Fry, who does a nice job of playing restrained anger when he finally lowers the boom on Flashman. My favorite scene is when the good doctor learns a lesson in irony as to what happens when you believe a liar and do not believe someone who is telling you the truth. But primarily "Tom Brown's Schooldays" is about a bully getting what is coming to him, and I hope the kid who terrorized my life when I was the same age as Tom got his own comeuppance sooner or later. At the very least, I would like to believe that Hughes is completely right on that score.

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This new adaptation of Thomas Hughes' famous novel tells the tale of a young boy's courage in the face of vicious bullying. Set in Rugby Public School during the mid-1800s, the eponymous Tom transforms from timid, homesick schoolboy to courageous student as he learns to confront his fears, stand up for his friends, and hurdle the obstacles of adolescence.

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2/04/2012

Adam Bede (1992) Review

Adam Bede (1992)
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It is just too bad that they condensed this fantastic story into so short a film. What they have done is done well, but there are so many layers to the characters that are just left out. I think if I had not read the book some of the character's choices and actions would have seemed too sudden or unjustified, due to the lack of character development.
I really enjoyed the portrayal of the characters and the acting itself with one exception. Patsy Kensit, though a fine actress, is too old to be playing Hetty. She also plays her as too worldly wise. Hetty is passionate and selfish, yes, but in spite of her desire to be worldly wise she is still very naive. She is described in the book as being like a soft downy peach with the stone hidden inside. I think the vain ignorance of her own naivitee is sadly lacking in this portrayal and makes you wonder what Adam ever saw in her at all.
Again, the rest of the movie is wonderful. Dinah and Adam and the other characters are spot on, but there needs to be more--especially if you have not read the book.

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Beneath the tranquil surface of George Eliot's tale, passions run deep and the bitter gall of betrayal is all too prevalent. Adam Bede is a hard-working carpenter, with his heart set on marrying his sweetheart, the pretty dairymaid, Hetty Sorrel. Unfortunately, Hetty's affections are captured by the local squire, Arthur Donnithorne.

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1/24/2012

Moby Dick (1998) Review

Moby Dick (1998)
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Once again Patrick Stewart shows us there is more to him than Jean-Luc Picard of Star Trek: The Next Generation. An excellent performance equal in caliber to the 1956 movie with Greg Peck (which is also on DVD now as I write this). By the way important note to Amazon staff and all other previous reviewers and anyone looking to buy this disc. When this disc originally got released soon after the telecast in 1998 on USA Network, it was packaged and labed at 145 minutes (that's 2 hours and 25 minutes) which gave the hint that the disc was edited. I just played mine in my player last night. When I hit the display button on my remote, I get a screen which counts the time on the disc up from 0 and next to it counts it down from the total time. The combined time of these countdowns is 3 HOURS. Which is what should be since it ran 4 hours on USA Network. That means the manufacturer made a mistake in announcing it at 145 minutes, so for those who are concerned that it was cut, relax it hasn't been.

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12/27/2011

Anna Karenina (1948) (2007) Review

Anna Karenina (1948) (2007)
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What a beautiful and talented actress she was! Though most only remember her for Gone With The Wind, Miss Leigh's other roles were equally captivating. My copy of the DVD is fine, no quality issues, and it features Miss Leigh on the cover, not Garbo as another reviewer mentioned.
On to the romance. Anna Karenina is locked in a loveless marriage to a much older count. She falls in love with a handsome, dashing younger man and defies society by running off with him. In one scene, she comes back "home" to sneak in to see her beloved young son, whom she left to pursue her passion. What a heart wrencing scene that is!
Treat yourself to a night of classic cinema. Buy Anna Karenina!

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ANNA KARENINA - DVD Movie

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12/26/2011

The Courage to Love (2000) Review

The Courage to Love (2000)
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very attractive and talented Creole woman named Henriette Delille, who chose the rigors of convent life over a very comfortable placage with a wealthy white benefactor who could gave her the world if she wants it. She saw the evil in placage and didn't want any part of it because it would be against God's law against living in sin. She seen it firsthand with her parents. Her father wanted out of it so he could marry a white woman in order to have legitimate offspring while her mother slowly goes insane not only of her lover's abandonment but also of her daughter's refusal to follow her footsteps in taking a white lover without being married.
All her life, Henriette deLille devoted her life to helping the poor and enslaved of Louisiana, even going against the authorities to do so. It's not an easy life to live but it's a purposeful one. One that emphasize a life of service and devotion to spiritual matters.
Vanessa L. Williams has done a great job in portraying Henriette Delille.

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12/12/2011

The Scarlet Pimpernel Boxed Set (1999) Review

The Scarlet Pimpernel Boxed Set (1999)
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Having read most of the reviews here and on other websites, there seems to be 3 main groups of people checking out this DVD set.
1. Those who love the books and want to see an adaptation of the books.
2. Those who loved the 1982 version (with Andrews and Seymour) and want to see more of that.
3. Those interested in seeing the work of Grant, Shaw, Vibert or McGovern.
Group 1 is generally sorely disappointed. This version changes the main character of Percy in ways that will be highly discomforting: he uses minimal disquises, he kills people willy-nilly, he uses Bond-esque gadgets instead of wit and cunning, small things like that. Not to mention, some well loved league members are killed off for no reason. To see a hilarious list of grievances from Group 1 go to: http://www.blakeneymanor.com/grievances.html
Group 2 is generally disappointed too. That whole love affair/courtship thing between Percy and Marguerite is missing here. #1 of this DVD starts right off with Percy giving Marguerite the cold shoulder after their marriage. Group 2 is also upset by the change in Percy (that no disguises and murdering bit). And then Elizabeth McGovern is not as beautiful (or animated or witty) as Jane Seymour and many in Group 2 are bothered by that. Group 2 absolutely ADORES Anthony Andrews as Percy, and Grant isn't Andrews.
Group 3 generally really like this DVD set -- especially if they are not burdened by preconceptions of this famous literary story. However, Group 3 is likely to be a little lost in the beginning. Note: Percy and Marguerite were madly in love with each other before getting married (you won't believe this when you see the first DVD, but it's true). On the wedding night, he receives information that she has betrayed some aristocrats. But he doesn't talk with her to find out what really happened. That's why their marriage is in need of counseling at the beginning of DVD #1.
When you read the reviews (many from folks in Group 1 and 2), you'll get the impression the acting drags and the screenplay is boring. This is NOT the case (well, not in #1 and #3). Personnally I enjoy the tongue-in-cheek take on the Scarlet Pimpernel; the fact that this Pimpernel kills loads of people(!) and walks around in English clothing(!) is hilarious. Richard Grant has a lot of fun with his role; I like him more and more each time I see these DVDs. Also Shaw and Vibert plus numerous supporting cast give excellent performances (Shaw in particular is my favorite), the costumes and settings are GREAT, and the script is well-moving and entertaining (especially in #1 and #3 at least).

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SCARLET PIMPERNEL - DVD Movie

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12/06/2011

Horatio Hornblower Collector's Edition (2003) Review

Horatio Hornblower Collector's Edition (2003)
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Given the title and subject matter- seaman- you might think that this is the latest release from Falcon (and I'm sure that they or another adult studio has certainly released their version of these classics). You'd be wrong. Horatio Hornblower is instead an epic story of honor, loyalty, and duty. Featuring bloody battles, incredible adventures, and a cast of characters as good as any ever imagined, it's no wonder that this Emmy Award-winning series got raves from critics and the general public alike.
Based on the novels by C.S. Forester, A&E's Horatio Hornblower was a made-for-TV series that ran from 1998-2003. The eight individual films that make up this Collector's Edition chronicle the unlikely rise of young Horatio from lowly midshipman to powerful commander, during the early years of the Napoleonic Wars. The stories are engaging and entertaining, the production grand and lavish, and the overall result brilliant.
Nothing was spared in making these films and they're worth watching for the visuals alone. (It's also interesting to note that no computer generated effects were used, which makes the intensity of the battles that much more exciting to watch.) That being said, the story lines are also enthralling, the characters fully developed, and the performances powerful all around. This is a series that will keep anyone engaged; from small children to grandparents.
Each film (or "episode") runs about an hour and a half, and each can stand independent of the others. Having said that, if you're going to watch them all, why not watch them in order and add that much more to the experience? The underlying theme to all episodes is strong personal ethics, against all odds, and while that may sound frighteningly preachy, I assure you that the films are not.
These films/episodes have been released previously a number of times, both individually and in sets, including a Collector's Edition that was released in 2005. If you own the 2005 set, do not buy this new set; as far as I can tell, other than extremely minor changes to the packaging, this is the same product.
Included films/episodes are :: The Duel, The Fire Ships, The Duchess and the Devil, The Wrong War, The Mutiny, Retribution, Loyalty, and Duty.
SPECIAL FEATURES
As if eight films spanning more than 13 hours weren't enough, the special features and extras are also copious. Two of the episodes (Loyalty and Duty) feature accompanying Filmmaker Commentary, which offers an incredibly thought-provoking and historically interesting look into the making of the series, the background, and the adaptation from page to screen. An Exclusive Interview with star Ioan Gruffudd is just as spellbinding (and with the latter you get the extra bonus of his incredibly good looks!).
Three Bonus Programs (England's Royal Warships, Sail 2000: Aboard the Eagle, and The Making of Horatio Hornblower) give an exclusive look at English ships from the past to the present, with fascinating descriptions and documentary footage on how these amazing machines are manned and run, as well as the incredible feats they're capable of. If this isn't enough for you, check out the Guide to Royal Warships, Nautical Terms and Definitions, and Interactive 3-D Naval Cannon, and you'll be a master seaman in no time!
For those interested in more background on the original author, a featurette entitled About C.S. Forester is especially interesting, as is the C.S. Forester Biography.
Cast and Crew Biographies are also included, as is a Photo Gallery.
The special features presented with this set are indeed incredible, although I wouldn't recommend sitting down and watching them all at once. In fact, it's best absorbed (and more interesting) if you watch one film/episode and one (or part of one) special feature, then take some time to digest and reflect upon them before moving on to another helping.
Final answer :: If you've not seen them, this is an extremely entertaining and wonderfully produced series, not to mention an incredibly good buy. If you own the previously released Collector's Edition however, skip this.

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11/23/2011

Almost Strangers (2006) Review

Almost Strangers (2006)
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I was lucky enough to catch this amazing miniseries when it aired on BBC America some years ago. I would love to see it again, and would gladly purchase it were it available. Every performance in this captivating tale of various branches of a far-flung family, congregating for a once-in-a-lifetime reunion, is a good one, every intertwining story is fascinating in its own right. The ending is breathtaking, for all its apparent simplicity. This is the series that brought Matthew MacFadyen (Spooks, Pride and Prejudice) to my attention. He is fantastic in this series. It should not be missed.

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11/20/2011

Horatio Hornblower - The New Adventures (Loyalty / Duty) (2003) Review

Horatio Hornblower - The New Adventures (Loyalty / Duty) (2003)
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A&E continues to treat fans of the Horatio Hornblower book series with two new movies. These movies are at least of equal quality, if not better, than the six previous films. Everything from the ships to the costumes to the sets hit all the notes and make you feel a part of the period.
Likewise the stories and acting are fabulous. Horatio is given command of the Hotspur and is forced to deal with a new crew (with some old faces), the French, spies, and rebel Irishmen. Coming through with flying colors, Hornblower tackles the unthinnkable - marriage. This second film, Duty, is the best of the series. The central theme of 'duty' is so thoroughly woven into the fabric of the story that almost all of the relationships in the narrative are faced with the question of duty.
Ioan Gruffud continues to give a truly inspiring performance as Captain Hornblower. He continues to let the character grow and mature, while at the same time maintaining the core identity of Hornblower - an honorable, intelligent, courageous soldier who is wholeheartedly devoted to Britain and her navy. The relationship between Hornblower and Admiral Pellew continues to become more of a father-son relationship. Paul McGann (of Doctor Who fame, among many other things) returns as Lt. Bush. McGann gives a strong performance as Hornblower's second in command, showing that that he is more than capable of both being a leading man and an excellent supporting character.
Something that many may find as a negative is the lack of totally new music. Much of the score seems to be a reworking of the major musical themes found in the first four films of the series. Personally, I find this a 'plus.' It helps establish a certain continuity to the series that is nice. I always find myself grinning when the "Horatio has done it again" theme begins playing across the cheers or astonished looks of the other characters!
For those of you who have seen the Gregory Peck film, Horatio Hornblower, the A&E series is just about to catch up (chronologicall) to the events portayed in that film. Let's hope that A&E continues producing the films until the complete life & times of Horatio Hornblower are done with such excellent acting and production values!
Hip-hip Horay! Hip-hip HORAY! HIP-HIP! HORAY!

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Studio: A&e Home VideoRelease Date: 12/09/2003Run time: 200 minutesRating: Nr

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