Showing posts with label historical dimensions and perspectives. Show all posts
Showing posts with label historical dimensions and perspectives. Show all posts

8/17/2012

Dr Jekyll & Mr Hyde Review

Dr Jekyll and Mr Hyde
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Dr. Jekyll & Mr. Hyde was a pleasant surprise. We thought it would be the usual kung foo action film, instead found it to be full of gentle humor, Chinese medicine, and interesting characters. Adam Baldwin(Dr. Jekyll) and Chang Tseng(Dr. Chau) relate extremely well to each other and have a unique student-teacher relationship. Do yourself a favor and watch this movie.

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7/30/2012

Love Leads The Way Review

Love Leads The Way
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This is a heartwarming movie, it's a well-made movie, it's an important movie. Anybody who agrees this should be on dvd, say you found this review "helpful"

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6/09/2012

The Mill on the Floss (1978) Review

The Mill on the Floss (1978)
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It would be unreasonable to review the BBC miniseries without having a sound relationship with the novel or the author of the novel, for the entire premise of the production rests on it being faithful to the novel. In fact it is masterfully adapted by James Andrew Hall, who is a purist in the full sense of the term, and directed deftly by Ronald Wilson.
The dry nature of the tale is bewildering and draining of the influx of tenderness that George Eliot infuses her writings with. If this was by design it is reprehensible; if by accident unfortunate. The 8 episodes are a quick watch and dramatized expertly, but for a few liberties which are inevitable and must be forgiven. If we are to judge the work independent of the novel it ought to receive one star. It lacks a sense of momentum and remains indifferent to the flow of the narrative which it chooses to highlight and substantiate through an episodic definition and by strength of allusions strewn strategically throughout the period drama. I fear the accuracy and representational realism stops at the recreation of a style, but cannot claim likewise when it comes to the mood of the era, which is all-too-often dramatized as dry and restrained, empty and distant, privileged and scarcely populated. I beg to reason that it is an imagery that has now become branded as accurate, but caters only to the prejudiced imagination we give sway to.
If the production attempted to stay faithful to George Eliot and the novel then it baffles one completely. Why was the end so shoddily patched? Why have so many (actually all) of the events and vignettes of an ostracized Maggie find no place. You watch the previous 7 episodes and appreciate much of the recreation, then you watch the last episode and wonder what happened to the preceding (read: missing) one. It is as if all that follows after Maggie's return from her "eloping" (here treated as Stephen's doing outright and exculpating nature completely) has no bearing on the narrative. And religion is relegated to the vague presence of a Bible when in Eliot's masterpiece it spills into the very fiber of everyday life in ways that are comical, tragic and overtly critical of the church's relationship with the townspeople.
This miniseries is an undeniably appreciated effort which inexplicably falls short of its intention. The casting is practically perfect. Indeed it is. Even Mr. Wakem, here much more loving towards his son than we may like to interpret (but happy to become engaged into the critical dialogue). Stephen, Lucy, the adult Tom and the aunts and uncles are extraordinarily portrayed and the three stars are a testament to the excellence of the cast and the skill they display.
One more episode and it would be a huge success.


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The tragic tale of Maggie Tulliver, the miller's daughter, who defies her embittered brother in standing by the man she loves - shocking the stifling society in which she lives - in an attempt to pursue her blighted dreams. Drama, romance, tragedy and humor all have a place in this most popular of George Eliot's novels.

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5/11/2012

Devil's Disciple (1959) Review

Devil's Disciple  (1959)
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This classy film mixes fact and fiction. Bernard Shaw's take on the American Revolution has all the smart touches that we associate with his plays with some scant reference to history thrown in. What makes this movie a hit are the three great actors who are all in their prime here. Laurence Oliver's John Bourgoyne (Gentlemanly Johnny) is simply brilliant. His acid wit makes for a most stunning portrait of this famed general. Shaw was probably inspired to write a play on this subject because Bourgoyne was something of an ametuer playwright himself in the 1770s. The film losely depicts his 1777 campaign from Canada to divide the northern colonies. The plan envisioned Bourgoyne's 9,000 (British, Hessian and Loyalists, with a few Indians) to combine with a drive up from New York under general Sir William Howe's main army. Berry St.Leger was to come down from Oswego with a smaller force. All three were to meet in Albany to divide and conquer the colonies.
Bourgoyne's plan, while elegant on paper did not reflect the logistical reality as far as 18th century armies were concerned. The events were to show that great miscalculations were made. The movie is based losely on the campaign. The towns and locales shown, as well as the characters of Lancaster and Douglas are purely fictional. But the clever plot and role reversal, plus the way these characters evolve in response to events illustrates how the Revolution must have seemed to many not directly involved in it.
The British were fighting a war for the hearts and minds of the Americans (sounds familar in Iraq now). The movie shows this quite well. While a little slow in the beginning, this short film quickly gains speed while its trio of lengendary actors unfold their magic on screen. Its interesting that the production was B&W as the color of the period and the unifroms would have come out better in color. The production value of the movie is quite good with correct period detail, unifroms, military bands, and artillery. While the emphasis of the movie may not be on the Revolution per se, it provides excellent period details all the same.
This sophisticated look at the American Revolution may appear too wordy for some, but it runs circles around such films as the "The Patriot". Whether you are a fan of the great actors shown here, love wity dialogue, or are seeking an unusual period movie, "The Devil's Disciple" has it all.

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3/25/2012

A Kid In King Arthur's Court (1995) Review

A Kid In King Arthur's Court  (1995)
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No matter how many times I watch this movie, or the older I get, I am still in love with it! Being a fan of the time of King Arthur, and time travel without the use of science fiction novel tactics, this movie was a thrill for me to watch!
The lead character, Calvin, is a less than popular guy back in his home town of Receda, California. When he is suddenly thrown through time with the help of Merlin, he finds himself in a completely different world. Although the plot doesn't exactly follow any of the stories of King Arthur (i.e. King Aurthur and Guinevere never had any kids, obviously. She ran away w/ Lancelot) but it has the romantic appeal of the time period, and Calvin's friendships with the king and his youngest daughter, Princess Catherine are wonderful! As it goes on, his character flaws are sraightened out and he becomes a stronger person, faced with many tasks most persons never endure. The final scene's tie it all together until he finally goes home, and realizes he can be the person he aspires to.
The film is absolutely wonderful with the adventure, romance, and humor tying togther to make a memorable occassion. I strongly suggest A Kid in King Arthur's Court to anyone who wants a great time, a laugh and a smile!

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3/16/2012

Gulliver's Travels (1996) Review

Gulliver's Travels (1996)
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Contrary to popular belief, Jonathan Swift's "Gulliver's Travels" was never intended to be simply a children's fantasy / fairy tale. Although the Lilliputans are cute as heck, this story has some serious overtones. As a matter of fact, although more subtle perhaps, there are aspects of this tale which are as dark and bitter as the commentaries on humankind written by the likes of Dostoevsky, Camus and Kafka. Jonathan Swift never was a very happy man.
This rendition of Swift's classic is, in a word, fabulous. It reaches to the heart of the message Swift was trying to convey while at the same time is accessible to all. It is also appropriate for a family to watch. I cannot remark enough on just how well done this film was; it would have been so easy to do a half-baked job and let it be yet another ambitious television movie that somehow went awry. I'm so glad that didn't happen here.
In truth, I have never cared too much for Ted Danson. However, in this film he delivers a surprisingly exceptional performance. So much so, in fact, that looking back I can't imagine anyone else as Gulliver. The rest of the cast did a superb job as well, and the inclusion of Peter O'Toole as the king of the Lilliputans was a great touch. (Then again, when can having Peter O'Toole in the cast of a movie ever HURT?) The direction and the way they chose to tell the story was wonderfully done. The soundtrack (written by Trevor Jones, who co-wrote the soundtrack to "The Last Of The Mohicans" among other things) was right on the $$$ for emotionally gripping scenes.
This is the type of ambitious, fervent film-making that studios can be proud of. If one Jonathan Swift were around today, I have no doubt that he could not and would not have asked for a better adaptation of his prose. A GREAT movie!

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1/26/2012

Muppet Treasure Island (1996) Review

Muppet Treasure Island  (1996)
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I've seen all the muppet movies, but this one is my favorite. Granted, the first Muppet Movie had awesome songs by the great Paul Willaims, and the Great Muppet Caper was a terrific spoof on classic Hollywood films. But this movie is different.
I believe it was Brian Henson who said that the difference in this movie is the world that we see. In the previous muppet movies, the muppets were strange creatures living in the human world. But in Muppet Treasure Island, it's the humans who are the odd ones. This is a "Muppet World" through and through. The first clue as to the validity of this statement is the opening credits. The main characters are played by Miss Piggy, Kermit the Frog, the Great Gonzo, and the other muppets. Not by puppeteers. By muppets.
Despite the fact that the movie stays pretty true to the book Treasure Island in terms of plot, the execution of it is completely wild muppet madness. Anything and everything is made fun of in this movie (including the fact that it's a movie!) For instance, in several of the excellent songs sung by the muppets (and a wonderful Tim Curry playing Long John Silver), the characters make reference to the fact that it IS a musical number.
And speaking of musical numbers, the songs in this movie are absolutely great. My family bought the soundtrack, and they listen to the songs all the time (especially "When You're a Professional Pirate"). And let's not forget the excellent background music by Hans Zimmer, who still knows how to crank out a good old-fashioned film score.
This movie is filled with all sorts of wackiness, right down to the names of some of the charcters (old Tom, real old Tom, Dead Tom), and jokes made in the movie come back later to make them ever funnier ("Dead Tom's Dead! Long John shot him!"). But this movie is more than just great fun. It's a well scripted, well acted, and in general well made film. It's got everything. Action, adventure, romance. And of course, singing. It's great family entertainment, with a lot of heart and a wonderful message about friendship. If you love the muppets, definitely see this movie. Especially if you like the story of Treasure Island...

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Robert Louis Stevenson's classic pirate tale takes on a life of its own in the hands of the hilarious Muppets(TM)! MUPPET TREASURE ISLAND(TM) -- the Muppets' very first action-adventure -- is the fun-packed, music-filled, high-seas swashbuckler the entire family will enjoy over and over. It all begins when young Jim Hawkins inherits a long-lost map to a pirate's treasure. Jim hires the great ship Hispaniola where he meets the good Captain Smollett (Kermit the Frog) and the evil yet charming Long John Silver (Tim Curry). With adventure in their hearts and treasure chests of gold in their eyes, they set sail on the bounding main only to discover danger at every turn -- including Benjamina Gunn (Miss Piggy), Treasure Island's worshipped love goddess who's dressed to kill! Featuring a rollicking musical score by Academy Award(R)-winning Hans Zimmer (THE LION KING, 1994), MUPPET TREASURE ISLAND is a real gem that "explodes with wit, weirdness, and wildy inventive fun." (New York Post)

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1/08/2012

Treasure Island (1990) Review

Treasure Island  (1990)
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Brilliant, wonderful adaptation of R. L. Stevenson's classic seafaring tale -- this is beyond doubt THE best pirate film to have yet been made. Bar none. If you don't clap this one to your heart, ye be a false-sworn landlubber, by thunder, and here's my affydavy on that!
Update, October 2010: See the comments section -- it is being reported that a DVD release may finally come in 2011. Yarrr! And about time, too. Tremendous cast, sterling production values, brilliant cinematography, rousing musical score, crack screenplay, and vibrant performances make this an enduring classic.
I also want to put in a plug for the greatest pirate film to star a swashbuckling female, "Anne of the Indies" (aka "The Pirate Queen"), which has sadly never been released to home video in No. America but has aired on cable TV and is available on PAL Region 2 DVD (as Die Piratenkonigin) in Germany. If you have an all-region DVD player, you should run, not walk, to Amazon Deutschland and pick this up. It's the original English-language release, just switch off any German language options or subtitling. Jean Peters stars as Captain Anne Providence and gives her all in a wonderfully engaging, if corny, color production from about 1951. Peters is genuinely athletic, beautiful, and obviously loved this role. Anne of the Indies beats all other pirate queens hands down.
Now, if only they'd make a film about Grania O'Malley, we'd be splicin' the mainbrace!

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10/30/2011

Jekyll & Hyde - The Musical (1974) Review

Jekyll and Hyde - The Musical (1974)
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I'm suspecting that there are two types of people who are approaching this DVD, a filmed version of the stage production of "Jekyll & Hyde". One, someone familiar with the show--perhaps saw it and liked it or has the soundtrack--and wants to check out this variation. Or two, someone discovering it anew. It tempts me to write two reviews because while I love "Jekyll & Hyde", it's slightly unfortunate that this is the production most people will get a chance to judge.
So let me preface this by saying that I really am a fan of this show. Some people consider "Jekyll" sort of a "Phantom-lite". I, myself, have never been the biggest supporter of "Phantom of the Opera". It's fine, full of bombast, but hardly the revolutionary experience that people give it credit for. "Jekyll" does play to similar themes, but has a stronger overall soundtrack. Instead of a couple of showstoppers like "Phantom", "Jekyll" is filled with memorable power ballads. Not the most complicated show musically, it is very accessible. And when you have great singers, these simpler and emotionally charged songs become pop opera and quite moving.
So, without hesitation, I recommend the original Broadway Cast recording!!! Robert Cuccioli, Linda Eder and Christiane Noll are superb. You couldn't hope for better.
But here's the problem with this DVD, it's not this great cast--NO, the star is David Hasselhoff. So you see my problem, don't you? Look, I'm not going to be unkind--it's an easy target. Let's just say this. If you're a fan of the show, he doesn't completely ruin it. And it's not like there are any other versions to add to your collections. If you are new to the show, I'm still recommending it provisionally. I wish there were another option. If you like the show, though--and I think you will--please rush over and buy the 1997 Cast recording. Treat yourself to how "Jekyll & Hyde" should really sound.KGHarris, 10/06.

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The longest-running show in the history of Broadway'sPlymouth Theatre, Jekyll & Hyde: The Musical brings new life to RobertLouis Stevenson's classic story of romance and the epic battle between goodand evil. A whirlwind odyssey pitting man against himself is set in motionwhen the brilliant Dr. Jekyll's medical experiment backfires, giving lifeto his evil alter ego, Edward Hyde. The show won a legion of repeatvisitors (dubbed by the press as

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10/12/2011

The Three Musketeers (1948) Review

The Three Musketeers (1948)
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I'm a huge fan of just about everything musketeers related (look at my other reviews), and this is my favorite big screen adaptation. Kelly is easlily the most fun D'Artagnon to watch and the sword play in this movie is excellent with his athleticism.
Of course, anyone who read the novel would know that though it includes sword play it is the charaters and plot that move the story along, so in that respect this movie does a much better job than most Musketeer adaptations. It stays fairly close to the original plot and though there is little time spent developing their personalities the Three are more consistant with their literary counterparts than in, well really, any of the other adaptations.
Over all one of the most fun adventure movies I've seen.

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9/08/2011

National Geographic - Lewis & Clark - Great Journey West (2002) Review

National Geographic - Lewis and Clark - Great Journey West (2002)
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This is a fascinating re-enactment of Lewis and Clark's original journey, told with Jeff Bridges doing the voice-over but with real actors and the original locations. It is authentic down to the last detail, including such remarkable scenes as the expedition shooting rapids in canoes made from burn-out trees, and pulling their boats by rope over the mountains of Montana.
If you possibly can, though, catch this one in its IMAX version. The movie's story is entertaining enough but imagine it on a screen several stories high - literally larger than lifesize - with a powerful sound system to match. Imagine how much cooler shooting those rapids is in the IMAX form! If you can't find an IMAX, make sure you've got a big screen and turn the sound up. This is history as exciting as it was when it happened the first time.

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8/15/2011

Julius Caesar (1953) Review

Julius Caesar (1953)
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Shakespeare's plays are an inextinguishable source of inspiration for movie-makers. His works are approached from very different stands: as transposition to other time and surroundings as "West Side Story" (1961) and "Ran" (1985); from a very personal optic as "Titus" (2000) and "Looking for Richard" (1996) or as in the present case with a classic approach.
I've seen this movie when I was a kid, keep a very deep impression from it and remained a Brando's fan forever. I saw it again many times afterwards. I was always delighted by the play and the outstanding acting given by Brando, Mason and the rest of the cast.
This is one of the greatest Shakespeare's historical tragedies. Focuses on the last days of Julius Caesar's life, but the main characters are: Brutus, torn apart by his love to the Republic and his loyalty to Caesar and Marc Anthony, unfaltering in his love for Caesar and will to revenge his murder.
The cast (a mix of British & Americans actors and actresses) gives an overwhelming performance. First of all Brando's Mark Anthony, especially when giving his mournful speech; words are Shakespeare's the powerful way to cast them Marlon's.
James Mason is equally inspired, he transmit to the audience all the storms that rage in Brutus' soul, his moral suffering and final choice.
Only one little step below is John Gielgud's Cassius, the "black eminence" of the conspiracy. The viewer will also enjoy Greer Garson, Deborah Kerr and Edmond O'Brian performances.

A great movie for Shakespeare lovers and general public!
Reviewed by Max Yofre.

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Film adaptation of Shakespeare's play chronicling the aftermath of Caesar's assassination at the hands of Marc Anthony, Cassius and Brutus.

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