Showing posts with label wake up calls. Show all posts
Showing posts with label wake up calls. Show all posts

5/17/2012

Streetcar Named Desire (1995) Review

Streetcar Named Desire  (1995)
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While it will not replace the classic 1951 Kazan film version, this television production of Tennessee Williams' "Streetcar Named Desire" comes textually closer and remains more faithful to what Williams actually wrote (with the exception of a few minor deletions). The most noticeable restoration is the issue of homosexuality in regard to Blanche's dead husband, which in 1951 had to be sidestepped. The performances are all quite good. Diane Lane as Stella and John Goodman as Mitch are more human and less deliberate than their Kazan counterparts, Kim Hunter and Karl Malden. Alec Baldwin does quite well, especially considering the shadow of Brando which hangs over the role of Stanley Kowalski. Baldwin may lack the complete rawness and animal sexuality, but he improves over Brando in giving Stanley a sympathetic edge; another advantage is that Baldwin does not mumble.
Which brings us to Jessica Lange, whose portrayal of Blanche is both delicately shaded and strongly characterized; she is heart-breaking and luminous. Comparing her to Vivian Leigh, it is impossible to rank one over the other, as both performances seem "definitive" (now if we only had the performances of Jessica Tandy, Uta Hagen, and Tallulah Bankead preserved). The production design for once truly emphasizes the squalor in which Stella and Stanley live and which so shocks Blanche upon her arrival. Worth purchasing, especially for devotees of Williams.

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5/11/2012

Devil's Disciple (1959) Review

Devil's Disciple  (1959)
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This classy film mixes fact and fiction. Bernard Shaw's take on the American Revolution has all the smart touches that we associate with his plays with some scant reference to history thrown in. What makes this movie a hit are the three great actors who are all in their prime here. Laurence Oliver's John Bourgoyne (Gentlemanly Johnny) is simply brilliant. His acid wit makes for a most stunning portrait of this famed general. Shaw was probably inspired to write a play on this subject because Bourgoyne was something of an ametuer playwright himself in the 1770s. The film losely depicts his 1777 campaign from Canada to divide the northern colonies. The plan envisioned Bourgoyne's 9,000 (British, Hessian and Loyalists, with a few Indians) to combine with a drive up from New York under general Sir William Howe's main army. Berry St.Leger was to come down from Oswego with a smaller force. All three were to meet in Albany to divide and conquer the colonies.
Bourgoyne's plan, while elegant on paper did not reflect the logistical reality as far as 18th century armies were concerned. The events were to show that great miscalculations were made. The movie is based losely on the campaign. The towns and locales shown, as well as the characters of Lancaster and Douglas are purely fictional. But the clever plot and role reversal, plus the way these characters evolve in response to events illustrates how the Revolution must have seemed to many not directly involved in it.
The British were fighting a war for the hearts and minds of the Americans (sounds familar in Iraq now). The movie shows this quite well. While a little slow in the beginning, this short film quickly gains speed while its trio of lengendary actors unfold their magic on screen. Its interesting that the production was B&W as the color of the period and the unifroms would have come out better in color. The production value of the movie is quite good with correct period detail, unifroms, military bands, and artillery. While the emphasis of the movie may not be on the Revolution per se, it provides excellent period details all the same.
This sophisticated look at the American Revolution may appear too wordy for some, but it runs circles around such films as the "The Patriot". Whether you are a fan of the great actors shown here, love wity dialogue, or are seeking an unusual period movie, "The Devil's Disciple" has it all.

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4/23/2012

Wall Street (1987) Review

Wall Street  (1987)
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When Oliver Stone made Wall Street, he was riding high from the commercial and critical success of Platoon (Special Edition). His father, Lou Stone, had been a stockbroker on Wall Street in New York City and this film was a son's way of paying tribute to his father. Almost twenty years later, it has become one of the quintessential snapshots of the financial scene in the United States and epitomizes the essence of capitalism, greed and materialism that was so prevalent in the 1980s.
Michael Douglas owns the role of Gekko and by extension dominates the movie with his larger than life character. He gets most of the film's best dialogue and delivers it with such conviction. There is a scene between Bud and Gekko in a limousine where he tells the younger man how the financial world works, how it operates and lays it all out, pushing Bud hard to go into business with him. It is one of the strongest scenes in the movie because you really believe what Gekko is saying and how Bud could be seduced by his words.
The culmination of Douglas' performance is his much lauded, often quoted, "Greed is good" speech that his character gives to a shareholders' meeting of Teldar Paper, a company he is planning to take over. He concludes by saying, "Greed is right; greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary spirit. Greed, in all of its forms, greed for life, for money, for love, knowledge -- has marked the upward surge of mankind and greed, you mark my words -- will save not only Teldar Paper but that other malfunctioning corporation called the U.S.A." This is one of the best delivered monologues ever put to film as Douglas goes from charming to downright threatening and back again, succinctly summing up the essence of '80 capitalism and greed.
The original DVD did not have many extras but the quality of what was included was excellent. They have all been carried over to this new release (minus the trailers) but do the new extras really merit a double dip?
There is an audio commentary by co-writer and director Oliver Stone. Stone talks about Michael Douglas' early struggles with the huge amount of dialogue he had to deliver and how he dealt with it. The filmmaker is candid with his shortcomings and those of others (i.e. Daryl Hannah, Charlie Sheen, etc.). As always, Stone delivers the goods, offering all kinds of fascinating insights into the making of the film.
The second disc features a new introduction by Oliver Stone that is brief and really should have been put on the first disc.
Another new extra is "Greed is Good," an hour-long retrospective documentary with Hal Hoolbrook, John C. McGinley, Charlie Sheen and Michael Douglas amongst others returning to offer their impressions of the financial world depicted in the movie. This substantial doc examines the appeal of Gekko and why he inspired people in the business world.
Also new to this edition is over 20 minutes of deleted scenes with optional commentary by Stone. There is a nice little scene with Penn Jillette of Penn & Teller as one of Bud's clients. Also included is an earlier scene where Bud and Darian (Hannah) meet in a bar but Stone cut it because the Hamptons scene at Gekko's house was stronger. The filmmaker puts all of these scenes into context and why there were cut.
Finally, carried over from the original edition is "Money Never Sleeps: The Making of Wall Street," a top-notch, 47-minute making of documentary. There is very little overlap with the "Greed is Good" documentary.
If you're a fan of this film and already own the previous edition, the new extras definitely warrant a double dip. They are quite substantial in nature and shed more light on this excellent film.

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