Showing posts with label bards and minstrels. Show all posts
Showing posts with label bards and minstrels. Show all posts

8/07/2012

Rudyard Kipling's Kim: A Classic Family Adventure (1984) Review

Rudyard Kipling's Kim: A Classic Family Adventure  (1984)
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Though less known than the 1950 Errol Flynn version, this made-for-TV adaptation of the famous Kipling story is in fact a pretty good one, being faithful to the book in spirit and in story. The main episodes of the original are not changed much, and still the film manages to realize the world of Kiping's India, where some adventure is waiting for you around the corner.
Kim, or Kimball O'Hara is the orphaned son of an Irish soldier in India, and Kim spends his time as vagabond in Lahore, where he climbs upon the big cannon of the town. From this famous opening, in which he is taken up as a guide by a travelling Tibetan lama (Peter O'Tool, in bald-head wig), the film follows the boy's adventures in the country, meeting colorful characters, the best of whom are the dashing Muhbub Ali (Bryan Brown) and suave agent Babu (John Rhys-Davies).
Assisting the jourey of the lama who tries to find out "The River of the Arrow," Kim also learns the life of the people in India through the mission given to him from the higher officers. The episodic story of Kipling remains basically the same, and you will find the major episodes from the book, such as the two Russians from the north.
The greatest thing about this "Kim" is its location. As it is shot in India, the picture can really show the hot and humid climate of the place (the Planes), or the cold and chilling air of the mountains (the Hills). You will understand why the lama could regain his health after going back to the mountains if you see the film, for you can feel the great contrast between the two places.
The original Kim is slightly enigmatic boy (or a teen?), whose growth is implied between the lines. The Kim here played by an Indian young actor is fairly good though the fact remains that he is virtually an amateur. Still, he looks great, and the supports are effective, especailly Brown as the horse-riding, menaceful (but somehow humourous) Ali. As to Peter O'Toole, at first you might find him miscast, but I think no one can really play the role of the lama exactly as the book shows.
This newer "Kim" is slightly overlong, but its faithful adaptation with realistic Indian background is certainly worth your money, especially when you find the original book charming.

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5/17/2012

Streetcar Named Desire (1995) Review

Streetcar Named Desire  (1995)
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While it will not replace the classic 1951 Kazan film version, this television production of Tennessee Williams' "Streetcar Named Desire" comes textually closer and remains more faithful to what Williams actually wrote (with the exception of a few minor deletions). The most noticeable restoration is the issue of homosexuality in regard to Blanche's dead husband, which in 1951 had to be sidestepped. The performances are all quite good. Diane Lane as Stella and John Goodman as Mitch are more human and less deliberate than their Kazan counterparts, Kim Hunter and Karl Malden. Alec Baldwin does quite well, especially considering the shadow of Brando which hangs over the role of Stanley Kowalski. Baldwin may lack the complete rawness and animal sexuality, but he improves over Brando in giving Stanley a sympathetic edge; another advantage is that Baldwin does not mumble.
Which brings us to Jessica Lange, whose portrayal of Blanche is both delicately shaded and strongly characterized; she is heart-breaking and luminous. Comparing her to Vivian Leigh, it is impossible to rank one over the other, as both performances seem "definitive" (now if we only had the performances of Jessica Tandy, Uta Hagen, and Tallulah Bankead preserved). The production design for once truly emphasizes the squalor in which Stella and Stanley live and which so shocks Blanche upon her arrival. Worth purchasing, especially for devotees of Williams.

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5/11/2012

Devil's Disciple (1959) Review

Devil's Disciple  (1959)
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This classy film mixes fact and fiction. Bernard Shaw's take on the American Revolution has all the smart touches that we associate with his plays with some scant reference to history thrown in. What makes this movie a hit are the three great actors who are all in their prime here. Laurence Oliver's John Bourgoyne (Gentlemanly Johnny) is simply brilliant. His acid wit makes for a most stunning portrait of this famed general. Shaw was probably inspired to write a play on this subject because Bourgoyne was something of an ametuer playwright himself in the 1770s. The film losely depicts his 1777 campaign from Canada to divide the northern colonies. The plan envisioned Bourgoyne's 9,000 (British, Hessian and Loyalists, with a few Indians) to combine with a drive up from New York under general Sir William Howe's main army. Berry St.Leger was to come down from Oswego with a smaller force. All three were to meet in Albany to divide and conquer the colonies.
Bourgoyne's plan, while elegant on paper did not reflect the logistical reality as far as 18th century armies were concerned. The events were to show that great miscalculations were made. The movie is based losely on the campaign. The towns and locales shown, as well as the characters of Lancaster and Douglas are purely fictional. But the clever plot and role reversal, plus the way these characters evolve in response to events illustrates how the Revolution must have seemed to many not directly involved in it.
The British were fighting a war for the hearts and minds of the Americans (sounds familar in Iraq now). The movie shows this quite well. While a little slow in the beginning, this short film quickly gains speed while its trio of lengendary actors unfold their magic on screen. Its interesting that the production was B&W as the color of the period and the unifroms would have come out better in color. The production value of the movie is quite good with correct period detail, unifroms, military bands, and artillery. While the emphasis of the movie may not be on the Revolution per se, it provides excellent period details all the same.
This sophisticated look at the American Revolution may appear too wordy for some, but it runs circles around such films as the "The Patriot". Whether you are a fan of the great actors shown here, love wity dialogue, or are seeking an unusual period movie, "The Devil's Disciple" has it all.

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5/03/2012

Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo & Juliet 1936) (1935) Review

Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo and Juliet 1936) (1935)
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I was very pleased with my "Literary Classics Collection" and "Motion Picture Masterpieces Collection" that I purchased from Warner's, and it looks like the studio originally known for gritty urban dramas continues to go highbrow with this collection of four movies featuring interpretations of works by the Bard. The press release by Warner Home Video has the following extras listed for each movie:
A Midsummer Night's Dream (1935)
Cast includes James Cagney, Olivia de Havilland (in her screen debut), Joe E. Brown, and Mickey Rooney. The film was nominated for four Academy Awards, including Best Picture. It won for Best Cinematography and Best Film Editing.
DVD Special Features:
Commentary by film historian Scott MacQueen
Olivia de Havilland screen test
Vintage featurette "A Dream Comes True" (8 minutes)
Presenting... Gallery of 6 teaser trailers showcasing cast members
Warner Bros. Studio Café teaser trailer
Musical short "Shake Mr. Shakespeare"
Theatrical trailer
Subtitles: English, French and Portuguese (feature film only)
Romeo and Juliet (1936)
This was actually an MGM production. George Cukor directs with Norma Shearer and Leslie Howard in the title roles. Nominated for four Academy Awards including Best Picture.
DVD Special Features:
Vintage short "Master Will Shakespeare"
Classic MGM cartoon "Little Cheeser"
Theatrical trailer
Subtitles: English (feature film only)
Othello (1965)
Lawrence Olivier in the title role, Maggie Smith as Desdemona, Joyce Redman as Emilia, and Frank Finlay as Iago. All four performers were nominated for Academy Awards for their performances.
DVD Special Features:
Vintage featurette "Olivier Talks About Othello"
Theatrical trailer
Subtitles: English (feature film only)
Hamlet 2-Disc Special Edition (1996)
Cast includes actor/director Kenneth Branagh, Kate Winslet, Derek Jacobi, Julie Christie, Robin Williams, Jack Lemmon, Billy Crystal and Charlton Heston. This rendition is set in the 19th century.
DVD Special Features:
Introduction by director/star Kenneth Branagh
Commentary by Kenneth Branagh and Shakespeare scholar Russell Jackson
New digital transfer from original 70mm elements
Soundtrack remastered in Dolby Digital 5.1
Featurette "To Be on Camera: A History with Hamlet"
1996 Cannes Film Festival promo
Shakespeare movies trailer gallery
Subtitles: English, French and Spanish subtitles. (feature film only)

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HAMLET: "Hamlet has the kind of power, energy and excitement that movies can truly exploit," award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and staging much of the action in shimmering mirrored and gold-filled interiors. The energy is electrifying, due to a luminous cast. The excitement of the Bard's words and an adventurous filmmaking style lift the story from its often shadowy ambience to fully-lit pageantry and rage. Now presented in an amazing 2-Disc Special Edition. ROMEO & JULIET: Norma Shearer and Leslie Howard in the title roles are "so good that one can forget they are too old for the roles" (Leonard Maltin's Movie Guide). Adding to this allure of this nominee for four Academy Awards?* including Best Picture are lavish sets and costumes (Botticelli paintings inspired Shearer's wardrobe) that fuel the film's then-astonishing $2-million budget. OTHELLO: The original cast and soul-shattering impact of the play's 1964 staging by the National Theatre of Great Britain are captured on film. As the valiant war hero swept into a maelstrom of jealousy and revenge, Olivier won his seventh Academy Award? nomination.* The movie's Desdemona (Maggie Smith), Emilia (Joyce Redman) and "honest Iago" (Frank Finlay) also captured Oscar? nominations.* And the result, Bosley Crowther wrote in The New York Times, is that "this Othello is one of the boldest you'll ever see." A MIDSUMMER NIGHT'S DREAM: Love is blind, fickle and true. And under the sway of capricious fairies it becomes blinder (a queen romances a donkey), more fickle (best friends swoon over each other's beau) and truest of all (lovers repledge their devotion). "Lord, what fools these mortals be!" in Shakespeare's bewitching comedy. James Cagney, screen-d

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3/25/2012

A Kid In King Arthur's Court (1995) Review

A Kid In King Arthur's Court  (1995)
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No matter how many times I watch this movie, or the older I get, I am still in love with it! Being a fan of the time of King Arthur, and time travel without the use of science fiction novel tactics, this movie was a thrill for me to watch!
The lead character, Calvin, is a less than popular guy back in his home town of Receda, California. When he is suddenly thrown through time with the help of Merlin, he finds himself in a completely different world. Although the plot doesn't exactly follow any of the stories of King Arthur (i.e. King Aurthur and Guinevere never had any kids, obviously. She ran away w/ Lancelot) but it has the romantic appeal of the time period, and Calvin's friendships with the king and his youngest daughter, Princess Catherine are wonderful! As it goes on, his character flaws are sraightened out and he becomes a stronger person, faced with many tasks most persons never endure. The final scene's tie it all together until he finally goes home, and realizes he can be the person he aspires to.
The film is absolutely wonderful with the adventure, romance, and humor tying togther to make a memorable occassion. I strongly suggest A Kid in King Arthur's Court to anyone who wants a great time, a laugh and a smile!

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3/19/2012

Jungle Book: Mowgli's Story (1998) Review

Jungle Book: Mowgli's Story  (1998)
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I think young kids 6 years old and younger would really like this movie. Little kids love animals, let alone animals they think are talking! OK, it doesn't exactly follow the Rudyard Kiplings "Jungle Book" version, but I think this was suppose to be light and fun for young children to enjoy, not so much for us adults. My kids enjoyed watching this video over and over again.

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3/05/2012

The Pied Piper of Hamelin (1957) Review

The Pied Piper of Hamelin (1957)
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This Alpha Video DVD of 'The Pied Piper Of Hamelin' is the best source print of this film I have ever seen.
'Pied Piper Of Hamelin' (1956) is a family treat for all ages and for all holidays. First filmed in color as a Hallmark TV special, it is a masterful, musical re-telling of the legendary fairy tale using the beautiful mysterious, music of Edward Grieg with new lyrics.
The cast is first-rate, with movie great Van Johnson brilliantly playing the strange and often frightening piper, as well as the kind school teacher Trueson, who is also the village concience. Legendary movie villain Claude Rains is absolutely wonderful as the clever, sneering, and corrupt lord mayor of Hamelin. Rains has a ball playing him like Prince John of 'Adventures Of Robin Hood' (1938) in retirement! He even does a comical, show-stopping song and dance! Jim Backus also appears as the King's messenger, and his comedy is sorely needed as this fairy tale goes dark in it's second half.
One highlight of the film, is Van Johnson as the Pied Piper, leading the rats out of Hamelin to their deaths in the river. He is playing on his pipe the haunting melody of 'In The Hall Of The Mountain King' from Mr. Grieg's 'Peter Guint Suite' as the cleverly animated rats march to oblivion!
Unlike the fairy tale, this 'Pied Piper Of Hamelin' has a happy ending with a lesson for everyone about greed, selfishness, and false pride.

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1/28/2012

Last Call (2002) Review

Last Call (2002)
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Another great movie that I stumbled upon. I cannot believe that there was not more written about this one. The beautiful Neve Campbell delivers a remarkable performance and Jeremy Irons along with Cissy Spacek ensure that you will be taken on a highly interesting ride.
Jeremy Irons - arguably the best living actor - truly becomes "Scott" in this harrowing display of creative downward spirals with momentary glimpses of genius.
Instead of glorifying or overly romanticizing the subject, the director paints a picture of the subtle and not-so-subtle relationship dynamics among the characters; particularly the struggles of Fitzgerald and his lovely, devoted and talented assistant.
This is one of those rare finds in the world of movies that falls under the radar but once discovered, becomes a treasure to the viewer.
Very nicely done.

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F. Scott Fitzgerald spent a lifetime battling demons - alcohol and aschizophrenic wife - and yet, wrote some of the greatest novels in American Literature.Despite a tumultuous relationship with his mistress, his ailing wife, declining health, andhis daily drinking binges, Fitzgerald secretly wrote a scathing novel about the filmindustry which some call his best novel.It was his final triumph. Last Call is based on atrue story about this troubled genius, starring Oscar, Emmy, and golden globe winnerJeremy Irons, Neve Campbell, and Academy Award winner Sissy Spacek.

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1/27/2012

Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958) Review

Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)
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This review isn't of the great movies contained but the DVD set and their respective presentations.
first..let me say the bonus DVD "Tennesse Williams South"...is exceptional..its a film made about and with him in 1974 and besides his own readings of his work , which are illuminating, it features legends like Burl Ives and Jessica Tandy re-creating his dialog..simply timeless!
now..onto the Discs/Movies
the bonus featurettes are all very well done however, seemingly shorter than they should/could be. By that I mean...they have current interviews with Karl Malden and Eli Wallach for BABYDOLL and Rip Torn for Sweet Bird of Youth and the ever beautiful Jill St John for The Roman Spring of Mrs. Stone, and yet the amount of face time these actual stars of the films in question get is barely a line here or there? Not that the featurettes aren't good...they are..it just seems they could be a could 10minutes longer each...
now...the opposite problem is in the second disc of Streetcar Named Desire....the feature length (90min) Elia Kazan: A directors Journey is wonderful..its a decade or so old but was done while he was still with us and his participation raised it above the level of talking heads documentaries of the day. The strange thing is that the new featurettes on this disc feature way too much culled from the aforementioned feature. I don't understand....WB has wonderful featurettes on all the movies that seem truncated and then BLOATS out the Streetcar featurettes with duplicate material from itself? Only the current footage of Karl Malden saves the Streetcar featurettes from their own plagerism.
Now..the films themselves are all in very good shape considering they go back half a century. I wasn't a particular fan of Tennesse Williams..but after viewing all these films and the bonus film...i most certainly put him in the genius category and am looking for more.
Also, the press is making a big deal about Marlon Brando's screen test which is being included in the Streetcar DVD bonus features...its only a curiosity , not amazing by any stretch. What is far more interesting is Karl Malden's lovely memories of his friendship and admiration for Mr Brando....truly touching and mezmorizing. Malden is a treasure of an actor who starred in more fine films than any but the most ardent fan would know as he was usually second billed...but he IS the star of this set.
Great American films and unlike Universals shameless packaging..WB continues to present these types of films lovingly with extras..oh yeah..and the commentaries aren't bad either...much to enjoy in this set.

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Streetcar Named Desire 2 Disc SE Cat on a Hot Tin Roof Deluxe Edition Sweet Bird of Youth Night of the Iguana Baby Doll Roman Spring of Mrs. Stone

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1/12/2012

The Roman Spring of Mrs. Stone (1961) Review

The Roman Spring of Mrs. Stone (1961)
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The Roman Spring of Mrs. Stone is a film about need and seduction and the fear of being all-alone in the world. Legendary New York stage actress Karen Stone (the legendary Vivian Leigh) is unhappy with her latest performance, and is even more distraught when the play turns out to be a flop. She decides to retire from acting, telling everyone she needs a holiday to take care of her ailing husband.
However, when he dies on board a jetliner on the way to Rome, she decides to stay in the City and book herself into a lavish rooftop apartment. She wonders the streets, drifting in a haze of expensive loneliness, wondering what to do with her life now that acting is over for her. She soon falls in with the Contessa (Lotte Lenya), a female pimp, and a sharp procuress of handsome young men for forlorn wealthy old widows.
The Contessa hooks her up with the young Paolo di Leo (Warren Beatty). The sexy Paolo thinks nothing of acquiring money out of rich, older women, and with the Contessa's encouragement, he wines and dines Karen. Karen, however, isn't your typical widow. At around fifty, she's is still very beautiful, although she worries about getting older, she's obviously enamored of Paolo and she's desperate for affection, but she's determined that Paolo's need for money will not triumph her need for love.
They eventually become lovers. Karen showers gifts upon Paolo and they take a trip to Tangier. The Contessa becomes furious that Paolo isn't "cutting her fifty-fifty on the deal." Karen also doesn't heed the warnings of her friend, journalist Meg (Coral Browne) that she has "a disease" that can't be fulfilled. When Paolo begins to make the movies on younger starlet Barbara Bingham (Jill St. John), Karen begins to see Paolo for what he really is.
Based in Tennessee Williams novella, Roman Spring of Mrs. Stone is full of his trademark themes of desperation and isolation of fearful people aching to connect. There's no doubt that Paolo is an attractive man, but he's also selfish, spoilt and petulant and he thinks nothing of two-timing Karen. Karen is an intelligent and intuitive woman, and she's well aware of Paolo's agenda, but it's as though she's observing life through a looking glass, and is ultimately seduced by the gigolo lifestyle.
Director Jos? Quintero bathes the movie soft hews of gold and orange and he makes the most of Rome's stunning surrounds. Vivien Leigh remains a rather downcast presence - she's plays Karen with a fascinating mixture of neurosis and foreboding, she knows the relationship with Paolo will probably lead nowhere but she just can't help herself.
When their romance starts to sour, she and her young and deceitful companion trade sharp words but there no extravagant theatrical exchanges. Likewise Beatty plays down the truculent Paolo - much has been made of his Italian accent, but I found it perfectly suitable, and he's totally convincing as a manipulative pretty-boy Italian gigolo.
The Romance of Mrs. Stone was probably pretty sensational when it was released in 1961; and it's moral ambiguities - paying for sex and high-class prostitution, quite shocking to some. The film as aged well, although it dances around the more intimate aspects of the relationship - there's only one short love scene, which fades to black - the film certainly does a good job of highlighting the trials and tribulations of poor lonely women with bags of money who find themselves at a loss, living in exotic places and desiring to connect with someone. Mike Leonard May 06.


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An ageing starlet is off to vacation in Rome with her husband when he suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome where she leases a magnificent apartment with a view of the seven hills from the terrace. Soon, a contessa comes calling and introduces Mrs. Stone and a young man named Paola. A wary Mrs. Stone ultimately succumbs to Paolo's charms.DVD Features:DocumentariesFeaturette:? New Featurette Mrs. Stone: Looking for Love in All the Dark Corners


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1/03/2012

Red Riding Hood Review

Red Riding Hood
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My almost four year old granddaughter picked this film as she already knew the story of Little Red Riding Hood from her mom and dad. I was a little concerned it might be too scary as it is PG but I should have realized that she was able to handle it very well.
The wolf is a werewolf. Lainie Kazan is the grandmother and is reading the story to her grandchildren. Lainie is wonderful in this!! If you are over 50 you may remember her singing on the Mike Douglas Show or on Ed Sullivan.
While the wolf swallows people whole, it is done by special effects that make it look cartoonish thus not scaring even my granddaughter! She really loved the whole film and was very enthusiastically telling her aunt, one of my other daughters, how good it was!!
If you have a mature preschooler who understands pretend and cartoon violence, they will enjoy this as the singing and fun stuff are hilarious. There is a precarious situation for the two kids in the film but even that is broken by humor and turning out not to be as dangerous as it looks. Otherwise I would recommend the viewing be by at least 5 or 6 year olds.

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12/23/2011

Prince Charming (2003) Review

Prince Charming (2003)
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CHRISTINA APPLEGATE IS WONDERFUL IN THIS CAPTIVATING AND REFRESHING NEW TAKE ON A MAGICAL FAIRY TALE. I WATCHED THIS ON TNT THIS FIRST NIGHT IT AIRED, THINKING IT WOULD BE A MINDLESS MOVIE TO SLEEP THROUGH. WRONG!WRONG!WRONG! THE PRINCE IS A RAKE BUT EVENTUALLY HE LEARNS THAT LOVE IS WHAT LASTS. HE LEARNS THIS THROUGH CENTURY'S AS A FROG, HIS SQUIRE PLAYED BY TALENTED MARTIN SHORT, AND HIS HEART'S DESIRE, CHRISTINA APPLEGATE. IF YOU LIKE MODERNIZED FAIRY TALES, YOU WILL LOVE THIS MOVIE. ALSO, CHECK OUT JACK AND THE BEANSTOCK - THE TRUE STORY AND SNOW WHITE PRODUCED BY HALLMARK ENTERTAINMENT. THEY ARE AWESOME AS WELL.

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12/19/2011

The Fall of the House of Usher /The Pit and the Pendulum (1960) Review

The Fall of the House of Usher /The Pit and the Pendulum (1960)
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These two films revolutionized AIP. No longer were they pumping out black and white Academy aspect ratio films that became double features. Now they were making color cinemascope features. Both of these films feature Poe stories with Vincent Price in the lead and Roger Corman behind the lens. And they truly remind us that Corman made some great movies during his time at AIP. The Pendulum is truly a scary set.
These are essentials for your DVD collection if you have a Psychotronic shelf.

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THE FALL OF THE HOUSE OF USHER: Audio Commentary by Director Roger Corman Original Theatrical Trailer THE PIT AND THE PENDULUM: Rare Prologue

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11/17/2011

Lady Chatterley (1992) Review

Lady Chatterley (1992)
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It is rare that a novel can successfully be adapted to the screen without losing much of its force. Lady Chatterley, Ken Russell's adaptation of D.H. Lawrence's Lady Chatterley's Lover, however, loses almost none of the force of the original source. The novel was banned when it came out, and one viewing of Lady Chatterley will explain why.
The British VHS box for Lady Chatterley boasts that it is filled with "very, very erotic sex." That is about the most accurate statement you can make about this movie. Lest one get the wrong idea, however, this made-for-TV movie is not pornography. It utilizes the original plot, cutting out some of the more social aspects of the novel, to tell a beautiful story about one woman's search for love -- sexual and otherwise -- outside of her marriage and class.
Joely Richardson, best known in the U.S. for cavorting with Mel Gibson in "The Patriot," here bares it all early and often with Sean Bean. Both of them shine in their respective roles. Ms. Richardson is brilliant as a strong, independent woman whose husband is crippled during WWI, thus basically ending her sexual life prematurely. Sean Bean plays her lowly, gamekeeper lover, Oliver Mellors. The dirty, scruffy, growling Mellors is the perfect vehicle for Sean Bean's talent -- part bad guy, part sensual lover, in many ways a guilty pleasure (much like Sean Bean himself!)
This is not a movie for immature audiences -- it is as beautiful a story as it is erotic, much the way D. H. Lawrence wrote it. Nor is it for the faint of heart -- the sex scenes are revealing and very intense. It is beautifully shot, wonderfully acted, and overall, is an amazing cinematic experience. The 3.5 hours are well worth watching, at least for fans of Joely Richardson or Sean Bean.
Although the movie is extremely good, I would definitely recommend reading the original novel as well, particularly the unexpurgated version. Some of the best scenes in the novel were cut for censorship considerations and their inability to work onscreen. Nonetheless, fans of the novel will not be disappointed -- and those unacquainted with the novel will certainly be more than a little surprised at the force and eroticism of this movie.

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From the director of Women in Love and Altered States comes a retelling of the literary classic that launched the most celebrated obscenity trial of the 20th century. In adapting the famous tale of unbridled passion, Ken Russell has made a moving love story and some of the most talked about television of the 1990s. Joely Richardson (Return to Me, The Affair of the Necklace) stars as the young, sexually repressed Lady Chatterley, whose paralyzed husband (James Wilby, Gosford Park) urges her to find fulfillment and an heir for his fortune in the arms of another man. Sean Bean (Patriot Games, The Lord of the Rings) is the lowly gamekeeper whose scandalous attentions awaken her senses. DVD special features include an exclusive interview with writer/director Ken Russell, behind-the-scenes photo gallery, broadcast trailer, cast and crew filmographies and DH Lawrence biography.

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11/03/2011

Jungle Book (1994) Review

Jungle Book  (1994)
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Since the special features in "Rudyard Kipling's The Jungle Book" aren't mentioned in Amazon.com's usually thorough product info, here's a quick rundown:
- Widescreen (2.35:1) - Enhanced for 16 x 9 Televisions
- Audio Commentary With Director Stephen Sommers and Editor Bob Ducsay
- "The Making of Rudyard Kipling's The Jungle Book" Featurette
- Dolby Digital 5.1 Surround Sound
- Spanish Language Track
- Spanish and French Subtitles
All in all, a fine presentation of a fine family adventure film.

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One of Disney's most treasured animated classics comes to glorious life -- stunningly photographed on magnificent locations in India! Based on Rudyard Kipling's beloved short stories, this all-new adventure promises a journey beyond your wildest imagination! Raised by wild animals since childhood, Mowgli (Jason Scott Lee) is eventually drawn away from the jungle by Kitty, the beautiful daughter of Major Brydon (Sam Neill). Mowgli soon faces a corrupt Captain Boone (Cary Elwes), who wants both Kitty's hand in marriage and a hand on the mythical treasures of Monkey City, a place only Mowgli can find. Loyal animal friends Bagheera, Baloo, and Grey Brother must help Mowgli survive the untamed peril. All of Kipling's memorable characters spring wonderfully to life in Disney's THE JUNGLE BOOK, a bold, sweeping adventure brimming with treasures for the whole family!

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11/02/2011

Lady Chatterley's Lover (1982) Review

Lady Chatterley's Lover (1982)
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A mainstay on HBO around 1982-83, "Lady Chatterly's Lover" is a soft-core romance, but not a sleazy one. It wasn't successful in theaters, maybe because nobody knew what audience it was targeted to (surely not literature addicts or art-house filmgoers; maybe Sylvia Kristel/"Emmanuelle" fans). Consequently, it was popular on cable and video, where viewing privacy can elicit whatever reactions necessary (mostly giggles). It isn't very well-made, but the acting is decent and the passion is convincing. The editing is sloppy, with some sequences, and the ending, cut short, but it does have a few steamy scenes, frisky nudity, and good location filming.

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Paralyzed from the waist down due to a war injury, Sir Clifford Chatterley (Shane Briant) urges his wife, Constance (Sylvia Kristel), to take a lover to satisfy her physical needs.But when she begins an intense affair with a man of shockingly lower class ­ the virile and rugged gamekeeper Mellors (Nicholas Clay) ­ the unexpected stirring of passions will rock not only their marriage, but all of society as well.

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10/08/2011

The Thing Called Love (Director's Cut) (1993) Review

The Thing Called Love (Director's Cut) (1993)
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If I had to choose ONE movie to show and teach students the secrets of great actors-directing, it would be this one. The destiny of Peter Bogdanovich is amazing: celebrated as one of the world's best directors in the early 70s, he fell into disgrace because of private problems in the 80s, and rarely got a chance to direct anymore except for TV. Somehow it reminds me of the destiny of Wim Wenders, also celebrated as the new big thing in the 70s, and much disregarded today.
Both judgements were excessive. They probably weren't the best directors in the world in the 70s - but surely aren't the worst today.
This movie is a little, much under-rated and overlooked, certainly humble and understated gem. Bogdanovich shows here what it means to direct actors in a way that enhances their performances and brings out deep emotions. This is not a superficial movie. Instead, it is one that bears repeated viewings. And it has much of what life has: truth, emotions, changes. I especially like the ending. It seems to get back to the beginning, but it's not. Somehow, everything is there, but everything has changed forever. It's a happy ending, but bittersweet too. And like real life, it goes on, on a road where you can't follow, just like those friends you had and never met again, or just like your past memories.
I've been waiting for a decade to get a dvd of this movie. And I bought it immediately as it came out, because it is really unsure that they may ever reprint this once the first bunch is gone. So get it, don't miss it, this is the best advice I can give. Don't miss the experience of this movie. This is no special fx movie. This is actors cinema at its best. Something rare.

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In Nashville, there are 10,000 singer-songwriters chasing success... with one chance in a million of getting it. For Miranda "no relation to Elvis" Presley (Samantha Mathis), that's one chance worth taking. Fresh from New York City, Miranda befriends three fellow hopefuls: shy Connecticut cowboy Kyle Davidson (Dermot Mulroney); Southern belle Linda Lue Linden (Sandra Bullock); and James Wright (River Phoenix), a cocky Texan with brooding good looks and a honeyed voice. Together they begin a rocky ride down Music City's well-worn highway, finding hope, heartbreak, happiness... and The Thing Called Love. Featuring songs and appearances by country music's hottest stars, The Thing Called Love will grab you like a great melody.

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