Showing posts with label sylvia kristel. Show all posts
Showing posts with label sylvia kristel. Show all posts

8/01/2012

Emmanuelle 2 - The Joys of A Woman Review

Emmanuelle 2 - The Joys of A Woman
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This rating is not for the movie which is good and every bit what the other reviewers have noted. My beef is with the DVD which is 85 minutes and even shorter than the VHS version which is 92 minutes. Can someone tell me why? If anything, the director's cut should have been produced on DVD. What a disappointment!

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7/06/2012

Emmanuelle (1974) Review

Emmanuelle (1974)
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It is amazing that over a quarter of a century since its original release that Emmanuelle remains in the top three best selling French films on video. But is it so remarkable? Here we have a piece of pure eroticism which has scarcely been matched in all those years. Emmanuelle is not about explicit sexual action - those that buy it will be disappointed if that is what they expect, with the exception of the notorious nightclub smoking scene which I feel sure director Just Jaeckin must now regret including. If it is possible to feel outraged by anything when watching a movie about sex, then this scene provokes that reaction. No, this is a mainstream movie which has the power to move both men and women viewers - not least because of a towering central performance by the gloriously sexy Ms Kristel. She is never self-conscious about her body nor at the same time ever flaunts it. Her nudity is completely natural and her joy in her exploration of her sexuality totally convincing.
This is because Kristel - and a high-profile supporting cast - are all extremely capable actors, and are very well directed by Jaeckin. I guess one should not take the overall premise of totally liberated sexual experimentation too seriously, but you completely believe in the characters and want them to come out of the other side unscathed. I first saw this movie as an 18-year-old on its original release, saw it again with its original French dialogue in Paris several years later and have watched it countless times on video and TV since. Yet it still retains the same erotic charge as it did all those years ago. How Kristel managed to completely fail to live up to it in her subsequent films is completely beyond me. The rest of her Emmanuelle series are unsexy and even seedy by comparison and her ventures into American films offered her nothing of any substance. I believe Hollywood missed a glorious opportunity to create an top international star.

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3/29/2012

The Emmanuelle Collection (Emmanuelle / Emmanuelle 2 / Good-bye Emmanuelle) (1974) Review

The Emmanuelle Collection (Emmanuelle / Emmanuelle 2 / Good-bye Emmanuelle) (1974)
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This boxed set presents the three original Emmanuelle movies, the ones starring Sylvia Kristel. There were lots of imitators, most ranging from bad to worse and beyond. At the time of the first Emmanuelle, though none of that had yet happened - please hold that happy thought. Perhaps these three aren't high art, but they're generally good entertainment for adults. They are also so different from each other that they deserve to be reviewed individually, not as a lump.
* Emmanuelle: Back in the 70s, this was a groundbreaking movie. It was openly erotic, and openly meant for the general public. I'll leave the social commentary to others. For me, it's just a beautiful movie. It's set in beautiful tropical locations. It stars beautiful actresses, back before implants were part of the uniform. Most of all, it shows beautiful (if artificial) exchanges of physical affection between Emmanuelle and just about everyone, man and woman.
Still, there were a few things about this movie that I didn't care for. It usually depicts Emmanuelle as a passive figure, to be led and acted upon. I prefer the stronger character in the sequel. Later parts of the movie depict coercion, something I really don't care for. The haughty poseur at the end was annoying, but distantly true to the book. Still, book fans shouldn't get their hopes up. This movie is its own creature, and pleasant enough if taken on its own terms.
* Emmanuelle 2: The best of the bunch, I think. This is a warmly sensuous film. This might even be the one to use for introducing a shy viewer to movies about physical happiness. Emmanuelle is fully her own woman - every scene lies well within her consent and enjoyment. A new character, Anna Maria, is a sweet, innocent young thing. Emmanuelle, of course, broaches that innocence in an elegantly filmed sequence of encounters. A few scenes, like the infamous "Jade Club", come across as crude, but only when meant to. Still, they don't seem threatening. That's another aspect of this film that I like better than the first.
It's too much to say that this movie has a plot, but it does have a story line of sorts. The movie is really just about happy eroticism, though, the kind that relies more on your imagination than on actual imagery. It's sort of like a musical where I come out humming the tunes even if I can't remember the words. Couples might like this movie, even bashful couples, and might like playing along with the actors on screen.
* Goodbye Emmanuelle: This is the third and last of Kristel's Emmanuelle movies, but don't hold her responsible. The backer had run into censorship problems with the second movie, and wanted to make sure that didn't happen again. The result is a disappointing attempt at being serious. It completely lacks the warm mood and physicality of the two earlier efforts. Even the background music has a very different style, one that I found far less successful in framing the visuals and dialog.
It tries to show Emmanuelle and husband Jean growing into a more stable, monogamous relationship. Instead, it just descends into petty jealousies and possessiveness. Jean, especially, pulls tricks that would have seemed silly even in high school. Perhaps the movie meant to show swelling affection and bruised feelings. Instead, it just showed swollen egos and bruised pride.
//wiredweird


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Her name evokes visions of lush sensual discovery and the extremes of forbidden ecstasy. She is Emmanuelle, and these are the films that changed the look and feel of erotic cinema forever. The incomparably beautiful Sylvia Kristel stars in this landmark adult trilogy that begins with the sumptuous "Emmanuelle," continues with the explosive "Emmanuelle 2," and climaxes in the daring final chapter "Good-Bye Emmanuelle," which is only available in this collection.

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1/30/2012

Mata Hari (1985) Review

Mata Hari (1985)
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This DVD contains the cut version.Beware from that DVD.Some hot scenes are cut.For example in the edited version sex scene between Cristopher Casenova and Sylvia Kristel is longer.He kisses her va... .Censoured version omits that scene.Scene is also very long.All "R" rated versions are cut.

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12/02/2011

Private Lessons (25th Anniversary Edition) (1981) Review

Private Lessons (25th Anniversary Edition) (1981)
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Private Lessons is one of the top grossing independent films of all time pre-Miramax. Private Lessons was released in 1981, starring Sylvia Kristal, Eric Brown, and Howard Hessman(W. K. R. P. in Cincinnati). Private Lessons was the first in a genre of soft core, teenage, wet dream, pictures.
Originally, based on the novel, Philly by Dan Greenberg. Originally, the story was supposed to be a horror story with a blackmail plot, but when Silvia Kristal was cast the producers decided to turn the story into a sex comedy.
Alan Myerson, Dan Greenberg, and Howard Hessman handle the commentary on the DVD. Generally, they reminisce about what a pain this movie was to make, but generally they say it was a good experience.
I liked this movie, but just to let you know, it has been altered from the version, which is on VHS tape. It has also been revealed that Silvia Kristal had a body double, her name is Judy Helden.
However, Ms. Helden only appears in two scenes in the movie, and they are not the famous scenes which those of us in the 35 to 40 age group, who love the movie all know. Miss Helden's scenes appear towards the end of the movie, where we see aroused nipples on a breast, in one shot of the backside that does not match up with Sylvia Kristal's.
If you are a fan of Sylvia Kristal's, you will like this movie. If you are 35 to 40, and you can remember when this movie was released. You will probably like this movie. I will close this review with a question. Do you want to feel like you are 15 again?

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11/02/2011

Lady Chatterley's Lover (1982) Review

Lady Chatterley's Lover (1982)
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A mainstay on HBO around 1982-83, "Lady Chatterly's Lover" is a soft-core romance, but not a sleazy one. It wasn't successful in theaters, maybe because nobody knew what audience it was targeted to (surely not literature addicts or art-house filmgoers; maybe Sylvia Kristel/"Emmanuelle" fans). Consequently, it was popular on cable and video, where viewing privacy can elicit whatever reactions necessary (mostly giggles). It isn't very well-made, but the acting is decent and the passion is convincing. The editing is sloppy, with some sequences, and the ending, cut short, but it does have a few steamy scenes, frisky nudity, and good location filming.

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Paralyzed from the waist down due to a war injury, Sir Clifford Chatterley (Shane Briant) urges his wife, Constance (Sylvia Kristel), to take a lover to satisfy her physical needs.But when she begins an intense affair with a man of shockingly lower class ­ the virile and rugged gamekeeper Mellors (Nicholas Clay) ­ the unexpected stirring of passions will rock not only their marriage, but all of society as well.

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