Showing posts with label masterclass theater. Show all posts
Showing posts with label masterclass theater. Show all posts

5/23/2012

Olly, Olly, Oxen Free (1978) Review

Olly, Olly, Oxen Free (1978)
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This is essentially a children's movie, but it will delight anyone at any age. The only adult on screen is Katharine Hepburn in a fantastic performance at the end of a stellar career. The story is an engaging one in which a 8-year-old boy and his friend attempt to fly a hot air balloon that had belonged to his granfather, in honour of his birthday. I highly recommend this little-known film for all viewers.

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5/17/2012

Streetcar Named Desire (1995) Review

Streetcar Named Desire  (1995)
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While it will not replace the classic 1951 Kazan film version, this television production of Tennessee Williams' "Streetcar Named Desire" comes textually closer and remains more faithful to what Williams actually wrote (with the exception of a few minor deletions). The most noticeable restoration is the issue of homosexuality in regard to Blanche's dead husband, which in 1951 had to be sidestepped. The performances are all quite good. Diane Lane as Stella and John Goodman as Mitch are more human and less deliberate than their Kazan counterparts, Kim Hunter and Karl Malden. Alec Baldwin does quite well, especially considering the shadow of Brando which hangs over the role of Stanley Kowalski. Baldwin may lack the complete rawness and animal sexuality, but he improves over Brando in giving Stanley a sympathetic edge; another advantage is that Baldwin does not mumble.
Which brings us to Jessica Lange, whose portrayal of Blanche is both delicately shaded and strongly characterized; she is heart-breaking and luminous. Comparing her to Vivian Leigh, it is impossible to rank one over the other, as both performances seem "definitive" (now if we only had the performances of Jessica Tandy, Uta Hagen, and Tallulah Bankead preserved). The production design for once truly emphasizes the squalor in which Stella and Stanley live and which so shocks Blanche upon her arrival. Worth purchasing, especially for devotees of Williams.

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5/11/2012

Devil's Disciple (1959) Review

Devil's Disciple  (1959)
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This classy film mixes fact and fiction. Bernard Shaw's take on the American Revolution has all the smart touches that we associate with his plays with some scant reference to history thrown in. What makes this movie a hit are the three great actors who are all in their prime here. Laurence Oliver's John Bourgoyne (Gentlemanly Johnny) is simply brilliant. His acid wit makes for a most stunning portrait of this famed general. Shaw was probably inspired to write a play on this subject because Bourgoyne was something of an ametuer playwright himself in the 1770s. The film losely depicts his 1777 campaign from Canada to divide the northern colonies. The plan envisioned Bourgoyne's 9,000 (British, Hessian and Loyalists, with a few Indians) to combine with a drive up from New York under general Sir William Howe's main army. Berry St.Leger was to come down from Oswego with a smaller force. All three were to meet in Albany to divide and conquer the colonies.
Bourgoyne's plan, while elegant on paper did not reflect the logistical reality as far as 18th century armies were concerned. The events were to show that great miscalculations were made. The movie is based losely on the campaign. The towns and locales shown, as well as the characters of Lancaster and Douglas are purely fictional. But the clever plot and role reversal, plus the way these characters evolve in response to events illustrates how the Revolution must have seemed to many not directly involved in it.
The British were fighting a war for the hearts and minds of the Americans (sounds familar in Iraq now). The movie shows this quite well. While a little slow in the beginning, this short film quickly gains speed while its trio of lengendary actors unfold their magic on screen. Its interesting that the production was B&W as the color of the period and the unifroms would have come out better in color. The production value of the movie is quite good with correct period detail, unifroms, military bands, and artillery. While the emphasis of the movie may not be on the Revolution per se, it provides excellent period details all the same.
This sophisticated look at the American Revolution may appear too wordy for some, but it runs circles around such films as the "The Patriot". Whether you are a fan of the great actors shown here, love wity dialogue, or are seeking an unusual period movie, "The Devil's Disciple" has it all.

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