Showing posts with label silver screen classics. Show all posts
Showing posts with label silver screen classics. Show all posts

8/16/2012

Late Great Planet Earth (1979) Review

Late Great Planet Earth (1979)
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I saw the film in 1979, and it had a tremendous impact on me. Hal Lindsey, while obviously further removed from the last days than we are now, did a tremendous job of paralleling the prophecies of the Bible with the current events of the late 20th Century. While the pace drags a bit here and there, and some of his speculations on possible fulfillments of Scripture obviously did not happen (the "Jupiter Effect"), the LGPE is still a good documentary on how the Second Coming of Christ, for the first time in history, has the potential to come to pass in our lifetime.

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8/03/2012

Sissi - Box Set (French Only Version) Review

Sissi - Box Set (French Only Version)
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I first saw this trilogy in Brazil around 1992. It was in German with Portuguese Subtitle. I am so fascinated with these movies. The story, the actress... everything. Since then I've been looking for the whole trilogy on DVD. When I've found it... it's in French? Come on, let's make this Trilogy Box Set in its original German Language with English, Spanish, Portuguese and all languages Subtitles. Hurry up! The world is waiting. These movies must be seen by the whole Planet. It's a Classic and one of my favorites since I first saw them.

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7/09/2012

Massacre in Rome (Remastered Edition) (1973) Review

Massacre in Rome (Remastered Edition) (1973)
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The film "Massacre in Rome" is a film that conveys the orchestration of the retaliation plan in regard to the assault of the Italian national partisans against the SS brigade stationed in Rome during the WWII era.
We closely watch the orchestration of that massacre through the intrusive look behind all the closed doors at the SS headquarters, the Police Department of Rome and the Roman Catholic Church.
The director provides us a documentary view as if there was a camera within those headquarters and we are thankfully ridden of any over dramatization that certainly destroys the very essence of political cinema. Simply watch all the reasoning and the agendas followed by the implicated authorities to simple matters (such as the number of people to be executed for every dead SS officer. All of them remain very interesting in respect of understanding diplomatic games and saving face against the opponent as well as to the higher ranks.
This is a political film in the very same tradition of the film "Z" where the dialogues are realistic, the pace is timely increasing and the actors are serving the actual characters' reasoning and do not think for one single minute to ride upon their star status.
Richard Burton and Marcello Mastroianni along with a group of excellent actors entice us in a magnificent piece of historical representation. The film rightfully condemns the executioners along with the authorities whose apathy was just as crucial for the execution of all the innocent Italian prisoners.
The end of the film presents the massacre that may have disappointed many viewers due to the fact that it is compared to the today's graphic depiction of violence in films. One though can rightfully hold a different opinion that is based on the character portrayal that sometimes is perfectly stated on the faces of the executioner and the innocent.
The film credits give a list of all the names of the people killed.

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Torn from the pages of history comes the true account of one of the most devastating massacres in the chronicles of modern warfare.March 1944.With the fortunes of war turning against the Third Reich, Nazi-occupied Rome is a hotbed of dissent from the growing resistance movement.When the Roman underground ambushes a column of SS military police, killing 33, the German High Command orders the execution of 10 Roman citizens for each of its fallen soldiers.MASSACRE IN ROME unites two of the greatest cinema icons of the 1960s.Marcello Mastroianni (LA DOLCE VITA, 8½) stars as Roman priest Pietro Antonelli, ordered by the Pope to collaborate with Nazi Lt. Colonel Herbert Kappler (Richard Burton, of WHO’S AFRAID OF VIRGINIA WOOLF?), charged by Hitler with the duty of rounding up 330 civilians for execution.Dedicated to pacifism, Antonelli must choose whether to defy the Pope’s orders and aid the resistance or remain true to his vows and watch his countrymen slaughtered by the SS.This Carlo Ponti production was the second film by director George Pan Cosmatos (RAMBO: FIRST BLOOD PART II), and benefits from a tense, searing score from Ennio Morricone. NoShame Films presents for the first time ever a deluxe 2-DVD edition. MASSACRE IN ROME is a commanding, disturbing historical drama of rebellion, heroism and sacrifice by men and women who loved freedom more than they feared death.

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4/02/2012

Brother Sun Sister Moon (1972) Review

Brother Sun Sister Moon  (1972)
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I am a member of the Franciscan Third Order and fell in love with this movie back when I was only 13. (I'm now 34) This movie is definitely a product of the 60's - but the message is timeless. I feel badly that the review by Amazon was so discouraging. I would not want anyone to read that and make a judgement.
The movie represents, in my opinion, the true beauty of the Franciscan charism. The joy, simplicity and love that our Saint Francis embodied. I felt that Mr. Faulkner was an EXCELLENT choice for the lead role - he couldn't have been any closer to what I imagine Francis being. The director, Franco Zeffirelli, has done notable films ("Endless Love" NOT among his best). If you are a fan of the famous "Jesus of Nazareth", then I would suggest viewing this. In any case, this is a wonderful little film to get you acquainted with this timeless saint.
One bit of trivia - Sir Alec Guinness wanted to play the part of the Pope - as he had just converted to Catholicism not long before the making of this film. :-)
Hope this rudimentary review helped!

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3/30/2012

The Scarlet and the Black (1983) Review

The Scarlet and the Black  (1983)
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Gregory Peck and Christopher Plummer give outstanding performances as Monsr. Hugh O'Flaherty(Peck) and SS Col. Herbert Kapler(Plummer). The action and suspense of the movie keeps it going at a brisk pace. The story follows Peck as a Vatican official trying to save Italian Jews and Allied escaped POW's from the hands of the German SS. Plummers portrayal as Col. Kapler is both chilling and frightening, especially when he personally executes a Catholic priest who was caught helping the Resistance. Peck's portrayal of Father O'Flaherty is very moving to watch. The intelligence and compassion of this man truly shows through and shows how much Father O'Flaherty deserved the awards and decorations he received from the Allies after the war. And the ending is very surprising as well! It is also a plus having the movie shot in Rome where the actual events took place. A truly classic movie. I highly recommend it.

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3/20/2012

Love Among the Ruins (1975) Review

Love Among the Ruins  (1975)
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I remember seeing this film while a graduate student at West Virginia University and bursting into tears at the end because it was such a perfect and beautiful film. I now proudly own the VHS of it and have watched it several times and each time I see it, it gets better. Olivier and Hepburn are perfectly matched and the score by John Barry is incredibly beautiful. Thank goodness Katherine Hepburn made the comment on Dick Cavett's show that Olivier was one star with whom she had not acted and would like to and that George Cukor and ABC had the smarts to do
something this beautiful. It will forever remain one of my favorites and is one of the great events of TV history.

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3/11/2012

They Watch (1993) Review

They Watch  (1993)
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Maybe I am just sensitive but this movie scared the pee out of me! That owl girl still creeps me out and I have not seen it in years. I don't think I could bring myself to watch it...
Other than that, I thought the acting was very nice and the story was well done. Vanessa Redgrave is almost always a winner and she turns in another great performance here.
Still, watch out for that owl girl if you watch this...

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3/05/2012

The Pied Piper of Hamelin (1957) Review

The Pied Piper of Hamelin (1957)
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This Alpha Video DVD of 'The Pied Piper Of Hamelin' is the best source print of this film I have ever seen.
'Pied Piper Of Hamelin' (1956) is a family treat for all ages and for all holidays. First filmed in color as a Hallmark TV special, it is a masterful, musical re-telling of the legendary fairy tale using the beautiful mysterious, music of Edward Grieg with new lyrics.
The cast is first-rate, with movie great Van Johnson brilliantly playing the strange and often frightening piper, as well as the kind school teacher Trueson, who is also the village concience. Legendary movie villain Claude Rains is absolutely wonderful as the clever, sneering, and corrupt lord mayor of Hamelin. Rains has a ball playing him like Prince John of 'Adventures Of Robin Hood' (1938) in retirement! He even does a comical, show-stopping song and dance! Jim Backus also appears as the King's messenger, and his comedy is sorely needed as this fairy tale goes dark in it's second half.
One highlight of the film, is Van Johnson as the Pied Piper, leading the rats out of Hamelin to their deaths in the river. He is playing on his pipe the haunting melody of 'In The Hall Of The Mountain King' from Mr. Grieg's 'Peter Guint Suite' as the cleverly animated rats march to oblivion!
Unlike the fairy tale, this 'Pied Piper Of Hamelin' has a happy ending with a lesson for everyone about greed, selfishness, and false pride.

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2/06/2012

John Wayne Legendary Heroes Collection (Blood Alley / McQ / The Sea Chase / Tall in the Saddle / The Train Robbers) (1944) Review

John Wayne Legendary Heroes Collection (Blood Alley / McQ / The Sea Chase / Tall in the Saddle / The Train Robbers) (1944)
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When you look at the MASSIVE number of feature films John Wayne made in his nearly 50-year career, some films link together easily (the Howard Hawks' westerns, the John Ford 'Cavalry' trilogy, most of Duke's War-themed movies), but many enjoyable features aren't as easily combined, and the "John Wayne Legendary Heroes Collection" offers a strange but entertaining mix of several different genres, from three eras in the Duke's career.
From the 1940s comes the best film of the collection, "Tall in the Saddle", one of the finest 'B' westerns ever made. Written by lifelong friend, actor Paul Fix (who plays a villain), and co-starring two Wayne favorites, Ward Bond and Gabby Hayes, the film is really a 'whodunit' set in the Old West, spiced up with liberal doses of humor and sex appeal (provided by smouldering Ella Raines). Tightly scripted, with a short (87 minute) running time, this RKO release makes up for any lack of polish with plenty of excitement, and the Duke's sexy 1940s charisma.
The 1950s are represented by two Warner productions; "Blood Alley", the more entertaining of the pair, is a farfetched but enjoyable anti-Communist adventure set in China, as captured sea captain Wayne is rescued to transport a Chinese village to freedom, in a run-down steamboat. Lauren Bacall is one of his romantic interests (an imaginary girl Wayne created to stay 'sane' in prison is the other), with Paul Fix, Mike Mazurki, and even Anita Ekberg(!), playing 'Chinese' villagers. Cheesy, but it offers plenty of action, and does keep your attention! "The Sea Chase" is another story; starring Wayne as an anti-Nazi German ship captain(!) attempting to return his vessel to the Fatherland at the start of the war, the film manages to be both boring AND unbelievable, with little chemistry between him and Lana Turner (in their one teaming, together). Paul Fix again appears in a small role, as does James Arness, Wayne's protege and future star of "Gunsmoke". Wayne looks suitably serious in the role, but is totally miscast.
Skipping the 1960s, the collection finishes up with two more Warner films from the twilight of Duke's career, in the 1970s. "McQ", Duke's late entry into the 'Maverick Cop' genre that Clint Eastwood and Steve McQueen had made popular, was, in a sense, making up for his turning down "Dirty Harry", a few years earlier (he was offered the role, before Clint Eastwood!) As a grizzled veteran cop investigating his partner's murder, Wayne discovers a trail of corruption leading back into his department, and in true 'Duke' fashion, he gets hold of a lethal-looking machine pistol and starts blowing away the bad guys! Honestly, he was looking far too old and tired for high-speed chases and hopping into the sack with Colleen Dewhurst(!), and seems distinctly ill-at-ease in the role (he would be far better in his next 'Cop' film, "Brannigan").
Fortunately, the collection finishes up on a brighter note, in Burt Kennedy's "The Train Robbers". While this comic western is, at best, a pale shadow of Duke's classic oaters, it does team him up with long-time friend/co-star Ben Johnson, as well as Rod Taylor (who works surprisingly well with the two western 'veterans'). Best of all, Wayne and Ann-Margret are terrific together, with teasing asides of her obvious sex appeal and his being too old to take advantage of it! Forget the plot, of a buried payroll and the various people out to get it; enjoy the easy comraderie of a group of screen pros!
While this collection certainly isn't the finest of the Duke's work, there are some good titles, here, and these ARE 'New to DVD'...If you are a John Wayne fan, you certainly have reason to celebrate!


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1/27/2012

Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958) Review

Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)
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This review isn't of the great movies contained but the DVD set and their respective presentations.
first..let me say the bonus DVD "Tennesse Williams South"...is exceptional..its a film made about and with him in 1974 and besides his own readings of his work , which are illuminating, it features legends like Burl Ives and Jessica Tandy re-creating his dialog..simply timeless!
now..onto the Discs/Movies
the bonus featurettes are all very well done however, seemingly shorter than they should/could be. By that I mean...they have current interviews with Karl Malden and Eli Wallach for BABYDOLL and Rip Torn for Sweet Bird of Youth and the ever beautiful Jill St John for The Roman Spring of Mrs. Stone, and yet the amount of face time these actual stars of the films in question get is barely a line here or there? Not that the featurettes aren't good...they are..it just seems they could be a could 10minutes longer each...
now...the opposite problem is in the second disc of Streetcar Named Desire....the feature length (90min) Elia Kazan: A directors Journey is wonderful..its a decade or so old but was done while he was still with us and his participation raised it above the level of talking heads documentaries of the day. The strange thing is that the new featurettes on this disc feature way too much culled from the aforementioned feature. I don't understand....WB has wonderful featurettes on all the movies that seem truncated and then BLOATS out the Streetcar featurettes with duplicate material from itself? Only the current footage of Karl Malden saves the Streetcar featurettes from their own plagerism.
Now..the films themselves are all in very good shape considering they go back half a century. I wasn't a particular fan of Tennesse Williams..but after viewing all these films and the bonus film...i most certainly put him in the genius category and am looking for more.
Also, the press is making a big deal about Marlon Brando's screen test which is being included in the Streetcar DVD bonus features...its only a curiosity , not amazing by any stretch. What is far more interesting is Karl Malden's lovely memories of his friendship and admiration for Mr Brando....truly touching and mezmorizing. Malden is a treasure of an actor who starred in more fine films than any but the most ardent fan would know as he was usually second billed...but he IS the star of this set.
Great American films and unlike Universals shameless packaging..WB continues to present these types of films lovingly with extras..oh yeah..and the commentaries aren't bad either...much to enjoy in this set.

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Streetcar Named Desire 2 Disc SE Cat on a Hot Tin Roof Deluxe Edition Sweet Bird of Youth Night of the Iguana Baby Doll Roman Spring of Mrs. Stone

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1/20/2012

Mata Hari (1931) Review

Mata Hari (1931)
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Actually, the only real reason I wanted to see this picture was the alluring Greta Garbo. The woman radiates mystery, which in today's cinema is all-to-rare. She is really the best thing about this film, which is kind of cheesy in everything else. The costumes are gorgeous, the sets are well-contrived, but it's the worn story and wooden acting all around Garbo that drag this film down.
This is a Hollywood rendering of a famous spy, Mata Hari, who, on being caught, is executed by firing squad in the end. There is no faulting Garbo's contribution, as she slithers from one scene to the next, fully convincing as the ill-fated, beautiful spy. I only the rest of the cast had put forth that much effort! Ah well.
Fans of Miss Garbo will, no doubt, fully enjoy this film, as Garbo is actually very moving in her scenes. Now don't get me wrong, I actually enjoyed this film, myself. I just wish more effort could have been put forth by just a few more of her colleagues.
I give this film four stars on the basis of Garbo's unique ability to light up the screen whenever she appears, and for the glorious costumes that populate her environment. Just sit back and enjoy the visual treat that was Greta Garbo.

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Mata Hari: the name breathes mystery, intrigue and sexual allure. Who better to play the notorious World War I spy than Greta Garbo, the enigmatic, exquisite screen icon called The Swedish Sphinx? Garbo is mesmerizing as the dancer-turned-German secret agent in a wartime Paris seething with secrets and betrayal. The notable supporting cast includes Lionel Barrymore as a Russian general besotted with her, Lewis Stone as an icy master spy, and Ramon Novarro as a handsome aviator who wins the heart Mata Hari did not know she possessed. With the world at war, love was her weapon. And the only men she couldn't seduce were the 12 in the firing squad that ended her tragic and tumultuous life.

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The Hasty Heart (1949) Review

The Hasty Heart (1949)
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Richard Todd stars as a proud, stubborn Scottish soldier who learns some lessons about friendship in this little known film from 1949. At the close of World War Two, and following surgery for the removal of a kidney, he recovers in a jungle hospital, with the truth about his very serious condition being kept from him. His anger over his lack of a discharge, coupled with his hard attitude and demeanor, keeps him separated from fellow patients and nurse Patricia Neal. Attempts are made to befriend him, but it only leads to conflict. Ronald Reagan is the American patient "Yank" and he gives one of his better performances. Neal is also good, although a little detached, as the nurse trying to keep the peace. But it's Todd who really stands out, giving a moving performance as the friend-less Scotsman who has never fit in and has been hardened by the experience. The scenes are played with honesty, and although the film reveals its stage origins, it doesn't seem static. Director Vincent Sherman lets the characters and conflict drive this story about man's need for friendship, and the results are memorable.

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1/17/2012

Diary of a Country Priest: The Criterion Collection (1954) Review

Diary of a Country Priest: The Criterion Collection (1954)
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I have not yet seen Bresson's earliest film The Ladies of the Bois de Boulogne. That film was based on a Denis Diderot novel and that is not surprising as the Bresson films I have seen all have a distinctive literary quality. Diary Of A Country Priest as well as A Man Esaped(based on a memoir) & Pickpocket(based on a Dostoyevsky story) are all stories narrated to us by the protaganist. Diary of A Country Priest may be the most literary of them all for this film focuses almost exclusively on the thought processes of the priest. He tells his own story as though it were a confession. Bresson was a devout Roman Catholic but you don't have to be religious to appreciate this film because the priest struggles not so much with his faith but with his place in society. The film is quiet and is centered in this priests lonely introspections. He struggles not with faith but with making contact with another human being. Strangely enough his beliefs make him an outcast even to the other priests as they are much more practical minded and see the church as providing a practical social function. The other priests may believe in God but they live in the world comfortably. The young priest though is not practical and his religious feelings make him unable to function on any practical level. He has faith and yet he makes many of the villagers uncomfrotable because he is not a friendly gregarious presence as some of the other preists are but a quiet solemn one. He is really incapable of living on the surface of life and so he is incapable of the friendly kind of chatter that wins friends so when he goes on his rounds from home to home his social awkwardness tends to make people feel a bit uncomfortable. However when one woman has a true crisis of faith he is there for her in a way that one can see that it is this kind of situation he was made for. One of the more interesting and lighter aspects of the story is a friendship that develops between the priest and a young village girl. The girl is a rebel and tells lies and is drawn toward anything but the contemplative kind of life the priest lives and yet the two get along very well. The two both feel isolated from others for different reasons but somehow they provide each other with an interesting kind of company.

I think A Man Escaped & Pickpocket though both also quiet films are probably each more accessible than this one. A Man Escaped is about a resistance fighter who plans an elaborate escape from a Nazi prison, so though quiet and intorospective in its way we know there will eventually be a climax when he makes his attempted escape. Pickpocket is also very introspective but its a study of a criminal mind with plenty of exciting thefts and it ends with promise that the criminal has found something worth living for and so will change his ways. Diary of A Country Priest is quiet all the way through. There is beauty in it but its an austere kind of beauty. This film compared to A Man Escaped & Pickpocket takes a lot more patience and has the least entertainment value but provides the deepest and richest experience. Its a one of a kind film for a very discerning kind of filmgoer. All of Bressons films are made with great care (he took 3-4 years to make each one) and this one any filmgoer will be able to see is the one he put the most care into.

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A young priest arrives in the French country village of Ambricourt toattend to his first parish, but the apathetic and hostile rural congregation rejects himimmediately. Through his diary entries, the suffering young man relays a crisis of faiththat threatens to drive him away from the village and from God. The fourth film byRobert Bresson (Les Dames du Bois de Boulogne) finds the director beginning toimplement his stylistic philosophy as a filmmaker, stripping away all inessential elementsfrom his compositions, the dialogue and the music, and exacting a purity of image andsound. The DVD also features an audio commentary by film historian Peter Cowie,deleted scenes and the trailer.

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12/26/2011

Strange Bedfellows (1965) Review

Strange Bedfellows (1965)
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Rock Hudson and Gina Lollobrigida (the former co-stars of 1961's "Come September") once again make a smashing team in the cute romantic comedy STRANGE BEDFELLOWS (produced and directed in 1965 by Melvin Frank).
Hudson plays Carter Harrison, a womanising company exec who marries Antonia (Lollobrigida), an Italian spitfire who is heavily into art and politics. When their marriage fails, Carter doesn't hear from Toni for many years, until his boss decides Carter will get a promotion if he can prove that he is a respectable (and, more to the point, MARRIED) man. He decides to lead Toni on to get the promotion but finds himself falling in love with her all over again. The memorable supporting cast includes Terry-Thomas, Nancy Kulp, Gig Young, Arthur Haynes and Edward Judd.
As other reviewers have noted, the film is presented in the wrong widescreen ratio, which will impact you if you own a widescreen television or 16:9 display. Still, we're lucky to have this movie on DVD in the first place.
The DVD includes the trailer. (Single-sided, single-layer disc).

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12/19/2011

The Leopard: The Criterion Collection (1963) Review

The Leopard: The Criterion Collection (1963)
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It is incomprehensible to me why this movie has not yet made it to DVD. I think it is easily Visconti's greatest work, and one of the masterpieces of Italian film from a great era in general; and it is also a flawless adaptation of one of the finest Italian novels of the twentieth century. The film is a close study of a noble Sicilian family, and especially of its Prince (played by Burt Lancaster in what I think is also his best role), as they interact with the new middle-class parvenus of revolutionary Italy. The cinematic values of the film itself are stunning, from the vast panoramas of the desolate Sicilian countryside, to the stifling intimacy of the final ball (which lasts nearly an hour on film without once being boring). What is most amazing is the depth of the film. Even small gestures are carefully observed and capture the nuances of an aristocracy in decline. I loved "Death in Venice" as well, but this film should justly be considered Visconti's most tightly controlled and haunting.

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Making its long-awaited U.S. home video debut, Luchino Visconti's The Leopard is an epic on the grandest possible scale. The film recreates, with nostalgia, drama, and opulence, the tumultuous years when the aristocracy lost its grip and the middle classes rose and formed a unified, democratic Italy. Burt Lancaster stars as the aging prince watching his culture and fortune wane in the face of a new generation, represented by his upstart nephew (Alain Delon) and his beautiful fiancée (Claudia Cardinale). Awarded the Palme d'Or at the 1963 Cannes Film Festival, The Leopard translates Giuseppe Tomasi di Lampedusa's novel, and the history it recounts, into a truly cinematic masterpiece. The Criterion Collection is proud to present the film in two distinct versions: Visconti's original 187-minute Italian version, and the alternate 161-minute English-language version released in America, in a newly restored, three-disc special edition that also features a new hour-long documentary on the making of the film, and more.

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12/05/2011

Hawaii (1966) Review

Hawaii (1966)
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In the mid 1960's, Julie Andrews was the biggest movie star the world. Her success came on the strength of two block busters, 1964's "Mary Poppins" and 1965's "The Sound Of Music", the two films for which she will be forever identified. However, her body of film work in the 1960's, though only 7 films in all is impressive in it's scope and content. Of these films, one of the best and most successful was the epic "Hawaii".
The film tells the story of a zealous but misguided missionary, Abner Hale (Max von Sydow) and his loving, forthright wife Jerusha (Julie Andrews) who try to bring Christianity to the native Hawaiians. Both von Sydow and Andrews give magnificent performances, bringing humanity to two characters that could have been cardboard, stock figures in less talented hands. Indeed, these two characterisations work well because of each other with the unsympathetic Hale coming off as human after all due to being loved by his wife. Together, von Sydow and Andrews make an impressive team. The cast is rounded out beautifully by a raft of excellent players including Richard Harris, Gene Hackman, Carol O'Connor and even Bette Midler in her first film as an extra on the ship headed for Hawaii.
When the film was originally released, it was as a 189 minute roadshow production with overture, intermission, entr'acte and exit music. The film was later presented in an edited, 161 minute version. It is this version that has been released on DVD. This begs the question, what's missing from the DVD version?
The majority of cuts appear in the film's first half with entire scenes being removed. The second half is virtually intact with only some trimming of scenes. The deleted scenes in the films first half are as follows:
At 0:15:37Hale says goodbye to his family
At 0:27:06After her wedding to Hale, Jerusha says goodbye to her little sister prior to leaving for Hawaii
At 0:35:26On the voyage to Hawaii, Hale makes a convert in the crew
At 0:35:44The Captain charts the course and large bunches of bananas are brought on board
At 0:37:30Hale force feeds a seasick Jerusha bananas
At 0:38:30Hale condemns the convert he made among the crew because of drunkenness
At 0:39:21The Captain requests Hale's prayers prior to sailing through the Evangels
At 0:46:05The Captain throws his novels overboard (his part of a deal with Hale for praying in the ship's behalf) followed by Jerusha throwing the bananas overboard
At 1:16:12Sister Hewlett dies after giving birth
At 1:17:57Hale assures Jerusha that he can deliver her baby and that she will not die in childbirth
At 1:52:50Hale recovers in bed after a shark bite and Jerusha tells him that a wife needs to be loved not worshipped (final scene in the first half of the roadshow version)
There are also some trimmed scenes in the first half such as the farewell scene prior to Hale and Jerusha leaving for Hawaii as well as the elimination of the entr'acte.
It is Julie Andrews' Jerusha that suffers most at the hands of the editor. Some of her most powerful acting (the force feeding scene and her subsequent reaction to this in throwing the bananas overboard and calling her husband a bully, and again when she walks out on her husband's sermon when he condemns the incestuous marriage of the new Queen, for example) was removed. The result of this it to make one of Julie's most absorbing characterisation seem less moving and less three dimensional. In the full version, Jerusha is a devoted wife but is also capable of standing up to her husband and asserting her own personality and beliefs. The shorter version presents less of this side of her character and leaves Jerusha as a submissive wife with a bully of a husband. However, Julie Andrews is incapable of a bad or uncommitted performance and even in the edited version is at the top of her game matching von Sydow's Hale (a more flashy character) every step of the way.
Here's hoping that M-G-M will eventually release a fully restored DVD of the roadshow version to show what a fine film this really is and let us see the complete performances of two great actors, Andrews and von Sydow.
My recommendation: it's worth a look in its edited form but would have been better is presented complete.


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Two cultures collide in this vast, lavish and truly spectacular film starring Julie Andrews, Max Von Sydow, Richard Harris, Gene Hackman and Carroll O'Connor. Adapted from James A. Michener's Pulitzer Prize-winning novel and nominated* for seven OscarsÂ(r), this "majestic, gorgeously framedepic is adventuresome picture-making, a credit to the industry" (The Film Daily) and riveting entertainment! They came to bring God, but instead brought disease and destruction. The Rev. Abner Hale (Von Sydow) and his gentle wife Jerusha (Andrews) attempt to convert early 19th-century Hawaiian natives to Christianity but find themselves ill-equipped to endure the unexpected tribulations of paradise. Surging with the excitement of windstorms, firestorms, shark attacks and magnificent island scenery, Hawaii shines as passionately as the island paradise itself!*1966: Supporting Actress (Jocelyne LaGarde), CinematographyColor, Costume DesignColor, Special Visual Effects, Score, Song, Sound

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