Showing posts with label lolita. Show all posts
Showing posts with label lolita. Show all posts

8/19/2012

Inside Club Wild Side (1999) Review

Inside Club Wild Side  (1999)
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This wasn't a great movie, even by softcore standards, but it does it's job. A barely-there plot combined with pretty, yet flexible women equals a decent way to spend 85 minutes. Ahmo Hight doesn't get as flexible in this movie as she does in Hotel Exotica, but she's good to look at anyway. Once again, Monique Parent steals the show. This time around she's a primary character instead of a supporting character like in the first "Club Wild Side" movie. Look for plenty of naked chicks; don't look for anything else.

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8/12/2012

Tiger Bay (1959) Review

Tiger Bay (1959)
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I first saw this movie at Goose Bay AFB in Labrador on a cold winter's night at the base theatre. I had no idea what was being shown, nor had any of the other GI's who attended that evening. Near the end of the film there is a particularly exciting moment and the entire audience - well over a thousand guys! - gasped with astonishment! At the end there was applause and shouts of "Great movie!" Several of us followed the movie as it wound its way to the many theatres on the air base, and we took others who hadn't seen it who were also deeply moved by the story. Over the years, now on video tape and DVD (Hurrah!) this "little" movie never fails to deliver its huge emotional impact. Hayley Mills (pre-Disney) and Horst Buchholz (pre-Magnificent Seven) will break your heart and then restore it. A truly great motion picture, one once discovered is never forgotten! If you haven't seen it you are missing one of the all-time classic films!

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5/11/2012

Junior Pilot Review

Junior Pilot
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This movie was a lot of fun. The characters were likeable and the story was told with plenty of humor. Of all the movies I've ever seen that take place on an airplane (including all of the Airplane series and Soul Plane), this one is my favorite. The main character is a boy who day-dreams a lot and who must overcome this tendency to save the day. To add to the value of this DVD is a behind the scenes piece which is about an hour long. Also the commentary (featuring the lead actor and the writer/director) was enjoyable. Since the lead actor is a child, the commentary would be most appropriate for children. The director explains many aspects of movie-making in a many fully comprehensible by children over eight years of age.

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1/03/2012

Red Riding Hood Review

Red Riding Hood
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My almost four year old granddaughter picked this film as she already knew the story of Little Red Riding Hood from her mom and dad. I was a little concerned it might be too scary as it is PG but I should have realized that she was able to handle it very well.
The wolf is a werewolf. Lainie Kazan is the grandmother and is reading the story to her grandchildren. Lainie is wonderful in this!! If you are over 50 you may remember her singing on the Mike Douglas Show or on Ed Sullivan.
While the wolf swallows people whole, it is done by special effects that make it look cartoonish thus not scaring even my granddaughter! She really loved the whole film and was very enthusiastically telling her aunt, one of my other daughters, how good it was!!
If you have a mature preschooler who understands pretend and cartoon violence, they will enjoy this as the singing and fun stuff are hilarious. There is a precarious situation for the two kids in the film but even that is broken by humor and turning out not to be as dangerous as it looks. Otherwise I would recommend the viewing be by at least 5 or 6 year olds.

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8/30/2011

Cheerleader Autopsy (2003) Review

Cheerleader Autopsy (2003)
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I don't usually bother to review films on here, but I only write this in order to potentially save someone else from having to endure the misery that I just endured. I generally love campy B movies like the Toxic Avenger or Killer Klowns from Outer Space, but Cheerleader Autopsy was the most irreconcilably terrible film I have ever seen. After reading one other user's review, I expected an amusing horror/comedy with fairly intelligent dialogue accompanied by cheesy effects and nudity. On a positive note, the film did deliver cheesy effects, which elicited a giggle on one particular occasion, but that in no way made up for the rest of this mess. Even the gratuitous nudity of the average (at best) looking girls in this film couldn't save it. I had fairly low expectations going into the experience, and this film managed to be significantly worse than I had expected it to be. First off, the humor was most definitely NOT intelligent, unless you consider fart jokes and rubber penises to be intelligent. I find it hard to believe that anyone who completed grade school was involved in the production of this film, excepting the Pavlov reference which indicates that someone took high school psych.Such razor sharp witticisms as "You want a tip? Don't eat yellow snow" and other such drivel were anything but clever. The necrophilia humor was also done poorly. Humping the dead is not hilarious in and of itself, but the writer evidently thinks so and expected every reference to it to generate a reaction. The only reaction I had was to yawn and regret competely and utterly wasting the last hour and a half of my life on this hillbilly trash.
Note: Those with IQs tested ABOVE 100 should avoid this movie at all costs because they run the risk of significantly lowering their scores.

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7/17/2011

Lawn Dogs (1998) Review

Lawn Dogs (1998)
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This movie is an endearing tale of two square pegs in a round hole world. Devon, played by Mischa Barton, is a ten-year-old girl who has recently moved with her mother (Kathleen Quinlan) and father (Christopher McDonald) into an upscale, gated community with large houses and even larger lawns. Devon isn't really interested in her peers, as "they smell like TV and talk too fast" so she tends to keep to herself, creating her own little worlds and stories, one, in particular that involves a witch named Baba Yaga and a young girl, presumably in reference to herself. Trent (Sam Rockwell) is an early twenty something man who makes his living mowing lawns in the affluent community that Devon and her family reside. Being that Trent is from 'the wrong side of the tracks', we get a sense that while it's acceptable for him to be in the enclosed community to do his work, once he's finished, he should collect his pay and be gone. This is exemplified by the security officer (Bruce McGill) telling Trent that if he plans to be in the neighborhood past 5PM, he'd better clear it with him. I think this also shows an underlying sense of paranoia within the exclusive community towards outsiders.
The meeting of Devon and Trent occurs one day while Devon is attempting (hardly) to sell cookies for some sort of campfire girls' organization. Seems she is doing it more to appease her upwardly mobile conscious father than anything else, and she decides to venture outside of the gated community to see what lies beyond the walls. She comes across a ramshackle mobile home, finds no one home, and ventures inside. Just so happens this is where Trent lives, and he returns to find Devon inside his home. He doesn't become angry, probably because he's got little or nothing worth stealing, but seems annoyed at this small intruder, as he tells her this is private property, and he "ain't interested in buying no cookies". Devon leaves, but seems to have taken an interest in Trent. She returns the next day, where she spies Trent and Pam (Angie Harmon) in a compromising position through a window of the trailer home. Pam, a resident of the same community as Devon, appears to be just some rich girl getting her jollies with the local help, and this is confirmed later. Trent, seeming to understand the extent of their relationship, makes some comments about wanting to meet her family, to which Pam says "Yeah, right". Trent doesn't seem too put out by this, but then I probably wouldn't either as Angie Harmon is a fabulous babe. What this does show, in my opinion, is yet another way the elitist class of the upscale community uses Trent for there own purposes, mowing lawns, sexual forays, or just a target for their deriding remarks. After Pam leaves, Devon and Trent talk about various things, and find that they have something in common in that they have both had near death experiences.
Trent, a little puzzled at why this girl has taken an interest in him, sees that she's harmless but understands that people would most likely misinterpret their relationship, and tells Devon that they can be friends, but it has to be secret. One day, while Trent is mowing a lawn across the street from Devon's house, Devon brings him some water, against her mother's wishes. Trent gives Devon a turtle, which he rescued by not running over with his mower, or as Trent put it, "turning into spaghetti". Devon's mother, not aware of their friendship, assumes the gift is an implication that Trent wants something from Devon, and his motives are of a sinister nature. Eventually the innocent relationship between Devon and Trent is discovered, and immediately construed as being something that it's not. I can't really blame them too much, as I would probably be a little suspicious of a twenty plus year old man and a 10-year-old girl spending a lot of time together. Devon actually brings it to light, after an unfortunate incident with a dog. This leads to a violent confrontation outside Trent's home, and an unusual ending that was very unanticipated but ties in nicely with elements of the story. The ending countered very nicely the sense of pathos I developed as their friendship flourished, knowing that it would end badly. There are many scenes I didn't go into, providing a richer depth of the main characters, fleshing them out quite nicely.
One thing I found quite interesting was the way the community members were so quick to think the worst of Trent, and in the end, labeling him a monster, yet, we see that the true monster lies within themselves, in their infidelities, lies, contempt of those that are different, the sense of superiority that sometimes comes from wealth and power, and the perverse pleasure received by the subtle and not so subtle humiliation of those not in the same social class. The wide screen presentation is very nice, along with the audio, and the special features include trailers and filmographies of the director and some of the stars.
Ignore the cover art on the DVD case, as it alludes to some kind of sexual encounter between the characters shown, which never happens. I'm assuming this was done in an effort to drawn people in, as sex sells, but, if that's your looking for, then you will probably be disappointed. If your bag is an excellent little movie with interesting characters, good direction, a smidgen of humor, a dash of fantasy, and a rewarding ending, then look no further.

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