Walled In (2008) Review

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(More customer reviews)If this film was in French it would be a perfect piece of style conscious, Euro trash "suspense" and "terror-lite" type movie making. It is not in French. But it is, however, unashamed to act out its peculiar premise and its stylishly framed but derivative plot devices with a vague Euro-esque decadence, as though everyone in the film wished that they had in fact been speaking French or Italian. Think "The Shinning" meets "Psycho" meets "Sailor Who Fell From Grace With The Sea". In fact, echoing "Sailor Who Fell...", Mischa Barton bears a more than suggestive resemblance to Sarah Miles, and Cameron Bright bears a striking resemblance to Jonathan Kahn, the boy who played Sarah Miles' son in "Sailor Who Fell..."
There's something about the film that makes you think that the producers and writers were thinking of Asia Argento, or felt that aspiring to make an Asia Argento like film was a high calling.
The production values are much higher than you might have any reason to expect, and the film is stylishly and well designed, lit and photographed. The lead actors all do very serviceable work, and Mischa Barton is especially good in her Sarah Miles mode. However, the presence of many different production and distributing company logos on the front end of the movie is the sure tip off that this direct to video production has been handed around quite a bit to raise the necessary capital and deals to get itself before the camera and finally out into the marketplace. How many companies does it require to fund, produce and distribute a C-list movie? Four or five, evidently.
This Blu-Ray disc is so cheap it has no menus, no pop up menus, no extras and no sound options at all. Nada. It just plays, over and over.
Is it scary? Not really. Is it anxiety provoking? Well, no. Is it peculiar that a world famous architect, thought to be dead, has been secretly living the life of an imprisoned mole at the bottom of an eight story tall well hidden in the center of a Neutra like high-rise apartment building located in the vast empty fields of Saskatchewan, while waiting for a beautiful woman to someday fall into, or be fed into, the shaft by a Norman Bates like looney-kid with a strangely foxy mother, who both live almost alone in the building after all the other residents have either been inexplicably murdered or have moved out, so that the architect may entomb the woman, or himself, using an automatic concrete mixing and pouring system of his own device, built into the building with forethought of this eventuality and a knowledge of ancient Egyptian building practices, so as to make the foundations of the building immortal? Well, uh-huh.
Is it great to watch Deborah Kara Unger be Deborah Kara Unger and to scope out the decaying but stylish mid-century modern sets, furnishings and set dressing? Well, you betcha. This film has to be on the "guilty pleasures" shelf. But, still, it's there for a reason. Oddly recommendable.


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Recent engineering graduate Sam Walczak travels to the middle of nowhere to supervise demolition of the mysterious Malestrazza Building.She soon comes face to face with the horrifying secrets of the building and itspast inhabitants, many of whom were entombed alive within the walls of the pristine building by its obsessed architect.As Sam begins to unravel the clandestine details of the architect's life and his astonishing building, she is drawn into the dark and frightening reality which forces her to accept her own darkpast and turn the tables before she becomes the last victim.

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Lawn Dogs (1998) Review

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(More customer reviews)This movie is an endearing tale of two square pegs in a round hole world. Devon, played by Mischa Barton, is a ten-year-old girl who has recently moved with her mother (Kathleen Quinlan) and father (Christopher McDonald) into an upscale, gated community with large houses and even larger lawns. Devon isn't really interested in her peers, as "they smell like TV and talk too fast" so she tends to keep to herself, creating her own little worlds and stories, one, in particular that involves a witch named Baba Yaga and a young girl, presumably in reference to herself. Trent (Sam Rockwell) is an early twenty something man who makes his living mowing lawns in the affluent community that Devon and her family reside. Being that Trent is from 'the wrong side of the tracks', we get a sense that while it's acceptable for him to be in the enclosed community to do his work, once he's finished, he should collect his pay and be gone. This is exemplified by the security officer (Bruce McGill) telling Trent that if he plans to be in the neighborhood past 5PM, he'd better clear it with him. I think this also shows an underlying sense of paranoia within the exclusive community towards outsiders.
The meeting of Devon and Trent occurs one day while Devon is attempting (hardly) to sell cookies for some sort of campfire girls' organization. Seems she is doing it more to appease her upwardly mobile conscious father than anything else, and she decides to venture outside of the gated community to see what lies beyond the walls. She comes across a ramshackle mobile home, finds no one home, and ventures inside. Just so happens this is where Trent lives, and he returns to find Devon inside his home. He doesn't become angry, probably because he's got little or nothing worth stealing, but seems annoyed at this small intruder, as he tells her this is private property, and he "ain't interested in buying no cookies". Devon leaves, but seems to have taken an interest in Trent. She returns the next day, where she spies Trent and Pam (Angie Harmon) in a compromising position through a window of the trailer home. Pam, a resident of the same community as Devon, appears to be just some rich girl getting her jollies with the local help, and this is confirmed later. Trent, seeming to understand the extent of their relationship, makes some comments about wanting to meet her family, to which Pam says "Yeah, right". Trent doesn't seem too put out by this, but then I probably wouldn't either as Angie Harmon is a fabulous babe. What this does show, in my opinion, is yet another way the elitist class of the upscale community uses Trent for there own purposes, mowing lawns, sexual forays, or just a target for their deriding remarks. After Pam leaves, Devon and Trent talk about various things, and find that they have something in common in that they have both had near death experiences.
Trent, a little puzzled at why this girl has taken an interest in him, sees that she's harmless but understands that people would most likely misinterpret their relationship, and tells Devon that they can be friends, but it has to be secret. One day, while Trent is mowing a lawn across the street from Devon's house, Devon brings him some water, against her mother's wishes. Trent gives Devon a turtle, which he rescued by not running over with his mower, or as Trent put it, "turning into spaghetti". Devon's mother, not aware of their friendship, assumes the gift is an implication that Trent wants something from Devon, and his motives are of a sinister nature. Eventually the innocent relationship between Devon and Trent is discovered, and immediately construed as being something that it's not. I can't really blame them too much, as I would probably be a little suspicious of a twenty plus year old man and a 10-year-old girl spending a lot of time together. Devon actually brings it to light, after an unfortunate incident with a dog. This leads to a violent confrontation outside Trent's home, and an unusual ending that was very unanticipated but ties in nicely with elements of the story. The ending countered very nicely the sense of pathos I developed as their friendship flourished, knowing that it would end badly. There are many scenes I didn't go into, providing a richer depth of the main characters, fleshing them out quite nicely.
One thing I found quite interesting was the way the community members were so quick to think the worst of Trent, and in the end, labeling him a monster, yet, we see that the true monster lies within themselves, in their infidelities, lies, contempt of those that are different, the sense of superiority that sometimes comes from wealth and power, and the perverse pleasure received by the subtle and not so subtle humiliation of those not in the same social class. The wide screen presentation is very nice, along with the audio, and the special features include trailers and filmographies of the director and some of the stars.
Ignore the cover art on the DVD case, as it alludes to some kind of sexual encounter between the characters shown, which never happens. I'm assuming this was done in an effort to drawn people in, as sex sells, but, if that's your looking for, then you will probably be disappointed. If your bag is an excellent little movie with interesting characters, good direction, a smidgen of humor, a dash of fantasy, and a rewarding ending, then look no further.

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