Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

8/25/2012

Promise Her Anything (1966) Review

Promise Her Anything  (1966)
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This movie is one of my favorites! What the guy does to get the girl is just hilarious! A must-see, especially for Warren Beatty fans. You won't be disappointed.

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8/02/2012

Gigi (1958) Review

Gigi  (1958)
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For those wondering why they should purchase another edition of "Gigi" on DVD, here are all the extras; however, if you own a Blu-ray, you might want to wait and pre-order Gigi [Blu-ray]. Other than the technical specs, the extras are the same on both versions.
Winner of 9 Oscars, "Gigi" was produced after the demise of the original 3-Strip Technicolor system, and photographed in the industry-standardized Eastmancolor process, which had a tendency to fade to reds and purples. For this new DVD release, Gigi has been photo-chemically restored from its original camera negative and safety separations to produce a much sharper and colorful image than has been seen in decades. It also contains a 5.1 audio mix created from the original multi-track source elements.
Disc 1 (Gigi '58): 2.35:1 Anamorphic Widescreen * English DD5.1 Surround * French Mono * English, French and Japanese subtitles * Bluray specs: 1080P 2.40:1 Widescreen, English 5.1 Dolby TrueHD, English 5.1, French 2.0, Spanish 1.0 (Both Castilian and Latin), German 1.0, Italian 1.0 Dolby Digital, Subtitles (Main Feature): English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish, Subtitles (on Select Bonus Material): English, French, Spanish, German, Italian, Japanese, Portuguese
*New Commentary with Leslie Caron & Film Historian Jeanine Basinger
*The Million Dollar Nickel [1952 MGM short]
*The Vanishing Duck [1958 MGM cartoon]
*Theatrical Trailer
Disc 2: "Thank Heaven! The Making of Gigi" The story of how 1958's Best Picture winner (the last of the classic MGM musicals) survived a turbulent production that included censorship battles over its daring sexual content and creative struggles between a studio in turmoil and a demanding, visionary director. Featuring an all-new interview with star Leslie Caron, and a rare interview with Oscar-winning director Minnelli
Original 1949 Nonmusical version of Gigi starring Daniele Delorme in the title role and directed by Jacqueline Audry (in French Mono with English subtitles)
For those not familiar with the plot, Gaston (Louis Jordan) is the descendant of a wealthy Parisian family who rebels from the superficial lifestyle of upper class Parisian 1900s society by socializing with the former mistress (Hermoine Gingold) of his uncle (Maurice Chevalier) and her outgoing, tomboy granddaughter, Gigi (Leslie Caron). When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt (Isabel Jeans), who have educated Gigi to be a wealthy man's mistress, enjoin on him to become her provider and on her to accept such a golden opportunity. However, true love adds a surprise twist to this Cinderella story that was actually filmed in Paris.

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6/03/2012

Inspector Gadget (1999) Review

Inspector Gadget  (1999)
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I was expecting a bad film but you know what. I enjoyed it. I actually liked the movie. It's definitely not below average.
Matthew Broderick is actually a good Inspector Gadget. I think with the way movies are, many people tend to want to see a different Inspector Gadget, perhaps someone more violent. Well, if that's the case...there is the Criterion edition of Robocop with the added gory scenes that you can buy. This movie was made for kids as was the cartoon and I'm a kid at heart because I grew up with the show.
One of the things you'll notice is that it's a Disney DVD with extra's. Yes, it's a miracle isn't it. The majority of all Disney DVD's don't have squat in them. This one has a 30 minute featurette on "Go Inside Inspector Gadget". It also has a music video from Youngstown and the trailer. Not bad Disney...keep adding more! Also, the sound is well done with the 5.1. Good use of the rear channels!
One negative was the layer change. It was during a so-so important scene and that was not good to place it in that area of the movie. They could of put it somewhere else.
Otherwise a good movie for the young teens. As for little children, not sure...seeing Broderick with his head backwards or seeing him get blown up may frighten the little children.
Otherwise, this DVD is worth purchasing.

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5/10/2012

Free Willy 2 (1995) Review

Free Willy 2  (1995)
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In my personal opinion, this is the best of the Free Willy series. There are no real or noticable problems, and it is good for the family. Of course it's not good for everybody, but if you haven't seen it, pick it up anyway.

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3/01/2012

Way We Were (1973) Review

Way We Were  (1973)
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As stated many times before, THE WAY WE WERE is one of only a handful of romantic blockbusters to actually feature an intelligent script and complex characters. Writer Arthur Luarents' based his screenplay (and subsequent novel) on girl he knew in college, who fought for liberal (and sometimes communist) causes. Three decades after it's release, THE WAY WE WERE remains one of the few cinematic depictions of the Red Scare that swept America in the forties and fifties; the backdrop of which lends the surrounding love story greater potency and depth. The film was a surprise box office smash when originally released, and became the fifth-highest grossing film of 1973 and was instantly embraced as a classic.
Katie Morosky is a character that Barbra Streisand born play, and she delivers on all accounts. Fierce and determined, yet vulnerable and self-conscious, Katie is a tricky character and Streisand inhabits her so deeply that she seems nothing less than completely believable. Justifiably nominated for a Best Actress Oscar, she inexplicably lost to Glenda Jackson's shrill performance in the barely remembered A TOUCH OF CLASS. This was clearly a major blunder on the side of the Academy of Motion Picture Arts and Sciences. Robert Redford, who had actually turned down the role twice before director and friend Sydney Pollack talked him into taking the part, displays some of the best reflective acting ever seen on the big screen and effectively brings forth the dark side of being stereotyped as the All-American golden boy (although Redford did not receive an Oscar nod for playing Hubbell in this film, he was nominated for Best Actor that same year for his light comedic performance in THE STING).
THE WAY WE WERE is different from most romances in that it is not death, feuding families, or any other societal phenomena that directly tear the couple apart. Katie and Hubbell are simply passionate individuals with highly volatile, and contrasting, ideologies; the conflict of which is expressed in several brilliantly written and acted scenes that shimmer with the type of intelligence and honesty that is rarely seen in cinema today. The film's enduring popular success with the mass audience may very well be due to the magnetic chemistry between Streisand and Redford, the gorgeous cinematography, and the strong directorial hand supplied by Pollack. However, it is the complexity of the romance with politics and the strong characterizations by both leads that continues to make THE WAY WE WERE the best love story for adults.
About the DVD: The picture quality is very good, quite possibly the best the film has ever looked. You must remember that movie has always had a stylistically hazy look. The sound quality is also vastly improved. Pollack's commentary track is interesting, but the 60-minute documentary is the best extra on the disc. Featuring insightful interviews from Pollack, Streisand, and Laurents (as well as composer Marvin Hamlisch and lyricists Alan and Marilyn Bergman) the documentary is well-produced and entertaining, and it was great to finally see those much-debated deleted scenes.

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2/16/2012

Marilyn Monroe: A Life in Pictures Review

Marilyn Monroe: A Life in Pictures
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I havn't been able to find much info on this dvd but decided to give it a try anyway, it contains many news reels and most of Marilyn's movie trailers, very standard footage here. Although it is enjoyable, I don't like that the trailers are mixed in with the news reels. I was also disappointed that the songs are not video clips from her movies they are only in audio. I liked the "Marilyn at the movies dvd much better" but if you don't already have MM's songs on cd you may also like this..

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2/08/2012

The West Point Story (1950) Review

The West Point Story (1950)
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Set at West Point, this musical centers on Elwin Bixby's (James Cagney) misadventures as he tries to stage a show at the academy while trying to lure the young talented soldier Tom Fletcher (Gordon MacRae) away from army life and into showbusiness. Convinced that Tom's voice has star potential, Bixby uses pretty movie star Jan Wilson (Doris Day) as bait to try and charm Tom out of army life. But plans backfire when Jan falls under the spell of the handsome soldier.
Tons of singing and dancing by Gordon MacRae, Doris Day, Gene Nelson, James Cagney, and Virginia Mayo.

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Academy Award winner James Cagney puts on his dancing shoes again for The West Point Story, a spirited comedy packed with star-power and tunes by vetran songwriters Jule Styne and Sammy Cahn.

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1/29/2012

Bedknobs & Broomsticks (Walt Disney Masterpiece Collection) (1971) Review

Bedknobs and Broomsticks (Walt Disney Masterpiece Collection)  (1971)
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In 1971, Bedknobs and Broomsticks, a film many call a Mary Poppins rip-off, premiered at Radio City Music Hall, but in a version in which nearly half an hour of footage, including full songs, was removed. For its 25th Anniversary in 1996, Disney re-inserted all of the deleted footage except for one musical number in which the picture was lost. The Academy Of Motion Picture Arts And Sciences screened this in 1996, but it didn't get a theatrical release, and for years, the only way Americans could get it was either by the 1997 laserdisc release, an import of a European video, or by catching it on occasion on the Disney Channel.
Finally, in 2001, for the film's 30th Anniversary, Disney released a DVD with this extended version of the film. Restored and remastered, the film now has a clearer plot, extended musical numbers, and songs previously deleted. The brilliant "Portobello Road" number is now restored to its original running time, as well as Miss Price's response verses, titled "Don't Let Me Down" during Mr. Browne's song "Eglantine," and the previously entirely deleted songs "With A Flair" and "Nobody's Problems" are restored to the film.
The DVD is a mixed bag. The transfer is quite nice, but Lowry Digital, who did the recent Mary Poppins, Bambi, and Cinderella DVD restorations, could punch it up a little, as on occasion, I saw a bit of grain, and the occasional film artifact, especially during the closing credits and Walt Disney Pictures logo. However, this film has still never looked better on home video, so it's fine with me.
The extras could have been better. An actual making-of on the film would have been nice, including footage used in the Music Magic featurette. While that featurette does give some nice insight on the restoration, there's nothing behind-the-scenes about it except for the creation of the music score. Nothing about the effects, actors, nothing. But it's worth a look for info on the film's 1996 restoration. A larger gallery would have been nice. I do like the inclusion of the two cartoons. And of course, I'm happy to see that they have included theatrical trailers.
The best supplement, however, is the deleted song A Step In The Right Direction. That song was the catalyst that jump started this restoration project to begin with, so there's a bit of irony here in the fact that they couldn't find the footage of the song. So the supplement on the DVD, which is ported over from the 1997 laserdisc and was shown after the movie when the Disney Channel aired the restored version, is reconstructed using still photos of the scene and the original soundtrack. Hopefully one day, the footage will be found and they will be able to reinstate the number into the film, or at least they'll decide to include the photo reconstruction a la the restored version of A Star Is Born with Judy Garland.
Some have complained that there isn't an option to watch the original, shorter version due to its length and/or the poor dubbing of the voices in deleted scenes. (For much of the non-musical deleted footage, original dialogue soundtracks could not be found, so many of the deleted scenes had to be re-dubbed.) While I prefer the restored version despite the dubbing flaws, I think it would be wise of Disney to release both versions on DVD. Next year is the 35th Anniversary - maybe Disney will make a 2-disc DVD featuring both editions, with bonuses spread out on each disc, to appease all fans. Or better yet, a 3-Disc Collector's Edition, with discs 1 and 2 containing both cuts of the film and disc 3 with all the supplements. While neither edition is likely, the 2-Disc is a more likely option.
In conclusion, I can heartily recommend this DVD. The film has been lovingly restored and remastered, featuring almost all of the footage left on the cutting room floor in 1971, and features a nice handful of bonuses.

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1/04/2012

Can-Can (1960) Review

Can-Can (1960)
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Shirley MacLaine and Frank Sinatra kick up their heels in CAN-CAN, the sparkling film adaptation of the Cole Porter musical comedy.
The setting is the Montmatre district of Paris, circa 1896. The can-can dance has been ruled as immoral and scandalous by the polite society, but that doesn't stop Simone Pistache (Shirley MacLaine) from performing the routine at her cafe. She is helped by her boyfriend--crooked lawyer Francois Durnais (Frank Sinatra). Simone's happy existence comes crashing down when she's arrested on the orders of the new district judge, Philipe Forrestier (Louis Jourdan).
Francois decides that the best way for Simone to continue her activities is to seduce Philipe. Pretty soon, Simone has well and truly fallen for his charms, but the hilarious love triangle has only just begun!...
This version of Cole Porter's 1953 Broadway musical is a very enjoyable, breezy viewing experience. The costumes from Irene Sharaff are lavish, and the art direction is flawless. MacLaine and Sinatra (continuing the screen partnership they had established with "Some Came Running") have a very fun rapport. Maurice Chevalier and Louis Jourdan switch on their Gallic charm to maximum effect here.
The original Cole Porter tunestack was augmented with "You Do Something to Me", "Let's Fall in Love", and "Just One of Those Things"; whilst several extra character numbers were deleted ("If You Loved Me Truly", "Allez-Vous-En", "Never Give Anything Away"). The score was lushly arranged and conducted by Sinatra's frequent collaborator Nelson Riddle.
Choreography from Hermes Pan is full of colour and excitement. MacLaine (with the help of a life-sized dummy) is thrown and throttled in a precision-drilled "Apache Dance", and leads the troupe in the "Garden of Eden" Ballet. Juliet Prowse, as Claudine, offers a top performance, too.
TRIVIA: During her early Broadway days, Shirley MacLaine briefly considered applying for Gwen Verdon's understudy in "Can-Can".
The brand-new 2-disc DVD from Fox's "Marquee Musicals" series presents a beautifully-restored print, in complete Roadshow length with overture, intermission and exit music sequences. Extra features on the second disc include "A Leg Up: The Making of Can Can" which delves into the history of the Broadway musical (and features some superb rare footage of Gwen Verdon from the original production). "The Classic Cole Porter" offers a brief glimpse into the life of the celebrated composer. "Book by Burrows" is a salute to CAN-CAN's original author Abe Burrows with reminisces from his children.
The "Restoration Comparison" allows to you see the new DVD master with the earlier 1993 video/laserdisc release-print, and it's quite evident that the good people at Fox have gone above and beyond to restore CAN-CAN to it's original brilliance. There are also some still galleries plus the trailer. In addition, Fox has packaged a set of four postcard-sized lobbycards in the DVD case!
The new edition of CAN-CAN is a must for all fans of the classic musicals.

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A 1890's Montmartre Dance Hall Owner Constantly Raided For Performing The Illegal Can-Can Has To Use Her Own Resources When An Elderly Judge Is Replaced By A Younger More Serious One. Based On Abe Burrow'S Play. Music By Cole Porter.

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12/31/2011

The Phantom of the Opera (1989) Review

The Phantom of the Opera (1989)
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First off I rated this movie based on how much I enjoyed it... which is obviously quite a lot. The movie does have some inconsistencies and some acting that could have been better. (mostly in regards to American actors trying to sound British)
But if we're going to review this film fairly, we're going to have to quit comparing Englund's Phantom to Freddy. They have very little in common other than they're both hamburger-faced, viciously kill people and that they're played by the same actor. But what about the Phantom's one-liners in this film? Well, the Phantom is a bitter misanthrope, so that is where his hateful sarcasm comes from. Freddy's humor comes from the fact that he's gleefully toying with his victims. That said, I think this is a very interesting take on the Phantom legend. The story goes something like this; a young singer auditions for an Opera using a piece of music by an unknown composer, who also happened to be a murderer. She's hit in the head when a stagehand drops a sandbag and in a dream state experiences her past life in the 19th century London Opera. (the setting is changed from Paris to London, possibly to give the Phantom more of a "Jack the Ripper" edge) The familiar story then begins. Christine is tutored by her "Angel", becomes a big star and the Phantom then does anything and kills anyone to ensure her continuing success. The biggest differences in this film (besides its London setting) from the original story are that rather than being a genius born with a horrible deformity, the Phantom is a man who sold his soul to the devil for the immortality of his music. The price happened to be his face. He also gains supernatural powers and immortality for himself, as long as his music remains. (a concept borrowed from The Picture of Dorian Gray and De Palmas Phantom of the Paradise) Also instead of wearing a mask, this Phantom skins his victims, patching up his own face, using crude proto-Plastic Surgery with their scraps. There is no chandelier fall in this film, but it is the first version since 1925 to include the masquerade party, where the Phantom shows up in his Red Death costume. There's plenty of blood and guts in this film as the Phantom slashes his way through his enemies. One great scene has him facing a group of would-be muggers in a dark alley. The imagery is overwhelmingly gothic. Very moody. The phantom's underground sanctum, riddled with candles and a pipe organ is classic. The film did badly, I think mainly because it came in the wake of Webber's extremely popular romantic stage musical. Everyone had their idea of what a Phantom film should be, and this just wasn't it. This Phantom was too evil to pity, and he wasn't very romantic. But when you look at the movie objectively, it's pretty good. Much better than most horror films in the 80's. And next to Freddy, Eric Destler-The Phantom is one of Robert Englunds best performances. He's absolutely wonderful. He makes him a very complex character. On one hand he's a very sensitive, brilliant artist with a kind of nobility to him. On the other hand, he's an almost diabolical character. Evil and power-mad. Englund plays this out very well. As I said there are problems. Some things are never properly explained. How the Phantom retains his reign of terror over the Opera isn't fully explored. How did the Phantom go from being a superstitious "theater tradition" to a legend about a man who sold his soul to the devil for music? How did Christine know the words to the Phantom's music? Why didn't she seem surprised at all when her "Angel" turned out to be a recluse living underground? Anyway, I'm nit-picking. Over all a very enjoyable film and a must see for Robert Englund fans.


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In this house of music, evil strikes the final chord! Horror legend Robert Englund (A Nightmare on Elm Street) assumes the classic role of the Phantom in this shocking, nerve-jangling retelling of Gaston LerouxÂ's timeless tale of music, madness and murder!An aspiring opera singer finds herself transported back to Victorian-era London – and into the arms of a reclusive, disfigured maestro determined to make her a star. The silver-throated Christine (Jill Schoelen) enjoys success through the arrangements of her new lover (Englund)Â...until she realizes that he has been committing unspeakably grisly murders in her honor and wonÂ't stop until heÂ's completed his masterpieceÂ...in blood!

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12/10/2011

Chitty Chitty Bang Bang (Special Edition) (1968) Review

Chitty Chitty Bang Bang (Special Edition) (1968)
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This is one of the last big budget fantasy musicals before these films became just too expensive to produce. But Dick Van Dyke was at his zenith here and Sally Ann Howes was marvelous as well. Note that Ian Fleming wrote the original story and as a tribute there were two Bond actors in the cast. Gert Frobe as the King and Desmond Llewyn as Mr. Coggin. But I was very dissappointed to see this DVD released in the Pan and Scan format. I really don't understand why MGM/UA remastered the film in the THX process and used a clean beautiful video transfer and doesn't present the film in its original widescreen format. At one-third of the film is missing and its really difficult to watch this now considering I had owned the widescreen laserdisc of this film.

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Ladies and gentlemen, boys and girls start your engines. You're about to take an incredible ride with one of the most wonderful family films of all time! Now celebrating its 30th anniversary, Chitty Chitty Bang Bang has never looked or sounded better. Dick Van Dyke stars as eccentric inventor Caractacus Potts, who creates an extraordinary car called Chitty Chitty Bang Bang. It not only drives but also flies and floats as it leads him, his two children and his beautiful lady friend, Truly Scrumptious (Sally Ann Howes), into a magical world of pirates, castles and endless adventure.

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12/06/2011

The Wizard of Oz (Two-Disc Special Edition) (1939) Review

The Wizard of Oz (Two-Disc Special Edition) (1939)
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Like most baby boomers, I've watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc ... but I had never actually SEEN "The Wizard of Oz" until this newly restored DVD came out. It's an amazing transfer. The sepia-tone Kansas sequences are startlingly sharp and clear, and the Technicolored world "Over the Rainbow" is truly dazzling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow's field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen's uniforms. Incredibly, even the individual grains of red sand in the Witch's hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the story, and the music.
The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days!
If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.

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An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.DVD Features:Audio Commentary:Commentary by John Fricke and multiple cast and crew members.Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographiesDeleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The Jitterbug Documentary:Memories of Oz -2001 TCM documentaryFeaturette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of Oz Music Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We?re Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreMusic Only TrackNewsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreelOther:Another Romance of Celluloid: Electrical Power - 1938 MGM short; Leo Is on the Air Radio Promo; Good News of 1939 Radio Show; 12/25/1950 Lux Radio Theater BroadcastPhoto gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original PublicityTV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV specialTheatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]


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11/29/2011

Pete's Dragon (Disney Gold Classic Collection) (1977) Review

Pete's Dragon (Disney Gold Classic Collection) (1977)
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"Pete's Dragon" (1977) has become a somewhat forgotten Disney movie that was originally inspired by the success of Mary Poppins (45th Anniversary Special Edition) as a live-action/animation musical. The story finally got the green-light in 1975; songs were by Al Kasha and Joel Hirschhorn, and an all-star cast was assembled: singer Helen Reddy in her first film role, Broadway's Jim Dale, Shelley Winters, Red Buttons, Jim Backus, and Mickey Rooney. Sean Marshall, in his first acting job, portrayed the title character of Pete.
Pete is a young orphan who has escaped the abusive family that adopted him: a dirty bunch of hillbillies known as The Gogans (Jeff Conaway, Kenickie from Grease (Rockin' Rydell Edition) [Blu-ray] plays one of The Gogans). They adopted Pete to use him as a slave. Elliott, a large green dragon who can become invisible at will, helps Pete escape, and acts as his friend and protector. Pete ends up in the small village of Passamaquoddy, where he is taken in by kindly Nora (Reddy) and her father Lampie (Rooney). The two own the lighthouse in town, where Nora waits for her boyfriend Paul to return, even though he was lost at sea years before. The Gogans find Pete and attempt to steal him back, with the aid of Doc Terminus (Dale), a medicine showman, and his shill, Hoagy (Buttons). Although fairly predictable, it is a heartwarming story with an excellent cast and music that is light and breezy. Definitely good fare for the young!
Nominated for Best Original Score and Best Original Song ("Candle in the Water"), pleasantly sung by Reddy.
When watching today, the animation looks a little antiquated, as digital animation and the ability to combine live-action with cartoons has obviously improved since 1977. Still, with the limitations of the day, what the Disney team was able to create is still quite impressive. The entire town of Passamaquoddy was built on the Disney backlot, with a functioning lighthouse built above Morro Bay, California. The US Coast Guard had to give permission to Disney to actually light it so as not to confuse real ships in the water. Disney's Golden Oak Ranch in Santa Clarita was also used for a number of outdoor shots.
SPECS:
Dolby Digital 5.1 Surround Sound * Widescreen (1.66:1)--Enhanced for 16x9 TVs. This was the first Disney film recorded in the Dolby Stereo sound system. The clarity and color of the image of the DVD are excellent; sound is good too, but nothing that will really blow your speakers away. Running time of approximately 129 minutes, which is just about 5 minutes short of the original roadshow version.
BONUS FEATURES:
Sneak Peeks: Snow White on Blu-ray, The Prince & The Frog (theatrical), Disney Blu-ray, Hannah Montana the Movie, Up, D23, Earth, and Tinkerbell: The Lost Treasure.
Brazzle Dazzle Effects (25:23): Narrated by Sean Marshall (Pete) who is heard present day, but never seen! Sean takes us on a journey telling the history of live-action/animation in Disney films, beginning the Alice Comedies. Virginia Davis (Alice) recalls pantomiming to invisible animals. "Children love to pretend. I loved to pretend, too." Disney thought that by putting a live girl in an animated setting he could get a leg-up on the competition. Ub Iwerks joined the Disney team early, left, and then returned in the 1940's. Many of the special effect processes that have made Disney film magic possible were a result of his genius. "The Three Caballeros" was a milestone in 1945 in combining color live-action film with animation. Using rear-screen projection and special process-lab effects, Iwerks helped the film accomplish many things never seen before. The real jump came in 1959 with "Ten Who Dared," a film that used the Sodium Vapor Process Screen. Using yellow lights/filters, filmmakers were able to block out backgrounds that made it easier to combine the animation. Without this process, "The Parent Trap" and "Mary Poppins" would never have been possible. Marshall recalls filming "Pete's Dragon" in the summer of 1976. He loved the entire process: special effects, acting, dancing, makeup. "The only thing I didn't like was the fame!" He recalls Red Buttons and Mickey Rooney attempting to upstage each other, and how choreographer Onna White's instruction helped prepare him to be a college pole-vaulter. In this featurette, you will see the original live-action film and learn how it was combined with the animation. Very interesting to watch documentary.
Deleted Storyboard Sequence: "Terminus & Hoagy Hunt Elliott" (2:25)--Nothing really missed here!
Original Song Concept: "Boo Bop BopBop Bop (I Love You Too)" (2:35): Very pop-sounding; almost a little out of place. Not missed from the storyline, it featured both Pete & Elliott.
Original Demo Recordings (all from February 11, 1976):
Brazzle Dazzle Day: Alternate song, first attempt. The song was liked by re-written.
Every Little Piece: Alternate melody. Thought to be too somber, the lyrics were kept, but the melody was rewritten.
The Greatest Star of All: Deleted song for a deleted character. Artist Ken Anderson thought 2 villains were not needed, so both song and character were cut.
Promotional Record:
Pop versions of songs from the movie released on a 7" Vista record are presented here: It's Not Easy, Brazzle Dazzle Day, There's Room For Everyone, Candle on the Water.
Art Galleries: Concept Art, Behind-the-scenes, and publicity galleries. Varying quality, but still very cool to see, especially the behind-the-scenes shots.
Trailers: International & Theatrical Trailers
"About Pete's Dragon": 5 screens with production notes about the movie.
"Disney Family Album" (excerpt, 2:20): About artist Ken Anderson. He describes how he based Elliott on Wallace Beery - large, bumbling, but loveable. He also is seen at the Disney ranch, which he describes as his Laughing Place.
"The Plausible Impossible" (excerpt, 3:36): From the Disneyland TV show, October 31, 1956. Shows the Disney Art of Animation book, with chapter 5 about the Plausible Impossible--using animation to make the unreal look real. Clips from Fantasia shown.
"Lighthouse Keeping" (1956, 6:45): Donald Duck cartoon
Includes a game for the very young, where you must find Elliott.
Overall, a really great DVD with enjoyable extras.

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Pete, a young orphan, runs away to a Maine fishing town with his best friend--a lovable, sometimes invisible dragon named Elliott! When they are taken in by a kind lighthouse keeper, Nora (Helen Reddy), and her father (Mickey Rooney), Elliott's prank playing lands them in big trouble. Then, when crooked salesmen try to capture Elliott for their own gain, Pete must attempt a daring rescue.

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11/22/2011

Funny Lady (1975) Review

Funny Lady (1975)
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Barbra Streisand doesn't talk about FUNNY LADY that much. She did not include any songs or references to it in her 1992 CD collection "Just For The Record". (The FUNNY LADY soundtrack was not recorded for her record label - another possible reason why it was not included).
Several of the Streisand biographies "quote" Streisand as saying that Ray Stark (the producer behind the successful FUNNY GIRL) would have to drag her to court in order to make FUNNY LADY. It is also said that Streisand's burgeoning love affair with former hairdresser Jon Peters sustained her during the filming of FUNNY LADY - as if the the romance made up for the fact that the work on a FUNNY GIRL sequel was unfulfilling.
Whatever the true story is, we now have a brand new FUNNY LADY DVD from Columbia Pictures. For people like me who made the jump from VHS to DVD (and skipped the laser disk revolution in the 90's), it is wonderful to finally view this film in all its WIDESCREEN glory! James Wong Howe (no relation, although I'm proud to share his surname) photographed FUNNY LADY, and it looks good! The color palette utilized by the film's designers is a bit bawdy for my tastes. In some scenes, though, the design is wonderful - especially in the "Clap Hands" musical number with Ben Vereen.
As for FUNNY LADY, the movie, it has held up well. Some Streisand fans jokingly refer to the Fanny Brice character in FUNNY GIRL as "good Fanny" and the character in FUNNY LADY as "evil Fanny". The script for FUNNY LADY completely changes the character. Fanny, grown up, is shrewd, cynical, and curt. She calls everyone "kid". After not having seen this film for several years, I think Streisand does a great job! "Fanny Brice" in FUNNY LADY is a true character that Streisand plays with an edge. She's not a particularly attractive character - a little annoying - but, nonetheless, a fully realized character. I think some FUNNY GIRL fans want the melodramatic Fanny back for FUNNY LADY. They want more suffering and torch songs and romance. The love affair in FUNNY LADY is not combustible. James Caan (as Billy) is a schmuck. Fanny sings a song called "Isn't This Better?" One of the lyrics says: "Passion is fine, but passion burns fast. Passion's design seems never to last." FUNNY LADY, I think, is about Fanny's decision to love again, but in a different, "safe and serene" way than she loved Nick in FUNNY GIRL.
Enjoy it!

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FUNNY LADY - DVD Movie

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10/30/2011

Jekyll & Hyde - The Musical (1974) Review

Jekyll and Hyde - The Musical (1974)
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I'm suspecting that there are two types of people who are approaching this DVD, a filmed version of the stage production of "Jekyll & Hyde". One, someone familiar with the show--perhaps saw it and liked it or has the soundtrack--and wants to check out this variation. Or two, someone discovering it anew. It tempts me to write two reviews because while I love "Jekyll & Hyde", it's slightly unfortunate that this is the production most people will get a chance to judge.
So let me preface this by saying that I really am a fan of this show. Some people consider "Jekyll" sort of a "Phantom-lite". I, myself, have never been the biggest supporter of "Phantom of the Opera". It's fine, full of bombast, but hardly the revolutionary experience that people give it credit for. "Jekyll" does play to similar themes, but has a stronger overall soundtrack. Instead of a couple of showstoppers like "Phantom", "Jekyll" is filled with memorable power ballads. Not the most complicated show musically, it is very accessible. And when you have great singers, these simpler and emotionally charged songs become pop opera and quite moving.
So, without hesitation, I recommend the original Broadway Cast recording!!! Robert Cuccioli, Linda Eder and Christiane Noll are superb. You couldn't hope for better.
But here's the problem with this DVD, it's not this great cast--NO, the star is David Hasselhoff. So you see my problem, don't you? Look, I'm not going to be unkind--it's an easy target. Let's just say this. If you're a fan of the show, he doesn't completely ruin it. And it's not like there are any other versions to add to your collections. If you are new to the show, I'm still recommending it provisionally. I wish there were another option. If you like the show, though--and I think you will--please rush over and buy the 1997 Cast recording. Treat yourself to how "Jekyll & Hyde" should really sound.KGHarris, 10/06.

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The longest-running show in the history of Broadway'sPlymouth Theatre, Jekyll & Hyde: The Musical brings new life to RobertLouis Stevenson's classic story of romance and the epic battle between goodand evil. A whirlwind odyssey pitting man against himself is set in motionwhen the brilliant Dr. Jekyll's medical experiment backfires, giving lifeto his evil alter ego, Edward Hyde. The show won a legion of repeatvisitors (dubbed by the press as

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10/21/2011

Bye Bye Birdie (1995) Review

Bye Bye Birdie (1995)
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This 1995 made for TV movie is millions of miles away from the tacky propaganda-filled 1963 film. This version follows the real story and doesn't leave out any key parts or songs. The casting was done well, especially Tyne Daly as Mae Peterson (hilarious) and the actor who plays Conrad Birdie--an amazing voice! George Wendt plays the role of Mr. MacAfee and not only can he sing but is a riot in the Ed Sullivan scene. However, Chynna Phillips is not a great choice for Kim--she looks too old, her singing voice is only so-so (Kim's songs have all been lowered an octave) and the way she interpreted the role made Kim seem snotty. One of the best scenes is when Ursula and co. are doing "Bye Bye Birdie" at the malt shop--their voices and enthusiasm are unbelievable. All in all, it's a great show, excellent viewing for anyone wanting to produce or direct the musical.

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10/09/2011

Holiday Inn (Special Edition) (2006) Review

Holiday Inn (Special Edition) (2006)
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I just finished watching the newly released Special Edition of Holiday Inn. I was AMAZED at the clarity of the picture. I've never seen a print of this film looking so pristine. Even on just a regular, 20" non-HDTV set, the hairs askew on top of Bing's toupee during the famous White Christmas scene are plainly visible. Now if you can see single hairs on a person's head during a medium shot on a small television set, that's a stunningly clear picture!
The audio as well is crisp and clear with rich bass and treble tones. If you watch the film with the audio commentary on, you'll hear the dulcet tones of Ken Barnes relating some fascinating tidbits about the making of the film, the songs (one particularly interesting part concerns the verse to White Christmas), the cast, etc. All is enhanced by sound bites from Bing and Fred Astaire themselves in archive audio material from the 1970's. As an example, Bing speaks of the continuing sales of his recording of White Christmas as late as 1974, how he felt it was due in part to people giving the record as a Christmas gift.
The real gems are the bonus features, particularly the 45 minute long mini feature A Couple of Song & Dance Men. Ken Barnes is joined by Fred Astaire's lovely daughter Ava sharing biographical memories of both Bing and Fred, along with trivia tidbits. Ava shows and reads some of the letters Fred Astaire wrote to his wife while on a USO tour in England with Bing in 1944, and telegrams to Fred from Bing, Cole Porter, and Irving Berlin are also shown on screen. All is pieced together nicely with song excerpts from Bing's films, coming attractions trailers, and newsreel footage, including Bing opening the Stage Door Canteen in 1944.
The other, shorter bonus feature runs 7 minutes and is titled All Singing - All Dancing. Ken shares some rare behind the scenes photos and techniques of how musical numbers were filmed, beginning with the early talkies. He shows how the orchestra and singer were together on the set and recorded as one.
The original theatrical trailer for Holiday Inn is also included.
All is wrapped up nicely with a slip-cover that goes over the DVD case. When compared with the two-on-one DVD of Holiday Inn and Going My Way that's been out for many years now, the difference in quality is plainly visible. The Holiday Inn print looks somewhat fuzzy or "muddy" in quality when watched after seeing the brilliance of the newly restored print used on this Special Edition.
In short, this is a DVD that's well worth having. If you want the definitive presentation of this classic Holiday film, this is it! Bravo Ken & co.

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HOLIDAY INN SPECIAL EDITION - DVD Movie

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