Showing posts with label dragons. Show all posts
Showing posts with label dragons. Show all posts

11/29/2011

Pete's Dragon (Disney Gold Classic Collection) (1977) Review

Pete's Dragon (Disney Gold Classic Collection) (1977)
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"Pete's Dragon" (1977) has become a somewhat forgotten Disney movie that was originally inspired by the success of Mary Poppins (45th Anniversary Special Edition) as a live-action/animation musical. The story finally got the green-light in 1975; songs were by Al Kasha and Joel Hirschhorn, and an all-star cast was assembled: singer Helen Reddy in her first film role, Broadway's Jim Dale, Shelley Winters, Red Buttons, Jim Backus, and Mickey Rooney. Sean Marshall, in his first acting job, portrayed the title character of Pete.
Pete is a young orphan who has escaped the abusive family that adopted him: a dirty bunch of hillbillies known as The Gogans (Jeff Conaway, Kenickie from Grease (Rockin' Rydell Edition) [Blu-ray] plays one of The Gogans). They adopted Pete to use him as a slave. Elliott, a large green dragon who can become invisible at will, helps Pete escape, and acts as his friend and protector. Pete ends up in the small village of Passamaquoddy, where he is taken in by kindly Nora (Reddy) and her father Lampie (Rooney). The two own the lighthouse in town, where Nora waits for her boyfriend Paul to return, even though he was lost at sea years before. The Gogans find Pete and attempt to steal him back, with the aid of Doc Terminus (Dale), a medicine showman, and his shill, Hoagy (Buttons). Although fairly predictable, it is a heartwarming story with an excellent cast and music that is light and breezy. Definitely good fare for the young!
Nominated for Best Original Score and Best Original Song ("Candle in the Water"), pleasantly sung by Reddy.
When watching today, the animation looks a little antiquated, as digital animation and the ability to combine live-action with cartoons has obviously improved since 1977. Still, with the limitations of the day, what the Disney team was able to create is still quite impressive. The entire town of Passamaquoddy was built on the Disney backlot, with a functioning lighthouse built above Morro Bay, California. The US Coast Guard had to give permission to Disney to actually light it so as not to confuse real ships in the water. Disney's Golden Oak Ranch in Santa Clarita was also used for a number of outdoor shots.
SPECS:
Dolby Digital 5.1 Surround Sound * Widescreen (1.66:1)--Enhanced for 16x9 TVs. This was the first Disney film recorded in the Dolby Stereo sound system. The clarity and color of the image of the DVD are excellent; sound is good too, but nothing that will really blow your speakers away. Running time of approximately 129 minutes, which is just about 5 minutes short of the original roadshow version.
BONUS FEATURES:
Sneak Peeks: Snow White on Blu-ray, The Prince & The Frog (theatrical), Disney Blu-ray, Hannah Montana the Movie, Up, D23, Earth, and Tinkerbell: The Lost Treasure.
Brazzle Dazzle Effects (25:23): Narrated by Sean Marshall (Pete) who is heard present day, but never seen! Sean takes us on a journey telling the history of live-action/animation in Disney films, beginning the Alice Comedies. Virginia Davis (Alice) recalls pantomiming to invisible animals. "Children love to pretend. I loved to pretend, too." Disney thought that by putting a live girl in an animated setting he could get a leg-up on the competition. Ub Iwerks joined the Disney team early, left, and then returned in the 1940's. Many of the special effect processes that have made Disney film magic possible were a result of his genius. "The Three Caballeros" was a milestone in 1945 in combining color live-action film with animation. Using rear-screen projection and special process-lab effects, Iwerks helped the film accomplish many things never seen before. The real jump came in 1959 with "Ten Who Dared," a film that used the Sodium Vapor Process Screen. Using yellow lights/filters, filmmakers were able to block out backgrounds that made it easier to combine the animation. Without this process, "The Parent Trap" and "Mary Poppins" would never have been possible. Marshall recalls filming "Pete's Dragon" in the summer of 1976. He loved the entire process: special effects, acting, dancing, makeup. "The only thing I didn't like was the fame!" He recalls Red Buttons and Mickey Rooney attempting to upstage each other, and how choreographer Onna White's instruction helped prepare him to be a college pole-vaulter. In this featurette, you will see the original live-action film and learn how it was combined with the animation. Very interesting to watch documentary.
Deleted Storyboard Sequence: "Terminus & Hoagy Hunt Elliott" (2:25)--Nothing really missed here!
Original Song Concept: "Boo Bop BopBop Bop (I Love You Too)" (2:35): Very pop-sounding; almost a little out of place. Not missed from the storyline, it featured both Pete & Elliott.
Original Demo Recordings (all from February 11, 1976):
Brazzle Dazzle Day: Alternate song, first attempt. The song was liked by re-written.
Every Little Piece: Alternate melody. Thought to be too somber, the lyrics were kept, but the melody was rewritten.
The Greatest Star of All: Deleted song for a deleted character. Artist Ken Anderson thought 2 villains were not needed, so both song and character were cut.
Promotional Record:
Pop versions of songs from the movie released on a 7" Vista record are presented here: It's Not Easy, Brazzle Dazzle Day, There's Room For Everyone, Candle on the Water.
Art Galleries: Concept Art, Behind-the-scenes, and publicity galleries. Varying quality, but still very cool to see, especially the behind-the-scenes shots.
Trailers: International & Theatrical Trailers
"About Pete's Dragon": 5 screens with production notes about the movie.
"Disney Family Album" (excerpt, 2:20): About artist Ken Anderson. He describes how he based Elliott on Wallace Beery - large, bumbling, but loveable. He also is seen at the Disney ranch, which he describes as his Laughing Place.
"The Plausible Impossible" (excerpt, 3:36): From the Disneyland TV show, October 31, 1956. Shows the Disney Art of Animation book, with chapter 5 about the Plausible Impossible--using animation to make the unreal look real. Clips from Fantasia shown.
"Lighthouse Keeping" (1956, 6:45): Donald Duck cartoon
Includes a game for the very young, where you must find Elliott.
Overall, a really great DVD with enjoyable extras.

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Pete, a young orphan, runs away to a Maine fishing town with his best friend--a lovable, sometimes invisible dragon named Elliott! When they are taken in by a kind lighthouse keeper, Nora (Helen Reddy), and her father (Mickey Rooney), Elliott's prank playing lands them in big trouble. Then, when crooked salesmen try to capture Elliott for their own gain, Pete must attempt a daring rescue.

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10/26/2011

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger) (1958) Review

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger) (1958)
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THE 7th VOYAGE OF SINBAD
By far the most "classic" of the three, this spectacular piece of cinematic adventure may very well be Ray Harryhausen's masterpiece. Legendary sailor Sinbad (Kerwin Matthews, in his signature role) is on the verge of marriage to Princess.....uh, I forget (a beautiful Kathryn Grant), and uniting their two countries. But not before the evil magician Sokurah (Torin Thatcher, in an extremely amusing performance) can shrink the princess to a doll's size in order to get Sinbad to return him to the Island of Colossa. There, Sinbad battles a giant Rok, a fire-spewing dragon, and (my personal favorite), the Cyclops...all brilliantly achieved by the greatest FX pioneer of all time, Ray Harryhausen. Oh, and there is the classic duel with the skeleton. Now I constantly hear people say, "Oh, like in 'Jason & the Argonauts'?", and it drives me crazy! Though the battle was far more elaborate and, well, better in that film, this is the original, people, the one that started it all! Indeed, this type of fight would appear again, and again, and again in subsequent Harryhausen films, ever improving (which really showed the true ingenuity of the man). "The 7th Voyage of Sinbad" is most likely, THE fantasy-adventure classic of all time, though some people say the same for the original "The Thief of Baghdad". But, I haven't seen that film, so I couldn't say. Plus, it doesn't have special-effects wizard Ray Harryhausen behind the camera to provide dazzling creatures right out of a dreamworld! A rousing, witty score by Bernard Herman, too!
Rating: 5/5
THE GOLDEN VOYAGE OF SINBAD
My favorite of all three films, even if it doesn't really deserve the title "classic" as much as "7th Voyage" did. John Phillip Law replaced Kerwin Matthews in the title role, and proves to be less impressive, but only by a little. And, hey, he actually has an accent! This time 'round, Sinbad discovers a strange map disguised as a golden treasure of sorts, and with it sets off to the magical isle of Lemuria, where legend has it that if you place the map/trasure in the Fountain of Destiny, you will be granted all-powerful, all-knowledgable, and eternal youth. But he'll have to reach the isle before the black sorceror, Koura (played to perfection by the sinister Tom Baker), who has more than a few tricks up his sleeves to stop Sinbad and his crew! This is a much different film than the first; the swashbuckling attitude is replaced by a darker, but more mystical atmosphere, which I find very cool! The score by Miklos Rozsa perfectly matches it, too (just check out the music during the scene with the Oracle; it's awesome!). The story is very inventive, with more twists-n-turns than you would guess. There is lots of suspense, too! And there is also Caroline Munro as the love interest for all you teenage boys out there! Ray Harryhausen once again provides a massive array of imaginative and expertly constructed creatures, including a flying homunculus (a spy of koura), and a six-armed statue of the goddess Kali, which is the showcase for a masterfully-choreographed sword fight sequence. As well, there is an exciting battle between a one-eyed centaur and a griffin! A first-rate fantasy-adventure.
Rating: 4.5/5
SINBAD & THE EYE OF THE TIGER
By far the least of the three, it's still enjoyable, nonetheless, though not for all the same reasons as the first two. First off, the acting is atrocious, but it is in a bad way; rarely do you feel the need to laugh out loud at its campiness. Second, the plot is pretty lame, and recycles quite a bit from the preceeding voyages. Sinbad is now played by Patrick Wayne, the son of John Wayne, though it really doesn't show. He has none of his father's prescense on screen, nor does he possess any acting abilities whatsoever! He is now on a quest to the land of *it's a really long, utterly forgetable name*, in order to return the Prince Kassim back to his human form. You see, he has been transformed into a baboon (?!) by the evil sorceress Zenobia (Margaret Whiting), but Sinbad must have the prince's permission to wed the Princess...once again, I forget her name, but it's a really hot Jane Seymour. They are joined by the wize man Melanthius (Patrick Troughton, I think) and his lovely daughter (Taryn Power). Like I said, the story is weak, so it's up to the craftsmanship of Ray Harryhausen to save the day, and he does it very effectively! The giant walrus isn't menacing in the least, but the fight between the Troglodyte and Saber-toothed Tiger is suspenseful and exciting. Indeed, the creatures (such as Kassim the Baboon) produce more emotion than the actors themselves! All except for the Minaton...I mean, he's supposed to be this unstoppable colossus, right? Well, all he does in the entire picture is row a friggin' boat! That we are deprived of seeing this brute giant in action is all but devastating. The music is overall mediocre, but the backgrounds are beautiful and mystical. In fact, the production crew shot the film in places that had never been used in any film before it, and it shows! (P.S. Why the hell is it called "The Eye of the Tiger"? It has nothing to do with any tiger, nor any eye...at least, not enough to put in the title.)
Rating: 3.5/5
CONCLUSION: This a great trilogy to add to your Ray Harryhausen collection. All three films are digitally remastered, and they're all beautiful (especially "The Golden Voyage"). They all feature the excellent documentary "The Harryhausen Chronicles", too. On a little side note, the DVD covers and great production notes inside are awesome!

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SINBAD COLLECTION - DVD Movie

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10/15/2011

Dragonslayer: When Dragons Were Real (1981) Review

Dragonslayer: When Dragons Were Real (1981)
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Ultimately, "Dragonslayer" succeeds where the vast majority of monster movies fail, which is the point at which you get to see the creature and it is a big disappointment. Very few movies had really great monsters when I was growing up and you get to the point where you just expect them to be bad. Even when the make up is pretty good, say Boris Karloff in the original version of "The Mummy" or Oliver Reed in "The Curse of the Werewolf," you get shorted on how often the monster actually gets to be on screen. "Dragonslayer" ups the ante because there is a big build up to the point when you finally get to see the dragon. But for my money it is well worth the wait because the folks at Industrial Light & Magic delivery even though we are talking 1981 special effects.
The story in "Dragonslayer" combines a couple of recognizable plot lines from the fantasy genre. First there is the hapless young apprentice, Galen (Peter MacNicol), trying to learn his craft from a great wizard, Ulrich (Ralph Richardson). I am certainly reminded of Mickey Mouse from "The Sorcerer's Apprentice" in "Fantasia," except that Galen is a lot more earnest. Second, there is the fact that Casiodorus Rex (Peter Eyre), the ruler of the land, has been sacrificing virgins to keep the local dragon from leveling the countryside. Young Valerian (Caitlin Clarke) arrives to beseech Ulrich, the last wizard around, to kill the dragon, which is probably the last of its kind as well.
The only problem is that Ulrich has died, which means that young Galen has to become a dragonslayer. Galen wants to do the great deed for the right reasons, but there is also the Princess Elspeth (Chloe Salaman) to consider, along with all the other young virgins forced to participate in the grim lottery. Casiodorus is not thrilled by the prospect of the fate of his kingdom resting on the shoulders of Galen, so he tries to thwart the young man's plans. However, there is somebody who thinks that the rules of the game in Urland have to be changed.
Beyond the Oscar nominated special effects (and musical score by Alex North) what makes "Dragonslayer" work is that it takes place in a grungy medieval world where everybody is dirty and outright despair seems like an appropriate response to each sunrise. In such a world sacrificing a virgin once a year seems rather reasonable, and an act of heroism seems improbable, especially when your hopes rest on the baby-faced Galen. The atmosphere and the special effects fit together just perfectly, and Ralph Richardson's performance as the sorcerer gives the film its memorable performance.
The casting of MacNichol is seen as problematic by some, especially those familiar with his stellar comedy work on "Chicago Hope" and "Ally McBeal," but I think he works well in this particular context. The idea here is that the hero is not somebody who wants to be a great fighter with a sword but a sorcerer using potions and magicks. MacNichol looks like somebody who would be more comfortable with a staff than a sword, so that when he actually has to pick up a spear and shield to fight the dragon he looks really uncomfortable. Then he sees the dragon and he looks scared. We see the dragon, so we completely understand.
Although a lot of the elements are familiar to everyone weaned on Tolkien and excited by the original "Star Wars" films, there are some attempts to be different. I especially liked the fate of the Princess and the ending has a sense of fatalism we rarely get in a fantasy film, with or without a monster. Unfortunately, the DVD version of "Dragonslayer" has absolutely nothing in terms of bonus features (not even the trailer), but at least the film is presented in anamorphic widescreen so you can enjoy all of the Scottish landscape. More importantly, there is the CGI dragon that mandates this one getting five stars because that dragon is that good. When a movie delivers the goods with the monster the way "Dragonslayer" does, attention must be paid.

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A fire-breathing dragon terrorizes the 6th century British countryside whose only hope is an aging sorcerer. When he is killed before he can save the people, the task falls to his young apprentice.Genre: Science FictionRating: PGRelease Date: 9-AUG-2005Media Type: DVD

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9/22/2011

Dragon Ball Z: Dragon Box Four Review

Dragon Ball Z: Dragon Box Four
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I used to love the English dub with the American music and I now see the light. It all started with "playing" around with the subtitles and noticing that they were way off. Some of the translations were completely different, I figured that it was because of the translation process, things are meant to get 'lost'. I did some research and for what ever reason FUNImation decided to not be faithful to the series and as I result the series is completely different.
I recently started watching the dragon box in Jap/ with english subtitles and boy does it make a difference. The story literally feels much more solid and geared toward an older crowd. So now I fully understand why these boxes were made to default in jap with english subtitles. I would have preferred the series in english, but since the dub isn't faithful, than theres no point.
Although we do have Dragon ball Z kai which is coming out in parts and that series is being dubbed the 'correct' way and its much more faithful to the original series. Not to mention the story is much more fluid and faster paced, which we all 'hardcore fans' need to re-watch something we've watched multiple times.
I rate this box a perfect 5 because it has everything you need to enjoy the series the way it was meant to be seen. It has the original themes, and it was restored the correct way, leaving the footage untouched, with original colors. Also the package its self looks amazing! I have all four volumes together and they look stunning, they seriously look like they're worth much more! For Dragon ball Z fans, this box set is a must!
Please keep in mind that I started watching dragon ball z in toonami when I was 15 years old and I was fond of the english dub and the American music. So for those who think, they can't get used to the Japanese music, you can! just give it time and you'll notice that its worth your time.
-Trust

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