Showing posts with label musical comedy. Show all posts
Showing posts with label musical comedy. Show all posts

10/21/2011

Bye Bye Birdie (1995) Review

Bye Bye Birdie (1995)
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This 1995 made for TV movie is millions of miles away from the tacky propaganda-filled 1963 film. This version follows the real story and doesn't leave out any key parts or songs. The casting was done well, especially Tyne Daly as Mae Peterson (hilarious) and the actor who plays Conrad Birdie--an amazing voice! George Wendt plays the role of Mr. MacAfee and not only can he sing but is a riot in the Ed Sullivan scene. However, Chynna Phillips is not a great choice for Kim--she looks too old, her singing voice is only so-so (Kim's songs have all been lowered an octave) and the way she interpreted the role made Kim seem snotty. One of the best scenes is when Ursula and co. are doing "Bye Bye Birdie" at the malt shop--their voices and enthusiasm are unbelievable. All in all, it's a great show, excellent viewing for anyone wanting to produce or direct the musical.

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9/08/2011

On Moonlight Bay (1951) Review

On Moonlight Bay (1951)
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By 1951 Doris Day had become one of the most valuable assets at Warner Brothers. She was their number one female box-office draw and as a follow-up to her hugely popular 1950 musical with Gordon MacRae, "Tea for Two" the pair were teamed up again (their 3rd teaming in fact) in the technicolor "On Moonlight Bay".
Loosely based on the "Penrod" tales by Booth Tarkington, "Bay" is a nostalgic, lovingly created look at small town Americana, a world that might not have existed quite as it is depicted but a place we'd like to believe really was.
Doris Day is a tomboy, more at home on the baseball field or fixing a car than in a dress. The arrival of the boy next door changes some of that, though not all. Her precocious brother Wesley is the devil incarnate. Mom and Dad spend a lot of time scratching their heads in bemused wonderment at their youngsters antics, and the family maid is erascible but likeable. It's all tied up with gorgeous technicolor photography and a lot of lovely music.
Some critics have carped that it's Warners version of "Meet Me in St. Louis" but "On Moonlight Bay" can stand on its own merits thanks to a great cast and some genuinely sweet and funny moments.
Doris is perfect as Marjorie, effectively balancing the tomboy and blossoming young lady elements of her character and singing in that gorgeous voice that is distinctly her own. Gordon MacRae is stalwart as the object of her affection and it's obvious that the two have a genuine feeling for one another. They remained good friends until his untimely passing. Their rendition of "Till We Meet Again" is outstanding.
It's easy to believe that the cast is really a family. Leon Ames and Rosemary DeCamp as the parents are warmly winning. In 1984 I had the pleasure of joining Miss DeCamp and her husband, a retired California Judge at an awards dinner and we talked about this film among others and she glowed as she discussed the on-set atmosphere and interactions of the cast.
Bill Gray (of "Father Knows best" fame) is delightful and funny as Wesley, and who could have played the family maid better than Mary Wickes. This was the 1st of 4 on-screen roles opposite Day who was a lifelong friend. In addition Wickes did a very funny guest shot on Day's CBS Television series in 1969.
"On Moonlight Bay" was such a huge success for Warners that two years later they reteamed most of the cast for an equally popular sequel, "By the Light of the Silvery Moon".
Take a sail on Moonlight Bay and you'll be surprised at how much you enjoy the trip.

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sical about a family that moves to a small Indiana town and their tomboy daughter who begins a romance with the neighbor across the street, who bears radically unconventional views on love and money.

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