Showing posts with label 1980s. Show all posts
Showing posts with label 1980s. Show all posts

8/13/2012

Improper Conduct (1994) Review

Improper Conduct  (1994)
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I love this film for one long legged blonde reason called Kathy Shower, who unfortunately, is almost wasted in this film. However if your'e going to watch this film there is no better reason than to watch it for Kathy. It was almost a vehicle for Kathy but it's as if it drove off without her leaving Kathy standing around 'reacting' instead of acting. There is one hot scene with hubby badboy whom the film title is named after (improper conduct-er) but it's not long enough a scene and the chemistry that is clearly visable between the two actors is not utilised to it's full capacity. Damn and blast! The rest of the film is actually quite good (even for a streight to video/cable tv job thingy) and concerns an advertising executives roaming eye which eventually gets him into big trouble when his former mistress commits suicide and her vengeful sister (blaming him for the act) worms her way seductively into his life in order to destroy it from within. Yeah! ...! As you have probably gathered however, I am a Kathy Shower fan first and foremost and enjoyed this film more for Kathy's appearance so much so that I have two copies of the film. If you like this film, you'll love 'Erotic Bounderies', (this is not an ad) also starring Kathy Shower. I saw this film about a year ago and have since tried to purchase it but to no avail.

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7/31/2012

Hook (1991) Review

Hook (1991)
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The subtitle to the play "Peter Pan" is "The Boy Who Would Not Grow Up". Spielberg's sequel could well be called "The Man Who Grew Up Too Much". The story of Peter Pan is reversed, as are many roles.Robin Williams has the easy task of playing the thoughtless parent, the moderate task of playing the grownup Peter Pan, and the incredibly difficult task of making the transition between the two believable.
Dustin's Hoffman's Capt. Hook knows, as do all of us who remember his soliloquy, that no little children love him. His concern with how he will be remembered, and with Good Form, ring quite true to the original. The character is suave, urbane, vicious, captivating, and ultimately tragic.
At first I was annoyed at the modern elements in Never-Never-Land, but I soon realized that they had to be there, as Never-Never-Land was always a compilation of everything Lost Boys found exciting. In the twenties, that included Red Indians, but if they were lost in the 1980s, well then, baseball and skateboards should be included. The original play was Edwardian, but the movie makes no sense unless it's updated.
The role-reversal and eventual re-reversal is fascinating. In the play, the same actor always plays both Hook and the thoughtless and cruel father, Mr. Darling. But here, Peter is the uncaring father and a corporate pirate, while Hook takes the children to Never-Never-Land. The lost boys are, at first, quarrelsome and threatening, while the pirates are a happy adventuresome lot, even sentimental in the lullaby sequence. But while the Lost Boys help Peter recover himself (and to recover their own innocence), Hook's attempt to win over Peter's kids is, in the end, a failure, and we are brought full circle. The final scene of the helpless Hook surrounded by Peter and his boys parallels the earlier scene of the helpless Peter Banning surrounded by Hook and his pirates. ("Somebody lend me a hand." "I already have.")
The movie has one major flaw - most people don't know the Peter Pan legend well enough to really understand it. Seeing the play "Peter Pan" won't help much, either, because there's a lot in the storybook "Peter and Wendy", and in the play's stage directions, that enhances the understanding of the movie Hook. In a scene usually cut from the play, Peter sacrifices himself for Wendy, and thinks he is about to drown. His line is "To die will be an awfully big adventure." Later, when Wendy and the Lost Boys are leaving Never-Land, Peter is left alone, slumped in his chair. The stage directions state that at this point, if Peter only understood a little more, he would say, "To live would be an awfully big adventure." Hook is the story of how Peter finally learns that to live is, indeed, an awfully big adventure. Along the way, he must also discover what a Happy Thought for a grown-up is, and that a man with no childhood is as incomplete as a boy who would not grow up.
The pretend-food that was always Peter's favorite kind of meal is used to excellent effect. I found the first moment when Peter's adult façade started to break down surprisingly believable. He is in an insult contest, and losing badly, until he finds the intersection between his grownup life and the childish contest. He wins with the biggest, most impressive insult, ending with "... don't mess with me, man, I'm a lawyer."
Maggie Smith's Wendy fills in the roles of both Wendy and Mrs. Darling from the play. Her concern with the night-lights is especially fulfilling. We are also re-introduced to Tootles, who was the Lost Boy who always missed the adventure, and so he does again. Several times in the movie, the first time I saw it, I mouthed the dialogue along with the actors, because I knew that after Hook said, "Prepare to die", Peter had to reply, "Dark and sinister man, have at thee." There's a brief appearance of Michael's bear and John's top hat, which they took with them to Never-Never-Land so many years ago. Lisa and Nana return (Nana IX, really), and many other details make it a wonderful reunion. Bob Hoskins's Smee and Julia Roberts's Tinkerbell are true to the original, and yes, she says The Line She Had to Say.
Yes, Peter Pan grew up. But he didn't do it when he became a lawyer; he did it in Hook.

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5/10/2012

Free Willy 2 (1995) Review

Free Willy 2  (1995)
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In my personal opinion, this is the best of the Free Willy series. There are no real or noticable problems, and it is good for the family. Of course it's not good for everybody, but if you haven't seen it, pick it up anyway.

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4/19/2012

Dance 'Til Dawn (1988) Review

Dance 'Til Dawn (1988)
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I first saw "Dance Til Dawn" in 1990 on NBC -- it originally aired in 1988. This 'made-for-TV' film starred a virtual pantheon of 1980s T.V. pop culture icons like Tempest Bledsoe, Tracy Gold, Alyssa Milano, Alan Thicke, and Christina Applegate. Since then, it has become an obscure, much sought-after piece of 80s nostalgia. I've seen it sell for a lot of money (I've lost two auctions on this one, and I bid high - trust me). Future "Friends" star Matthew Perry is a featured cast member in this film as well; was probably his first or second role in Hollywood (besides "Married with Children", and "Just the Ten of Us").
The basic gist of the storyline is this: the most popular guy in school (played by a then seemingly destined-for-fame actor, Brian Bloom) decides he doesn't want to go to the prom with the most popular girl in school (played by a stunningly cute Alyssa Milano), so he asks the not-so-popular girl (Tracey Gold) to the prom [the day of, mind you] because he hears [not true] that she's "easy". The fun starts here, within the first ten minutes.
BUT, the funniest character by far (please believe me!) is the man who plays Tracey Gold's dad...the one and only Kelsey Grammer. Kelsey's character is understandably concerned that his daughter (Tracey) is going to the prom with the most popular guy (Brian Bloom) in school. Let's put it this way: Kelsey's character is a pharmacist at the drugstore. Brian Bloom's character walks in to obtain a necessary 'drugstore' product to enjoy his prom night "safely". Later that night when Brian Bloom's character shows up at the doorstep of Kelsey's house to pick up Tracey??? Uh-oh.
Of course there is another major subplot (Alyssa Milano's character) but I will leave that for you to discover for yourselves. Also note the great music by Richard (Dick) Rudolph, a great 70s and 80s producer (New Edition, his late [great] wife Minnie Riperton for example). Heatwave's "Grooveline" makes an appearance at the dance as well. What an awesome movie folks...especially if you don't mind a little 'star-studded' cheese every now and then.
By the way...I rented this film at a video outlet close to where I live. I couldn't believe my eyes when I found it. All I can say is that if you remember loving this movie when you were younger, and laughing out loud...I can almost guarantee that you will still laugh out loud today. I did - especially at Kelsey Grammer's character...he's the best.
Thanks for reading!
C.H.R.

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Item Name: Dance 'Til Dawn; Studio:Henstooth Video

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4/14/2012

Ghostbusters 2 (1989) Review

Ghostbusters 2  (1989)
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"Ghostbusters II" recieved a fair amount of bad press when it was first released, but it is a charming, well produced and yes, funny sequel to the first blockbuster. The film picks up five years after the original. We find the Ghostbusters out of business and broke, Bill Murray is hosting a bizarre cable access show called "World of the Psychic" and Ackroyd and Ernie Hudson are performing at children's parties. Aren't the parents nervous about the GB's wielding their proton packs around thier youngsters??
The story speeds up when the Ghostbusters reunite and discover the soul of an ancient tyrant resides in a portrait in a museum. The tyrant, named Vigo has decided to take possession of Sigourney Weaver's child so he can live again to rule the world. This plot seems more disturbing than the plot in the first film, but director Ivan Reitman gives us plenty of humor to counter balance.
While not as funny as the first film, "Ghostbusters II" proves to be an entertaining follow up to the first classic film. After years of viewing, "Ghostbusters II" reveals itself to be a classic in it's own right.

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Item Name: Ghostbusters 2 (Widescreen Edition); Studio:Sony Pictures

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4/04/2012

Here Comes the Littles (1985) Review

Here Comes the Littles (1985)
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The Littles is one of my favorites. It is the prequil to the animated series and tells how Henry meets Tom and Lucy Little. (note: how the 30 minute cartoon says Henry found Tom and Lucy is NOT true according to the movie!!--watch and you'll find out, as Paul Harvey put it, "...the rest of the story") The characters are honest, genuine, and teach kids that your true friends will always look out for you. This beautifully animated movie is great for all ages.

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3/10/2012

The Shining (1980) Review

The Shining  (1980)
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I own both the 2001 and 2007 DVDs of this film. I really don't have any interest is who is 'right' with the aspect ratio argument, I compared both versions and found that you're missing some of the video image regardless of which version you buy. I took screenshots of both DVDs and overlayed them on top of each other. I found that with the 2001 release, you get the 1:33:1 aspect ratio where the far left and right of the screen image is clipped. With the 2007 release, you get the 1.78:1 aspect ratio where the top and bottom of the screen image is clipped off. You can see what I mean by viewing the 'customer image' I posted, above. The blue border is for the 2001 release and the red border is the 2007 release.
Both DVDs are 'digitally restored and remastered', however the 2007 release is noticeabley brighter and more vivid. The 2001 image seems faded and dull.
This release has all the other special features of the 2001 DVD release, with the addition of optional commentary by Garrett Brown and John Baxter and three new featurettes.

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?Heeeeere?s Johnny!? In a macabre masterpiece adapted from Stephen King?s novel, Jack Nicholson falls prey to forces haunting a snowbound mountain resort with a macabre history.

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1/24/2012

Who Framed Roger Rabbit (1988) Review

Who Framed Roger Rabbit  (1988)
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Filmmakers have been combining animation and live action since the days of silent film--but 1988's WHO FRAMED ROGER RABBIT not only bested everything done previously, it set a standard that is unlikely to be surpassed. Although it has been available on VHS and in a mediocre DVD release for quite a few years, the film finally gets the star treatment in this "Vista Series" double DVD release, which includes the film in both pan-and-scan and letterbox formats and an assortment of extras, many of which are quite interesting.
The concept and story are well known: cartoon characters are not drawings, but are living entities who work in the film industry, and when Maroon Cartoon star Roger Rabbit is accused of murdering Marvin Acme (Stubby Kaye), he turns to private detective Eddie Valiant (Bob Hoskins) for help. Trouble is, Eddie hates "Toons." After all, one of them offed his brother, and Eddie hasn't been sober since. The concept is a clever one, and the story could have gone in any number of directions--but ROGER RABBIT hops down a completely unexpected trail. Set in 1947 Los Angeles, the film uses classic "noir" elements (and references everything from THE MALTESE FALCON to CHINATOWN); it also makes considerable sly social commentary on racism, with the "Toons" performing in a Cotton Club-like nightclub, literally working for peanuts at the studios, and more or less confined to living in "Toontown," which might easily be read as social ghettoization. And all of these sidelights are interesting and entertaining. But the most attractive thing about ROGER RABBIT is that it is just plain fun to watch.
Part of that fun comes from the marvelous performances of Bob Hoskins, Christopher Lloyd (as the evil Judge Doom), and Joanna Cassidy (Valiant's sidekick Delores), who lead the live action cast. Another chunk of the fun is the way in which the film cameos a host of famous cartoon characters, ranging from Betty Boop to Bugs Bunny and the Warner Bro.s gang to Dumbo--and animation buffs will love the fact that Betty Boop and Bugs Bunny, to name but two, are voiced by the artists (Mae Questel and Mel Blanc) who created the character voices in the first place. But the big deal here is the extremely believable way in which the "Toons" fit into the real world. They rendered with astonishing detail and remarkable three dimensionality. It's just an amazing thing to watch.
The overall DVD package is a bit odd, for it offers less in the way of bonuses than one might expect. The first disk includes a pan-and-scan version of the film, three Roger Rabbit/Baby Herman shorts, a kid-friendly documentary, and a CD-ROM game; the second disk offers the letterbox film with extras that will appeal to more mature viewers, most particularly on-set shots and a nifty documentary called "Behind the Ears." The upshot is really a one-disk release that has been expanded to two by the trick of cramming both pan-and-scan and letterbox versions into a single package. That's annoying--but even so, this is easily the best release of this film to date. It at gives the rabbit some justice at last, and I give it five stars on that basis.

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It's 1947 Hollywood, and Eddie Valiant (Bob Hoskins), a down-on-his-luck detective, is hired to find proof that Marvin Acme, gag factory mogul and owner of Toontown, is playing hanky-panky with femme fatale Jessica Rabbit, wife of Maroon Cartoon superstar Roger Rabbit. When Acme is found murdered, all fingers point to Roger, and the sinister, power-hungry Judge Doom (Christopher Lloyd) is on a mission to bring Roger to justice. Roger begs the Toon-hating Valiant to find the real evildoer and the plot thickens as Eddie uncovers scandal after scandal and realizes the very existence of Toontown is at stake! WHO FRAMED ROGER RABBIT is deliciously outrageous fun the whole family will enjoy.

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12/14/2011

Bolero (1984) Review

Bolero (1984)
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Lovely Bo Derek embarks on an awkward, sensual quest to lose her virginity in the roaring 20's. Armed with a huge inheritence, her trusty chauffer (George Kennedy), an adventurous college friend (Ana Obregon), an extravagant wardrobe and a seemingly endless supply of black eyeliner, Mac (Bo) travels around Europe looking for a sheik like Rudolph Valentino. Director John Derek, once again, focuses more on his wife's magnificent beauty than the outrageous story. By this point in her career (1984) we've already seen Bo exhaust the "innocent virgin" role (Fantasies 1974 and Tarzan, the Ape Man 1981). The script is completely ridiculous (which is really o.k. because most of the actors have thick accents that are incomprehensable) but the scenery is gorgeous! Bo tangles with an opium-addicted sheik, a jealous gypsy, and a handsome bullfighter (Andrea Ochinpinti) who wins her heart and her virginity. After he is gored by bull in the privates(!), Bo becomes a bullfighter on horseback and eventually proves that "love conquers all" when it comes to mending a broken, er..heart! Despite the raging controversy that followed this film, the love scenes are all beautifully photographed and not the least bit pornographic. But this IS a Bo Derek film, which means lots of nudity(!!!). For me, the best scene is when Bo fights the bull in the film's slo-motion climax. Her skill as an equestrian and "humane" approach to bullfighting are the most interesting part of this film. Campy and unintentionally funny in some parts, BOLERO is a great choice for a cheesy midnight movie at home. Bo didn't score a "10" with this silly film, but she seems like she had fun making it. You'll never look at "milk and honey" the same way again...

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Upon graduating from school in Britain, the wealthy Ayre "Mac" McGillvary (Bo Derek) hungers for more education in the art of love!Journeying to Morocco, she meets a handsome sheik, but alas, he falls asleep while seducing her.A hot-blooded matador in Spain does not disappoint, however. Unlocking her deepest desires, her world-class lover gives her a lesson in ecstasy she¹ll never forget.

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11/17/2011

Class (1983) Review

Class (1983)
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The mid 80s...sadly, the biggest event during this period in my life was the introduction of cable into my household, and all the cathode tubular promise it held...I actually skipped school one day to stay home and watch The Road Warrior...it was totally worth it, but I'm not recommending any of you youngins' out there to follow my lead...remember, as Mr. T said, `Only a fool skips out on school!'...well, maybe he didn't, but it does sounds like something he'd say, right? As one just coming into his formulative teen years, it afforded me, among other things, the opportunity to see all kinds of naughty, naughty movies (thank you Cinemax, or as we called it, Skinamax) primarily due to the fact this was before the time of programmable parental control features...the only control feature back then was the chance of your mother coming downstairs and beating you silly for watching something she didn't approve of...anyway, this was how I first saw the film Class (1983), a movie I watched again last night for the first time in about 20 years. Directed by Lewis John Carlino (The Great Santini), the film stars Rob Lowe, whom we saw three years earlier dealing with the crisis of being a schoolboy father in an After School Special aptly titled `Schoolboy Father', Andrew McCarthy (St. Elmo's Fire, Mannequin), in his screen debut, and Jacqueline Bisset, who, in my opinion, is responsible for single-handedly introducing the wet T-shirt fad from her role in the film The Deep (1977). Also appearing is Cliff Robertson (Charly, Three Days of the Condor), Alan `Cameron' Ruck (Ferris Bueller's Day Off) along with a number of now famous actors for whom this was their first film, including John Cusack (The Grifters), Virginia Madsen (Electric Dreams), Casey Siemaszko (Biloxi Blues), and Lolita Davidovich (Blaze).
McCarthy plays Jonathan Onger, a highly intelligent, yet awkward and introverted young man from a modest (poor) family with dreams of attending Harvard Law School, and is on his way after receiving a scholarship to a prestigious prep school. On arriving, Jonathan meets his roommate in Franklin 'Skip' Burroughs IV (Lowe), whose basically the exact opposite of Jonathan in that Skip is charming, outgoing, well groomed, polished, and just generally sure of himself to a fault...oh yeah, he also comes from an extremely affluent family (which you could have probably guessed given a name like that). Anyway, Jonathan has a difficult time fitting in (not helped by a very public practical joke played on him by Skip on the first day), but finds a certain amount of respect after he turns the tables on Skip, basically giving as good as he got...the two become fast friends as Jonathan helps Skip with his scholastic difficulties while Skip helps Jonathan with his social inadequacies. After an incident at the sister school while planning an upcoming dance, Jonathan isn't allow to attend, but Skip convinces him to got to nearby Chicago for some much needed action, which he does, and how...in that of a vibrant, attractive, classy, sophisticated, older woman named Ellen (Bisset), who initially takes pity on the poor schlub, eventually molesting him in an elevator (pity sex...it's a beautiful thing). Anyway, the two spend the weekend together, after which Jonathan returns a hero to his fellow classmates, inundated with a newfound respect. The relationship continues hot and heavy, and we can see Jonathan is falling in love (guys generally fall in love with the first woman they get it on with), but Ellen's only interested in a fling, and after learning Jonathan's actually a high school student (he made himself out to be a college man), she quickly takes off, leaving him depressed and heartbroken...and then things get better, as Jonathan finds he's been accepted into Harvard...but things quickly go down the proverbial toilet as certain events take place, including, but not limited to, an investigation at the school regarding widespread fraud...with circumstances threatening Jonathan's friendship with Skip along with his academic future...
First of all, if you're coming into this movie expecting some flesh, you're probably going to be disappointed as Bisset never bares all (very little, in fact), as the only scene displaying anything features Virginia Madsen suffering from a serious wardrobe malfunction eerily reminiscent of the Janet Jackson/Justin Timberlake Superbowl fiasco. This was kind of a strange film in that respect, as it started of with the seeming intent of being sort of a teen sex comedy, but changes course about halfway through dealing with material of a more serious nature (which ends up getting severely slighted). The transition was smooth, but didn't go unnoticed. One thing that surprised me a little was that while the characters were essentially stereotypical, there was little animosity towards Jonathan from his wealthy peers in terms of his coming from a comparatively poor family...yeah, they didn't care for him much in the beginning, but that was more from the fact he was a nerdy dink than anything else. Overall I did enjoy this film, despite its inadequacies, as the actors managed to add dimensionality to what could have been very shallow characters, but there is a sense of unreality in terms of Jonathan hooking up with Ellen as it provided false hope to those of us males who saw this at an impressionable age, believing that there were actually incredibly beautiful, vivacious, wealthy, older women out there looking to have intimate relations with gawky, awkward, naïve, inexperienced teenage boys...perhaps there are, but I never met one, and neither did any of my peers. Jonathan was presented as an extremely pitiful character (especially in terms of being a target of a few practical jokers), but I found it hard to accept Ellen would willingly pursue him the way she did, despite any amount of pity or alcohol (later we find out she might be mentally deranged, which could explain a lot). This isn't a putdown towards Mr. McCarthy, but more towards the unrealistic aspect of the story...but then again, Hollywood relies on suspension of disbelief from its audiences (sometimes too much), so if you can get past this, you'll enjoy the movie a whole lot more. One really strange aspect was the abruptness of the ending...seems like there should have been more story...
The picture, available in both widescreen (1.85:1) and fullscreen pan & scan formats, looks very good, but the Dolby Digital 2.0 audio felt a little soft, specifically during the dialog (oddly, the music came through loud and clear). There's nothing really in terms of special features, unless you count an original theatrical trailer, which I don't (to me that's a standard feature, and not an extra).
Cookieman108


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Rob Lowe (Austin Powers: The Spy Who Shagged Me), John Cusack (Being John Malkovich) and Andrew McCarthy (St. Elmo's Fire) make their feature film debuts in this hilarious, sexy mixture of "fantasy and farce" (Boxoffice). Co-starring Jacqueline Bisset (Dangerous Beauty) and filled with lusty coeds, "wild times [and] outrageous scenes" (L.A. Movie Guide), this mother of all teen comedies is "pure fantasy for boys of all ages" (Boxoffice)!When wealthy prep-school senior Skip (Lowe) learns that his shy new roommate Jonathan (McCarthy) isa total loser at romance, he sends the aspiring young Romeo to the city to learn the ropesbeforehe ruins both their reputations. But when Jonathan is seduced by a sexy older woman named Ellen (Bisset), he begins a zany romantic miseducation that starts with a double major in lust and deceptionand ends with the uproarious discovery that not only is Ellen the woman of his dreams'she's also Skip's mom!

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11/01/2011

The Last Starfighter (Widescreen Collector's Edition) (1984) Review

The Last Starfighter  (Widescreen Collector's Edition) (1984)
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Has it really been 25 years since this movie was released?
That was my first thought when I heard this movie was being released on Blu-ray. My second thought was that my ever burgeoning Blu-ray collection would be increasing by at least one more movie in August.
I will discuss the plot later in this review but I am suspecting that most customers checking this Blu-ray catalog item out on Amazon are perhaps more interested in the Picture and Audio and the special features.
I have never seen the HD-DVD but have read that the HD-DVD transfer was simply horrible and was bracing myself to be disappointed with the quality of the Blu-ray release.
While the transfer is a far cry from anything that anyone would cite as reference quality with a lot of the scenes suffering a smoky look at times, the colors are OK with some distinct black and white levels, but on other occasions muted too much. Still it is an improvment over the previous DVD release, though it''s questionable if this should be enough to double-dip.
The audio has some nice surround and great bass but again is also somewhat average, so if you are expecting an audio track to rival more recent movies you will likely be disappointed.
The highlight of rhe special features is the audio commentary between director Nick Castle and production designer Ron Cobb. This is evidently an old audio track but the two seem to have an enjoyable time. There is also a Making of featurette called "Crossing the Frontier" and, as one would expect with a movie touring itself as a 25th Anniversary Edition, a new featurette that includes cast and crew looking back on the movie and their roles as mentors.
The movie follows the adventures of Alex Rogan (played by Lance Guest). Living in a trailer park and with a beautiful girlfriend Alex spends his time mastering a video arcade game in between doing oddjobs for his neighbors. However, after a particularly successful game at the controls, he is visited by a mysterious character. It turns out that the video game is used as a recruiting tool of sorts to locate those who would be great intergalactic fighter pilots.
Before Alex knows what has hit him the bewildered teen is whisked off across the galaxy and discovers that what was once just a video game is now all too real.
Yes, it's good old 1980s cheese and the early CGI effects are much less impressive now than they were 25 years ago, but for a pure fun movie that does not take itself too seriously you can do much worse :)

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At the time of its original release in 1984, this modestly budgeted sci-fi excursion had the distinction of offering some of the first examples of purely computer-generated animation, an apt (and frugal) special-effects solution for a movie with a plot line rooted in computer games. Both the computer-generated visuals and the arcade game now look quaint, but writer-director Nick Castle's affable, good- hearted adventure holds up nicely, thanks to a clever premise--the title game is actually a test for prospective starship pilots, planted by embattled aliens under siege from an evil invader. When a restless teenager (Lance Guest) racks up an impressive score, he finds himself spirited away to the besieged planet and thrust into the midst of an intergalactic war. Apart from Castle's skill at contrasting his extraterrestrial settings with the mundane details of his hero's earthbound life, the movie gets lift-off from two thorough pros, Robert Preston, who makes the alien recruiter, Centauri, a planet-hopping cousin to "The Music Man"'s Harold Hill, and Dan O'Herlihy, the alien copilot, who suggests a scaly Walter Brennan. Older fans will snicker, but kids and young teens will find this rite of passage absorbing, while their folks will savor Preston's brash charm. "--Sam Sutherland"

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9/29/2011

Short Circuit 2 (1988) Review

Short Circuit 2 (1988)
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I just watched the DVD today, and I have to say it's EXCELLENT! The picture quality is EXCELLENT, and so is the sound. I'm really impressed with this DVD. Sure, it doesn't have many extras (just a few "bonus trailers" and very short featurette), but the quality of the DVD itself is astounding.
I'm glad I've finally been able to watch the movie again in widescreen. I've seen Short Circuit 2 recently on HBO (a few times), and I didn't notice that in the full screen version that I was missing so much going on in the movie.
If widescreen isn't your thing, you still have no worries. The DVD comes with the "full screen" version as well. The disc is a flipper, meaning one side is widescreen while the other is fullscreen, thus satisfying both crowds.
As for the movie itself, I love it. I've always loved this movie. I like it more than the first Short Circuit, and mainly because this one focuses more on "Number Five" (Johnny Five) than the first movie. It's funny at times, and there's even one part of the movie I get teary-eyed, no joke. I think this movie teaches many important things, such as building and strengthening friendships (through the interaction between Johnny Five and the other characters), and it shows how to break the boundaries and treat everyone as equals. It also shows you the delicacy of life.... (later in the movie--I won't SPOIL IT for you!).
I recommend this DVD for anyone that might need a good laugh here and there. There are a few "cuss words" in the movie, so I don't know if I would recommend this for children that are too young.... but I would hate for children to miss such a movie. I saw it when I was 8, and now I'm 21 and I still love it. That says a lot for a movie that's now "old."
If you decide to not buy it, then please at least rent it. I think you'll find it to be a charming movie that most people will get something out of.

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Item Name: Short Circuit 2; Studio:Sony Pictures

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9/28/2011

Tarzan, The Ape Man (2010) Review

Tarzan, The Ape Man (2010)
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If you grew up in the early 80s, it was hard to ignore Bo Derek. She was everywhere. On talk shows, posters and magazines - and mostly unclothed. These two films represent her true arrival on the scene. She had made a minor splash as the gal who gets her leg bit off by "Orca," but who can rememeber a pretty woman in the wake of a Killer Whale rampage? But who can forget Bo bouncing on the beach with her hair in beads? "10" was one of those films that you conspired to sneak into at the multiplex. And it was the reason some of us put up with irritating guys so we could get a second shot of seeing it on HBO (or was it Showtime?). Bo was hot and the rest of the movie was there for the old people.
Tarzan, The Ape Man was Bo's attempt to turn her star power into cinematic gold. She wasn't merely going to be an actress, she would produce "Tarzan, The Ape Man" along with her husband John directing. And it's not that bad of a Tarzan film - with the great John Phillip Law (Danger Diabolik) and Richard Harris along with Miles O'Keeffe as the Ape Man. And in order to keep people sitting in the theater until the last frame of the film runs through the projector, Bo remains topless for the end credits - don't cut this DVD off early.
The only other DVD that you need to truly lust for Bo's glory days is "Bolero."
I wouldn't recommend these films to someone who doesn't have a lust for Bo. But the price of this double feature is just right for me to put it on my guilty pleasure shelf - and I do have one.

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9/26/2011

Teen Witch (1989) / The Heavenly Kid (1985) (Totally Awesome 80s Double Feature) (1985) Review

Teen Witch (1989) / The Heavenly Kid (1985) (Totally Awesome 80s Double Feature) (1985)
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This Totally Awesome 80s Double Feature contains the teen flicks Teen Witch (1989) and the Heavenly Kid (1985). It is a two disc set (so each movie comes on its own disc).
Possible Spoilers:
Teen Witch--starring Robyn Lively and Zelda Rubinstein. Louise (Lively) has a huge crush on the most popular boy in school; of course, he doesn't even know she exists. On her 16th birthday she gets the surprise of her life--she is told by a local witch (Rubinstein) that she is actually a descendent of the Salem witches and will now receive her powers. Can she get her crush to love the real her, or will he, like every other guy, just fall under her spell? This double sided disc contains both full screen and widescreen presentations of the film. Extras: Theatrical Trailer.
The Heavenly Kid--starring Jason Gedrick, Lewis Smith, and Jane Kaczmarek. Lenny Barnes (Gedrick) is a nerdy high school kid. Out of nowhere, a foul-mouthed angel Bobby Fantana (Smith) shows up to make Lenny the most popular kid in school. Lenny learns the hard way that popularity is not all it seems and Bobby has some things to learn as well. Widescreen. Extras: none.
I have fond memories of both of the movies in this set. Teen Witch was a constant rental at my house and I probably watched The Heavenly Kid a dozen times on T.V. over the years. Definitely recommended.


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9/07/2011

Poltergeist II/Poltergeist III (1988) Review

Poltergeist II/Poltergeist III (1988)
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I thought the original "Poltergeist" an amazing film full of great atmosphere, likeable characters, and nicely done frights. Remember the paranormal researcher pulling his face apart in the mirror? The crawling slab of steak loaded with maggots? The corpse filled pit in the backyard? The young son counting the seconds between booms of thunder and flashes of lightening? The original "Poltergeist" had thrills aplenty. And then it all fell apart. Hollywood, in its inimitably greedy style, promptly laid the groundwork for a sequel. Why not? The suits knew the dupes would line up at the box office like good little sheep, willing to shell out millions of dollars for what is essentially a rehash of the original effort. Well, "Poltergeist II" is better than your average sequel to a smash hit, but just barely. What will really feel like a stone in your shoe is the sequel to the sequel, the heap o' screeching metal and flaming wreckage that is "Poltergeist III." The final entry in the series is so bad, so utterly devoid of any of the elements that fueled the success of the original, that my DVD player loudly protested--with sounds I will not recreate here--my efforts to watch it.
"Poltergeist II" reacquaints us with the hapless Freeling family several months after the nightmare depicted in the first film. Still homeless after watching their spacious, modern abode implode into thin air, Steve and Diane Freeling (Craig T. Nelson and JoBeth Williams) along with their children Robby and Carol Anne (Oliver Robins and Heather O'Rourke), now live with Diane's mother Jess far from the tainted ghost and corpse filled suburbs. Steve now sells vacuum cleaners for a living instead of real estate, and the couple spends most of their time fighting with the insurance company over compensation for the disappearing house. Grandma Jess likes the idea of the family staying with her even as she notices Carol Anne's amazing clairvoyant powers. When Grams dies in her sleep, the nightmare begins anew as the poltergeists from the first movie track down Carol Anne. The spirits seek to find a way to the "light" (don't we all?), and won't rest until they get their way. Meanwhile, psychic investigator Tangina (Zelda Rubinstein) and an Indian shaman named Taylor (Will Sampson) investigate the site of the Freeling's destroyed home. It turns out that a religious zealot named Kane brought a bunch of followers out to California in the 19th century and promptly killed them in the name of utopian glory. It is the ghosts of Kane and his followers who seek the attentions of Carol Anne, with Kane himself turning up in the flesh to torment the Freelings.
We should rightly classify "Poltergeist III" not as a horror film but as a disaster epic. On this outing, Carol Anne (once again played by the indomitable Heather O'Rourke) turns up in a Chicago high rise where she lives with her Uncle Bruce (Tom Skerritt), her Aunt Pat (Nancy Allen), and her obnoxious cousin Donna (Lara Flynn Boyle doing her best to look like Winona Ryder). Zelda Rubinstein reprises her role as the psychic Tangina for a third time. Sure enough, weird things start happening when a nerdy school counselor hypnotizes Carol Anne and opens a doorway through which the dauntless Kane returns. That's about all that happens in this schlockfest, although director Gary Sherman tricks up this installment with lots of dry ice and mirrors that provide little in the way of chills or thrills. "Poltergeist III" is a cheap, cheesy movie that deserves the obscurity in which it currently resides.
Fans of the original movie will appreciate the reappearance of Craig Nelson, JoBeth Williams, Oliver Robins, and Heather O'Rourke in the second entry. I always thought some of the charm of the original came from the slightly bawdy antics and great chemistry of this cast. Nelson and Williams in particular have great presence onscreen, and truly do come off as a married couple just trying to raise their family in peace. Will Sampson's often humorous Taylor character is greatly appreciated, as is the downright sinister Julian Beck as the evil Reverend Kane. Beck's emaciated appearance and creepy accent do much to elevate this sequel from the realm of mediocrity. As for the spooky paranormal encounters, Nelson coughs up a mutated tequila worm, Robins battles his braces in the bathroom, and Williams shrieks her way through a couple more corpse scenes. Overall, "Poltergeist II" is good. Unfortunately, I cannot say the same about "Poltergeist III." Nancy Allen and Tom Skerritt have the all the allure of speed bumps, Boyle grates as a giggling teenybopper airhead, O'Rourke is wooden as Carol Anne, and Rubinstein's hammy performance attains epic proportions. The effects are acceptable, but the dialogue is clumsy and the pacing slow. What really killed the movie for me were the late 1980's fashion styles seen throughout the film.
Thanks (I think) to MGM for releasing these films in their praiseworthy double feature collection. As usual, the only extras for both films are a trailer and scene selection menu. The disc presents both films in widescreen formats with excellent picture transfers. I think it would have been nice to have a commentary track with the actors for the second film; I would have liked to hear Nelson and Williams talk about their roles. Two actresses associated with the "Poltergeist" franchise, Dominique Dunne and Heather O'Rourke, have since died. Dunne's boyfriend murdered her after the first film and O'Rourke died during surgery. If you have seen the first film, you will probably want to watch these two as well. Just exercise extreme caution with "Poltergeist III," a movie so bad it has caused extreme cranial trauma to those poor souls who watch it.

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POLTERGEIST 2 POLTERGEIST 3

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9/04/2011

The Karate Kid (Special Edition) (1984) Review

The Karate Kid (Special Edition) (1984)
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Karate Kid is not what you may think it is. The premise of a young fatherless boy trying to survive a completely new environment is how this movie gets its humanity. For anyone who has ever had to move to a new town, be raised by only one parent, or face overwhelming odds, and almost everyone has done at least one of these, this movie can be related to on many levels. Ralph Macchio plays Daniel, a teenager from New Jersey who is forced to move across the country with his mother and start a new life in a foreign place, California. Setting aside the differences between East & West coast alone, there is plenty for him to realize. When faced with bullies that he doesn't understand, he finds a friend in an unlikely place; Mr. Miagi, a Japanese handyman, played by Pat Morita, who's hides many talents. To say Karate Kid is a story about over coming your fear is to say that life is just a thing we do everyday. This movie mixes a friendship, a romance, a coming of age story, gaining self confidence and learning to appreciate that which you may not understand right away. After getting sufficiently beat up by the bullies more than once, Daniel enlists the help of Miagi and soon finds himself training for a tournament. This may seem outrageous, but Miagi knows it is a much safer place and a more controlled environment for Daniel to defend himself and gain respect. Miagi's training techniques are unique to say the least, and just as Daniel begins to question what is going on, he realizes that Migai really does know what he is doing. The story is good and solid and allows sympathy for both sides of the characters. They fill a void for each other, an obvious father/son, mentor/student relationship. The chemistry between them is very solid. Elizabeth Shue is good in her first major role, playing the sweet rich girl who sees Daniel for the person he is and not for his social status. Although sounding clichéd on the surface, this movie is well done and not superficial. The characters are very real, the emotions are deep and the fear of growing up with bullies hits home for many of us. The ending will have you cheering as Daniel moves his way through the tournament to the final climatic ending. Highly recommended and highly entertaining.

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A fatherless teenager faces his moment of truth in The Karate Kid. Daniel (Ralph Macchio) arrives in Los Angeles from the east coast and faces the difficult task of making new friends. However, he becomes the object of bullying by the Cobras, a menacing gang of karate students, when he strikes up a relationship with Ali (Elisabeth Shue), the Cobra leader's ex-girlfriend. Eager to fight back and impress his new girlfriend but afraid to confront the dangerous gang, Danielasks his handyman Miyagi (Noriyuki 'Pat' Morita), whom he learns is a master of the martial arts, to teach him karate. Miyagi teaches Daniel that karate is a mastery over the self, mind, and body and that fighting is always the last answer to a problem. Under Miyagi's guidance, Daniel develops not only physical skills but also the faith and self-confidence to compete despite tremendous odds as he encounters the fight of his life in the exciting finale to this entertaining film.

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8/18/2011

Super Mario World: Yoshi the Superstar Review

Super Mario World: Yoshi the Superstar
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I got this for my 2 boys and they LOVE it!! Yoshi is their favorite and this was the only Mario Bros. movie I could find with him in it. They couldn't be happier, and I can't even count how many times they have watched it so far!!!

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