Showing posts with label stephen king. Show all posts
Showing posts with label stephen king. Show all posts

7/06/2012

Children of the Corn 3 - Urban Harvest (1994) Review

Children of the Corn 3 - Urban Harvest (1994)
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'Children of the Corn 3' is pretty damn entertaining. Not as good as two, but still superior to the original and well worth watching. It's certainly never effective as a straight horror movie, but it's got plenty of camp appeal and some amusing gore. This one is sorta vaguely related to the original central story, as it's about little creepy Eli and larger, normal Joshua who are adopted brothers. At the films beginning Eli murders his adopted father so they have to move in with a foster family... IN THE CITY!!!!! Eli is some sorta evil corn warlock and he starts killin' people for no particular reason and works on a scheme to feed tainted super-corn to all the world with the unwitting help of their foster father, who is some sort of corn magnate. What's worse, Eli starts preaching at the toughest Catholic school in the hood and starts converting everyone, to create a whole new pack of corn children! That all sounds pretty silly, I'm sure, and it is, but they try to take is seriously, which is nice. Intentionally camp movie do work sometimes, but they can rarely compare to something which was meant to be taken seriously. Though actually, I don't wanna be to hard on it, as it's actually more competent than a lotta films of this caliber. I get the feeling that the director could manage a pretty decent horror movie if he had a decent script and a moderate budget. But this is what we got, and there ain't much they can do with this plot, and the dude who plays Eli just ain't menacing, like Malachi was in the first one. Still, it's pretty awesome, with a nice scarecrow attack, a corncifiction, a big scary corn monster that eats a doll, some computer generated fireballs, a crazy agitated priest, a chick totally melting, a corn-thieving hobo who gets his comeuppance, icky bugs, a scary corn-bible and a glimpse into the mysterious world of international corn trade. If all that hasn't convinced you that you need to see 'Children of the Corn 3', that I don't think it's gonna happen. Also, Charlize Theron has a small role as one of the new Children of the Corn towards the end. Not that I can imagine why you'd care, though it does show how life really can change- in ten years she went all the way from 'Children of the Corn 3' to... ... .... ...'Aeon Flux'. You've come a long way, baby.
Grade: C

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3/10/2012

The Shining (1980) Review

The Shining  (1980)
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I own both the 2001 and 2007 DVDs of this film. I really don't have any interest is who is 'right' with the aspect ratio argument, I compared both versions and found that you're missing some of the video image regardless of which version you buy. I took screenshots of both DVDs and overlayed them on top of each other. I found that with the 2001 release, you get the 1:33:1 aspect ratio where the far left and right of the screen image is clipped. With the 2007 release, you get the 1.78:1 aspect ratio where the top and bottom of the screen image is clipped off. You can see what I mean by viewing the 'customer image' I posted, above. The blue border is for the 2001 release and the red border is the 2007 release.
Both DVDs are 'digitally restored and remastered', however the 2007 release is noticeabley brighter and more vivid. The 2001 image seems faded and dull.
This release has all the other special features of the 2001 DVD release, with the addition of optional commentary by Garrett Brown and John Baxter and three new featurettes.

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?Heeeeere?s Johnny!? In a macabre masterpiece adapted from Stephen King?s novel, Jack Nicholson falls prey to forces haunting a snowbound mountain resort with a macabre history.

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10/17/2011

Children of the Corn 5 - Fields of Terror (1998) Review

Children of the Corn 5 - Fields of Terror (1998)
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No other author in recent memory has had as much consistent success selling books as Stephen King. For roughly three decades the Maine writer churned out book after book, each one selling more and more copies. He's a world unto himself, the lucky fellow! He's so successful that he could throw out his pens, put away his typewriters, bury his word processor six feet under, never write another word in his life, and STILL have enough money to wallpaper the Great Wall of China five times over. In many respects, it's Stephen King's world and the rest of us are just living in it. But, and this is a gigantic but, an enormous number of metaphysically bad films based on his novels threaten to put a serious dent in his legacy. We all know the good ones, the ones that not only scared audiences stiff but also helped propel King's career to even greater heights. "Carrie" is probably the best example, followed by "The Shawshank Redemption" and "The Dead Zone." These are wonderful, magical films that one can watch again and again without wearying of them. Then there are the rest: the truly wretched refuse that reminds one of dental plaque or the junk that washes up on the shores of a filthy river. Welcome to the Children of the Corn franchise.
"Children of the Corn 5: Fields of Terror" is the archetypical low budget horror film instantly recognizable to fans of the genre. Its got a group of young people leaving their urban element to head out into the countryside, a few recognizable actors who once made bigger films but now must scramble for a paycheck, and an up and comer who would move on to better things. Allison (Stacy Galina), Greg (Alexis Arquette), Tyrus (Greg Vaughan), and Kir (Eva Mendez) take a trip to the sticks in order to attend a funeral. Also going along, but in a different car, are Lazlo (Ahmet Zappa) and his girlfriend Charlotte (Angela Jones). Tragedy suddenly erupts when Lazlo and his significant other wander into a cornfield and meet their maker at the hands of a bunch of kids armed with sharp farm implements. The other four kids don't know about this incident, but they do learn about the kids after Greg crashes his car in a ditch. Ezekiel (Adam Wylie) and a few of his cronies emerge from the corn to warn the four about trespassing on private property. They also direct these outsiders to the nearest town and bus stop, but they just miss said bus and must stop into the local tavern where Kane Hodder works as a bartender. After a thoughtless comment to the locals about an unpleasant odor in the air, our group learns that a burning corn silo is to blame. Wanna bet that silo will play a big part in the next hour or so?
In the interim, the group holes up in an abandoned house near town to await the arrival of the bus after discovering someone set fire to their car. Allison takes some time to explain her increasing funk: she heard an offhand comment in the bar about "He Who Walks Behind the Rows," a name that evokes memories of her brother Jacob (Dave Buzzotta). He ran off years ago to join a cult professing to worship this being, and it's no to learn that this very cult resides in the same area where Allison and her pals are now staying. Ezekiel, with the help of understanding adult Luke Enright (David Carradine), directs the ceremonies and sacrifices to "He Who Walks Behind the Rows," who just happens to live in the aforementioned burning silo. Allison reunites with brother Jacob and tries to talk him into leaving. Unfortunately, a book containing the cult god's holy writings fall into the hands of Kir, who reads it and promptly joins the group. Anyone in the cult attaining the age of eighteen must willingly jump into this silo fire so the demon can absorb their spirit, or some such nonsense. Needless to say a lot of people are going to go into that fire, including some local firefighters, a few cult members, and Jimmy Hoffa. Fred Williamson shows up from time to time as the suspicious local sheriff.
So all the elements listed above are here: the group of city kids ran into a rural evil, David Carradine and Fred Williamson showed up to collect their paychecks, and up and comer Eva Mendez put in her time as a snobby looker with a penchant for joining corn cults. All of the characters are appropriately irritating, with special mention going to Alexis Arquette as a mouthy city slicker who doesn't know when to keep his mouth shut. His eventual demise at the hands of enraged cultists is uniquely satisfying and requires that I bump this film up from two to three stars. An added benefit to watching "Children of the Corn 5" is the number of people we see engulfed in flames. When you're going to set up a fiery god living in a corn silo as the centerpiece of your film, you've got to start passing out fire retardant suits to the stuntmen. The scenes where the firemen fall prey to the roaring flames shooting out of the silo transcend the laws of physics. Watch and see if you can figure out why.
The only extras on the disc are trailers for parts three, four, and six of "Children of the Corn," "Halloween: Curse of Michael Myers," "Mimic 2," "Dracula 2000," and "Halloween: H20." This installment in the extraordinarily persistent "Children of the Corn" franchise was the last one I could watch without groaning aloud. It takes a steely constitution to weather the next two entries, let me tell you. Give this one a chance if you like Eva Mendez (what guy wouldn't) or if you simply must see every horror movie you stumble across.




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9/14/2011

Salem's Lot - The Miniseries (2004) Review

Salem's Lot - The Miniseries (2004)
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***Warning: Spoilers Ahead***
I've always loved the novel and the 1979 miniseries. When I heard they were doing a remake in 2004, I couldn't wait! Then I found out Rob Lowe was starring. Eeeh, he was in "The Stand" a decade earlier and that managed not to suck. So I gave him the benefit of the doubt and tuned in. And in all fairness to Rob Lowe he can hardly be blamed for how awful it turned out.
Now I can understand changing around elements for "dramatic purposes" and "updating" and "adapting for television". Let's not forget the novel was written and published in the 1970's when there were no cellphones, laptop computers or Internet. It seems the fellow who adapted the novel, Peter Filardi, and went hog-wild with it. The end result is that the only the movie characters have in common with their book counterparts are the names. Ben Mears was once held captive by the Taliban? Matt Burke is gay? Susan Norton is a waitress? Did Filardi even read the novel? Then there is the problem of the very minor characters getting way, way, waaayyyy more screen time than they deserve, as in they shouldn't have been in the movie at all. Sandy McDougall, Dud Rogers, Charlie Rhodes and Ruthie Crockett are all very minor throw-away characters who don't deserve a place in the movie. Ruthie didn't even have any dialogue in the book for crying out loud!!! What is so special about these characters that they managed to get on screen and take away precious time from the real characters? This is reason why Barlow is reduced to a cameo, because Peter Filardi felt the inexplicable need to cram in as many characters as possible.
My biggest complaint is the way they handled the scene where a vampire Mike Ryerson comes back to Matt Burke's house. Instead of being a terrifying encounter with the undead it winds up a truly bizarre homo-erotic/necrophiliac encounter so completely drained of any suspense that left me scratching my head and wondering 'what the hell was that about'? Hey people, if it ain't broke don't fix it! If you had $25 million to spend on this movie why didn't you hire a writer who could actually write a suspenseful scene!! Stephen King should sue! Excuse me, I'm going to watch the 1979 version and try to put this slop out of my memory for good.

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The vampiric Stephen King tale returns to the small screen, 25 years after the first made-for-TV "Salem's Lot", a Tobe Hooper-directed ratings hit. This time it's Rob Lowe as a successful writer who returns to his haunted hometown. As a kid, something awful happened to him in the spooky mansion on the hill; now that he's back, the mansion is once again buzzing with evil portents. The physical production (shot in Australia) is convincing, and it's fun to see old pros such as Donald Sutherland, Rutger Hauer, and James Cromwell cutting up in juicy roles. The storytelling, however, feels oddly disjointed, as though King's sprawl had been arbitrarily hacked away rather than adapted (a few big moments are bewilderingly left offscreen). The approach misses the basic assets of a vampire story:the disbelief, the lore, the sex appeal. Instead, it feels like a random collection of bits for short attention spans. "--Robert Horton"

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8/29/2011

The Mist (Two-Disc Collector's Edition) (2007) Review

The Mist (Two-Disc Collector's Edition)  (2007)
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On the two disc edition of The Mist, on disc 2 there is a glorious Black and White version of the film, with an introduction by the director Frank Darabont. Darabont says he originally wanted The Mist to be in B&W and be a throwback to the 50's and 60's horror movies such as Night of the Living Dead, which I felt it had a lot in common with. Darabont says this can be considered his director's cut. I knew he directed two other King favorites The Shawshank Redemption (Two-Disc Special Edition) and The Green Mile, but I didn't realize his other contributions to the horror genre, until I checked out IMDB. Starting in 1980 as a production assistant on Hell Night and going on to write the screenplays for A Nightmare on Elm Street 3 - Dream Warriors, The Blob, The Fly II (Collector's Edition), and Mary Shelley's Frankenstein.
The Mist is an entertaining, at times infuriating, tragic horror film filled with fun scares in the form of 50s and 60s era monsters lurking in the mist outside and the uglier monsters inside that apply to our present day, a true creature double feature.
Darabont reminded me of Romero and his use of horror and social commentary. Here he makes an atmospheric horror movie, our main character, David Drayton, played by, Thomas Jane, (Deep Blue Sea) designs posters for horror movies, followed by a big storm, and ultimately has David and his son (mom at home) trapped in a supermarket with the towns people. Similar to the mall in Dawn of the Dead [Blu-ray] evil lurks outside the market, not in the form of zombies that can be seen, but old school monsters that lurk out in the mist. That's the surface of the film, but as we go through the layers we find much more, such as the monsters that lurk inside the supermarket. Human nature, when afraid and backed into a corner and the role the military plays once the smoke clears are some of the movie's other factors.
The Black and White Version is the way to go, to get that old school feel the director intended, even the way the title on the dvd is written is like an old monster movie. Highly Recommended, one of King's best film adaptations.
2 DISC DVD FEATURES (FROM BACK OF DVD)
DISC I Features Commentary by Writer/Director Frank Darabont - Deleted Scenes with optional commentary - Drew Struzan: An appreciation of an artist - Behind the scenes webisodes - Trailer Gallery Dolby Dig 5.1
DISC II - Frank Darabont introduces The Mist in Black & White - The Director's Vision: The Complete Feature Film in Black & White - When Darkness came : The Making of the mist - Taming the beast - The making of scene 35 - Monsters among us: A look at the creature FX - The Horror of it all: The visual FX of the mist. Dolby Dig 5.1

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From legendary frightmaster Stephen King and 3-time Oscar-nominated director Frank Darabont* (The Shawshank Redemption, The Green Mile) comes "one of the scariest King films since Stanley Kubrick's The Shining" (Tasha Robinson, The Onion A.V. Club). After a mysterious mist envelopes a small New England town, a group of locals trapped in a supermarket must battle a siege of otherworldly creatures...and the fears that threaten to tear them apart. Starring Thomas Jane (The Punisher) and Oscar winner* Marcia Gay Harden (Mystic River) in one of the year's most talked-about performances, The Mist is riveting, with "tension like an ever-tightening clamp" (Colin Covert, Minneapolis Star Tribune).

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