Showing posts with label rob lowe. Show all posts
Showing posts with label rob lowe. Show all posts

3/31/2012

First Degree Review

First Degree
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Made for cable, "First Degree" has more twists than a bag of pretzels, and is in many ways over-plotted, but for TV fare, it's entertaining, and has some interesting characters in the story. Detective Rick Mallory (Rob Lowe) is called in to investigate the murder of a rich businessman, and almost immediately falls for the beautiful widow Hadley (Leslie Hope). Before you can say "whodunit," they are madly in lust. The question that needs answering is who committed the murder? Did Hadley hire a hit man? Was it Joe the gangster? Suspicions abound, and sometimes the plot gets a little muddled, but the cast is attractive, and the lovely soundtrack by Bruce Fowler adds to the enjoyment of the film.
Det. Mallory's precinct buddies (Tom McCamus and Joseph Griffin) are clever and amusing, and most endearing is Jacob the writer (Peter Boretski), who is the only one Mallory can't fool. There's a lot of drinking, smoking, and one grisly murder scene, so this police thriller is not suitable for young children. Directed by Jeff Woolnough, written by Ron Base, and with cinematography by Glen MacPhearson, "First Degree" is sleek looking, never boring, and remembering that "it's just a TV movie" helps. Total running time is 98 minutes.


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12/09/2011

Beach Girls - The Complete Miniseries (2005) Review

Beach Girls - The Complete Miniseries (2005)
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Absolutley awesome !! Has everything, romance, intrigue and great acting. Love Rob Lowe and Julia Ormand. The setting is beautiful and really brings me back to being young and enjoying summers at the beach. I watch this about 3-4x a year. So glad that put it for sale on DVD. I was waiting !! If you like great romance stories, this is a must have.......

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11/17/2011

Class (1983) Review

Class (1983)
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The mid 80s...sadly, the biggest event during this period in my life was the introduction of cable into my household, and all the cathode tubular promise it held...I actually skipped school one day to stay home and watch The Road Warrior...it was totally worth it, but I'm not recommending any of you youngins' out there to follow my lead...remember, as Mr. T said, `Only a fool skips out on school!'...well, maybe he didn't, but it does sounds like something he'd say, right? As one just coming into his formulative teen years, it afforded me, among other things, the opportunity to see all kinds of naughty, naughty movies (thank you Cinemax, or as we called it, Skinamax) primarily due to the fact this was before the time of programmable parental control features...the only control feature back then was the chance of your mother coming downstairs and beating you silly for watching something she didn't approve of...anyway, this was how I first saw the film Class (1983), a movie I watched again last night for the first time in about 20 years. Directed by Lewis John Carlino (The Great Santini), the film stars Rob Lowe, whom we saw three years earlier dealing with the crisis of being a schoolboy father in an After School Special aptly titled `Schoolboy Father', Andrew McCarthy (St. Elmo's Fire, Mannequin), in his screen debut, and Jacqueline Bisset, who, in my opinion, is responsible for single-handedly introducing the wet T-shirt fad from her role in the film The Deep (1977). Also appearing is Cliff Robertson (Charly, Three Days of the Condor), Alan `Cameron' Ruck (Ferris Bueller's Day Off) along with a number of now famous actors for whom this was their first film, including John Cusack (The Grifters), Virginia Madsen (Electric Dreams), Casey Siemaszko (Biloxi Blues), and Lolita Davidovich (Blaze).
McCarthy plays Jonathan Onger, a highly intelligent, yet awkward and introverted young man from a modest (poor) family with dreams of attending Harvard Law School, and is on his way after receiving a scholarship to a prestigious prep school. On arriving, Jonathan meets his roommate in Franklin 'Skip' Burroughs IV (Lowe), whose basically the exact opposite of Jonathan in that Skip is charming, outgoing, well groomed, polished, and just generally sure of himself to a fault...oh yeah, he also comes from an extremely affluent family (which you could have probably guessed given a name like that). Anyway, Jonathan has a difficult time fitting in (not helped by a very public practical joke played on him by Skip on the first day), but finds a certain amount of respect after he turns the tables on Skip, basically giving as good as he got...the two become fast friends as Jonathan helps Skip with his scholastic difficulties while Skip helps Jonathan with his social inadequacies. After an incident at the sister school while planning an upcoming dance, Jonathan isn't allow to attend, but Skip convinces him to got to nearby Chicago for some much needed action, which he does, and how...in that of a vibrant, attractive, classy, sophisticated, older woman named Ellen (Bisset), who initially takes pity on the poor schlub, eventually molesting him in an elevator (pity sex...it's a beautiful thing). Anyway, the two spend the weekend together, after which Jonathan returns a hero to his fellow classmates, inundated with a newfound respect. The relationship continues hot and heavy, and we can see Jonathan is falling in love (guys generally fall in love with the first woman they get it on with), but Ellen's only interested in a fling, and after learning Jonathan's actually a high school student (he made himself out to be a college man), she quickly takes off, leaving him depressed and heartbroken...and then things get better, as Jonathan finds he's been accepted into Harvard...but things quickly go down the proverbial toilet as certain events take place, including, but not limited to, an investigation at the school regarding widespread fraud...with circumstances threatening Jonathan's friendship with Skip along with his academic future...
First of all, if you're coming into this movie expecting some flesh, you're probably going to be disappointed as Bisset never bares all (very little, in fact), as the only scene displaying anything features Virginia Madsen suffering from a serious wardrobe malfunction eerily reminiscent of the Janet Jackson/Justin Timberlake Superbowl fiasco. This was kind of a strange film in that respect, as it started of with the seeming intent of being sort of a teen sex comedy, but changes course about halfway through dealing with material of a more serious nature (which ends up getting severely slighted). The transition was smooth, but didn't go unnoticed. One thing that surprised me a little was that while the characters were essentially stereotypical, there was little animosity towards Jonathan from his wealthy peers in terms of his coming from a comparatively poor family...yeah, they didn't care for him much in the beginning, but that was more from the fact he was a nerdy dink than anything else. Overall I did enjoy this film, despite its inadequacies, as the actors managed to add dimensionality to what could have been very shallow characters, but there is a sense of unreality in terms of Jonathan hooking up with Ellen as it provided false hope to those of us males who saw this at an impressionable age, believing that there were actually incredibly beautiful, vivacious, wealthy, older women out there looking to have intimate relations with gawky, awkward, naïve, inexperienced teenage boys...perhaps there are, but I never met one, and neither did any of my peers. Jonathan was presented as an extremely pitiful character (especially in terms of being a target of a few practical jokers), but I found it hard to accept Ellen would willingly pursue him the way she did, despite any amount of pity or alcohol (later we find out she might be mentally deranged, which could explain a lot). This isn't a putdown towards Mr. McCarthy, but more towards the unrealistic aspect of the story...but then again, Hollywood relies on suspension of disbelief from its audiences (sometimes too much), so if you can get past this, you'll enjoy the movie a whole lot more. One really strange aspect was the abruptness of the ending...seems like there should have been more story...
The picture, available in both widescreen (1.85:1) and fullscreen pan & scan formats, looks very good, but the Dolby Digital 2.0 audio felt a little soft, specifically during the dialog (oddly, the music came through loud and clear). There's nothing really in terms of special features, unless you count an original theatrical trailer, which I don't (to me that's a standard feature, and not an extra).
Cookieman108


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Rob Lowe (Austin Powers: The Spy Who Shagged Me), John Cusack (Being John Malkovich) and Andrew McCarthy (St. Elmo's Fire) make their feature film debuts in this hilarious, sexy mixture of "fantasy and farce" (Boxoffice). Co-starring Jacqueline Bisset (Dangerous Beauty) and filled with lusty coeds, "wild times [and] outrageous scenes" (L.A. Movie Guide), this mother of all teen comedies is "pure fantasy for boys of all ages" (Boxoffice)!When wealthy prep-school senior Skip (Lowe) learns that his shy new roommate Jonathan (McCarthy) isa total loser at romance, he sends the aspiring young Romeo to the city to learn the ropesbeforehe ruins both their reputations. But when Jonathan is seduced by a sexy older woman named Ellen (Bisset), he begins a zany romantic miseducation that starts with a double major in lust and deceptionand ends with the uproarious discovery that not only is Ellen the woman of his dreams'she's also Skip's mom!

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9/14/2011

Salem's Lot - The Miniseries (2004) Review

Salem's Lot - The Miniseries (2004)
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***Warning: Spoilers Ahead***
I've always loved the novel and the 1979 miniseries. When I heard they were doing a remake in 2004, I couldn't wait! Then I found out Rob Lowe was starring. Eeeh, he was in "The Stand" a decade earlier and that managed not to suck. So I gave him the benefit of the doubt and tuned in. And in all fairness to Rob Lowe he can hardly be blamed for how awful it turned out.
Now I can understand changing around elements for "dramatic purposes" and "updating" and "adapting for television". Let's not forget the novel was written and published in the 1970's when there were no cellphones, laptop computers or Internet. It seems the fellow who adapted the novel, Peter Filardi, and went hog-wild with it. The end result is that the only the movie characters have in common with their book counterparts are the names. Ben Mears was once held captive by the Taliban? Matt Burke is gay? Susan Norton is a waitress? Did Filardi even read the novel? Then there is the problem of the very minor characters getting way, way, waaayyyy more screen time than they deserve, as in they shouldn't have been in the movie at all. Sandy McDougall, Dud Rogers, Charlie Rhodes and Ruthie Crockett are all very minor throw-away characters who don't deserve a place in the movie. Ruthie didn't even have any dialogue in the book for crying out loud!!! What is so special about these characters that they managed to get on screen and take away precious time from the real characters? This is reason why Barlow is reduced to a cameo, because Peter Filardi felt the inexplicable need to cram in as many characters as possible.
My biggest complaint is the way they handled the scene where a vampire Mike Ryerson comes back to Matt Burke's house. Instead of being a terrifying encounter with the undead it winds up a truly bizarre homo-erotic/necrophiliac encounter so completely drained of any suspense that left me scratching my head and wondering 'what the hell was that about'? Hey people, if it ain't broke don't fix it! If you had $25 million to spend on this movie why didn't you hire a writer who could actually write a suspenseful scene!! Stephen King should sue! Excuse me, I'm going to watch the 1979 version and try to put this slop out of my memory for good.

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The vampiric Stephen King tale returns to the small screen, 25 years after the first made-for-TV "Salem's Lot", a Tobe Hooper-directed ratings hit. This time it's Rob Lowe as a successful writer who returns to his haunted hometown. As a kid, something awful happened to him in the spooky mansion on the hill; now that he's back, the mansion is once again buzzing with evil portents. The physical production (shot in Australia) is convincing, and it's fun to see old pros such as Donald Sutherland, Rutger Hauer, and James Cromwell cutting up in juicy roles. The storytelling, however, feels oddly disjointed, as though King's sprawl had been arbitrarily hacked away rather than adapted (a few big moments are bewilderingly left offscreen). The approach misses the basic assets of a vampire story:the disbelief, the lore, the sex appeal. Instead, it feels like a random collection of bits for short attention spans. "--Robert Horton"

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