Showing posts with label japanese. Show all posts
Showing posts with label japanese. Show all posts

8/28/2012

Ninja Vixens, Vol. 6 - Forbidden Paradise Review

Ninja Vixens, Vol. 6 - Forbidden Paradise
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Anyone expecting a great viewing experience from a movie with a title like "Ninja Vixens, Vol. 6 - Forbidden Paradise" really needs to examine their expectations. Take a look at the cover. That is what you are going to get.

In the long tradition of the Japanese "pink" film, this is the latest versions of the sexy fighting girl theme, women who seem to do far more bathing than combat, and know that a ninja's best weapon isn't necessarily her throwing stars. The only thing that really matters in a flick like this is the hope that the story isn't too bad, and that the chicks are hot.
Well rest assured. The story isn't too bad, and the chicks are hot. "Ninja Vixens" is actually a somewhat long-running series. I have only seen this one, but that didn't really matter. There isn't much by way of story continuity. This one tells the tale of woe of two ninja vixen sisters who rescue a handsome young samurai on the run. Well, there can be only one conclusion when two sisters fall in love with the same guy in a "Ninja Vixen" series, and it isn't fighting. Unfortunately, the demon hag Ogen shows up, and the gals have to take a break from their bathing to earn the ninja vixen name.
The ninja vixen trio is made up of Misaki Kanda, Mizuho Enomoto and Yuki Matsuda. Don't look for their prior acting experience, because that isn't why they were hired. Former race queens and models, they are all nicely pretty and bouncy in the right places, and emote only as a girl in a pink film should.
As a pink film, the nudity is all strictly T&A, and the sex scenes are all highly simulated. The "Ninja Vixens" series has more in common with the genre of 80's sex comedies, like Ski School and H.O.T.S., than rough Japanese flicks like Wife to Be Sacrificed and Flower & Snake. Take a look at the costumes, which are straight out of a bad 80's music video, and it will give you an idea of what to expect!


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8/27/2012

Sea Prince & Fire Child (Shiriusu no densetsu / Legend of Sirius) Review

Sea Prince and Fire Child  (Shiriusu no densetsu / Legend of Sirius)
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My mother, sister, and I all fell in love with this in the original japanese as the "Legend of Sirius" even though we couldn't understand it. We were shocked to find it in English in a local video rental store, but thrilled that we could finally hear the whole story.
It is just beautiful to watch, the music is lovely, and the characters are cute. I love the mythological take on Romeo and Juliet, and the ending is much easier to live with :-)
We still have our VHS copies in both English and Japanese, but this is one we really want on DVD.
I have read online that it had a limited release on DVD in Japan, but that it is nearly impossible to find. Please re-release it on DVD!

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7/31/2012

Always - Sunset on Third Street ( Always san-chôme no yûhi ) Review

Always - Sunset on Third Street ( Always san-chôme no yûhi )
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"ALWAYS- SUNSET ON THIRD STREET" # 2 IS JUST AS GREAT AND HUMOROUS AND DRAMATIC AS #1 WHICH WON MANY JAPANESE ACADEMY AWARDS. IT CONTINUES TO FOLLOW THE ADVENTURES,HOPES AND DREAMS OF THE DISTINCT CHARACTERS LIVING ON THIRD STREET. A MUST SEE

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6/26/2012

Attack Girls' Swim Team vs. the Undead Review

Attack Girls' Swim Team vs. the Undead
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Attack Girls Swim Team vs. the Undead (Koji Kawano, 2007)
Okay, let's start off by saying that if you're the kind of person who sees a title like Attack Girls Swim Team vs. the Undead and does not immediately think "THIS IS THE BEST THING EVER", you're probably in the wrong place. Because that's exactly what I thought when I saw the title of this movie, and, well, I'm the guy who's writing the review. If we're coming from entirely different mindsets... you know. And while the movie doesn't live up to the promise of the title, it's certainly good for a romp.
Aki (Sasa Handa) is the new girl at school. Keeps to herself, quiet, that sort of thing. One day, Sayaka (Yuria Hidaka), seeing her at the side of the pool and mistaking her for someone else, pushes her in as a prank. The two of them become fast friends after that, but this is no simple friendship drama. Because, after all, there must be an evil mastermind experimenting on the school (where else but in Japan?), administering a "vaccine" for a cold that's going around. But, yeah, vaccine? It makes zombies of everyone but Aki and the girls' swim team, who must find a cure.
No, it's not a great movie, and most of the time it's not even a good movie. But on the Joe Bob Briggs blood, breasts, and beasts scale, it gets top marks in all three categories (including one scene between Handa and Hidaka that wouldn't be out of place in an Emmanuelle flick), and it adds a continual element of just plan weird, in that style the Japanese do so well. The climax of the movie is just jaw-dropping. I mean, really, off-the-scale, [censored for Amazon consumption] nuts. And hysterically funny, if that kind of humor works for you.
So, yeah, not a good movie, but it's the kind of bad movie that transcends its badness and becomes something great. This is one you owe it to yourself to watch. ****


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Item Name: Attack Girls' Swin Team Versus the Undead; Studio:Adv Films

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6/19/2012

Siren Review

Siren
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Remember the legends in Greek mythology about seductive Sirens who seduce sailors and drive them mad with lust and greed? Well, Japanese director Satoshi Torao attempts to explore this myth in this Japanese pink horror film "SIREN" (a.k.a. Erotic Ghost Siren, 2004) with JAV-superstar Sora Aoi (aka. Sola Aoi) in the lead. The film is a low budget film that was just arguably made for Sora Aoi to show her stuff in her first non-AV role. I liked her in "Man, Woman and The Wall" and "Tsumugi", so I wanted to check out how she fares in a horror movie.
It was the perfect plan as 5 individuals stage the perfect bank robbery dressed as women. None knew of the other's real names and they have taken fake names like: Freddie, Jason, Jaws, Lector and Chucky (cast of Ikki Funaki, Junichi Kawamoto, HideakI Mizuki, Kazuyoshi Ozawa and Yuuken Yoshida). (Horror films anyone?) so that even if one was caught, no one can sell out the rest. After the heist that made them $ 1,520,000; they would go on separate ways after waiting a few days when the heat dies down. But after they stumble upon a beautiful woman named Yumi (Sora Aoi) who was supposed to deliver supplies, they decide to kidnap her after she saw them with the money. They take her to an abandoned goldmine so that they can hide out. The quintet make the decision to keep her around and take advantage of her sexually. But something begins to become amiss as they find one of their number dead and they slowly begin to turn against each other. Little do they know that they are ensnared in the web of a succubus-sea ogre who preys on the greed and lust of men...
"Siren" is a B-movie affair and the film has very low budget sensibilities. There are hardly any special effects and the movie is mostly shot in the woods. I was expecting another of those exploitive pink horror films and while it is, "Siren" isn't actually all that bad. The film serves as a cautionary tale for men who are after riches and the lust for women. I guess this is where director Torao incorporates the mythic tales of a woman who feeds on the lifeforce of greedy and lustful men. An incubus is the demonic counterpart of a succubus who preys on women if you're curious. The men are left quite dehydrated after they have intercourse with our lovely succubus. It does succeed a little, as the characters do have their potential and for a pink horror film, the sex scenes don't exactly take control of every plot device.
This is Sora Aoi's first non-AV role and while her acting is very uneven in this film, I've already seen her mature both in looks and acting ability in "Tsumugi". She is very 'cute' and sexy; I guess it helps that a woman with such girlish features can be a succubus; one look at her, and my male hormones went into overdrive that I wouldn't suspect her as an evil ogre. Sora Aoi gets naked quite often and her nude scenes in the film are the film's main draw. Of course, any pink horror film would have its share of gratuitous sex scenes and "Siren" doesn't disappoint. There are about three sex scenes with lovely Sora Aoi and they are all quite erotic and arousing with the famous trademarks of pink films such as `hand inside the panty shots`. Nope, there are no scenes of full frontal nudity unfortunately but the crotch areas don't' get "fogged" either.
I've mentioned that the film's devices doesn't revolve around the sex scenes and this is true. The film's script instead focuses on the bank robbers who slowly begin to distrust each other. They play poker to see who gets to sleep with Yumi first. They are all taken by their beautiful hostage but they should have found it odd that Yumi never once try to escape; she seemed to be enjoying her situation. The acting by the supporting cast is pretty wooden except for the actor who played Jason, he displayed the most talent out of the five.
Overall, "Siren" isn't really anything special and is very routine; thankfully it doesn`t fall on the usual softcore category played on late night cable. I sure wished that the film could've been more intense and suspenseful, but I guess I shouldn't complain, I knew what I was getting into with "Siren". The film's strengths lie on Sora Aoi as its eye candy and she is definitely a looker. "Siren" isn't a good movie but it is a fun `guilty pleasure' that makes you feel very naughty.
Rent It! But Recommended to fans of Japanese cinema [2 ½ Stars]
The dvd sports a decent letterboxed picture and 2.0 Dolby Digital track with excellent subs. Features are limited to trailers of Switchblade Sisters releases

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6/17/2012

Hana & Alice (Widescreen) (2004) Review

Hana and Alice (Widescreen) (2004)
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Okay, this is another product review. I really do like the movie, and love it more each time I've watched it.
I would have given this release a 5/5 star count, if I hadn't had the pleasure of viewing this with subtitles that were better suited, in my opinion. I could point out a scene where it took me off the film, when Miyamoto said something that was translated as a "doppelganger" - now, it might be nitpicking, but I don't think normal 15-year-old teens speak with such words...
Now, onto the stuff on the DVD. Though the TV Spots on a DVD are always filler content... the best part of the extras in here was the Behind-the-Scenes Featurette, which gives you a +1hr. look into what went into the making of "Hana and Alice". It was not only interesting because you get to hear from Shunji Iwai where the idea of the film came from, and how it developed. We also get to see how some of the scenes were shot, and small tidbits of Anne Suzuki, Yu Aoi and Tomohiro Kaku on their characters... and there's also cute funny moments too.

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5/12/2012

God's Left Hand, Devil's Right Hand Review

God's Left Hand, Devil's Right Hand
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I've been avoiding this one for a while after I read some not-so-positive reviews. I looked it up again recently and noticed that not only was it directed by Shusuke Kaneko (a very entertaining filmmaker) but it was also based on a book written by Kazuo Umezu, which is always an advantage because a handful of imaginative and fun movies have been recently made from this man's works (see "Tamami: The Baby's Curse" and "Orochi" ASAP!). I decided to give it a shot, and I'm glad I did.
After her psychic brother falls into a coma, a girl attempts to use his clues to catch a serial killer. One bizarre aspect is that the antagonist (Tomorowo Taguchi in an over-the-top performance) murders hot schoolgirls and then draws their deaths in a picture book for his 7-year-old daughter to read! This is one of those fun horror films that's not to be taken too seriously. The death scenes are nicely bloody and there's a healthy dose of absurdities and cheesiness (be prepared to chuckle a lot). The ending of this movie is so ridiculous that it needs to be seen to be believed. Oh, and the use of little kids in bloody terror sequences is much appreciated by this horror fan.

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5/04/2012

Sex and Fury (2005) Review

Sex and Fury (2005)
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Walking underneath a series of torii gates with her father, a young Kyoko witnesses the death of her father when unknown culprits stab him to death. However, before he dies he picks up three cards depicting the images of a boar, a deer, and a butterfly. With only this scant information to aid her in identifying her father's killers, Kyoko changes her name to Inoshika Ocho and lives the next 20 years of her life honing skills in gambling and pick pocketing.
One day at a gambling house owned by a seedy man named Imamura, a dealer is accused of cheating and is killed by its patrons. However, before he dies he tells Ocho that Imamura was the one who told him to cheat and he asks her to take 500 yen, this movie takes place in 1905, to purchase his sister back from a prostitution house in Asakusa. That night, while bathing, Ocho is attacked by Imamura and his goons, so the viewer is treated with the image of a totally nude Ocho, the actress Ike Reiko was 19 or 20 at the time this film was made and was quite nubile and bouncy at the time, slicing apart Imamura and his men in a montage of blood, naked flesh, severed limbs, and snow with early 1970s psychedelic rock playing in the background.
Ocho eventually arrives in Asakusa and, along with communicating with her foster mom and her "sisters", eventually finds Yuki, the dead man's sister, but her purchaser, a business man named Iwakura is unwilling to let go of his new virgin, deflowering virgins is his hobby after all. However, he is willing to give up Yuki if Ocho can defeat a foreign gambler, Swedish model Christina Lindberg, but if she loses Iwakura will get both Yuki and Ocho. Christina does well at first, but after the party is attacked by her former lover Shunosuke, who bears a grudge against Iwakura and the politician Kurokawa, her mind is filled with images of their love-making and she loses the match. However, during this time Iwakura has intercourse with Yuki and later the heartbroken girl informs Ocho that the old pervert has a tattoo of a deer on his back. Finding one of her father's murderers, Ocho embarks on a quest for revenge during which she will have to face all sorts of adversaries, including switchblade-wielding nuns and gangsters.
During the 1950s cinema was king in Japan. Millions of film viewers flocked to thousands upon thousands of theaters. However, during the 1960s television and its all encompassing grasp took hold of the country and film studios began to close and many film directors such as Kobayashi Masaaki and Kurosawa Akira had difficulty funding their films. Instead films filled with sex and violence, Roman Porn or Pink Films, became the standard. Once respected film studios such as Nikkatsu started to churn out one skin flick after the other. With limited budgets and limited filming schedules, these films were quickly produced, consumed by the audience, and completely forgotten. However, some of these films, such as this film, Zero Woman: Red Handcuffs, the Female Prisoner Scorpion series, have made more of a lasting impact that can be seen in the films in such directors as Miike Takashi.
Sex and Fury is of course filled with violence. Severed limbs fly about and blood sprays all over the walls. Ocho must endure being chained up and whipped by Christina, bondage and S&M scenes are quite common in these films, while her tormentors look on. There is of course a lot of sex also, including a lesbian sex scene between Christina and a servant of Kurokawa's named Shinobu. Add to this mixture of sex and violence a soundtrack of rock music that would please The Lemon Pipers and Strawberry Alarm Clock, Sex and Fury is an enjoyable, quick watch. I mean with switchblade-wielding nuns how could you go wrong?


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Widely considered to be the Absolute Best Japanese Exploitation film! Sex & Fury, one of the wildest, most violent, just-plain-entertaining Japanese sexploitation pictures from the 1970s stars smoldering young 'pinky violence' actress Reiko Ike (veteran of the Girl Boss aka Sukeban film series) as Ocho, a gambler and pickpocket in Meiji Era Tokyo. After sheltering a fleeing anarchist, Ocho encounters the three villains responsible for her father's murder, and runs afoul of various yakuza who want her dead. A European spy (beautiful Christina Lindberg, star of Thriller - A Cruel Picture), whose sadistic diplomat boss has his own nefarious plans, complicates matters. A riproaring action saga filled with beautiful bodies, bloody swordplay, and psychedelic imagery -- all beautifully photographed in a number of astonishing setpieces. Directed by Norifumi Suzuki (who fathered the Sukeban genre), Sex & Fury transcends the pop culture realm to achieve genuine art. Followed by the outrageous sequel, Female Yakuza Tale - Inquisition & Torture (also available from Panik House), it's the best film you've never seen! Panik House is proud to present Sex & Fury: uncut, uncensored and totally restored from the original vault elements. Available for the first time anywhere on DVD! SEX & FURY DVD Features- Audio Commentary with Chris D., American Cinematheque film programmer and author of the book Outlaw Masters of Japanese Film- Norifumi Suzuki & Reiko Ike bios by Chris D.- Christina Lindberg Bio and gallery- Original Theatrical Trailer- Poster and Still Galleries - Production Notes - Special Insert Sticker - Optional English Subtitles - Brand New 16x9 transfer with completely re-mastered video and audio - Special Packaging – stunning transparent amaray and the first 10,000 units debut in a clear O-Sleeve

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4/29/2012

Captive Factory Girls 2: The Revolt (2007) Review

Captive Factory Girls 2: The Revolt (2007)
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If you want to know the plot, then read my review of Captive Factory Girls The Violation. The only plot difference is that the new girl is tricked into working in the factory by her boyfriend, who she thinks has run-up a large debit.
Other than that difference, this is the same movie, only there are no girl on girl scenes, which was my favorite scence from the first movie.

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4/28/2012

Female Combatants Battle School/Demonic Heroine in Peril Review

Female Combatants Battle School/Demonic Heroine in Peril
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With the last sentai/tokusatsu release of of "Akiballion Battlemaids of Akihabara!", Switchblade Pictures continues with more sentai goodness with the latest double feature "Female Combatants Battle School/Demonic Heroine in Peril". With the majority of Zen Pictures focusing on the heroines, this time this double feature focuses on the women who fight on the side of evil and showing that sometimes, being on the other side is not all it's cracked up to be.
Female Combatants Battle School
"Female Combatants Battle School" is a 2009 film which manages to capture the sentai badgirls with tight black and red vinyl (and the usual enemy cooing) as these bad girls work for the Bad Mist organization. Their biggest rival in their way of doing crime is the masked heroine known as Asterea (played by Tsugumi).
Bad Mist is a group that recruits troubled young women and brainwashes and trains them to fight against good and to make sure they can literally kick butt in battle. The Under Cover Agency (UCA) knows that they need to bring this organization down, so they bring in their UCA agent Aoi Kono (played by Yuri Higashi) to infiltrate and pose as one of them. She gets in and is given the name of 841.
But 841 is quickly going to learn that to gain the trust of the other soldiers, she's going to have to start from the bottom and fight. On her first day of initiation, she's beaten and ridiculed by the other ladies. They beat on her, they step on her and how much will this agent be able to take. Can 841 manage to gain the trust of the women of the Black Mist? Or will her cover be blown? And what will she do when the masked heroine Asterea is captured by the Black Mist?
Demonic Heroine in Peril
For the second film "Demonic Heroine in Peril", the 2005 film is about a group of aging men who are Triongers (yes, think of Power Rangers). But these old, overweight men can secretly transform into their more athletic ranger counterpart with ease.
As Akira (Trio Blue) comes to visit his young friend named Shota. Shota dreams about becoming a Trionger when he grows up and while the two run and play near the playground, Shota accidentally runs into a woman in tight leather clothing. As she leaves, the other two Triongers come to visit but unbeknownst to them, an evil enemy lurks in the background with his minions waiting for a time to attack.
When Akira goes home, he is attacked by these minions and then suddenly turns into his ranger counterpart - Trio Blue. He eventually beats the bad guys but all of a sudden, the woman he met earlier in the day, the woman in black leather comes to fight. Donning her red, ninja like outfit...the woman turns out to be one of Go-ma's Four Kings a.k.a. "Outsider" (played by gravure model MISAKI).
She easily beats Trio Blue and the minions go to finish him off... but for some reason, she tells them to stop. But the evil antagonist comes and tells her that by orders, the rangers must die and thus he picks up Akira by his neck and squeezes it until he dies. He laughs but she feels disgusted but yet Go-ma gives "Outsider" the credit, angering the evil man who had killed Akira.
The following day, she feels compassion for what happened to Akira, knowing that he was good friends with the boy Shota. So, she goes to visit the boy Shota and learns that he wants to become a Trionger, not telling him that she works for the evil Go-Ma who is trying to kill them off. But Takumi (Trionger Red) and Trionger Yellow shows up and the both of them take on the Outsider and begin to fight. She easily beats them but lets them live. Unknown to her that the evil guy is watching her every move and now knows that she has betrayed them by not killing the Triongers.
Because of her actions, Outsider has been branded as a spy, the woman who was once the evil enemy of the Triongers must now fight alongside with them and try to prevent Go-ma from using a viral weapon that he plans to unleash on Japan.
VIDEO & AUDIO:
"Female Combatants Battle School / Demonic Heroine in Peril" feature two different aspect ratios. The first, "Female Combatants Battle School" is featured in 16:9 and shot digitally. "Demonic Heroine in Peril" is shot in 4:3 and also shot digitally.
Audio is in Japanese Dolby Digital 2.0 and for the most part is front channel driven. If you have a home theater receiver capable of stereo on all channels, personally it was my preference for a more immersive soundtrack.
Subtitles are in English.
SPECIAL FEATURES:
"Female Combatants Battle School / Demonic Heroine in Peril" comes with no special features but trailers from Switchblade Pictures.
JUDGMENT CALL:
In Japan, Zen Pictures has found a pretty good sized niche with the fans who are into sentai and tokusatsu shows but instead of focusing on the guys, taking bikini/lingerie models and outfitting them in these kinky Power Ranger-esque outfits (or sometimes an outfit that is barely covering much). In the US, there are also a niche of fans who follow sentai and tokusatsu shows like they follow anime series and have been wanting these films here in the US. And fortunately, Switchblade Pictures is bringing these films to the US.
With "Female Combatants Battle School/Demonic Heroine in Peril", you're getting two films for the price of one. With "Female Combatants Battle School", this is more for those who want to see women fighting in very tight outfits, while "Demonic Heroine in Peril" features MISAKI barely wearing anything and in some way, very Mai Shiranui-like (for those familiar with the "King of Fighters" character and her slinky ninja outfit).
As for story, there is a story but it's important to note that people don't exactly watch these Zen Pictures films for the acting because frankly a lot of these women are known for their bodies and wearing hardly any clothing. Acting is not their forte. But for these two films and having seen several Zen Pictures films, these two are among the better ones that have been released in the US thus far. Also, these are low budget independent films and so, you'll see the occasional family far in the background watching the people fight.
My favorite film of the two would have to be "Demonic Heroine in Peril". It's a more Power Rangers-like driven series and quite humorous as the Rangers themselves are old men and when they get into costume, they are slimmer and still can fight. And the young boy in the film, is actually sporting a mask. It's hilarious in some way, whether or not it was intentional or not.
As for the rating of having nudity and violence, there is violence in the film as character are killed off. As for the nudity, there really isn't any. I suppose that because there are a lot of crotch shots (with the women wearing clothing) and in "Demonic Heroine in Peril", main actress/model MISAKI is barely wearing any clothes but by no means is she nude.
For those wanting to begin their Switchblade Pictures collection of Zen Pictures sentai/tokusatsu heroines/bad girls-style of films, "Female Combatants Battle School / Demonic Heroine in Peril" is a good place to start.

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3/31/2012

Star of David: Hunting for Beautiful Girls (1979) Review

Star of David: Hunting for Beautiful Girls (1979)
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I was asked once how come Japanese directors Takashi Miike is more appreciated in the Western world than in his own native land as a master of the macabre, the darkly twisted and of truly unnerving material; well, my answer was it is because Japan has been doing all sorts of twisted and sick films that may make one wonder just how it is they've been pulling off this stuff in the early 70's while we in the U.S. have just began to get used to the term `torture porn'. When European filmmakers produces a film that pushes the boundaries of taste and gruesome content, it is art but when Asian countries do the same it is considered exploitation and extreme. It is a double standard if you ask me. Well, in the world of exploitation and cult cinema, there are a lot of cases when a film is purely offensive and sleazy but there is that very rare opportunity that you would come across a film that transcends that reputation which becomes a compelling piece despite its graphic violence.
Such is the case with "The Star of David: Hunting for Beautiful Girls" by Japanese director Norifumi Suzuki, the director of "Sex and Fury" and "The School of the Holy Beast". Much of Japan's best directors began their filmography directing "Pink" horror films and on Suzuki`s resume, "Star of David" stands out. Suzuki is a maestro of delivering movies with an explicit subject matter such as gratuitous nudity, sexuality, depravity and brutality with a malicious, arresting and "artful" manner.
The film begins with the sound of police sirens. The police are looking for an escaped rapist, robber and murderer who we now see as having taken refuge in a huge house. This fugitive has taken a professor and his pretty wife hostage with the intention of robbing them. While there, this monster of a human being decides to have a little fun by tying up the professor's wife and taking advantage of her sexually while her husband is forced to watch. It is bad enough to have a husband watch his wife get violated and her reluctantly enjoying the act; what's worst is that the woman gets left behind pregnant with this killer's child and a husband who now gets his kicks by beating on his wife for the dishonor brought him by enjoying sex with her attacker.
Many years have passed and we now see a young man named Tatsuya (Shun Domon) who looks normal on the surface but has been become obsessed with Hitler's views on extermination; Tatsuya is also preparing to embrace his own genetic depravity. He begins by murdering his own recognized father, killing his mistress, and kidnapping other young women to practice on this view of his. He takes them to his own private torture chamber where he sexually molests and humiliates them. Now, when his natural father shows up at his doorstep, what further evil will happen?
"Star of David: Hunting for Beautiful Girls" can easily be written off as an excuse to display one taboo subject after another and the film does flirt around with the boundaries of taste; it does execute its intricate storyline with a daring style and impressive scheme. Sure, the themes of mental torture, serious sadism, necrophilia, some bestiality, (there's even a guy who whacks off while looking at World War 2 holocaust photos) seem very commonplace in the film but it does package it neatly behind a thought-provoking message (albeit twisted) behind all the graphic violence and madness. There is actually a compelling story behind all the elements of exploitation as the film presents a study in how to take those extreme elements to the boundaries of genre pushing.
Norifumi Suzuki is a good director and displays skill as he frames the twisted sequences that comes very close to becoming pure smut. The film's provocative elements comes over Suzuki's fondness for Nazi/Jewish themes. I guess this is his way of condemning the evils of the holocaust and as to how the madness may awaken the darkness of man. Suzuki makes a bold statement that all men are born good; but they all have the ability to degenerate to pure cruelty depending on their experiences. The film succeeds in making its viewer uncomfortable with its very discomforting sequences; if this film is any indication, the Japanese really do like their twisted violence.
The film also has a romantic angle to it as there is also hope for Tatsuya in finding true twisted love in the form of his childhood friend Yumiko, played by Miss Japan Hiromi Namino. Yes, this film can be a good valentine's day movie but please wait for a year before showing this film to your significant other. This film achieved attention when it was promoted as the film where Namino debuts as an actress and sheds all clothing. Much of the film's burden falls on Shun Domon in a very complicated role. There are a lot of supporting female characters in the film; all of them gets naked and gets to be put in very uncomfortable, extreme situations.
"Star of David: Hunting for Beautiful Girls" is a crude horror movie that just requires a twisted talent to deliver the brain-scorching material, titillation, violence and weirdness with an outward nastiness that complements its subtext. Genetics or upbringing...morality or immorality...predestined or by choice...conquest and sacrifice. It is a wonderful piece of cinematic perversion and still stands as one of the seediest pieces of exploitation cinema ever produced. It is essential to any fan of pink films and Japanese cinema.
Recommended timidly because of its content [4 Stars]

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Item Name: Star of David: Hunting for Beautiful Girls; Studio:Eastern Star

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3/07/2012

Man, Woman, and the Wall Review

Man, Woman, and the Wall
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Kawase Ryo is a young wrier for a small publisher's magazine for which he mainly writes about what is going on in Japan's underworld. Not quite yet raking in the money, Ryo is happy enough that he has made enough money to rent an apartment that possesses his dream object: a bathtub. However, there is one thing with the apartment that would prove to be a bother to most: the walls are paper thin. Yet, this proves to be a boon for Ryo because he soon becomes obsessed with his neighbor, a young woman whose every move he can hear. Be it when she goes to the restroom, drinks a beer after a hot bath, or makes love to her boyfriend Yuta, Ryo listens and often masturbates to the images of his neighbor that float through his mind.
After a bit of snooping, Ryo learns that his neighbor is named Sugiura Satsuki, played by the former adult film star Aoi Sora, whose beauty and impressive "talents" drive Ryo wild and he soon goes to greater lengths so that he can spy on Satsuki such as sending her boxes addressed to himself so that she will have to bring them to his door and having a friend set up a better system so that he can listen to her clearer. It is at this point that Ryo learns that Satsuki is being stalked by someone else whose intentions are far less noble than Ryo's.
Man, Woman, and the Wall is a Pink Film, pinku eiga, whose main point is to titillate its audience. There are several scenes within the short film of Aoi Sora bathing and dressing and also a few scenes of intercourse with her boyfriend Yuta which can be quite heavy at times without showing any naughty bits. It would be easy to toss this film into a pile of other Japanese softcore porn titles, but there are some instances that makes Man, Woman, and the Wall stand out and that is the subject of voyeurism.
Oftentimes within the film, Ryo imagines himself within Satsuki's room watching her bathe, brush her teeth, and eat. In these early scenes, before Ryo actually knows what Satsuki's room looks like, he pictures it as being ultra girly with tons of stuffed animals and bright colors. Therefore, he is a bit surprised to discover that her room is quite plain. Ryo falls in "love" with the image of Satsuki that he has created within his own mind. An image that is so strong, the real beautiful and busty Satsuki does not live up to his expectations. This aspect makes the film an interesting critique of reality versus fantasy is a softcore film format.

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When Ryo, a young magazine reporter, moves into a new apartment he is greeted by the passionate sounds of his astonishingly beautiful neighbor Satsuki. Realizing the wall dividing their apartments is paper thin, the captivated journalist begins to eavesdrop on every detail of the girl next door s life: her conversations, her bubble baths... her breathless cries. While Ryo s fantasies escalate into something bordering on love and obsession, Satsuki becomes increasingly hysterical over the bizarre and dirty phone calls terrorizing her every night. When their lives finally converge, delusions and reality blur forcing the unthinkable to happen.

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11/18/2011

The Naked Sword Review

The Naked Sword
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In the tradition of "Kasumi: Lady Ninja" and the "Ninja Vixens" franchise, comes a "pink" film by director Yoshikazu Kato, called "NINJAKEN: the NAKED SWORD". If you expect a film with a lot of action packed sequences then you will be disappointed. "Ninjaken..." is an exploitive, highly erotic tale of female ninjas who use the best weapon they have at their disposal--their womanly wiles and their curvaceous bodies. This film stars AV-star, super sexy Kaede Matsushima--so do I have your attention, my fellow men?
In a time of warring states, the female ninja Murasame (Kaede Matsushima) is assigned to assassinate the rogue clan lord Daizen Osakabe who has aligned himself with the Tokugawa to betray the Taiko. Despite the odds, Murasame nearly succeeds but in the end, is almost captured and badly wounded. She flees the Daimyo's resident ninja, Akatokage, and collapses, regaining her consciousness within the walls of a mysterious convent for women. However, this "Aitokuin" convent is headed by a woman-loving abbess named Jokyo is not all that it seemsto be, the convent is only a front for a woman-trafficking brothel. A sinister plot threatens to take control of Murasame's future. Now, Murasame must use all her skills, both as a female warrior and a woman to escape a deadly web of sexual slavery and deception.
When watching a low-budget exploitive flick, one has keep the expectations low. I was expecting an erotic film full of campy action and gore; and this film isn't action-packed at all, but relies heavily on the erotic elements to stay aloft. The plot is almost none-existent as the script revolves upon just how many sequences of graphic sex it could fit in 75 minutes. The fight sequences are laughable and the story is too hollow. Honestly, the only way to appreciate this film is by comparing it to other Japanese erotic films of this kind--just how does it measure up?
Well, if you're curious just how many exploitive scenes there are on this film, then the movie stacks up well and exceeds "Ninja Vixens". The sex scenes are very erotically charged and there are quite a good number of them. The scenes are also long and arousing--Kaede Matsushima is an AV idol and a nude model, so it is always fun to see her in an exploitive film. The supporting cast is mostly made up of beautiful Japanese women; Hiromi Suzuki, Kyoko Kazama and Mari Yamaguchi and none of them are shy to shed their clothes. There is no full frontal nudity but the only thing covering up Kaede Matsushima's (and the other women) sensitive female parts is a man's hand while he treats himself. Oh, there is no "blurring" in the crotch areas, so you get to see all the "action".
The film also has its share of silly "punch lines" but delivers them with a straight face. I cannot divulge any of them but let's just say that it expresses something about a weapon, pleasure, and a hole to hide a small dagger. There are a lot of girl-on-girl action and sexual torture that is a little disturbing but at the same time, exciting. Kaede Matsushima's "training" sequences may be the film's biggest draw. The scenes are very graphic and trumps on most softcore films. So why did I spend 75 minutes to watch this? I was curious as to how Matsushima can handle herself in a non-AV affair.. (right!)
Japanese feudal tales have often told of female assassins who use their sexuality as a weapon, they are dispatched to murder feudal lords; this film is just part of that premise. "Naked Sword" is low-budget affair, with a plot which is almost none-existent--and I still await a great film that would explore the world of a female assassin than one that focuses on eroticism and exploitive elements. Female ninjas played a huge part of the feudal wars, and deserves a better movie than one that borders on porn. I guess it may take longer for us to see a sexy, suspenseful female ninja film; this film doesn't deliver any action or thrills at all--but as an erotic, exploitive "pink" flick this film will not disappoint. If you want some pervy kicks, then this film may be for you, plus, it does have Kaede Matsushima.
RENTAL [2 ½ Stars]
Note: Switchblade Sisters have also released another film called "Twin Blades of the Ninja" starring ex-AV star Risa Koda.

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Item Name: The Naked Sword; Studio:Adv Films

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11/12/2011

Ninja (2009) Review

Ninja (2009)
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This review will be broken down into two sections: 1) The quality of the movie itself, and 2) The BD Disc quality.
First up, the film itself:
Plot (WARNING, MINOR SPOILERS AHEAD!!!!)
The time is present day, and somewhere in a rural region of Japan, a dojo carries on the tradition of the Koga Ninja by training students in the ninja arts. The head of the school, called the Soke, is nearing retirement age and must choose his successor. His top two students are fierce rivals and both are leading candidates to inherit the title of Soke. However, before the Soke can appoint his successor, one of the top two students disgraces himself in a training duel against his rival and is banished from the school. Predictably, the banished student becomes a freelance assassin, and we see him employ his ninja skills to deadly effect in a very cool assassination sequence.
We soon learn that the Soke is the keeper of some ancient Koga weapons which, legend has it, grants the wielder extraordinary abilities. The banished ninja comes calling to claim the weapons, but only after they've been shipped elsewhere for safekeeping. A vicious battle ensues between the bansihed ninja and the Soke, and at the conclusion of this battle, the chase is on for the Koga weapons, with the film culminating in a showdown between, you guessed it, the two rival ninja students. In this climactic battle, only one survives.
As an added bonus, the beautiful daughter of the Soke is thrown into the mix, but sadly, she serves as little more than window dressing. While she demonstrates some ninja skills, she is mostly helpless in a fight and is relegated to the role of damsel in distress more often than not, despite having trained all her life in the ninja arts. Though in her defense, she's fairly useful with a bow and arrow, and she's nice to look at.
The plot is better than most straight to video flicks, and in this case, serves as the thin thread tying the action scenes together, which are themselves well choreographed and well filmed.
The Action:
The action scenes feature the generous use of ninja weapons, including some impressive sword battles, as well as some decent hand to hand fight scenes. Aside from three fairly intense one-on-one fight scenes (all featuring liberal use of the katana), most of the battles feature one of the top ninjas in the film dispatching a multitude of lesser skilled opponents. The star of the film, Scott Adkins (caucasian actor and good guy ninja), demonstrates impressive martial arts and acrobatic ability, and it appears that he performed most of his own stunts. Keep your eyes open for a scene where he uses his acrobatic ability to evade an oncoming car. The ninja villain (asian actor and bad guy ninja, read into that what you will) also seemed to be well versed in martial arts and the use of ninja weapons, and I dare say that the fight scenes in this movie were more impressive than those in "Ninja Assassin" due in equal part to good choreography (far better than a Van Damme or Seagal flick, though don't expect anything as energetic or creative as what you'd see from Hong Kong legends like Yuen Woo Ping, Corey Yuen, Jet Li or Jackie Chan), the actors in this film being experienced martial artists, and an editing style that lingers just long enough on the action (as opposed to the hyper-quick cut aways used in Ninja Assassins, which is the norm for a film featuring actors who aren't very adept at performing the action featured in the film) so you can appreciate the skill of the actors pulling off the moves.
The Acting:
Nothing to write home about. The actors look and play their parts well enough as far as action films like this go, but none of them deliver performances that will leave a long lasting impression on you. That's a good thing though, because the acting isn't horrible either. It's just good enough to move the story along, as threadbare and full of plotholes as it is.
The special effects:
There is liberal use of blood splattering, sometimes into the camera, when a katana is used to lethal effect. The blood didn't look overly cartoony to me, but your tolerance/appreciation of these effects will vary depending on how much of a gorehound you are.
The pyrotechnics are good. Swords clashing generate sparks at the appropriate times, and I recall two separate vehicle explosions also being impressively done.
As for the BLU-RAY itself:
Picture quality on my 1080P Phillips is excellent, though not quite reference material. The image is generally sharp, colors are well delineated with little crush evident in day or night scenes, and there is very little to no film grain, leading me to believe the film was shot digitally, with some grain retained for a film-like appearance.
I can't provide a detailed review of the audio, as I utilize only the speakers on my tv itself, but from what I heard, I can say the audio came across clearly, with dialogue being easy to pick up and louder foley effects, such as swords clashing, gun fire, and explosions, coming in crisply as well.
There is nothing in the way of special features, unless you count previews of other movies.
All in all, if you're not too critical when it comes to martial arts themed movies, and you have an interest in seeing ninjas fighting ninjas and killing people in bloody fashion without an overuse of rapid cut editing, you may be pleasantly surprised. I recommend "Ninja" to viewers who are nostalgic for films like American Ninja (the first and best of the series) and Sho Kosugi films like Revenge of the Ninja.
Is Ninja worth a blind buy though? I'd say for the $15 price tag, it is if you're a fan of violent and bloody ninja films. If you're just a casual fan, a rental is the safest bet.
Either way, whether you rent or buy, there are far worse films in this genre out there, so happy viewing!

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10/31/2011

Akira Kurosawa's Dreams (1990) Review

Akira Kurosawa's Dreams (1990)
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Akira Kurosawa's dreams are better than mine. If this is what he saw when he closed his eyes, then I can understand how from that mind sprang the Seven Samurai and the rest.
"Dreams" is maybe the most personal, most "Japanese" of Kurosawa's films, and along with that it is perhaps the most difficult one for Western audiences to appreciate. This is saying nothing against Western audiences, but many of the themes and myths on display may not be familiar, and the imagery and metaphors may be lost without the appropriate background. I definitely appreciated it more after living in Japan, and becoming familiar with the countries folklore and literary story-telling style. Hina Dolls, the Yuki Onna, the mountain villiges like islands of tradition amongst concrete modern Japan...
"Dreams" is beautiful, on a purely visual level. The cinematography is exquisite and the colors and light are displayed with the eye of a painter. It is appropriate that Van Gogh plays a role in one of the many dreams. Like Van Gogh, the stories in "Dreams" are expressionistic and vivid, yet with the subdued emotions that is the hallmark of Japanese literature. This is not the wild, raw statement of a younger Kurosawa.
Story-wise, the dreams play with the themes of death and loss, both human and of nature. The displacement of Japanese forests, the lack of safety standards at nuclear power plants, the loss of traditional Japan, the pointless loss of lives in war...melancholy themes at best. Yet at the end, hope is offered, in a small nook and cranny, like a flower blooming amongst concrete.
The DVD itself is a small disappointment, and I would rather have this belong to the Criterion Collection, but better to have it than not have it.

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One of the most visionary, deeply personal works in the 60-year career of the master behind Rashomon, The Seven Samurai and Ran. Featuring eight episodes rich in imagery and insight (and casting MARTIN SCORSESE as a feisty Vincent Van Gogh), it explores the costs of war, the perils of nuclear power and especially humankind's need to harmonize with nature. You will be enchanted ... and enthralled.

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Shogun Assassin (1980) Review

Shogun Assassin (1980)
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"Shogun Assassin" is a great film. Much "controversy" has arisen over the years regarding this film having been cobbled together from two other films in the Lone Wolf series. I think that what has been achieved is an extremely entertaining, fast-paced piece of action. By eliminating non-essential story lines and including a voice over narration, the action moves at break neck speed. The amount of blood spilled is so over the top as to be cartoonish, which only adds to the uniqueness of the movie. The DVD transfer is excellent and the restored picture is high quality. Some reviewers have complained about certain scenes being unrestored, it is actually only two shots totaling maybe five seconds in length. Both shots are of a castle and the excuse for not restoring them was that they were stock footage with no original element available. I do not know why the company had to place the disclaimer of this fact on the film, as I doubt anyone would have really noticed anyway. An added bonus on the DVD is the inclusion of the trailer which, I had never seen before. I can only imagine an audience seeing this trailer and somehow not wanting to see the film, it is awesome. Anyway, if you have never seen "Shogun Assassin" or have seen it a thousand times, buy this DVD, it is well worth it.

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In a time of evil and tyranny, a stone-faced ronin wanders the countryside with his young son (and a weapon-filled baby cart), hunted by the merciless minions of an evil Shogun. Once a noble samurai, he is now the most feared assassin in Japan, known only as Lone Wolf.

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