Showing posts with label assassination. Show all posts
Showing posts with label assassination. Show all posts

11/12/2011

Ninja (2009) Review

Ninja (2009)
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This review will be broken down into two sections: 1) The quality of the movie itself, and 2) The BD Disc quality.
First up, the film itself:
Plot (WARNING, MINOR SPOILERS AHEAD!!!!)
The time is present day, and somewhere in a rural region of Japan, a dojo carries on the tradition of the Koga Ninja by training students in the ninja arts. The head of the school, called the Soke, is nearing retirement age and must choose his successor. His top two students are fierce rivals and both are leading candidates to inherit the title of Soke. However, before the Soke can appoint his successor, one of the top two students disgraces himself in a training duel against his rival and is banished from the school. Predictably, the banished student becomes a freelance assassin, and we see him employ his ninja skills to deadly effect in a very cool assassination sequence.
We soon learn that the Soke is the keeper of some ancient Koga weapons which, legend has it, grants the wielder extraordinary abilities. The banished ninja comes calling to claim the weapons, but only after they've been shipped elsewhere for safekeeping. A vicious battle ensues between the bansihed ninja and the Soke, and at the conclusion of this battle, the chase is on for the Koga weapons, with the film culminating in a showdown between, you guessed it, the two rival ninja students. In this climactic battle, only one survives.
As an added bonus, the beautiful daughter of the Soke is thrown into the mix, but sadly, she serves as little more than window dressing. While she demonstrates some ninja skills, she is mostly helpless in a fight and is relegated to the role of damsel in distress more often than not, despite having trained all her life in the ninja arts. Though in her defense, she's fairly useful with a bow and arrow, and she's nice to look at.
The plot is better than most straight to video flicks, and in this case, serves as the thin thread tying the action scenes together, which are themselves well choreographed and well filmed.
The Action:
The action scenes feature the generous use of ninja weapons, including some impressive sword battles, as well as some decent hand to hand fight scenes. Aside from three fairly intense one-on-one fight scenes (all featuring liberal use of the katana), most of the battles feature one of the top ninjas in the film dispatching a multitude of lesser skilled opponents. The star of the film, Scott Adkins (caucasian actor and good guy ninja), demonstrates impressive martial arts and acrobatic ability, and it appears that he performed most of his own stunts. Keep your eyes open for a scene where he uses his acrobatic ability to evade an oncoming car. The ninja villain (asian actor and bad guy ninja, read into that what you will) also seemed to be well versed in martial arts and the use of ninja weapons, and I dare say that the fight scenes in this movie were more impressive than those in "Ninja Assassin" due in equal part to good choreography (far better than a Van Damme or Seagal flick, though don't expect anything as energetic or creative as what you'd see from Hong Kong legends like Yuen Woo Ping, Corey Yuen, Jet Li or Jackie Chan), the actors in this film being experienced martial artists, and an editing style that lingers just long enough on the action (as opposed to the hyper-quick cut aways used in Ninja Assassins, which is the norm for a film featuring actors who aren't very adept at performing the action featured in the film) so you can appreciate the skill of the actors pulling off the moves.
The Acting:
Nothing to write home about. The actors look and play their parts well enough as far as action films like this go, but none of them deliver performances that will leave a long lasting impression on you. That's a good thing though, because the acting isn't horrible either. It's just good enough to move the story along, as threadbare and full of plotholes as it is.
The special effects:
There is liberal use of blood splattering, sometimes into the camera, when a katana is used to lethal effect. The blood didn't look overly cartoony to me, but your tolerance/appreciation of these effects will vary depending on how much of a gorehound you are.
The pyrotechnics are good. Swords clashing generate sparks at the appropriate times, and I recall two separate vehicle explosions also being impressively done.
As for the BLU-RAY itself:
Picture quality on my 1080P Phillips is excellent, though not quite reference material. The image is generally sharp, colors are well delineated with little crush evident in day or night scenes, and there is very little to no film grain, leading me to believe the film was shot digitally, with some grain retained for a film-like appearance.
I can't provide a detailed review of the audio, as I utilize only the speakers on my tv itself, but from what I heard, I can say the audio came across clearly, with dialogue being easy to pick up and louder foley effects, such as swords clashing, gun fire, and explosions, coming in crisply as well.
There is nothing in the way of special features, unless you count previews of other movies.
All in all, if you're not too critical when it comes to martial arts themed movies, and you have an interest in seeing ninjas fighting ninjas and killing people in bloody fashion without an overuse of rapid cut editing, you may be pleasantly surprised. I recommend "Ninja" to viewers who are nostalgic for films like American Ninja (the first and best of the series) and Sho Kosugi films like Revenge of the Ninja.
Is Ninja worth a blind buy though? I'd say for the $15 price tag, it is if you're a fan of violent and bloody ninja films. If you're just a casual fan, a rental is the safest bet.
Either way, whether you rent or buy, there are far worse films in this genre out there, so happy viewing!

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10/04/2011

The Sentinel (Widescreen Edition) (2006) Review

The Sentinel (Widescreen Edition) (2006)
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A mediocre, instantly forgettable espionage American government crime thriller, The Sentinel plays out more like a trumped-up network television show than a fully-fledged motion picture crime thriller. This fractured, overly convoluted tale of a spy within the Secret Service who is trying to assassinate the President is so laughable and implausible that you'll end up being cynically amused at most of what goes on.
The movie is totally dumb, and gets even dumber as it goes on. Michael Douglas - who indeed seems to be fighting the hands of time - plays Special Agent Pete Garrison. A few years back, he slept with the wife of his best friend and protégé, David Breckinridge (Kiefer Sutherland). Now he's having an affair with first lady Sarah Ballentine (Kim Basinger).
When Pete receives incriminating photos of himself and Sarah he realizes he's being blackmailed. At the same time he also learns that there's a "mole" working in the secret service plotting to assassinate the president. Things go really haywire when he realizes that someone's trying to frame him as the perpetrator.
Beaten into a corner and in danger of being charged with treason, Garrison goes on the run, partly in order to clear his name and also to hopefully uncover the real architects behind presidential assassination plot. But Breckinridge stays hot on his tale, chasing his former pal with the gorgeous rookie (Eva Longoria) who adds a bit of glamour to the chase. (Eva Longoria as a Secret Service Agent?).
Unfortunately The Sentinel doesn't really work that well. Apart from that fact that you can figure out whom the mole is after about twenty minutes, director Clark Johnson allows his pursuit scenes to run on for far too long. Most of the action is made up of a lot of gratuitous running, crouching, skulking around corners, aiming guns and shooting them. This of course gets a bit boring when carried on for so long.
Johnson uses jerky camera work to heighten suspense and to make the film look a little more prestigious that it really is, but this ends up being annoying instead. The same can be said about the film's overpowering background music as well as its choppy editing. And are the Secret Service really this efficient and on top of things in the real world? When you think of how the government has handled recent tragedies, something tells me they're not.
The Sentinel becomes even more preposterous as it lurches along. The rationale behind the assassination plot is murky at best. And then there's the big, hugely far-fetched shoot-out at the close, which suggests that infiltrating a small army of gunmen into an international assembly that is supposed to be a G8 summit must be the easiest thing in the world to do. It's also never really made that clear whom the gunmen actually are, but at least the scenes are shot in Toronto so we get to see some of the City.
The movie gradually sinks into a pit of conspiracy clichés, from the D.C. detective who talks like he's from a Manhattan borough to Pete's unkempt on-the-street informer who seems to know everything. Even worse, the characters lack in-depth development. It's also criminally sloppy writing when towards the end of the movie Sutherland's Breckinridge changes his attitude towards Garrison for the flimsiest of reasons.
The performances are pretty much what you see is what you get. Douglas goes through his usual tight-lipped shtick - you would think after thirty years in the business he'd be stretching himself and taking on more interesting roles. Sutherland does his TV show spiel and Longoria - who is never going to the world's greatest actress - is wasted in a role anybody could have phoned in. And Basinger looks svelte and gorgeous but offers little beyond her appearance as a meek and decorous First Lady. Mike Leonard September 06.


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There's never been a traitor in the United States Secret Service...until now. And the evidence points to Pete Garrison (Douglas), one of the most trusted agents on the force. Now on the run, with two relentless federal investigators (Sutherland and Longoria) hot on his heels, Garrison must fight to clear his name and thwart an attempt on the President's life before it's too late!

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