Showing posts with label kiefer sutherland. Show all posts
Showing posts with label kiefer sutherland. Show all posts

4/24/2012

A Few Good Men (1992) Review

A Few Good Men  (1992)
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How much critical thought can the military allow its rank and file? Certainly most orders must be followed unquestioningly; otherwise ultimately the entire Armed Services would collapse. But where do you draw the line? Does it matter how well soldiers know not only their military but also their civic duties? Does it matter whether trials against members of the military are handled by way of court-martials, or before a country's ordinary courts?
I first saw "A Few Good Men" as an in-flight movie, and after the first couple of scenes I thought that for once they'd really picked the right kind of flick: A bit cliched (yet another idle, unengaged lawyer being dragged into vigorously pursuing a case against his will), but good actors, a good director and a promising storyline.
Then the movie cut from the introductory scenes in Washington, D.C. to Guantanamo Bay, Cuba, and Jack Nicholson (Colonel Nathan Jessup) inquired: "Who the f**k is PFC William T. Santiago?"
And suddenly I was all eyes and ears.
Director Rob Reiner and Nicholson's costars describe on the movie's DVD how from the first time Nicholson spoke this (his very first) line in rehearsal he had everybody's attention; and the overall bar for a good performance immediately rose to new heights. Based on my own reaction, I believe them sight unseen. Or actually, not really "unseen," as the result of Nicholson's influence is there for everybody to watch: Never mind that he doesn't actually have all that much screen time, his intensity as an actor and the personality of his character, Colonel Jessup, dominate this movie more than anything else; far beyond the now-famous final showdown with Tom Cruise's Lieutenant Kaffee. Nobody could have brought more power to the role of Jessup than Nicholson, no other actor made him a more complex figure, and nobody delivered his final monologue so as to force you to think about the issues he (and this film) addresses; and that despite all the movie's cliches: The reluctant lawyer turning out a courtroom genius (as lead counsel in a murder trial, barely a year out of law school and without *any* prior trial experience, no less), the son fighting to rid himself of a deceased superstar-father's overbearing shadow, and the "redneck" background of the victim's superior officer Lieutenant Kendrick (Kiefer Sutherland, who nevertheless milks the role for all it's worth).
Screenwriter Aaron Sorkin, who adapted his own play, reportedly based the story's premise - the attempted cover-up of a death resulting from an illegal pseudo-disciplinary action - on a real-life case that his sister, a lawyer, had come across in the JAG Corps. (Although even if I take his assertion at face value that assigning the matter to a junior lawyer without trial experience was part of the cover-up, I still don't believe the real case continued the way it does here. But be that as it may.) Worse, the victim is a marine serving at "Gitmo," the U.S. Naval Base at Guantanamo Bay, where *any* kind of tension assumes an entirely different dimension than in virtually any other location. In come Lt. Daniel Kaffee (Tom Cruise) and co-counsels Lt. Sam Weinberg (Kevin Pollack) and Lt.Cmdr. JoAnne Galloway (Demi Moore), assigned to defend the two marines held responsible for Santiago's death; L.Cpl. Harold Dawson (Wolfgang Bodison) and PFC Louden Downey (James Marshall), who claim to have acted on Kendrick's orders to subject Santiago to a "code red," an act of humiliating peer-punishment, after Santiago had gone outside the chain of command to rat on a fellow marine (none other than Dawson), attempting to obtain a transfer out of "Gitmo." But while Kendrick sternly denies having given any such order and prosecuting attorney Captain Ross (Kevin Bacon) is ready to have the defendants' entire company swear that Kendrick actually ordered them to leave Santiago alone, Kaffee and Co. believe their clients' story - which ultimately leads them to Jessup himself, as it is unthinkable that the event should have occurred without his knowledge or even specific direction.
By the time of this movie's production, Tom Cruise had made the part of the shallow youngster suddenly propelled into manhood one of his trademark characters (see, e.g., "The Color of Money," "Top Gun" and "Rain Man"); nevertheless, his considerable skill (mostly) elevates Kaffee's part above cardboard level. Demi Moore gives one of her strongest-ever performances as Commander Galloway, who would love to be lead counsel herself in accordance with her rank's entitlements, but overcomes her disappointment to push Kaffee to a top-notch performance instead. Kevin Pollack's, Kevin Bacon's and J.T. Walsh's (Jessup's deputy Lt.Col. Markinson's) performances are straight-laced enough to easily be overlooked, but they're fine throughout and absolutely crucial foils for Kaffee, Galloway and Jessup; and so, vis-a-vis Dawson, is James Marshall's shy, scared Downey, who is clearly in way over his head. The movie's greatest surprise, however, is Wolfgang Bodison, who, although otherwise involved with the production, had never acted before being drafted by Rob Reiner solely on the basis of his physical appearance, which matched Dawson's better than any established actor's; and who gives a stunning performance as the young Lance Corporal who will rather be convicted of murder than take an unhonorable plea bargain, yet comes to understand his actions' full complexity upon hearing the jury's verdict.
"Unit - corps - God - country" is the code of honor according to which, Dawson tells Kaffee, the marines at "Gitmo" live their lives; and Colonel Jessup declares that under his command orders are followed "or people die," and words like "honor," "code" and "loyalty" to him are the backbone of a life spent defending freedom. Proud words for sure: But for the "code red," but for the trespass over that invisible line between a legal and an immoral, illegal order they might well be justified. That line, however, exists, and is drawn even in a non-public court-martial. I'd like to believe that insofar at least, this movie gets it completely right.
Also recommended:
Basic
Rules of Engagement
The Firm
The Border
Guantanamo: 'Honor Bound to Defend Freedom'
The Caine Mutiny (Collector's Edition)

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3/24/2012

Paradise Found (2003) Review

Paradise Found (2003)
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I am a big fan of Kiefer and I always wonder why he's in (usually) crappy movies. This is a nice change of pace for him since his character doesn't carry a gun or work for the government. Everything is well done in this move, the settings are great and the acting is done well. It would have been nice to have some extras on this DVD, but I guess somebody was too cheap for that. Oh well. Still a good movie.

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2/13/2012

24: Season One (Special Edition) Review

24: Season One (Special Edition)
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First, let me say, they had me at 24.
This is one of the best shows I have had the pleasure of viewing. I was fortunate enough to watch this series live from the very beginning, and it grips me soo.
If you want a show that can cause a heart attack, this is that show. It has me on the edge of my seat, and in all reality, has my heart racing! (no other show except prison break and dexter has ever done this to me).
You cant stop watching the show, but most people looking at this review could care less what I think about the show, and want to know what I think about the special edition, so lets get started!
The alternate ending. is it new? yes, is it good? not even, quite possibly the worst thing I have ever watched (no, it is not badly acted, nor shot, in fact, it is technically sound, but the ending is not an ending, I do not wish to spoil anything, but to say it stunk would be a vast understatement!)
Basically the whole set is the same as the original I'm sure you have on your shelf. Disc 7 is new, and has your extended scenes, and 2 extra documentary's.
The extra documentary's are nice, and worth watching, but not necessarily worth buying over your other version.
The case is beautiful, it has a clock on it that says 24, you can press a button and it resets to 0 and counts up, which is cool.
The housing of the dvds looks nice, with a fresh art design. The art is pretty much the same (on the dvds).
Last, but not least, the discs are housed in a cardboard container, 2 of my discs exhibit scratches, and 1 was out of the sleeve entirely.
I have bought other dvds in the past using cardboard containers, and the result is the same. Not good for housing dvds.
Your best bet is to buy the dvds, get the scratched ones resurfaced, and store in other cases, or inside of a cd case.Again, the show is the same, and one of the best things you can view. if you do not own 24 season 1, this one is a no brainier.
If you have all seasons and have watched them many times (as I have) this still gives you nothing. The show is a 5 out of 5. This release is a 4.5 out of 5 (half a star gone due to inferior packing)
For people who own the previous version, give this a pass, and pick up the eventual blu-ray.maybe a slight spoiler? but I think not, read next paragraph at your own risk.
The alternate ending (the main reason I bought it) sucks, it just ends, nothing happens! if you have seen season 1, you know what happens in the end, here, nothing happens. and by nothing I mean nothing at all.

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Genre: Television: Fox TVRating: NRRelease Date: 20-MAY-2008Media Type: DVD

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11/28/2011

Freeway (1996) Review

Freeway (1996)
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A 15-year-old illiterate girl named Vanessa Lutz (Reese Witherspoon, about 19 at the time) lives in a crummy motel with her lunatic, methadone-addicted, prostitute mother (Amanda Plummer in an incredible performance) and crack-smoking, child-molesting step father (Michael T. Weiss, of The Pretender, as you have never seen him....before or since). When mom and dad get arrested for about the 100th time, poor young Vanessa evades Child Protective Services custody, gets a gun from her black, gangster fiance (Bokeem Woodbine) who can't join her because of a parole hearing in the morning and who is immediately murdered in a drive-by shooting, and, wearing a red jacket and carrying a basket, she heads for Grandma's house (ala Little Red Riding Hood), only to have car trouble and be picked up by the dreaded I-5 rapist, pederast, and serial murderer (Keiffer Sutherland)....now here is the best part: this is a COMEDY !!!
Granted, it is the blackest of dark comedies, but make no mistake, this gem offers some of the most hilarious dialog and situations you will even see on film. Brilliantly written and directed by newcomer Matthew Bright, it features superb performances by a remarkable cast, including an almost unrecognizable Brittany Murphy as a deranged, paint-sniffing lesbian with a face that is hacked up like a post-Christmas ham.
Possibly due to its unorthodox tone and content, this 1996 masterpiece never received the marketing and public release it deserved, but was still selected by critics (including Roger Ebert) as one of the finest films of the year.
If you want to see a performance by Reese Witherspoon that makes all her subsequent roles, including Ring of Fire, look like high school plays, then please give this DVD a try. It isn't the cute, cuddly, predictable Reese of recent times, but an infinitely more entertaining, gun-toting, butt-kicking, foul-mouthed wild woman who doesn't take kindly to those who dare to treat her with disrespect. Like Kill Bill and True Romance, this movie features strong women in situations where attempted victimization by men inevitably leads to mayhem....and a lot of dead, disfigured men.
This is a very special movie that will appeal to those who enjoy the gritty action and dark comedic aspects of movies like Pulp Fiction, True Romance, and Kill Bill. Matthew Bright hit a major home run on his first time up to bat and has, unfortunately, struck out since. His DVD commentary track will help you understand and appreciate the intricacies of this truly great movie and the personal, somewhat bizarre eccentricities of the director who made it all happen.

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Freeway is one of those movies that has the power to simultaneously amaze and disgust just about anyone who dares to view it. Like "Seven", "Kalifornia", and "Natural Born Killers", it's a movie that could be called a product of our times, since it caters to our societal fascination with serial killers and outrageous psychopathic behavior. But make no mistake: director Matthew Bright isn't out to feed anyone's sickest impulse. This is a scathing satire in the age of Jerry Springer fistfights and "real" TV shows like "Cops", in which the "I-5 Killer" (Kiefer Sutherland) meets a wayward teenager (Reese Witherspoon) on the freeway that provides his nickname. She confides in the man but soon discovers his gruesome intentions, and ... well, let's just say she effectively defends herself, only to find later that the killer (whose wife is played by Brooke Shields, no less!) has used the media to his advantage. Fine performances make this a provocative thriller, but it's definitely not for the innocent or squeamish. "--Jeff Shannon"

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10/04/2011

The Sentinel (Widescreen Edition) (2006) Review

The Sentinel (Widescreen Edition) (2006)
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A mediocre, instantly forgettable espionage American government crime thriller, The Sentinel plays out more like a trumped-up network television show than a fully-fledged motion picture crime thriller. This fractured, overly convoluted tale of a spy within the Secret Service who is trying to assassinate the President is so laughable and implausible that you'll end up being cynically amused at most of what goes on.
The movie is totally dumb, and gets even dumber as it goes on. Michael Douglas - who indeed seems to be fighting the hands of time - plays Special Agent Pete Garrison. A few years back, he slept with the wife of his best friend and protégé, David Breckinridge (Kiefer Sutherland). Now he's having an affair with first lady Sarah Ballentine (Kim Basinger).
When Pete receives incriminating photos of himself and Sarah he realizes he's being blackmailed. At the same time he also learns that there's a "mole" working in the secret service plotting to assassinate the president. Things go really haywire when he realizes that someone's trying to frame him as the perpetrator.
Beaten into a corner and in danger of being charged with treason, Garrison goes on the run, partly in order to clear his name and also to hopefully uncover the real architects behind presidential assassination plot. But Breckinridge stays hot on his tale, chasing his former pal with the gorgeous rookie (Eva Longoria) who adds a bit of glamour to the chase. (Eva Longoria as a Secret Service Agent?).
Unfortunately The Sentinel doesn't really work that well. Apart from that fact that you can figure out whom the mole is after about twenty minutes, director Clark Johnson allows his pursuit scenes to run on for far too long. Most of the action is made up of a lot of gratuitous running, crouching, skulking around corners, aiming guns and shooting them. This of course gets a bit boring when carried on for so long.
Johnson uses jerky camera work to heighten suspense and to make the film look a little more prestigious that it really is, but this ends up being annoying instead. The same can be said about the film's overpowering background music as well as its choppy editing. And are the Secret Service really this efficient and on top of things in the real world? When you think of how the government has handled recent tragedies, something tells me they're not.
The Sentinel becomes even more preposterous as it lurches along. The rationale behind the assassination plot is murky at best. And then there's the big, hugely far-fetched shoot-out at the close, which suggests that infiltrating a small army of gunmen into an international assembly that is supposed to be a G8 summit must be the easiest thing in the world to do. It's also never really made that clear whom the gunmen actually are, but at least the scenes are shot in Toronto so we get to see some of the City.
The movie gradually sinks into a pit of conspiracy clichés, from the D.C. detective who talks like he's from a Manhattan borough to Pete's unkempt on-the-street informer who seems to know everything. Even worse, the characters lack in-depth development. It's also criminally sloppy writing when towards the end of the movie Sutherland's Breckinridge changes his attitude towards Garrison for the flimsiest of reasons.
The performances are pretty much what you see is what you get. Douglas goes through his usual tight-lipped shtick - you would think after thirty years in the business he'd be stretching himself and taking on more interesting roles. Sutherland does his TV show spiel and Longoria - who is never going to the world's greatest actress - is wasted in a role anybody could have phoned in. And Basinger looks svelte and gorgeous but offers little beyond her appearance as a meek and decorous First Lady. Mike Leonard September 06.


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There's never been a traitor in the United States Secret Service...until now. And the evidence points to Pete Garrison (Douglas), one of the most trusted agents on the force. Now on the run, with two relentless federal investigators (Sutherland and Longoria) hot on his heels, Garrison must fight to clear his name and thwart an attempt on the President's life before it's too late!

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