Showing posts with label dark comedy. Show all posts
Showing posts with label dark comedy. Show all posts

8/30/2012

Escape From Mars (1999) Review

Escape From Mars  (1999)
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Escape from Mars is a film set in the year 2016, in which five astronauts journey to the red planet, on the first manned mission to another planet. The film is reasonably realistic, although the build up to, and the climax, is rather unconvincing. Although the film is science fiction, it seems more like a recount, due to the weak message which the movie portrays, which I believe to be `taking risks can reward'. The plot, however, is complex enough to compensate for these matters. I believe that if the climax was more heavily anticipated and the message was emphasised more, then the movie would be very powerful.
The technical effects are very advanced. The spacecraft in which the astronauts travelled looks extremely realistic, and it's movement seems to abide to the laws of physics. To the untrained eye you cannot imagine how they filmed the spacecraft, although after playing the movie multiple times I did see a tiny string of nylon suspending the spacecraft in mid-air.
The amount of thought that was put into this movie was, in my opinion, was not as much as it could be. The movie at some points was lacking clarity, due to the fact that some sections were not emphasised enough, thus making it hard to understand. I also believe that the movie lacked some simple research, for example, when shots of the exterior of the space craft were filmed, you could here sounds, although sound does not travel through space. The astronauts were also filmed walking normally with their feet on the ground in a zero gravity environment, although this may be intentional, to show the technology advancement. As the film is set in the future, you would expect the technology to be different. In this movie, the technology has been changed adequately enough to show that there has been a technology advance, but so much that it becomes unfeasible. An example of the technology advance can be found within the computers used in mission control, which are a different shape and use a different user interface.
I believe that this movie was worth watching, and I did enjoy, because of the sense of realism, and the outstanding technical effects. It is obvious that a lot of work went into this movie, and that it should be commended. If I were to rate this film, I would give it four stars. Escape from Mars is appropriate for viewers older than eight, as it does require the presence of some technical knowledge and understanding. I would recommend this movie.

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5/25/2012

Mermaids (1990) Review

Mermaids  (1990)
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Cher plays a free-spirited, uninhibited and saucy mother of two. Charlotte (Winona Ryder) and Kate (Christina Ricci), who are about 15- and 8-years old respectively, are her daughters. Cher's behavior and appearance is an embarrassment to Charlotte who is trying to think "pure thoughts" on her way to becoming a nun. Ironically (considering Ryder's recent troubles) the part she plays has no interest in new clothes and even refuses new shoes, content with her old square boots that look like they were made in the former Soviet Union during the reign of Stalin. This is a nice (but increasingly familiar) switch on the mother who is embarrassed by her daughter's precocious sexuality, and Cher and Ryder play their parts well.
The story, from a novel by Patty Dann, begins with the trio moving into yet another town, this time somewhere in New England. They are always on the run, so to speak, because Cher is afraid of commitment or of staying around long enough to lose her heart to some guy. Enter predictably a man (Bob Hoskins) with the right stuff to win her over and a cute guy (Michael Schoeffing) to rearrange Charlotte's priorities. Director Richard Benjamin plays it as a romantic comedy ... coming of ager with wit and charm. Ryder is adorably cute as a conservative Christian miss goody two shoes who is always lecturing mom while Cher is voluptuous as the kind of woman who says yes, early and often, but underneath it all has strength and a kind of intuitive wisdom about herself and the people around her. Little Ricci really is the mermaid since she likes to practice holding her breath under water.
Part of the strength of the film is in the dialogue and the sharp repartee between Ryder and Cher. My favorite line is from Charlotte who is always dialoging with God. After seeing Schoeffing, who drives the school bus, and realizing what she is feeling, prays "Oh please God, don't make me fall in love and want to do disgusting things!"

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11/28/2011

Freeway (1996) Review

Freeway (1996)
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A 15-year-old illiterate girl named Vanessa Lutz (Reese Witherspoon, about 19 at the time) lives in a crummy motel with her lunatic, methadone-addicted, prostitute mother (Amanda Plummer in an incredible performance) and crack-smoking, child-molesting step father (Michael T. Weiss, of The Pretender, as you have never seen him....before or since). When mom and dad get arrested for about the 100th time, poor young Vanessa evades Child Protective Services custody, gets a gun from her black, gangster fiance (Bokeem Woodbine) who can't join her because of a parole hearing in the morning and who is immediately murdered in a drive-by shooting, and, wearing a red jacket and carrying a basket, she heads for Grandma's house (ala Little Red Riding Hood), only to have car trouble and be picked up by the dreaded I-5 rapist, pederast, and serial murderer (Keiffer Sutherland)....now here is the best part: this is a COMEDY !!!
Granted, it is the blackest of dark comedies, but make no mistake, this gem offers some of the most hilarious dialog and situations you will even see on film. Brilliantly written and directed by newcomer Matthew Bright, it features superb performances by a remarkable cast, including an almost unrecognizable Brittany Murphy as a deranged, paint-sniffing lesbian with a face that is hacked up like a post-Christmas ham.
Possibly due to its unorthodox tone and content, this 1996 masterpiece never received the marketing and public release it deserved, but was still selected by critics (including Roger Ebert) as one of the finest films of the year.
If you want to see a performance by Reese Witherspoon that makes all her subsequent roles, including Ring of Fire, look like high school plays, then please give this DVD a try. It isn't the cute, cuddly, predictable Reese of recent times, but an infinitely more entertaining, gun-toting, butt-kicking, foul-mouthed wild woman who doesn't take kindly to those who dare to treat her with disrespect. Like Kill Bill and True Romance, this movie features strong women in situations where attempted victimization by men inevitably leads to mayhem....and a lot of dead, disfigured men.
This is a very special movie that will appeal to those who enjoy the gritty action and dark comedic aspects of movies like Pulp Fiction, True Romance, and Kill Bill. Matthew Bright hit a major home run on his first time up to bat and has, unfortunately, struck out since. His DVD commentary track will help you understand and appreciate the intricacies of this truly great movie and the personal, somewhat bizarre eccentricities of the director who made it all happen.

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Freeway is one of those movies that has the power to simultaneously amaze and disgust just about anyone who dares to view it. Like "Seven", "Kalifornia", and "Natural Born Killers", it's a movie that could be called a product of our times, since it caters to our societal fascination with serial killers and outrageous psychopathic behavior. But make no mistake: director Matthew Bright isn't out to feed anyone's sickest impulse. This is a scathing satire in the age of Jerry Springer fistfights and "real" TV shows like "Cops", in which the "I-5 Killer" (Kiefer Sutherland) meets a wayward teenager (Reese Witherspoon) on the freeway that provides his nickname. She confides in the man but soon discovers his gruesome intentions, and ... well, let's just say she effectively defends herself, only to find later that the killer (whose wife is played by Brooke Shields, no less!) has used the media to his advantage. Fine performances make this a provocative thriller, but it's definitely not for the innocent or squeamish. "--Jeff Shannon"

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10/19/2011

Defendor (2011) Review

Defendor (2011)
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While marketed as a comedy, Defendor is actually a dark and touching crime drama. But while you can't expect Woody's comedy antics a la Zombieland, expect one of the best performances of his career.
By day, Arthur Poppington is a construction worker with a below-average IQ. By night, he's Defendor, dishing out justice with makeshift weapons (reminding us in his gruff Batman voice that "guns are for cowards"). But while the movie starts out light and funny, it evolves into something both dark and sad. With the flood of recent superhero movies, Defendor reminds us that reality isn't always so super.
The real story here is the unlikely friendship between Defendor and a drug-addicted prostitute, in his ongoing mission to take down Captain Industry. Woody is terrific in the role, bouncing between his wacky self and a vulnerable man-child who still believes in justice.
For this being his first directing gig, Peter Stebbings hits a bullseye. There's great cinematography and lighting, and Stebbings playfully throws out a few superhero flick cliches. John Rowley serves up one of the best movie scores I've heard in a while, with a powerful and dark superhero soundtrack. The supporting cast is also top-notch, from Elias Koteas and Sandra Oh to Clark Johnson (The Wire/Homicide).
You will enjoy this movie if you go into it with the understanding that it's not a comedy. It's a dark drama with splashes of humor and violence, and a very powerful ending.

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Arthur Poppington (2009 Golden Globe® Nominee Woody Harrelson) doesn't need superpowers or fancy toys to fight crime. Armed only with a childlike sense of wonder and his quirky arsenal of cheap, homemade gadgets, he becomes DEFENDOR! He finds an unexpected partner when he rescues and falls for a local prostitute (Kat Dennings, Nick and Norah's Infinite Playlist). Can the two of them take down the city's most fearsome crime boss without getting killed in the process?

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10/10/2011

The Comeback - The Complete Only Season (2005) Review

The Comeback - The Complete Only Season (2005)
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Perhaps the Producer, Michael Patrick King from Sex and The City and Lisa Kudrow, star from Friends were really expensive to get for HBO, since those shows were so big. However, those shows were made for the masses. Perhaps HBO was expecting another block buster ratings giant. It sounded like it, when they chose not to renew this show, saying the numbers weren't there and they didn't have any resources to put into promoting it further.
However, The Comeback was more of a niche show; subtle, intelligent, willing to embrace pain, humiliation in a point blank fashion. Willing to embrace phases we tend to avoid: those difficult moments in life when somebody says something in which you are not quite sure how to respond, socially awkward situations. A series this intelligent and insightful can only appeal to a few. The great masses prefer simple minded fair to distract them or prefer to see lots of things exploding with lots of pyrotechnics kind of like Homer and Bart Simpson, who are caricatures of "Everyman" on the Street".
But as Valerie (Lisa's character says in one episode); Reality TV is becoming "Coliseum mentality" and that she doesn't do coliseums. Valerie feared her show would not fare well in such a world. This thought proved to be prophetic.
Lisa Kudrow graduated from Vassar College with a degree in Biology. She's an extremely intelligent woman although you might not think so with all the ditzy characters she has played like Phoebe and the Romy and Michelle HS Reunion character.
In The Comeback however, as the main character and as Executive Producer, her intelligence is allowed free rein, as she is allowed to fully develop this Valerie character into a lightning rod for all manner of ridiculous situations...she still plays the part of silly and vain woman but does it so well in concert with the whole cast... We get to see humanity and all it's ridiculous foibles: vanity. prententiousness, selfishness, rudeness, vapidness, indifference, ego mania, self involved-ness...
Each episode allows us to see in subtle details and not so subtle details the dynamics of human/social interactions.
It was definitely not a show for the masses...I don't know if the 2nd season could have been as good as the first but at least we got 13 fantastic episodes of which I have watched at least 15 times each. I think Lisa and Michael should have tried to bring it to Showtime after HBO dropped it but Hey life is always changing...I hope you enjoy it as much as I did.

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(HBO Comedy Series) Ten years ago she was TV's "It" girl. Now It's a different story. For Valerie Cherish, no price is too high to pay for clinging to the television spotlight. Lisa Kudrow stars as Valerie Cherish, a former B-list sitcom star so desperate to revive her career that she agrees to star in a reality television show called The Comeback. DVD Features:Audio CommentaryAudio CommentaryInterviews:Valerie?s DVD Interview Other:Valerie Backstage at Dancing with the Stars


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10/06/2011

Badder Santa (Unrated Widescreen Edition) (2003) Review

Badder Santa (Unrated Widescreen Edition) (2003)
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If you are a fan of Bad Santa, DO NOT BUY THIS DVD. I bought it expecting extended and restored scenes, instead I got a totally different ending and hilarious scenes cut out.
This version ends with the little boy outside trying to clean up the blood on his front steps rather than giving the bully a swift kick in the nards.
One of the scenes cut out is the scene in the gym where Willie and Marcus are trying to teach the little boy how to defend himself. That was one of the funniest scenes in the movie.
The packaging is deceptive. If they had said, "new ending" on the notes, I would have left it alone. It didn't and I wasted my money. I thought I would come on here and post a warning.


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Hollywood favorites Billy Bob Thornton (THE ALAMO), Bernie Mac (MR. 3000), and John Ritter (TV's 8 SIMPLE RULES FOR DATING MY TEENAGE DAUGHTER) kick it up a notch in this unrated version of the outrageous comedy hit BAD SANTA. You'd better watch out -- Santa Claus Willie T. Stokes (Thornton) is coming to town and he doesn't care if you've been naughty or nice. Willie's favorite holiday tradition is to fill his sacks with loot lifted from shopping malls across the country. But this year his plot gets derailed by a wise-cracking store detective (Mac), a sexy bartender (Lauren Graham -- TV's GILMORE GIRLS), and a kid who's convinced Willie is the real Santa Claus! You're sure to believe in BADDER SANTA: THE UNRATED VERSION -- once you experience this longer, funnier, and more explicit motion picture!

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8/28/2011

Leaves of Grass (2009) Review

Leaves of Grass (2009)
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Leaves of Grass isn't a movie that you can easily categorize. While it doesn't offer up laughs every few minutes, it's still a clever comedy in the vein of a Coen Brothers film. But you also can't quite call it a black comedy completely in the spirit of Burn After Reading or Fargo. It's equal parts crime drama, humor, romance and philosophy.
The film revolves around the intertwining lives of two identical twins, played by the incredibly talented Edward Norton. Ivy League philosophy professor Bill Kincaid is lured back to his Oklahoma hometown as part of a scheme cooked up by Mary Jane growing brother Brady. The first half hour of the film moves slowly but quickly gains momentum when the two siblings eventually cross paths.
The best part of this movie is easily watching Norton put on brilliant performances as both brothers. The supporting cast is top-notch as well, especially director Tim Blake Nelson in the role of Bolger, Brady's partner in crime. Nelson slips into the role effortlessly, which is no surprise considering he himself is a real-life Okie (a Jewish one at that, which influences a subplot of the movie). My only gripe with casting was Richard Dreyfuss as Jewish gangster Pug Rothbaum, with Dreyfuss giving one of the most bizarre attempts at a Southern accent in film.
I enjoyed the cinematography, Jeff Danna's work on the score, and the infusion of philosophy into the film. As a Southerner, I appreciated the fact that Brady's accent was no reflection on his intelligence. While not as well-read as his sibling, he still gets the occasional profound message across. The only real complaint I have about the film are the jarring scenes of violence. Considering it's not entirely a dark comedy, scenes that involved murders seemed extremely out of place in this movie.
Overall, watching Edward Norton effectively tackle two completely different roles was a real treat. If you enjoy a good drama or comedy that makes you think, definitely check this one out.

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Patrice O'Neal - Elephant In The Room (2011) Review

Patrice O'Neal - Elephant In The Room (2011)
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This stand up special is rooted in Patrice's unique views on topics we might have heard covered by other comics but not like this. Patrice not only makes every topic his own, he takes you places you may not have wanted to go making you laugh along the way.
He covers race, sexual harassment, cheating, relationships, animals, football all in an hour special that makes you wish he was given two hours. He has a charisma that connects with the audience that most comics (at least the comics on Comedy Central) seem to be lacking.
Patrice is one of the best comics that America has not heard of and not for his lack of talent and comedic ability. Buy this special, see him live, you will not be disappointed.

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7/12/2011

Fight Club (10th Anniversary Edition) (1999) Review

Fight Club (10th Anniversary Edition)  (1999)
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When I'm looking at the Top Ten list's of America's critics and the nominations of the DGA,WGA and all the other guilds and press associations, I terribly miss David Fincher's outstanding film "Fight Club", which is possibly the best film of 1999.
Not only is the film visualy stunning, it is also very thought-provoking, wickedly funny and, above all, extremely entertaining. Only few films managed to be so many things at once. David Fincher, in my opinion one of the most exciting directors of the decade, fills his movie with so many ideas that it would be sufficient for three more movies, and they are not just gimmicks for their own sake, they all mean something. Edward Norton and Brad Pitt are brilliant in the leads and the soundtrack by the Dust Brothers fits perfectly to the images.
Many reviewers thought the film was fascist. I think you can only call this ridiculous, since that assumes Fincher sympathizes with Tyler Durden's project mayhem. In fact, he invites us to form our own opinion, like Stanley Kubrick did in "A Clockwork Orange". "Fight Club" hands over the resposibility to the viewer. This may be uncomfortable to some, others (like myself) will embrace this.

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7/07/2011

Confessions of an American Girl Review

Confessions of an American Girl
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Highly Recommended as an Example of How to Stage and Sequence a Complex Scene.
If you like black comedy, you should enjoy "Confessions of an American Girl". Rena (Jena Malone) is the embodiment of that old cartoon where the guy is sitting on the ground with a noose around his neck and a broken rope in his hand; captioned "some people can't do anything right". Rena lives in a mobile home with her somewhat "strange" family, is suicide challenged, is pregnant by a guy who doesn't want to be seen in public with her, and blames it all on the unfair eight year absence of her loving father, who is in prison for murder. Her dim idealic memories of her father are somewhat biased.
The highway and its exit ramps are metaphors for her life and her desire to end her life. The film is not quite as good as "Ghost World" but has much the same tone and feel.
Alicia Witt plays Rena's half-sister. Because Malone and Witt are arguably the most intelligent actresses in Hollywood, you immediately wonder about the wisdom of casting them as moronic trailer trash. But Malone has a special talent for playing this kind of "slack-jawed" character and Witt's standard sarcastic teen character works fine even in this environment. Their scenes together are the best ones in the film; with their reconciliation scene toward the end especially good.
Brad Renfro does a good job as Rena brother, O-Lon Jones (remember the waitress in Seinfeld's "Bubble Boy" episode) is excellent in a small role and Clifton Collins Jr. is great as Buddy, the prison trustee, who quickly sizes up the situation and sets the forces of change in motion.
While "American Girl" is an above average film, its main scene (the picnic at the prison which actually takes up the majority of the film) pushes it into cinema classic territory. This scene is an example of the way storytelling should be done, and the pacing is absolutely inspired. It is staged perfectly as Buddy orchestrates a sequence of revelations that changes all four visiting family members. Even if you hate the subject of this film it is worth watching just to see how wonderfully they manage this climatic scene. The disasterous visit over, the family leaves the prison with the statement "it went better than it could have".
Then again, what do I know? I'm only a child.


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6/25/2011

Trailer Park Boys: The Movie Review

Trailer Park Boys: The Movie
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Just picked this one up the other day. AWESOME!!! If you even liked the TV series even a little bit (and c'mon now - ya gotta love Julian, Ricky and Bubbs!) this is a great laugh. Loved it!! It's was pretty cool to see some Canadian musical talent in the show too!. Alex Lifeson (Rush), Hugh Dillon (Headstones) and Gord Downie (Tragically Hip) play the parts of a cop, club-owner and another cop, respectively.
Just crack open the beers, put the feet on the table and get ready to laugh your socks off.
Yes, it might be considered to be "low budget" but that truly is one of the magic things about TPB. And, always remember: "A dope trailer is no place for a kitty!"

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