Showing posts with label tom hanks. Show all posts
Showing posts with label tom hanks. Show all posts

5/25/2012

Mermaids (1990) Review

Mermaids  (1990)
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Cher plays a free-spirited, uninhibited and saucy mother of two. Charlotte (Winona Ryder) and Kate (Christina Ricci), who are about 15- and 8-years old respectively, are her daughters. Cher's behavior and appearance is an embarrassment to Charlotte who is trying to think "pure thoughts" on her way to becoming a nun. Ironically (considering Ryder's recent troubles) the part she plays has no interest in new clothes and even refuses new shoes, content with her old square boots that look like they were made in the former Soviet Union during the reign of Stalin. This is a nice (but increasingly familiar) switch on the mother who is embarrassed by her daughter's precocious sexuality, and Cher and Ryder play their parts well.
The story, from a novel by Patty Dann, begins with the trio moving into yet another town, this time somewhere in New England. They are always on the run, so to speak, because Cher is afraid of commitment or of staying around long enough to lose her heart to some guy. Enter predictably a man (Bob Hoskins) with the right stuff to win her over and a cute guy (Michael Schoeffing) to rearrange Charlotte's priorities. Director Richard Benjamin plays it as a romantic comedy ... coming of ager with wit and charm. Ryder is adorably cute as a conservative Christian miss goody two shoes who is always lecturing mom while Cher is voluptuous as the kind of woman who says yes, early and often, but underneath it all has strength and a kind of intuitive wisdom about herself and the people around her. Little Ricci really is the mermaid since she likes to practice holding her breath under water.
Part of the strength of the film is in the dialogue and the sharp repartee between Ryder and Cher. My favorite line is from Charlotte who is always dialoging with God. After seeing Schoeffing, who drives the school bus, and realizing what she is feeling, prays "Oh please God, don't make me fall in love and want to do disgusting things!"

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4/24/2012

Funky Monkey Review

Funky Monkey
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They just don't make very many good family-friendly films these days; they're too busy taking classics and making modern-day mockeries out of them. Funky Monkey, though, is a very funny, perfectly family-friendly film that just about everybody can enjoy (I guess it's the fight scenes that earned it a PG instead of a G rating). Normally, I shy away from movies built around chimpanzees - give me a chimpanzee that knows martial arts, though, and I am there. Clemens is no ordinary chimpanzee - he's been specially trained by former CIA agent Jack McCall (Matthew Modine) to be some kind of simian super agent. When the training is finished, though, McCall's boss sends him packing and makes plan to transfer Clemens to some kind of biological research place (where study means death, of course). The ultimate plan is to make an army of chimps just like Clemens. McCall's not about to let that happen, so he rescues the chimp and rides off into the night with him.
The pair turns up in San Diego, where they meet Michael Dean (Seth Adkins) - after a certain little action-packed episode at the zoo. Thanks to Michael and his mother Megan (Roma Downey), McCall and Clemens have a place to hide out for awhile. The bad guys, including two complete idiots, eventually track them down, of course - but before that happens, McCall has time to make buddies with the kid and even give him a little guidance concerning the ladies (which apparently includes changing his height at will, as he's about a foot shorter than Christina (Kaleigh Krish) at one point, a few inches taller at another). Tommy Davidson and Gilbert Gottfried make short but memorable appearances, and I believe a good time was had by all.
McCall does the lion's share of the fighting here, but Clemens acquits himself well in various physical situations. He's not exactly Jackie Chan, of course, but he's still fun to watch. I was figuring on giving this film four stars until I got to the last twenty minutes or so - those later scenes are so funny, I just had to give Funky Monkey five stars overall. Sure, the whole film is completely unbelievable, but who cares? It's a funny movie that children will almost certainly enjoy, and I believe most adults will find a lot of entertainment value in it as well. Best of all, it's a film parents can let their children watch without any hesitation.

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1/20/2012

Apollo 13 (1995) Review

Apollo 13  (1995)
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First off, this is easily a five-star film. It's handsome, taut, and thoroughly engaging.
For picture and audio quality, this Blu-ray is obviously superior to prior releases. There is moderate film grain to the transfer, giving it a natural feel. The special effects (i.e. the launch sequence) receive the greatest benefit and the clearest visuals, but on the whole the film is beautifully rendered and, for these benefits, the Blu-ray is worth picking up.
I do concur, however, that this disc has some slight issues. It takes too long to load -- I timed it at roughly two minutes on my slim PS3. This is mildly annoying but comparable to other Universal and Disney releases. I was more annoyed that after waiting for the BD-Java to load, selecting "English," waiting for more loading, waiting for the menu to animate, and selecting the film that I was treated to a "social BLU" splash page asking me if I wanted my Facebook status updated. What aggravated me was that this admittedly brief interruption occurred after I had already selected to play the film, and it would seem that it will occur every time I choose to do so; it was an unwanted and, in my opinion, rather lame attempt to add "interactivity," if having your Blu-ray player post that you're watching a film on your Facebook wall can be considered as such. I would rather that this option could be turned off BEFORE I select to watch the film, and that this setting could be saved. Additionally, advertisements for other Universal products pop-up in the background of the menus, presumably for "shopping convenience" but really an irritating marketing gimmick. These so-called bonuses serve to make the general experience of navigating this disc feel very clunky.
Overall, the content in this package (which carries over most of the content from the last two-disc DVD) is fantastic, but the design of the disc's menus and bonuses suffers from baffling and annoying gimmicks that are mildly aggravating but hardly ruin the experience; you'll forget about the hiccups once the film starts and you're engrossed. If you are a fan of the film and have the necessary equipment to benefit from the technical improvements in this release, it is highly recommended.
But, Universal? In the future, either streamline your gimmicks or leave them off the disc. We purchase these to watch the films, not to update our social networks.

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Universal Apollo 13 (HD-DVD)Nominated for nine Academy Awards, including Best Picture, "Apollo 13" is now available in incredible High-Definition DVD. Produced by Academy Award winner Brian Grazer and directed by Oscar winner Ron Howard, "Apollo 13" stars Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise and Ed Harris in the inspiring and riveting story of the real-life space flight that gripped a nationand changed the world.

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12/30/2011

The Polar Express (2004) Review

The Polar Express  (2004)
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I went to see this movie tonight with a mentally handicapped friend - "Michael" -- (from a L'Arche home here in Winnipeg, Canada). We were the first persons in the theatre for the very first evening showing in this city - and we were the last to leave. We thoroughly enjoyed ourselves - enchanted by the movie's subtleties and happily exhausted by its roller-coaster rides.
Time and again, Michael (who is sensitive, compassionate and with a good sense of humor) turned to me in the darkness, smiling in appreciation at the exact same moments I turned to see his reactions. Each time this happened, it was at a moment in the film when some little detail, perfectly captured through superb 'cinematography,' brought moisture to my normally cynical eye, and a warm smile to Michael's innocent face.
Some examples: There is a lone, black child on this apparent 'dream train' to the North Pole - a girl of about ten or eleven years, and like a painting come to life, the miraculous technology at work in this film captures the particular sensibilities of this compassionate, black youngster --- We see small mannerisms of someone comfortable with herself in a way the other (ten or so) white kids on the train are not. And the effect is profound --- the movie audience, including some children of that same age group, went silent at such moments in the film.
My friend Michael - who has a 'savant' genius for perceiving my emotions, and expressing them for me out loud in public --- Michael turned to me with a delighted smile when the girl on the train reaches out to hold the hands of the poorest boy, sitting alone in the rear compartment; and later, she hugs two other boys, (one of them the central character) --- at their final parting. At that moment I held up a finger to my lips to try to hush Michael, but couldn't prevent him from saying aloud: "She's such a sweetheart." There were murmurs of appreciation in the darkness around us, responding to this innocent sentiment.
There is a sublime moment, on the back platform of the moving train -- the Northern Lights glimmering in the distance -- when the young girl joins in song with the poorest kid on the train (a younger boy from a dilapidated home on the "far side of the tracks"). I admit to being overcome with emotion during this duet (a lovely, strong melody with poignant lyrics) - and I blurted out loud to Michael, after the first chorus: "What a wonderful song!" The refrain includes the words "When Christmas comes to town." [It's a song so good that, with some future 'cover versions' by serious musicians who could do it justice --- this "Christmas Comes to Town" song could, I believe, deservedly join the small list of true, Christmas 'classics.']
I'd have to agree with anyone who thinks this movie is a little short on plot. And yet . . . once you've suspended disbelief -- beginning with an earth-shattering, Christmas-eve arrival of a steam-puffing, passenger train on a small-town Michigan street, directly outside the home of the movie's central character -- once we've swallowed that premise, the movie disarmingly embraces the child in us, (including our fears) and our reservations vanish without our noticing.
Just as great `realistic' painters, (think Rembrandt or Vermeer) worked wonders of light & shadow that no mere photograph could ever capture, so too this computer-animated marvel takes your breath away through an accumulation of tiny but acute observations that could never be captured by conventional cinematography. Prime examples from the opening scenes:
A shaft of light illuminates the boy's bedroom, and he is reflected in a chrome, automobile hubcap leaning against a wall; at once we share his view -- through the keyhole of his bedroom door - we can see only the backs and the dressing gowns of mother and father, as they say goodnight to the boy's young sister, after determining the state of her belief in Santa's existence - a belief no longer shared by the older brother, whose eye is at the keyhole.
Later, on the train, there's an exquisite close up of the boy's face, a slight blemish above the pores on his upper right cheek; the `camera' pans in rotation, capturing perfectly, the texture of the boy's hair, and that of the young black girl sitting beside him -- subtleties of such perfection one wonders if the unique, artistic accomplishment of "Polar Express" could ever be surpassed.
The film's last scene, consists entirely of a close-up view of a small, silver bell (of the type associated with sleigh rides) with its attached 'ribbon' of red leather. The little bell helps make the final point about `Belief' --- in things unseen, (or forgotten, and thus inaccessible to some adults). So simple, so powerful, so enlightening an image. My friend Michael turned to me at that moment, with a radiant smile. And we just shook our heads in awe.
----
Yes, this movie must have SOME shortcomings - one or two moments that don't quite work as intended by the creators. But right now, in the afterglow, I can't recall what they were. The film was just too satisfying an experience!
I'm a 57-year-old grandfather who happens to believe that "The Polar Express" is the first, true Christmas classic in almost 60 years. Not since the original Kris Kringle "Miracle" movie of 1947, has any film (to my jaded eye) so transcended our secular, commercial views of the Holiday Season, with such uplifting and fresh reminders of the timeless and true spirit of Christmas.
Mark Blackburn
Winnipeg Canada.

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When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.

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10/28/2011

Every Time We Say Goodbye (1986) Review

Every Time We Say Goodbye (1986)
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This movie is amazing. I saw it once many years ago and I never really got over it. It's an incredibly dramatic, romantic, touching, and realistic story of young love in the 1940s. Hanks plays a WWII American pilot stationed in Jerusalem who falls in love with a Sephardic girl played by Christina Marsillach. Of course, Marsillach's family is dead-set against their daughter dating the American. The film focuses in on their forbidden love affair, and Hanks and Marsillach have amazing on-screen chemistry. The characters are remarkably real and raw, as is the storyline. There is no sugar-coated perfect ending, but it's not depressing either. This is one of those rare films that is able to capture at once both the dispair of human prejudices and the optimism of human determination. I rewatched this movie recently, and I was overwhelmed by the same feelings I felt when I watched it for the very first time. Although it's out of print and one of Tom Hanks' lesser known films, it's definitely worth the effort. Try getting your hands on a copy--you won't regret it. Highly, highly recommended.

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10/05/2011

The Man with One Red Shoe (1985) Review

The Man with One Red Shoe (1985)
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This review refers to the 20th century Fox VHS edition....
Tom Hanks shines early in his career, as he gives us an hour and half of pure fun.Although this film was based on the French farce"The Tall Blonde Man With One Black Shoe", I saw it as a kind of Mad Magazine spoof of North by Northwest. Not the same story but a similar premise.
Musician Richard Drew(Hanks) is minding his own business, wearing one red shoe(the other seems to have gotten lost), when unbeknownst to him he is targeted as a spy by the CIA. One of two rival CIA bosses(Charles Durning/Dabney Coleman) has set him up to put the other on a wild goose chase.The laughs are non stop as these bumbling agents turn Drew's house upside down, try seducing him with their sexiest agent(Lori Singer),and drug him. Through all this he never suspects what is going on and falls for the girl.
On the other hand his buddy (Jim Belushi) may be headed for a little R&R as he is the one finding the bodies left behind, and his over-sexed wife(Carrie Fisher) is trying to hide her affection for Drew. Carrie does a great imitation of Tarzan's chimp.. watch(or I should say listen) for that one.
It is Directed by Stan Dragoti and also includes Ed Hermann in this very funny cast. It is rated PG, but you might want to view it before watching with the kids, there are some moments closer to PG13.
The VHS has a nice clear picture and it is in HI-Fi Stereo. This edition also has closed captions if neccessary.
Enjoy......Laurie
more fun stuff:
Jimmy Hollywood [VHS]
Grumpy Old Men (P&S) [VHS]
Nadine [VHS]


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In this hilarious undercover comedy, violinist Richard Drew (Hanks) is mistaken for a spy after wearing one red shoe and triggers a game of rivalry between two feuding CIA bosses (Charles Durning, Dabney Coleman).Though Richard is mugged, shot at and chased, he remains unaware that he is an object of suspicion and even falls in love with the agent (Lori Singer) who's trailing him.Meanwhile, his friend's (Jim Belushi) love-starved wife (Carrie Fisher) has designs on him as well.

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7/29/2011

Toy Story 2 (Two-Disc Special Edition) (1999) Review

Toy Story 2 (Two-Disc Special Edition) (1999)
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I took my Niece to see it and expected it to begood but I was not prepared for what followed. What a terrific movie.Woody and Buz have worked through the problems that existed between them in the first Toy Story and have become the best of friends. I laughed throughout the movie. What humor, I loved the scene where Mrs. Potato Head is packing Mr. Potato Head for his trip to save Woody and she packs his angry eyes "just in case". The depth of the personalities, the humor and thoughtfulness of each of the characters makes me feel as though these are real people. I have put this movie on my list of "All Time Favorites" My Niece is 5 and I am 47 and we both loved it. I am eagerly waiting for it to be available for home viewing so I can own my own copy. Hats off to Disney and Pixar for a job well done.

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A Golden Globe Award winner for Best Picture, TOY STORY 2 has become a favorite all across the world, garnering praise from fans and critics everywhere. It's "an instant classic," raves New York Magazine. Now, in a 2-disc collector's edition with a sparkling theater mix, this groundbreaking animated adventure is even better! While Andy is away at summer camp, Woody is toynapped by Al, a greedy collector who needs Andy's favorite toy to complete his Roundup Gang collection. Together with Jessie, Bullseye, and the Prospector, Woody is on his way to a museum where he'll spend the rest of his life behind glass. It's up to Buzz, Mr. Potato Head, Hamm, Rex, and Slinky Dog to rescue their friend and remind him what being a toy is all about. TOY STORY 2 © Disney/Pixar Original Toy Story Elements © Disney

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7/05/2011

Saving Private Ryan (Sapphire Series) Review

Saving Private Ryan (Sapphire Series)
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"Saving Private Ryan" is, by all accounts, an American masterpiece and one of the premier World War II films. Its release on Blu-Ray has been highly anticipated and, for the most part, it doesn't disappoint. First of all, the transfer is every bit as astonishingly sharp as expected. I am by no means a videophile, but there didn't appear to be a single moment of artificial enhancement of the film. The print is appropriately accompanied by a slight sheen of grain whilst still retaining a high level of detail. As far as I'm concerned this is an easy five star transfer. The film runs 2:49:28 and features audio and subtitles in English, French, Spanish, and Portuguese. Prior to the menu loading are two easily skippped trailers for the "Minority Report" Blu-Ray and the long overdue home video release of "The African Queen".
There are no features on the first disc, not even a commentary track (Spielberg is well known for his dislike of commentary tracks). The special features are included on the second disc and all are presented in standard definition with the exception of the two film trailers. This is disappointing but not surprising, as it's something of an industry trend. There were no new features produced for this release, which is especially surprising considering the wealth of new high definition features that were produced for the "Minority Report" Blu-Ray. The positive side is that it pulls the features from all previous DVD editions. So even if it is all in standard definition, at least the consumer is presented with the complete special features collection. Most of the titles are rather self-explanatory, but here's a complete rundown of the features:
1) "Introduction" (2:35) - Director Steven Spielberg discusses what attracted him to this project. This would've made more sense if it was included on the first disc with the film, as most will only put the second disc in after watching the film, thus making this more of an epilogue!
2) "Looking Into the Past" (4:40) - This functions as a sort of extension of the introduction, as Spielberg discusses the influences that ultimately led him to creating this film.
3) "Miller and His Platoon" (8:23) - This feature discusses the different personalities of the principle characters with particular focus on Tom Hank's character. Spielberg and Hanks also speak candidly about their interest in World War II in general. There's some interesting on-set footage included as well.
4) "Boot Camp" (7:37) - This features the great Captain Dale Dye discussing how he helped train the actors for their roles, as well as the unique boot camp the actors participated in during production.
5) "Making Saving Private Ryan" (22:05) - A strong making-of feature which highlights Spielberg's directing style relative to the film with some outstanding behind the scenes footage. This is far better than the typical promotional fluff studios place on video releases with a "making of" label attached.

6) "Re-Creating Omaha Beach" (17:58) - An interesting feature discussing how the crew mounted the most impressive battle scene of the film.

7) "Music and Sound" (15:59) - Composer John Williams discusses how he went about scoring the film.

8) "Parting Thoughts" (3:43) - A nice bookend feature that contains bits of interview footage with Hanks and Spielberg.

9) "Into the Breach: Saving Private Ryan" (25:01) - A standard behind-the-scenes feature covering production of the film. This feels like a promotional piece that was bumpered between films on television during its theatrical run. This feature was ported over from the original DVD release of the film and is in rather poor quality (even for standard definiton). I'm definitely glad they included this, but the "Making Saving Private Ryan" feature is far superior.

10) "Shooting War" (1:28:05) - Tom Hanks (in full beard, as this was filmed while "Cast Away" was under production) hosts this feature focusing on the men who filmed and photographed World War II. This is perhaps the strongest feature here, bolstered by plenty of amazing war footage and anecdotes from veterans.

11) Theatrical Trailer in High Definition (2:16)

12) Re-Release Trailer in High Definition (2:05)
To be fair, all the features truly do look quite excellent with the notable exception of the "Into the Breach" feature. I've been spoiled on the clarity of Blu-Ray, however, so it's still something of a disappointment. Aside from that, this is by far the best release of the film yet. The print is fantastic, it's a huge upgrade over the DVD, and the features are expansive and plentiful. Highly recommended!
UPDATE 05/11/10: Apparently this Blu-Ray has been recalled because of an audio sync problem that occurs after Chapter 15 (about two hours into the film). I was aware of the claims on its release date, but even after watching my copy twice I never encountered any issues. Still, for the company to take this sort of action proves the problem is indeed legitimate, so hopefully Paramount's response will be swift and painless for those who have already purchased this product.
FOLLOW-UP 05/26/10: The Blu-Ray issue has been resolved, Amazon only offers the corrected copies for sale and all other retailers should have them on the shelves now. If buying locally, the easiest way to tell the difference is to check the backside of the Blu-Ray for a yellow UPC sticker. Also, whereas the original defective discs were grey, the new corrected copies are blue discs.

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Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944.

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