Showing posts with label japan. Show all posts
Showing posts with label japan. Show all posts

8/27/2012

Sea Prince & Fire Child (Shiriusu no densetsu / Legend of Sirius) Review

Sea Prince and Fire Child  (Shiriusu no densetsu / Legend of Sirius)
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My mother, sister, and I all fell in love with this in the original japanese as the "Legend of Sirius" even though we couldn't understand it. We were shocked to find it in English in a local video rental store, but thrilled that we could finally hear the whole story.
It is just beautiful to watch, the music is lovely, and the characters are cute. I love the mythological take on Romeo and Juliet, and the ending is much easier to live with :-)
We still have our VHS copies in both English and Japanese, but this is one we really want on DVD.
I have read online that it had a limited release on DVD in Japan, but that it is nearly impossible to find. Please re-release it on DVD!

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8/04/2012

Stray Cat Rock: Sex Hunter (2004) Review

Stray Cat Rock: Sex Hunter (2004)
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Meiko KAJI - wow! What an actress! While most western audiences are primarily familiar with her name because Quentin TARANTINO used two of her songs in his KILL BILL films, this great looking actress starred in the 1970ies in many top movies in her native Japan (best known are the two entries in the LADY SNOWBLOOD series and her outstanding FEMALE PRISONER SCORPION movies, two of which are available on US DVDs).
Alas, STRAY CAT ROCK: SEX HUNTER! is not the highlight the promotional blurb on the DVD cover wants us to believe.
KAJI is Mako, the leader of a gang of teenage girls. It goes without saying that she is cooler than cool in her broad rimmed black hat, and tough as nails to boot. The story starts with Mako and her friends mugging a middle aged guy they accuse of molesting one of them. Relaxing after the mugging and the subsequent shopping spree in their hang out bar (cue great music interlude with a girl band singing a cool 70ies easy listening song), a bickering among them leads to the requisite cat fight outside the club (here with flashlights and knives). Just as Mako's opponent has learned her lesson, we are introduced to the Eagles gang. They are a gang of male hooligans with Jeeps, led by a quiet and well read guy called the baron, who is rarely seen without a book (!). The Baron has a crush on Mako, but he appears to be impotent and suffers from a childhood trauma, as he had watched in horror the rape and murder of his sister at the hands of foreigners (presumeably US soldiers), causing a hatred of "half-breed" Japanese in his twisted mind. Mako meets Kazuma, a young (you guessed it: mixed-race) guy in search of his sister, who was adopted as a small child. Inevitably Mako and Kazuma fall in love. Meanwhile the Baron has declared war on all half-breeds, leading to all kind of troubles and mayhem carried out with molotov cocktails and rifles...
The problem with STRAY CAR ROCK: SEX HUNTER is in my view that it does not deliver what it promises. Sure, Meiko KAJI is great, as are the early 1970ies fashion styles and the soundtrack. Special credit must be given to the girl band THE GOLDEN HALFS, who perform several cool songs (the best of which is also played over the DVD main menue). Oh, and Meiko does some singing of her own.The film is also beautifully shot and presented here in its original aspect ratio of 2.35 :1 ("Nikkatsu-scope"). Unfortunately it is too little to save the film. The vast majority of 1970ies Japanese exploitation movies really deliver in the violence, sex and sleaze department and STRAY CAT ROCK: SEX HUNTER fails to do so. It is simply not violent and sexy enough.
Unfortunately the DVD does not provide too many extras. There is a filmography of director Yasuharu HASEBE (who also directed the first entry in the FEMALE PRISONER SCORPION series, a film vastly superior to this one), the STRAY CAT ROCK: SEX HUNTER trailer (which is rather good), a trailer for the ZATOICHI film series DVDs and liner notes. The liner notes offer only a plot synopsis, a brief introduction to the history of NIKKATSU film studio (who produced STRAY CAT ROCK) and some interesting asides on the GOLDEN HALFs, the girl group in the film.There is also a reproduction of the original poster artwork of the film.
All in all this DVD is surely not a waste of your time, although I would recommend a rental.

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7/24/2012

Go, Go Second Time Virgin (1969) Review

Go, Go Second Time Virgin (1969)
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Some time ago I picked up Jack Hunter's excellent book about Sex, Blood And Madness in Japanese Cinema, Eros In Hell. The book's second chapter deals solely with the works of Koji Wakamatsu. I was intrigued by the exciting titles and images of such films as Go, Go Second Time Virgin, Violated Angels, and The Embryo Hunts In Secret. I assumed that I would have to hunt down Wakamatsu's videos on the grey market but fortunately Image Entertainment has released two of his better known films on DVD and VHS. I can only hope there are more to come. Made in 1969, Go, Go Second Time Virgin is a bleak downwardspiral into the depths of two empty souls, one a repeated gang-rape victim the other a teenager who was forced to endure sexual molestation, possibly from his parents (who his attackers are is never made clear). After the girl is raped a second time she develops a strange bond with the molested boy who angrliy stood by while she was raped. She begs for him to kill her. He tells her that he will but not before he takes her on a "trip". The "trip" is a to a local apartment which holds the four mutilated corpses of his attackers. He tells us that he has killed the "filthy pigs". While most of the film is in black and white this powerful sequence (among a few others) is shown in full color. Afterwards the girl claims to love the young man but she still begs for death. She wants to die because she wants to kill. ....Clearly, Go, Go Second Time Virgin is not for all tastes, but it should please those who crave brave and experimental films. Image/American Cinematheque should be commended for releasing this rareity. Both the image and sound quality is surprising clear, though the widescreen framing cuts a little off the sides and the subtitles are a bit difficult to read. Meikyu Sekai's music score is one of the best I have ever heard. The DVD features a 50-minute interview with Wakamatsu in a small Japanese bar. Much of the interview is quite interesting. He recounts his time working for the yakuza, how he came to be a filmmaker, and his near-death experience making a film in Palestine. One of the best films I have seen this year.

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6/26/2012

Attack Girls' Swim Team vs. the Undead Review

Attack Girls' Swim Team vs. the Undead
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Attack Girls Swim Team vs. the Undead (Koji Kawano, 2007)
Okay, let's start off by saying that if you're the kind of person who sees a title like Attack Girls Swim Team vs. the Undead and does not immediately think "THIS IS THE BEST THING EVER", you're probably in the wrong place. Because that's exactly what I thought when I saw the title of this movie, and, well, I'm the guy who's writing the review. If we're coming from entirely different mindsets... you know. And while the movie doesn't live up to the promise of the title, it's certainly good for a romp.
Aki (Sasa Handa) is the new girl at school. Keeps to herself, quiet, that sort of thing. One day, Sayaka (Yuria Hidaka), seeing her at the side of the pool and mistaking her for someone else, pushes her in as a prank. The two of them become fast friends after that, but this is no simple friendship drama. Because, after all, there must be an evil mastermind experimenting on the school (where else but in Japan?), administering a "vaccine" for a cold that's going around. But, yeah, vaccine? It makes zombies of everyone but Aki and the girls' swim team, who must find a cure.
No, it's not a great movie, and most of the time it's not even a good movie. But on the Joe Bob Briggs blood, breasts, and beasts scale, it gets top marks in all three categories (including one scene between Handa and Hidaka that wouldn't be out of place in an Emmanuelle flick), and it adds a continual element of just plan weird, in that style the Japanese do so well. The climax of the movie is just jaw-dropping. I mean, really, off-the-scale, [censored for Amazon consumption] nuts. And hysterically funny, if that kind of humor works for you.
So, yeah, not a good movie, but it's the kind of bad movie that transcends its badness and becomes something great. This is one you owe it to yourself to watch. ****


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Item Name: Attack Girls' Swin Team Versus the Undead; Studio:Adv Films

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4/17/2012

Death Note: Re-Light, Vol. 1 - Visions of a God (2009) Review

Death Note: Re-Light, Vol. 1 - Visions of a God (2009)
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...I was quite disappointed w/this DVD.
First, the good stuff: The animation of the new scenes is lovely; the colors & design are brighter and crisper than in the original anime. It's really the only reason I gave it 3 stars instead of 2. The extra scenes are interesting, but don't add that much to the original series.
OK, now the bad stuff: This is basically a clip show, following just over halfway thru the anime (where a particularly lovable character dies). It's framed by Ryuk telling the story to another shinigami. But that's about it.
I'd had high hopes for this DVD (given the description), but, alas, they were dashed [siiiiigh].
I'd recommend this for (a) Death Note completists, or (b) someone who doesn't want to invest the time in watching the entire first half of the original anime.


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"See through the eyes of a shinigami…Light and L have battled to the bitter end over the Death Note—but what does the story look like from Ryuk's point of view?When rogue shinigami Ryuk deliberately drops his Death Note in the human world out of boredom, he has no idea how far the human who picks it up will take his newfound power. With the Death Note in hand, brilliant high school student Light Yagami vows to rid the world of evil, and when criminals begin dropping dead one by one, genius detective L steps in to track down the elusive killer known as Kira. An epic battle of wits pitting one brilliant mind against another unfolds—with the very future of humanity at stake! Ryuk's not bored anymore…Go back to where it all began and watch the epic battle from a new perspective—through the eyes of the one who started it all! "

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2/05/2012

King Kong vs. Godzilla (1963) Review

King Kong vs. Godzilla (1963)
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This would have to be considered one of the all time greatest
Japanese monster movies. King Kong is captured and brought to the civilized world. Godzilla comes onto the scene with his radioactive fire breath. It is a battle waiting to happen. The
Japanese homeland is torn asunder when the two behemoths do finally meet.The land is burned and smashed in every conceivable
fashion. At times if you really looked hard you could tell that
Godzilla and King Kong were men in suits and hand puppets. That
alone did not detract from the film.You would still have to classify it as a classic. Buy and watch this movie. You will never forget it.

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1/29/2012

Stray Dog: The Criterion Collection (1949) Review

Stray Dog: The Criterion Collection (1949)
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I am not a Japanese film historian, so others can elaborate on that aspect. When it started, I wasn't sure I would take to this film, but it draws you in inexorably. Shot on location in Tokyo, remarkably just 3 or 4 years after the end of WWII, it most reminds me of a Japanese Naked City, with echoes and moments reminiscent of other American gangster films all the way back to Public Enemy and The Roaring Twenties of the 30's.
The location photography alone is fascinating in depicting the Japan of 1948 or 49. And the story progresses as a very young Toshiro Mifune wanders through various levels of that postwar society in search of the thief who stole his Colt. On hand also, is that wonderful actor in Kurosawa's repertory company that was the leader of the 7 Samurai, and here too, is the older & wiser mentor to Mifune.
Finally, the movie wins you over for its own reasons. Though early, Kurosawa's composition, framing, and directorial skill is evident. The performances are fine. The atmosphere and location photography ground the film in reality. And it is a more complex film and story than it first appears. And, like early Ford, there is poetry amid the restrictions of budget and resources. And like early Ford, it presages what was to come. Good stuff if you've a mind for it. 5 stars for those folks.

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A detective whose revolver is stolen goes undercover to locate the thief, sinking to such depths that even his colleagues don't recognize the difference between him and the thief.Genre: Foreign Film - JapaneseRating: UNRelease Date: 25-MAY-2004Media Type: DVD

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11/11/2011

BBC History of World War II: Hiroshima (2005) Review

BBC History of World War II: Hiroshima (2005)
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I am from Hiroshima. My father was 15 years old and was deployed as a student worker at a ship yard at the time. He does not talk much about his experience, but told me bits and pieces about what he saw. When I was an elementary school student, we had to watch the video footage of the victims that was extremely graphic. So nothing in this program was new to me, although it was very interesting to see how nuclear fusions started inside the bomb.
Having said that, I think this program is a good overview for people who are not familiar with the event. It talks about how the bomb was developed, the political circumstances, the US military mission, GIs who engaged in the mission, and of course, the effect on the people in Hiroshima. There is little criticism or political overtones in the way the program was made, although it is clear that there were terrible misunderstandings between Japanese and US leaders, and that a handful of Japanese extremists led the country into ruins.
I wish the program talked more about the way the atomic bomb affected people long after the event. There is one section that describes the "mistery illness" that plagued the survivers, but it did not talk about the deformed babies born to the mothers who were pregrant at the time, or the cancers that many of the survivers suffered later in their lives. The program also did not mention anything about the American POWs who were detained in Hiroshima at the time. They all perished along with thousands of people of Hiroshima. I am not sure how many Americans know this.
My father is fine. His family lived in the suburbs so none died because of the event although some of the family heirlooms had burn marks that were visible even decades later. My mother's grandparents, however, lived right by the T-shaped bridge that was used as a target so no remains were found. I remember my grandmother used to go to the annual memorial service every year. Although it was somewhat difficult for me to see the suffering of people reenacted in the program, the stupidity of the leaders, and the happiness and the joy that Americans were feeling after the bomb was dropped (not because I am bitter or critical of their actions, but because they really did not realize what was going on in Hiroshima and that they opened the door to a new era of nuclear threats), we need programs like this so we can learn from the history and remember that the war is savage, no matter what side you are on, and that the war should really be the last resort to resolve a conflict.

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10/07/2011

Puccini - Madame Butterfly / Huang, Troxell (2002) Review

Puccini - Madame Butterfly / Huang, Troxell (2002)
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When considering the characteristics of opera, it naturally follows that the genre would be difficult to film. Not so for Mitterrand with his Madame Butterfly; from casting to direction to filming, Mitterrand wins. The title role must do far more than "look Asian," she must also live the role...even more so when being filmed as "Butterfly." Ying Huang proves herself a sensitive and sensible actress as well as a singer with an expressive and powerful voice. Richard Troxell as "B. F. Pinkerton" shines in his role, allowing the callousness of his character clash with an accidental love. Troxell uses the flexibility of the film medium to act as many opera singers seem unable to do upon finding themselves on a stage. In fact, the power of this video lies in the fact that the singers realize that they have the opportunity to be better actors than they could be in a staged version of the same work. There are retakes, more natural positions, beautiful scenery, and an amazing acoustic, even when outdoors! All in all,it is a fine work by Frederic Mitterand, Huang, Troxell, Cowan ("Sharpless"), Liang ("Suzuki"), and the rest. None of the roles had less than an accomplished actor and singer; even the role of "Kate Pinkerton" played by Constance Hauman was rendered with a delicate hand aware of a conflicting position and an involuntary hostility. Enjoyable for the everyday opera viewer as a fresh, beautiful feast for the eye and ear, and a first-rate film for the opera newcomer.

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Madame Butterfly is the heartwrenching story of a beautiful young geisha who sacrifices her family, her religion and, ultimately, her life for her American husband. Butterfly is the young bride of Lieutenant Pinkerton, who buys Butterfly's love while stationed in Japan and with no intention of ever taking her home to America. Martin Scorsese presents this award-winning film based on the popular opera. 133 minutes. Cast:Ying Huang: Cio-Cio-San Richard Troxell: Pinkerton Ning Liang: Suzuki Richard Cowan: Sharpless Jing Ma Fan: Goro Christopheren Nòmura: Prince Yamadori Constance Hauman: Kate Pinkerton

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8/01/2011

Gojira / Godzilla Deluxe Collector's Edition (Gojira/Godzilla / Godzilla, King of the Monsters ) (2004) Review

Gojira / Godzilla Deluxe Collector's Edition (Gojira/Godzilla  / Godzilla, King of the Monsters ) (2004)
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If you are like most Americans, you have probably never seen the original, unadulterated "Godzilla" (Original title "Gojira." the name being a mix of the Japanese words for "gorilla" and "whale.") More familiar with the campy, badly dubbed and edited version that graced TV screens in the 70s, we have seen Raymond Burr awkwardly inserted into the plot, anti-American political sentiments removed, and a horde of mismatched dialogs and ridiculous translations. Well, we are in for a real treat!
The Japanese "Godzilla" is a serious film, starring Kurosawa veteran Takashi Shimura ("Seven Samurai," "Ikura"). (In fact, two of Shimura's films, "Godzilla" and "Seven Samurai" competed for the 1954 Japanese Academy Award for Best Picture.) Only nine years after the atomic bombs devastated Hiroshima and Nagasaki, the threat of nuclear power was very much in the minds of the average Japanese citizen. Contamination, mutation, radiation...this was far from science fiction. This is the fire from which sprang the King of Monsters.
In a now-familiar plot, American nuclear testing has given rise to a 150-foot tall engine of destruction, breathing atomic fire and hell-bent on destroying Tokyo before taking on the world. Assembling the army, and all of the modern science Japan can muster, they battle the rampaging monster to the inevitable conclusion.
Standing along side the original 1933 "King Kong," "Godzilla" is a classic monster movie, as well as a fine film in its own right. A suspenseful horror-drama, the acting, filming and special effects are all far above other entries in the genre. The black and white filming is used superbly, with the fire-cast shadows making the monster all the more menacing.
What is great about this set, is that not only do you get a restored and beautiful version of the original classic, you get an additional disk with the American edit complete with the stuffy professor Raymond Burr and the additional footage thought necessary for American audiences. It is a rare chance to compare the two versions, and see how politics in the US affected what audiences were allowed to view in the 1950s.
I have been waiting a long time for the original "Godzilla" to get a DVD release, and it is great to see it finally being treated with the respect it deserves.

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This package contains:* Godzilla (1954 Japanese Edition-english subtitles) * King of the Monsters (1956 U.S. Release Edtion-english v/o dub)Featuring: * Audio commentaries * Original trailers *"Making of the Suite" Featurette *"Godzilla: Story Development" featurette

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7/20/2011

James Clavell's Shogun (1980) Review

James Clavell's Shogun (1980)
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It has been two decades since James Clavell's novel first aired, but "Shogun" is still one of the finest mini-series yet produced and it still holds up. The stranger in a strange land story of an English navigator shipwrecked in fuedal Japan strikes such a strong chord because the audience is in the same predicament as the main character, confronted with an unknown and dangerous world that refuses to make sense. "Shogun" was filmed in Japan with remarkable fidelity to both the original story and local culture.
As Pilot-Major John Blackthorne, Chamberlain is often called upon to do more with looks than with dialogue. As the "King of the Mini-Series," it is easy to forget what Chamberlain can do as an actor given the proper material (I wish his version of Christopher Fry's "The Lady's Not For Burning" was available on video tape). Actually, there is a sense in which Chamberlain's performance is arguable the weakest of the cast, but that speaks more to the strength of the supporting players. Certainly John Rhys-Davies steals every scene he is in as Vasco Rodrigues, Damien Thomas' Father Alvito personifies political machination, and Nobuo Kaneko as Lord Ishido has that glare down perfectly. Ultimately, it is the Japanese actors who carry "Shogun." From the legendary Toshirô Mifune as Lord Toranaga, to the novice actress Yôko Shimada as Mariko, to Frankie Sakai as Yabu and every one of the characters who make up Blackthorne's Japanese household, these actors provide the new word that confront's Chamberlain's character. The choice of producer Eric Bercovici to also adopt Clavell's novel was the ideal choice. Bercovici was not only familiar with the mini-series format, having done "Washington Behind Close Doors," but he was the writer on "Hell in the Pacific," a 1968 movie with Lee Marvin and Toshirô Mifune. During WWII the two men end up on a deserted island. What made the film unique was that it was done without subtitles; Marvin spoke English and Mifune spoke Japanese and the idea was to show it in both countries without subtitles. Okay, unfair advantage to the Japanese, but you have to appreciate the idea which "Shogun" certainly uses to great effect.
Director Jerry London does an admirable job of presenting Japanese culture on its own terms, which is exactly what is right for the story. My understanding was that the Orson Welles narration was added at the, uh, request of the network who felt audiences would not be able to read between the lines. I think that for the most part "Shogun" would work without the excessive explanations, even if you have not read the novel, but we will never know.
If you are looking for something to lose yourself in next weekend, you would not find too many things as intelligent and as fascinating as "Shogun." Just be sure you do the complete original mini-series and not the one cassette mini-version.

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7/09/2011

Spirited Away (2002) Review

Spirited Away (2002)
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Released on July 20th, in 2001 in Japan, "Spirited Away" stayed in theaters for almost 10 months, breaking all the previous box-office records in Japan, including that of "Titanic" and "Princess Mononoke" by the same director Hayao Miyazaki. With this astonishing film about a girl's spiritual journey, Mr. Miyazaki again showed that he is one of the best directors living in the world. This animation film was also awarded prestageous Golden Bear Prize in Berlin Film Festival, and that is not a surprise at all, after you see this movie.
The film's story traces a girl's strange and fascinating life in another world, where her parents are accidentally and magically transformed, and she has to survice herself and return to her own world. To do so, this pudgy-faced little girl Chihiro, now deprived of her name by a greedy witch Yu-baba, has to work at the baths where gods and sprites all over Japan come to take a rest. Chihiro's life is full of wonderful (and often hard, even terrifying) things, and through her experiences she learns how to live, gaining the true will and power, changing from a sulky girl languidly lying on the backseat of a car, into a lively and truely courageous girl.
That's all you have to know: you don't need to see its trailer (English version trailer is a bit misleading), and just watch this masterpiece. Though there is a character called "Kao-nashi" (meaning "Faceless"), who out of loneliness does something harmful to the place; and there is an episode about a very stinking monster who turns out something very different, there are no villains, no heroes, and no so-called actions. And another strength of the film comes from its designs of the baths. It is based on a mosaic of Japanese and Western traditions (the witch's office looks obviously Western while Chihiro and other female workers room is inspired from the texitle factory girls' residence 100 years ago) Incredibly,some part are even from Chinese style.
The story, some say probably rightly, goes slower in the latter half (of the film that runs more than 2 hours), but "Spirited Away" never lets you down. It's time for any American audience to know Miyazaki's name, and that animation films are not meant for only kids, but for adults.
[The following might hopefully help understand some part of the film. No spoilers contained, but you might read them after watching them. Al the names referred to are from Japanese original print.]
[1] The name "Chihiro" is, when written in Chinese letters, divided into two parts: "Chi-hiro." The first part "Chi" has another way of pronounciation, "Sen," which becomes her temporary name.
[2] Chihiro's real name is "Chihiro Ogino" which is briefly seen on the contract paper she signs.
[3] The handsome boy who offers a help to Chihio is called "Haku" which means in Japanese, "white."
[4] Haku's real name is "Migihayami Kohakusui." All the Japanese audience, as Chihiro in fact was, would be surprised to hear this long and old-fashioned name, which clearly suggests his ancient and aristocratic origin. (CORRECTION added on 1/1/2007) I came upon recently Sonomi's review pointing out the mistake I made here; Haku's name is really "Nigihayami Kohakunushi." I apologize for the mistake.
[5] The witch's spoiled baby is called "Bou" (and his name is written prominently in a Chinese letter on his clothes). This is shrewd naming because the word "bou-ya" (which is used to call, affectinately, to baby boys) implies too much fondness to the babies on mother's side.
[6] Chihiro's father, at the diapidated red gate, talks knowingly about the posibility of a disused theme park. It is true that Japan saw economic depression after the boom of the 80s, and his remarks, though half telling of his too much confidence, have some ring of truth.
[7] For Miyazaki's fans, there are some extra see, for example, the re-appearance of "Susuwatari"s, tiny black speck-like creatures that carry coal in a boiler room. As fans know, they are also seen in Miyazaki's delightful film "My Neighbor Totoro." And check out one of the "guests" at the spa who looks and moves exactly like Totoro.
[8] And those harmless "Susuwatri"s eat Japanese traditional, very sweet confectionary called "Konpeitou" made from sugar. This is the part Japanese viewers smile because of the unexpected combination.
[9] In the same boiler room, the spider-like veteran master gives Chihiro "Kaisuu-ken," coupon-style tickets for train. This is also the part we would smile because we all somehow share the same experience of giving them to children who go somewhere by train or bus, or of finding very old ones somewhere in the desk.
[10] That same kind master, seeing Chihiro step on the crawling worm, makes a gesture of a knife with his hand, and touches Chihiro's hands in a unique way. This is a (now out-of-fashion) custom when touching something very dirty, symbolizing the total safety from the object in case, often accompanied with Japanese word "Engacho" (no more connection). This part is also funny to us.
[11] In the opening scene. behind the back of Chihiro, you can see the glimpse of half-hidden, red-colored package of chocolate bar, which looks like one famous brand. Probably, this is a small token of thanks for the company (famous for coffee, too), which joined in the tie-in campagin for the film's promotion in Japan.
[12] Finally, director Miyazaki says that the film is originally made for unnamed 10-year-old girls he and the movieproducer are both acquainted with, and hope that those girls are delighted to see the film. No doubt they are.

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From one of the most celebrated filmmakers in the history of animated cinema comes the most acclaimed film of 2002. Hayao Miyazaki's latest triumph, filled with astonishing animation and epic adventure, is a dazzling masterpiece for the ages. It's a "wonderfully welcoming work of art that's as funny and entertaining as it is brilliant, beautiful, and deep" (Joe Morgenstern, Wall Street Journal). SPIRITED AWAY is a wondrous fantasy about a young girl, Chihiro, trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free herself and return her family to the outside world. An unforgettable story brimming with creativity, SPIRITED AWAY will take you on a journey beyond your imagination. "To enter the world of Hayao Miyazaki is to experience a kind of lighthearted enchantment that is unique to the world of animation" (Roger Ebert, Chicago Sun-Times). It's a fantastic tale the whole family will want to experience over and over again.

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