Showing posts with label studio ghibli. Show all posts
Showing posts with label studio ghibli. Show all posts

12/31/2011

My Neighbor Totoro Review

My Neighbor Totoro
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This is not only one of my favorite childrens films, it's one of my favorite films period. This movie is truly magical. It achieves what Disney movies never do -- a wonderful story without the need to resort to evil villains or wise-cracking side kicks. In fact, two of the things I find most striking and refreshing about My Neighbor Totoro is the use of images rather than dialogue to propel the plot and the slower, almost contemplative, pacing of the action. (This is one children's movie that won't blare from your TV or yammer at your children!) The first time I saw this movie I watched a friend's pirated VHS tape in Japanese. I was instantly mesmerized and was completely able to follow the story, despite the fact that I did not understand a word the characters said.
And don't be put off because it is "japanese animation." This is not your father's japanese animation. The images of the tranquil countryside are sumptuous. Miazaki's attention to the little details of life, like a leaf floating in a stream or raindrops tapping an umbrella, evoke the simpler, purer times of childhood. The children's discovery of the totoro spirits in the old camphor tree recalls a time in every child's life when magic seems possible in the mundane world. As with other Miyazaki films, there is a thrilling flying sequence. However, this film is more appropriate for younger viewers than most of his other works, some of which are decidedly adult in nature despite the fact that they are animated.
As the mother of a toddler, I really appreciate the refusal to rely on cliche villians to keep the plot moving. However, I should warn other parents considering this video that the conflicts used to keep the plot moving -- the children's discovery of and search for the dust bunny and totoro spirits and Mei's desire to see her sick mother in the hospital which causes her to lose her way in the countryside -- might be upsetting to the littlest viewers without some parental company and discussion. Otherwise, I wholeheartedly recommend this movie whether you're 2 or 200.

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Critically acclaimed as one of the most delightful and charming family films ever, MY NEIGHBOR TOTORO is a stunning animated treat full of magical adventure from Hayao Miyazaki. Follow the adventures of Satsuki and her four-year-old sister Mei when they move into a new home in the countryside. To their delight, they discover that their new neighbor is a mysterious forest spirit called Totoro, who can be seen only through the eyes of a child. Totoro introduces them to extraordinary characters -- including a cat that doubles as a bus! -- and takes them on an incredible journey. Full of wonder and heart, this spectacular 2-disc set features the voice talents of Dakota Fanning and Elle Fanning. MY NEIGHBOR TOTORO is a magical experience for the whole family! © 1988 Nibariki • G

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8/18/2011

Whisper of the Heart (2006) Review

Whisper of the Heart (2006)
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Whisper of the heart is one of the most sensitive, heartwarming and beautiful films ever made. Based on a shojo manga by Aoi Hiiragi, Written and produced by Hayao Miyazaki and directed by Yoshifumi Kondo, whisper of the heart is a tale of self discovery and coming of age of a high school girl Shizuku who is not sure what she wants in life. A series of dramatic events bring her closer to a guy Seiji from her own school. Together they embark on a journey which will help them find their inner potentials, realize their dreams and also love for each other. Also featured in the movie is an old man who runs an antique shop stocked with amazing treasures, including a magnificient porcelain figurine "the baron" (also featured in "The cat returns). Both of these characters play an important role in the film. Though "The cat returns" is kind of follow up to "whisper" yet for some reason it was released on dvd before "whisper".
Rarely is a film as honest and realistic as whisper of the heart and that's what makes it amazingly special, charming and successful. Within its thin plot and realistic settings, whisper has its magic moments which are downright uplifting and strike a chord somewhere deep inside. The film itself is a breath of fresh air.
Whisper of the heart, though slow in pace, draws you in from the very beginning and refuses to let you go. Its a heartwarming tale which makes you feel nostalgic and helps you relive the adolescence. Except for the Shizuku's dreamy fantasy sequence, the film relies heavily on dialogues and simple and real situations. The locales and the backgrounds shown in the film are as beautiful and breathtaking as in any other ghibli film. Open spaces, beautiful countryside, deep blue sky with summer clouds, a bicycle ride atop the hill, there are numerous things and moments in the film that set the mood just right, leaving the viewer spellbound and satisfied. After a while you forget completely that you are watching an animated film. Music plays an important role in the film and is soft and relaxing though we do get lots of those silent moments too for which ghibli films are famous. Also featured in the film is John Denver's song "country roads" which makes the perfect backdrop for the film. Not to mention here, the royalty disputes which arised later, making it difficult for the movie to see an American release.
Be it character development, animation or background art of the film, attention to details is simply stunning.The incredibly detailed backgrounds of the fantasy sequences were done by Naohisa Inoue who was an established artist and a long time Miyazaki fan. Impressed by his fantasy work, Miyazaki himself invited him to work on the film. Whisper of the heart dvd released by Buena Vista in Japan includes a special documentary showcasing the dreamy artwork of the film.
Director Yoshifumi Kondo had worked on many ghibli films such as Kiki's delivery service, Grave of the fireflies and Pom poko etc, as an animator. Hayao Miyazaki, who was looking for new breed of directors for ghibli, recognised Kondo's talent in no time and gave him a chance to direct this movie. Unfortunately, whisper of the heart remains to be the first and the only film directed by Yoshifumi Kondo. Just after the release of whisper, Kondo succumbed to aneurysm. It is evident from whisper of the heart how immensely talented and sensitive director Kondo was.
Films like whisper of the heart are very rare and come once in a lifetime. Watching a film like this is an experience to behold and cherish forever.

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From the creators of the Academy Award(R)-winning SPIRITED AWAY (Best Animated Feature Film, 2002) comes a tale based on the screenplay from the legendary animator Hayao Miyazaki. During summer vacation, a schoolgirl named Shizuku, who longs to discover her true talents, observes an ordinary-looking cat riding by himself on the train. Intrigued, she decides to follow him. This chance encounter leads her to the mysterious Seiji, a boy who is determined to follow his dreams, and The Baron, a magical cat figurine who helps her listen to the whispers in her heart. Soon, Shizuku's exciting adventures carry her far beyond the boundaries of her imagination. Featuring extraordinary storytelling, enchanting animation, and an all-star voice cast, this 2-disc set will inspire dreams and warm hearts of all ages.(c) 1995 Aoi Hiiragi/Shueisha • Nibariki • GNH

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7/09/2011

Spirited Away (2002) Review

Spirited Away (2002)
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Released on July 20th, in 2001 in Japan, "Spirited Away" stayed in theaters for almost 10 months, breaking all the previous box-office records in Japan, including that of "Titanic" and "Princess Mononoke" by the same director Hayao Miyazaki. With this astonishing film about a girl's spiritual journey, Mr. Miyazaki again showed that he is one of the best directors living in the world. This animation film was also awarded prestageous Golden Bear Prize in Berlin Film Festival, and that is not a surprise at all, after you see this movie.
The film's story traces a girl's strange and fascinating life in another world, where her parents are accidentally and magically transformed, and she has to survice herself and return to her own world. To do so, this pudgy-faced little girl Chihiro, now deprived of her name by a greedy witch Yu-baba, has to work at the baths where gods and sprites all over Japan come to take a rest. Chihiro's life is full of wonderful (and often hard, even terrifying) things, and through her experiences she learns how to live, gaining the true will and power, changing from a sulky girl languidly lying on the backseat of a car, into a lively and truely courageous girl.
That's all you have to know: you don't need to see its trailer (English version trailer is a bit misleading), and just watch this masterpiece. Though there is a character called "Kao-nashi" (meaning "Faceless"), who out of loneliness does something harmful to the place; and there is an episode about a very stinking monster who turns out something very different, there are no villains, no heroes, and no so-called actions. And another strength of the film comes from its designs of the baths. It is based on a mosaic of Japanese and Western traditions (the witch's office looks obviously Western while Chihiro and other female workers room is inspired from the texitle factory girls' residence 100 years ago) Incredibly,some part are even from Chinese style.
The story, some say probably rightly, goes slower in the latter half (of the film that runs more than 2 hours), but "Spirited Away" never lets you down. It's time for any American audience to know Miyazaki's name, and that animation films are not meant for only kids, but for adults.
[The following might hopefully help understand some part of the film. No spoilers contained, but you might read them after watching them. Al the names referred to are from Japanese original print.]
[1] The name "Chihiro" is, when written in Chinese letters, divided into two parts: "Chi-hiro." The first part "Chi" has another way of pronounciation, "Sen," which becomes her temporary name.
[2] Chihiro's real name is "Chihiro Ogino" which is briefly seen on the contract paper she signs.
[3] The handsome boy who offers a help to Chihio is called "Haku" which means in Japanese, "white."
[4] Haku's real name is "Migihayami Kohakusui." All the Japanese audience, as Chihiro in fact was, would be surprised to hear this long and old-fashioned name, which clearly suggests his ancient and aristocratic origin. (CORRECTION added on 1/1/2007) I came upon recently Sonomi's review pointing out the mistake I made here; Haku's name is really "Nigihayami Kohakunushi." I apologize for the mistake.
[5] The witch's spoiled baby is called "Bou" (and his name is written prominently in a Chinese letter on his clothes). This is shrewd naming because the word "bou-ya" (which is used to call, affectinately, to baby boys) implies too much fondness to the babies on mother's side.
[6] Chihiro's father, at the diapidated red gate, talks knowingly about the posibility of a disused theme park. It is true that Japan saw economic depression after the boom of the 80s, and his remarks, though half telling of his too much confidence, have some ring of truth.
[7] For Miyazaki's fans, there are some extra see, for example, the re-appearance of "Susuwatari"s, tiny black speck-like creatures that carry coal in a boiler room. As fans know, they are also seen in Miyazaki's delightful film "My Neighbor Totoro." And check out one of the "guests" at the spa who looks and moves exactly like Totoro.
[8] And those harmless "Susuwatri"s eat Japanese traditional, very sweet confectionary called "Konpeitou" made from sugar. This is the part Japanese viewers smile because of the unexpected combination.
[9] In the same boiler room, the spider-like veteran master gives Chihiro "Kaisuu-ken," coupon-style tickets for train. This is also the part we would smile because we all somehow share the same experience of giving them to children who go somewhere by train or bus, or of finding very old ones somewhere in the desk.
[10] That same kind master, seeing Chihiro step on the crawling worm, makes a gesture of a knife with his hand, and touches Chihiro's hands in a unique way. This is a (now out-of-fashion) custom when touching something very dirty, symbolizing the total safety from the object in case, often accompanied with Japanese word "Engacho" (no more connection). This part is also funny to us.
[11] In the opening scene. behind the back of Chihiro, you can see the glimpse of half-hidden, red-colored package of chocolate bar, which looks like one famous brand. Probably, this is a small token of thanks for the company (famous for coffee, too), which joined in the tie-in campagin for the film's promotion in Japan.
[12] Finally, director Miyazaki says that the film is originally made for unnamed 10-year-old girls he and the movieproducer are both acquainted with, and hope that those girls are delighted to see the film. No doubt they are.

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From one of the most celebrated filmmakers in the history of animated cinema comes the most acclaimed film of 2002. Hayao Miyazaki's latest triumph, filled with astonishing animation and epic adventure, is a dazzling masterpiece for the ages. It's a "wonderfully welcoming work of art that's as funny and entertaining as it is brilliant, beautiful, and deep" (Joe Morgenstern, Wall Street Journal). SPIRITED AWAY is a wondrous fantasy about a young girl, Chihiro, trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free herself and return her family to the outside world. An unforgettable story brimming with creativity, SPIRITED AWAY will take you on a journey beyond your imagination. "To enter the world of Hayao Miyazaki is to experience a kind of lighthearted enchantment that is unique to the world of animation" (Roger Ebert, Chicago Sun-Times). It's a fantastic tale the whole family will want to experience over and over again.

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