Dark Angel - The Complete First Season (2000) Review

Average Reviews:

(More customer reviews)I do not remember why I missed "Dark Angel" when it originally aired, but now that I have seen the first season I am willing to admit I made a big mistake (Mea Culpa, James Cameron). The story is set in Seattle, Washington, in the year 2019, which is after "The Pulse," an electromagnetic bomb that basically pushed reset on the United States. However, that is only the setting, because the star is Jessica Alba as Max Guevera, who at first glance has a day job as a bike courier, and at second glance works as a cat burglar at night, bit at third glance and closer examination turns out to be a genetically enhanced superhuman created by the government who escaped from a military training school ten years earlier.
"Dark Angel: The Complete First Season" has a couple of plot lines that make Max both the hunter and the hunted. Max is always on the lookout for her "siblings," the other kids who escaped from Manticore, while Lydecker (John Savage), the head of the secret program is trying to find both them and Max to return them to government service. Meanwhile, Max's days as a cat burglar are over when she tries to rob Logan Cale (Michael Weatherly), a rich kid who is the secret cyber-journalist known as "Eyes Only," who enlists her into his idealistic crusade to clean up corruption in Seattle. Of course, the two are made for each other, but we have to wait for them to catch out to this rather obvious fact. What really makes "Dark Angel" work is the extent to which this futuristic dystopia has been worked out. This is not so much a series where the mythology emerges over time, as it is one where the premises are so strong that they sustain multiple episodes and provide compelling sub-text for the rest. Compare this to similar series that take a while to find themselves, and you can see why these solid premises allowed this one to be able to have so many solid episodes early on.
Creator James Cameron's imprint is clearly on this production, but mention should be made of the show's Vancouver crew, which obviously includes a lot of "X-Files" veterans. The production values on "Dark Angel" are pretty striking in creating the seedy world of post-pulse Seattle and its icon Space Needle where Max likes to go and contemplate existence. But the sense of style comes as much from the characters as the setting. Alba is truly stunning as Max, able to play hard, soft, or whatever the scene demands. Weatherly has one of the squarest jaws in television history, and Savage has fun milking everything out of the bad guy (he really does care for his children, but duty never gets in the way of such emotions). The supporting cast has some compelling texture types, from Normal (J.C. MacKenzie), the overbearing dispatcher at Jam Pony ("Bip! Bip! Bip!"), to urban philosopher Herbal Thought (Alimi Bllard), and everybody's favorite, Original Cindy (Valerie Rae Miller), Max's roommate and co-worker, who basically has the right attitude for every occasion.
After watching the complete first season of "Dark Angel" you will want to move on to the complete second season, which just came out and you will be disappointed that there were only two seasons of the series. However, when you see the overall drop in quality during season two, you will not be that surprised (it takes half of that second season for the series to really get going). But "Dark Angel" is one of the better science fiction series to be produced in the last ten years, and the first season does provide a complete story arc.

Click Here to see more reviews about: Dark Angel - The Complete First Season (2000)

Various

Click here for more information about Dark Angel - The Complete First Season (2000)

Read More...

Into the Blue 2: The Reef Review

Average Reviews:

(More customer reviews)First of all, it's been a while since I've seen the first, so I'm
judging this based on this movie alone. Over all, this is a decent
movie. The acting is decent by most of the cast and it seems to be well
cast. The storyline is surprisingly good. It's easy to follow and after
the first 30 minutes it will keep you watching. But you have to give it
those 30 minutes to get into it.
No, contrary to popular belief Audrina does not have a big part in the
movie. She's on screen all of 5 minutes (and that's generous). I have
no idea how that rumor came about.
If you want a movie just to watch to kill time, this is that movie. It
won't wow you but it will keep you entertained as the story really is a
good one. I was surprised that it was as good as it is.

Click Here to see more reviews about: Into the Blue 2: The Reef

Get 37% OFF

Click here for more information about Into the Blue 2: The Reef

Read More...

The Killer Inside Me (2010) Review

Average Reviews:

(More customer reviews)Bringing pulp novelist Jim Thompson to screen has always been a tricky proposition. His dark stories are easy to push over the edge of sanity. With their undercurrent of brutality, they can walk the line of comedy and/or surrealism but still maintain a realistic punch to the jaw. Getting that tone has been hit or miss in cinema--personal favorites are the sublime "The Grifters," "Coup de Torchon" and the underrated "After Dark, My Sweet." I was stoked to hear director Michael Winterbottom had taken on "The Killer Inside Me" which had been covered poorly in an earlier production featuring Stacy Keach.
Winterbottom has assembled an impressive cast including Casey Affleck, Jessica Alba, Ned Beatty, and Kate Hudson for this neo-noir piece. Affleck stars as a low-keyed and likable law enforcement officer who gets involved with a local prostitute and enmeshed in a murderous scheme. But to cover his tracks, further bad deeds need to be done--and Affeck seems to relish this new evil! It's best not to go into the specifics of the plot and to let the film unfold, but Winterbottom does not shy away from some explicit and surprising violence. It's unsettling, to say the least, but helps to establish an effective "anything can happen" feel!
Ultimately the success of "The Killer Inside Me" rests on Casey Affleck's shoulders. He is not the conventional actor one would picture for this role. Small in stature, relaxed in delivery (and enunciation)--his offbeat presence actually makes "The Killer Inside Me" even more intriguing. As he is not a predictable "leading man" or a particularly menacing presence, you're never quite sure what he's going to do. I found this lack of expectation to be quite invigorating and led me to accept and appreciate the twists of the film to a greater degree. To be fair, the film does get loopier and loopier--but I was happy to follow this sordid tale through to the completely over-the-top finale! KGHarris, 8/10.

Click Here to see more reviews about: The Killer Inside Me (2010)

Oscar-nominated actor Casey Affleck (Gone Baby Gone) gives his most chilling performance yet in the controversial crime drama The Killer Inside Me. Co-starring Jessica Alba (Fantastic Four), Oscar nominee Kate Hudson (Almost Famous), Emmy nominee Simon Baker (TV s The Mentalist) and Bill Pullman (Independence Day), this modern-day film noir shows a small town sheriff up to his neck in murders: his own. When Affleck s sheriff is asked to railroad a talkative prostitute out of town before she makes trouble, he realizes it s easier to just get rid of her for good. Unfortunately, covering up that murder means eliminating more and more people as his problems and complications spiral out of control. Even worse, he s starting to enjoy committing the crimes a lot more than he ever enjoyed dishing out the punishment. Based on the pulp fiction classic by Jim Thompson (The Grifters), The Killer Inside Me is an assured, stylish film [Guardian UK] that reveals the danger when a lawman s badge is hiding a cold, cold heart.

Get 58% OFF

Click here for more information about The Killer Inside Me (2010)

Read More...

Sin City (Two-Disc Theatrical & Recut, Extended, and Unrated Versions) (2005) Review

Average Reviews:

(More customer reviews)While it's probably a total cliche to say it by now, Sin City really is a wild thrill ride of a movie, and quite possibly the most entertaining thing that will hit theaters all year. Adapted by director Robert Rodriguez from Frank Miller's graphic-novel series, it's an energetic slab of neo-noir, complete with twisted characters, ambiguous morality, and deadly serious dialogue. For those who thought the Kill Bill movies weren't bizarre or violent enough, Sin City ought to seem like a stylish, action-packed gift from guy-movie heaven. It's filled with negativity, outrageously over the-top bloodletting, and some of the blackest humor known to man, but it all works anyway. I even managed to forgive the incessant voice-over narration, normally a rather lazy device, because it's so oddly poignant and poetic. It's not really that big a deal anyway, because this movie is so impressive visually that the characters could speak in gibberish and I'd probably still be moved to give it at least three stars.
It should be noted right off the bat that Sin City is not a movie for everyone, but if you're the type who would like it you presumably know who you are. IF you like crime movies, especially those filled with action and atmosphere, you will almost certainly get a kick out of Sin City. If you prefer lighter, more "socially redeeming" fare, you may still like it, or you may be overcome with bile filling your throat for most of its two-hour running time. It's all a matter of how willing you are to accept what's going on without asking too many nagging questions like "How exactly did Mickey Rourke just take out ten armed riot cops with nothing more than his fists and a hatchet?" or "is it really possible or even necessary to manually tear off a man's scrotum?". Everything about this movie is utterly outsized, from the themes to the characters to the action, but in the end it's a rousing success at what it intends to do, which is entertain. It's precisely because this movie was so utterly entertaining that I found myself unwilling to nitpick; you'll probably be too busy having your senses assaulted to linger on any problems you may have with the movie. Nothing is more key in movies (or TV, or novels for that matter) than getting the viewer to suspend disbelief, to simply let go and enjoy what's transpiring regardless of the plausibility level. Some of my favorite movies are wildly unrealistic, but at some point when watching them I just decided to go with it. Sin City is one such movie: I realized early on that the events unfolding onscreen bore little to no resemblance to reality as presently constituted; I just didn't care. I went to see this movie with my wife (who is, to put it mildly, not a fan of dark or violent movies), and she may have summed up the experience of watching it the best when she said simply "I was never bored." That, ultimately, is the secret to Sin City's success: it's so gripping to watch that it's hard to care about anything else.
As everyone (and probably their brothers) knows by now, Sin City was filmed using real actors against a black-and-white CGI background with some touches of color added for dramatic effect. It may seem like a gimmick at first, but Sin City is all about bringing the viewer into a sort of parallel universe, so this unconventional device works perfectly. Sin City is a movie dealing with lives on the edge, and it conjures up a delightfully dark, grimy, and gritty atmosphere to go match the depravity of its subject matter. Weighty themes and over-the-top violence abound here, and it's only fitting that the movie's look and feel should be so uniformly haunting. Consisting of three tangentially related stories occurring out of sequence, Sin City brings the viewer into an underworld populated by thieves, murderers, hookers, and dirty cops, and the morality is viewed entirely in shades of grey. In the Basin City of the movie, where the good guys are bad and the bad guys are even worse, violence is often a virtue, or at the very least a prerequisite for survival. If there's one redeeming value to Sin City's cartoonish ultraviolence, it's that it's painfully clear that its recipients generally deserve it.
Anyway, if there's one theme running through all of these stories, it's that of redemption. The protagonist in each tale (Bruce Willis's Hartigan, Rourke's Marv, and Clive Owen's Dwight) is a most unlikely hero (although Hartigan is just a regular cop and therefore not exactly bad, whereas it's clear that Marv and Dwight are murderers), but each finds himself driven to acts of extreme courage and sacrifice in order to see justice done. Sin City portrays a kind of heroism not typically seen in movies (especially big-budget, sanitized Hollywood productions), one that comes from doing the right thing even when it's nowhere near being the easiest thing. Rourke's Marv is probably the most memorable character, a hulking thug with a highly overdeveloped sense of vengeance who managed to arouse some of my sympathy even as he cut a swath of unimaginable destruction through his enemies on his way to avenging a murdered prostitute. Out of the legions of other figures in the movie, the great Benicio Del Toro deserves some special mention as a comically malevolent crooked cop who won't shut up even after he meets his unfortunate end.
Now, although I've gone on too long already, I'd feel remiss if I didn't talk about Sin City's staggering violence quotient. Yes, this an extremely graphic movie, and much of the violence is downright disturbing to watch (Elijah Wood's character being cut up and fed to a wolf is a prominent example, even if much of the violence in that case was implied), but it's just as true that context is an important factor when considering just how offensive such bloodletting is. Now, for one thing, Sin City is meant to be a piece of escapist cinema, so nothing that takes place onscreen should be taken too seriously anyway. After all, no one got offended during the scene in Monty Python and the Holy Grail when King Arthur cut off the Black Knight's arms and legs; that scene was meant to be funny and it was. Perhaps more to the point, the violence here is so ludicrously over the top from the opening scene that it's hard to imagine any rational person getting too upset. You have to just go with it; if you're the kind of person who makes it a point to be huffy and offended all the time you shouldn't be seeing this movie anyway. 'Nuff said

Click Here to see more reviews about: Sin City (Two-Disc Theatrical & Recut, Extended, and Unrated Versions) (2005)

SIN CITY - Blu-Ray Movie

Get 9% OFF

Click here for more information about Sin City (Two-Disc Theatrical & Recut, Extended, and Unrated Versions) (2005)

Read More...