Showing posts with label memphis. Show all posts
Showing posts with label memphis. Show all posts

6/05/2012

Why Should the Devil Have all the Good Music? (2006) Review

Why Should the Devil Have all the Good Music (2006)
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Hey, I've been into Christian Rock for over 25 years. I bought my first Larry Norman album somewhere around 1978, and I saw bands like Sweet Comfort and DeGarmo & Key back when they'd just released their first LPs.
Here's my take on this documentary...
First, it's a "amateur professionial" production. It's an hour and a half of camcorder footage shot at a single Christian Rock festival (Cornerstone 2003?) edited into a "stream of thought" type experience with no narration, and "one mic interviews" where the subjects are answering questions, but you don't know the questions because the interviewer is off camera and doesn't have a microphone. Some call this "lean" or "edgy" but I call it cheap. However, good editing can really help and this footage, though seeming random and unfocused, is actually edited together rather well.
Second, it's not about Christian Rock in general, but about "indy" Christian Rock. If you're really into that scene, then you might just love this because there are a lot of interviews and concert footage. However, if you're not an "insider" already, there's isn't much context set for you, so you have to mentally put bits and pieces together as you watch.
Third, the people behind the documentary are apparently not Christians. At least one of the main creators, who narrated much of the commentary track, said she wasn't a Christian during the commentary. That actually made it more interesting to me because the creators really did attempt to remain objective and report what they saw. In fact, they actually seemed as if they were trying to understand the "indy" Christian rockers and their fan base without judging them. However, it was only possible to know that if you watch and listen to the commentary track, which I enjoyed much more than the documentary itself. A little context goes a long way.
Finally, I was going to give the documentary one star because they took Larry Norman's famous coined phrase "Why Should the Devil Have all the Good Music" as the title, and they played the legendary song by the same title as the closing credits, and they showed footage of Larry Norman playing at the festival, but they didn't have any interview footage of Larry Norman! Thankfully they put the interview footage of Larry in the additional scenes section and they explained during the commentary track why they didn't put the Larry Norman interview footage in the main documentary.
So, if I had to watch this all over again I would first watch the commentary track, then the documentary itself, and then the special features. Then it makes sense.


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9/30/2011

Respect Yourself: The Stax Records Story (2007) Review

Respect Yourself: The Stax Records Story (2007)
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This documentary on the Stax soul powerhouse is very well done. Fine mix of rare performance clips and interviews that puts the story in full perspective. Those who have seen the documentary on PBS may be disappointed in the small number of extra features (just a rehearsal cut of the surviving MGs, William Bell, and Isaac Hayes done earlier this year), but that's okay, as the documenary itself does such a brilliant job.
The scenes where Stax was temporarily ruined by gangsters is an eerie foretelling of the Suge Knight/Death Row saga involving rap music in recent times. At least Stax and Motown never had shootouts with each other in spite of their rivalry (the Motown musician's snobbish comments about Stax and Otis Redding in particular will shock and anger many fans today).
Miraculously, the documentary ends on a high note in spite of the thuggery, mismanagement, and failure to read the fine print that doomed the label for a number of years. The scene of Booker T. and the MG's perfoming "Time is Tight" (trust me, you'll know this if you hear it) as the label's fortunes crumble is a masterpiece of editing.
On the whole, this documentary is as entertaining and inspiring as it is informative. However, their rivals in Detroit (Berry Gordy and co.) need to get with it and put some of their stuff on DVD as Stax is doing such an excellent job with this, the Otis Redding documentary, and the 1967 Live Stax-Volt Tour DVD.
Support these so that more classic soul can at long last be available on non-bootleg DVD in America.

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Funky. Emotional. Raw. Powerful. That was soul music in theCivil Rights era; and Stax Records did it like no other.Stax quicklybecame a hit-making machine, producing a massive catalog of Top 100 recordsthat defined the "Memphis Sound;" such as "Soul Man," "(Sittin On) TheDock Of The Bay," "Green Onions," "Midnight Hour," "I'll Take You There,""Respect Yourself," "Theme from Shaft" and many more.Stax alsolaunched the careers of a who's-who of soul music greats: Otis Redding,Sam & Dave, The Staple Singers, Isaac Hayes, Eddie Floyd, Carla and RufusThomas, Albert King and Booker T. and the MGs, to name just a few. Now, with the release of this exciting new DVD, Grammy-nominated filmakersRobert Gordon and Morgan Neville ("Muddy Waters Can't Be Satisfied")present the first comprehensive look at Stax, the greatest soul label ofall time.

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