Showing posts with label hdcp. Show all posts
Showing posts with label hdcp. Show all posts

7/17/2012

Chronos (1985) Review

Chronos  (1985)
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Originally released as an IMAX film in the mid-80s, Chronos on DVD unfortunately can not match the power of the IMAX experience. But really; what TV can compete with a 5-story-high screen? I saw the film three times in IMAX and each time I saw something new and amazing. I couldn't wait to get this film on DVD. Any shortcomings the Chronos DVD has are related to the size and clarity of the image as displayed on a television, not the film's content. The images of earthly constructions both natural and man-made are drop-dead-gorgeous, and the music -- a nonstop electronic instrumental score -- is mesmerizing. At roughly 45 minutes in length, you'll not want it to end. The disc has a spare and clunky interface and no special features, but who cares? Chronos is a wonder that I find myself watching again and again.

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CHRONOS - HD-DVD Digital Reference Series Edition CHRONOS, the quintessential large format film, is now available on glorious, Hi Definition DVD.A hallmark title in the canon of special venue film presentations, CHRONOS imparts a unique vision of our world -- the first non-verbal, non-fiction motion picture filmed in time-lapse photography. Presented as a visual symphony in seven movements, CHRONOS embarks on an unprecedented cinematic journey across the worlds of natural beauty and manmade monuments, as it explores the essence of time. Special Features: - Filmmakers' Commentary -- Featuring the film's Director, Composer, and Production Manager - Behind The Scenes -- Share the adventures of the making of CHRONOS with the Filmmakers - Behind The Landscapes -- Presents detailed information about each location provided by Columbia Encyclopedia - Optional Subtitles -- Identifies each location in the film - Director's Shot List -- Shot by shot breakdown of the film - DVD-ROM Bonus -- Columbia Encyclopedia entries with hyperlinks open new avenues of exploration - Grand Prize Winner - International OMNIMAX® Film Festival - Re-mastered under the supervision of the original Filmmakers - Audio Remix optimized for Home Theater by Original Composer - Mastered in High Resolution 5.1 Digital Surround Sound

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7/11/2012

Eyes Wide Shut (Unrated Edition) (1999) Review

Eyes Wide Shut (Unrated Edition)  (1999)
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1999 was one of the greatest years in recent memory for film. Yet Eyes Wide Shut is all but absent from the end-of-the-year awards ceremonies and most critics lists.
The first thing to bear in mind are that this film was hyped way beyond necessity. As if the general public had any interest in the "Kubrick" listed below "Cruise" and "Kidman". To them this was just another Big Actor's next Big Movie. Passing it off like a "real Hollywood couple gets busy on the big screen" heightened expectations for something Kubrick wasn't trying to achieve. It suffered the same audience reaction as The Phantom Menace, and made only a fraction of the money.
Critics seemed to be lining up to take potshots at this film. Why? Recent history shows us that all of Kubrick's films from 2001 onward have been attacked critically, and subsequently hailed as classic years later. The same is true of most of Orson Welles' work. Few critics took the time to see this movie more than once before spewing their venom. A filmmaker like Kubrick is not going for direct emotional contact with the audience. He is aiming far deeper, asking the viewer to reflect on not only the images, but the themes, and the emotional investments of the characters. The subtlety is not something common in today's films, and something critics apparently can't process quick enough to meet a press deadline.
For all those complain that the film isn't sexy or erotic enough are missing the point completely. It's not about sex. It's about many other things, some of which linger in the background, some that aren't noticeable on the initial viewing. Kubrick raises questions about our institution of marriage, the nature of faith, commitment, temptation. That most in the audience weren't willing to meet Kubrick, Cruise, and Kidman halfway in this meditation isn't a comment on the quality on the filmmaking, it's a shortcoming of the sensory-deadened society. If Kubrick had been more in touch with today's film culture, would he have bothered to give us this complex of an experience? Let's thank him for his seclusion.
A NOTE on the DVD not being letterboxed: Kubrick (again, like Welles) preferred the aspect ratio of television, and left extra space in his frame for their widescreen theatrical showings (some are letterboxed on Home Video as well). The Shining, Full Metal Jacket, and Eyes Wide Shut are meant to be seen in the full-screen standard format, and therefore aren't available in letterbox, so don't feel you're being cheated out of any compositional content. Unfortunately you are being cheated by Warner Bros' refusal to remove the digital figures blocking the orgy scenes, inserted for theatrical release to secure the "R" rating. Only in America...

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5/21/2012

Charlie and the Chocolate Factory (2005) Review

Charlie and the Chocolate Factory  (2005)
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I once made the comment that most of the entertainment today is in very bad shape. The industries are trying to relive past glories, especially music and movies. Most of the money being made in the music industry is reissues, HDCD releases of well-known titles, delux reissues, legacy reissues, offical releases of bootlegs, greatest hits, and any and all repackaging of classic albums. And they all use well known, classic, big name artists, because they know people will buy it. Because the majority of new CDs, and new artists aren't of any real quality, they have to rely on the old stuff to make money. The same can be said of the movies. It's all sequels, prequels, remakes, and remodels.
Accordingly, I was not thrilled when I heard a new version of "Charlie and the Chocolate Factory" was coming out. When I learned it was a Tim Burton/Danny Elfman/Johnny Depp production, I was less skeptical. When I saw a trailer, I was interested. When I heard Danny Elfman was writing/composing the music AND doing the vocals, I was excited. The collaboration is great, almost to the point of excusing all their pretensiousness and self-absorbtion... enough quibbling. On to the movie!
It holds many of Tim Burton's staples; it is dark, stark, eerie, and filled with the regular unnamable props, but he has allowed joy into the equation. The movie is much better for it. There is rich color, specifically in the factory, to match the rich imagery and funny comparisons of Willy Wonka. Depp is cast perfectly in this role, which is not really apparent unless you see the movie. He is funny, quirky, confused, and innocent; much different than the brilliant, strong character played by Gene Wilder in the original. The children who find the golden tickets and their parents do a great job too. Perhaps my favorite part is the wild card, Danny Elfman. If you don't know WHO Elfman is, you're sure to have heard his music whether in any number of cult classic 80's films (Pee Wee's Big Adventure, Beetlejuice, Batman 1 & 2), his TV themes (The Simpsons), his musical-esque movies featuring his vocals (Nightmare Before Christmas-- an absolute classic soundtrack), or his 15-plus years of work as the vocalist/writer/guitarist for 80's heavyweight Oingo Boingo. "Charlie" is the 11th time Tim Burton has used Elfman as his composer, and this is arguably their greatest work together (though I prefer "Nightmare Before Christmas").
The movie itself is quite interesting, moving into parts of the Willy Wonka story the orignal movie didn't, relying more on the Ron Dahl book. Note: even the lyrics to the four Oompa-Loompa songs are the lyrics from the novel. We learn that Willy became a chocolateer to spite his father and is forever haunted by this falling out. An eventual redemtion of their relationship serves as a very positive pro-family element. Best of all, it's clean. Nothing negative, offensive, or disturbing is presented, meaning a green light for families and kids; a HUGE plus. The problem of lacking special features is corrected here, but you can save a few dollars if you don't mind a slimmer package. A great, big, fun movie.
Overall: 9 out of 10.


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Fantasy Adventure. Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric chocolatier Willy Wonka (Depp) and Charlie, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory. Long isolated from his own family, Wonka launches a worldwide contest to select an heir to his candy empire. Five lucky children, including Charlie, draw golden tickets from Wonka chocolate bars and win a guided tour of the legendary candy-making facility that no outsider has seen in 15 years. Dazzled by one amazing sight after another, Charlie is drawn into Wonka's fantastic world in this astonishing and enduring story.

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