Showing posts with label performing arts. Show all posts
Showing posts with label performing arts. Show all posts

5/26/2012

Muppet Sing Alongs: Billy Bunny's Animal Songs (1993) Review

Muppet Sing Alongs: Billy Bunny's Animal Songs  (1993)
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I first saw this video about 9 years ago when my mother was a nanny for a little boy who watched it incessantly. I recently saw something that reminded me of it and wanted to find it for my 2 year old. Needless to say, it wasn't an easy task. I did finally find it in the amazon.com marketplace and purchased it. It was everything I remembered with the fun songs and the hilarious characters. These are songs you don't mind having stuck in your head for a day or two and my 2 year old loves it too.
I recommend this for anyone who has a child who likes music and dancing and singing. They'll love it.

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2/03/2012

Eclipse Series 6: Carlos Saura's Flamenco Trilogy - The Criterion Collection (Blood Wedding / Carmen / El Amor Brujo) (1986) Review

Eclipse Series 6: Carlos Saura's Flamenco Trilogy - The Criterion Collection (Blood Wedding / Carmen / El Amor Brujo) (1986)
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Passionate, dramatic, riveting as Flamenco itself, the film is simply amazing. It is set on the immortal Bizet's music. The original music is written and performed by one of the greatest classical guitarists, leading proponent of the Modern Flamenco style, Paco de Lucia who plays a musician with the same name. Legendary Flamenco dancer and choreographer Antonio Gades co/wrote the script and choreographed this fabulous version of the celebrated Georges Bizet/Prosper Mérimée novella/opera. He plays a main character Antonio, the famous dancer/choreographer who works on retelling the story of Carmen in the Flamenco style that combines dances with singing and rhythmic hand clapping and has a highly charged level of dynamics that appeals enormously to the viewers.
Brilliant and graceful Cristina Hoyos whose technical excellence matches the elegant artistry of her dancing shines in the supporting role. Hoyos had been the first dancer in Gades' company for twenty years (1968-1988) and she was the protagonist of three films that Carlos Saura made of Gades' three great shows: "Bodas de Sangre" (1978), "Carmen" (1983) and "El Amor Brujo" (1985). Gorgeous Laura del Sol is a young dancer named Carmen in whom Antony sees from the first sight another Carmen, who was immortalized by two Frenchmen, the writer Prosper Mérimée in his most famous novella written in 1846 that had inspired George Bizet's world famous Opéra-Comique version from 1875.
As in the opera and in the novella, Carmen in Saura's film is desirable and deadly, the ultimate femme fatale who has to be free above anything else. She could not tolerate the possessive love of any man and would prefer death to submission. There are some 50 movie adaptations of the story and the opera to the screen, and as different as they are, they all have in common the only possible tragic end. Saura/Gades' film is unique as the most sensual of all and truly Spanish. I fell in love with it from the first time I saw it over twenty years ago and it is as special and beautiful today as it was back then. Highly recommended.


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One of Spanish cinema's great auteurs, Carlos Saura brought international audiences closer to the art of his country's dance than any other filmmaker, before or since. In his Flamenco Trilogy-Blood Wedding, Carmen, and El amor brujo-Saura merged his passion for music with his ongoing exploration of Spanish national identity. All starring and choreographed by legendary dancer Antonio Gades, the films feature thrilling physicality and electrifying cinematography and editing-colorful paeans to bodies in motion as well as to the cinema that so eloquently, and artfully, captured them.

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12/08/2011

Divine Madness (1980) Review

Divine Madness (1980)
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Watching this years ago on TV (and, thank heavens, recording it on tape to re-watch) showed me what a talent Bette Midler really is. She moves from stand-up monologues to the 40s big-band "Boogie-Woogie Bugle Boy" to the moving "We Shall Be Released" that ends the show, all without missing a beat. She does "Stay With Me" and you think she must have completely shredded her vocal chords, then gets up and says "Okay, change your head" and moves into a comedy number. What a performance, and what a performer!
And what a disappointment that "Shiver Me Timbers" and "Rainbow Sleeve" are not included. "Shiver", especially, is a wonderfully whimsical and poignant number. At less than 90 minutes running time, there's plenty of room to include these. Hopefully someone will resolve whatever difficulties led to their omission and re-release the full show. It deserves to be seen!

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IN 1980, THE HEAD USHER AT THE PASADENA CIVIC AUDITORIUM GIVESHIS CREW A PEP TALK: HE WANTS TONIGHT'SBETTY MIDLERSHOW TOGO SMOOTHLY

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