Average Reviews:
(More customer reviews)This is a film for children. . . sort of, with these ominous words we enter a decaying, claustrophobic wonderland filled with rusty drafting instruments, filthy shards of pottery, lots of sawdust and ageing specimen jars. Watching this movie is like being locked in a closet for a few hours, not exactly fun but impossible to escape. Alice herself undergoes the transformation from a barefoot little girl to a nineteenth century china doll exquisitley animated by the master of stop motion animation as she crawls through desk drawers and grim hallways. the famillar characters of wonderland become rotting museum displays scurrying about like nightmarish clockwork toys. the sound effects add considerably to the eldritch atmosphere - splintering wood, grating metal, and what sounds like some sort of ratchet create a disturbing effect, further reminding us how far from reality we are. this is definitely the best adaptation of Lewis Carrols masterpiece, and the rarest of all commodities - an original voice.
Click Here to see more reviews about: Alice (1988)
This adaptation of Lewis Carroll's "Alice in Wonderland" mixes animation and live action to create a dreamlike world, but don't let that fool you into thinking it's simply a kid's film. Young Alice (Kristyna Kohoutov?�, spoken by Camilla Power) watches a stuffed and mounted rabbit come to life in her playroom and follows it through a magical drawer into a strange world that resembles a 19th-century toy store come to life, with a few specimens from a natural history museum thrown in. Czech animator Jan Svankmajer retains the familiar story elements but tweaks them with bizarre imagery brought to herky-jerky life with his spasmodic style of stop-motion animation. The caterpillar becomes a sock puppet with dentures, while other crazy creatures materialize as creepy skull-headed beings that bleed sawdust. Throughout the tale Svankmajer returns to punctuating close-ups of Alice's lips telling the story, just to remind us that this is a tale told. In the best surrealist tradition Svankmajer uses familiar objects in unfamiliar ways, giving a fantasy quality to the banal (and the not so banal) while tipping the dream logic to the edge of nightmare. While the imagery remains more unsettling than genuinely disturbing, younger children will certainly be happier with Disney's brightly colored animated classic "Alice in Wonderland". Older children and adults will better appreciate Svankmajer's sly visual wit and unusual animation style. "--Sean Axmaker"
