Average Reviews:
(More customer reviews)Don't be fooled by some of the negative reviews here. Star Trek III: The Search for Spock is a thoughtful meditation on the nature of friendship. I admire its careful attention to developing a classical story arc in which Kirk is driven by concern for his friends (Spock and McCoy) and by outer events (a feckless Federation bureaucracy) to steal the Enterprise and outwit and outrun enemies on all sides. Indeed, the film's first act is a gem: a model of balanced writing in its build-up to Kirk's inexorable conclusion that he must steal the Enterprise to save his friends. Among the priceless scenes in that first half-hour: A visit by Spock's father to Kirk's San Francisco pad in which, during a "mind meld" between them, successive shots end with a quiet, touching close-up of Kirk's eye as he relives Spock's "death" in the previous film; Scottie's hilarious asides toward a pompous captain played deftly by character actor James Sikking; and Kirk being told by a superior officer that under no conditions can he undertake a mission to save his friends as the camera tracks in on him, staring off in the middle distance, his inevitable insubordination written on his face. Good stuff. Even better is the focus (singularly among the Star Trek movies, which usually concern the Enterprise crew saving the Earth or the universe) on Kirk's mission to save his friends and the sacrifices he makes in the process. I can tell you (if you haven't seen the film) that these sacrifices are significant, in once case touchingly sad and in another spectacular. Other reasons to see Star Trek III: It contains a terrific, humorous, self-consciously strapping but still tough villain played by Christopher Lloyd; a really good, early James Horner (of Titanic fame) score; elegant special effects (including the real-time destruction of a planet tearing itself apart that holds up well); William Shatner's best performance ever (be honest -- he does a nice, even subtle job in this film as a soulful, resourceful, and self-sacrificing Kirk -- indeed, the Kirk character has never been more appealing); an apropos climax that, unique to the science fiction genre, is understated and gentle and moving; a swift pace; deft direction from Leonard Nimoy; genuine surprises that, when I first saw the film, I could not believe were happening (including a clever and powerful one involving the Enterprise itself); and a mythic elementalism in which the battle-scarred Enterprise crew seems straight out of Homer and Kirk makes a forceful stand-in for Odysseus. This film deserves a reappraisal from Trekkers, but more importantly, from the general public. Nicely done.
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