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(More customer reviews)My understanding is that France has declined to submit A VERY LONG ENGAGEMENT for Oscar consideration as 2004's Best Foreign Film. I can't imagine why.
War is not glorious. Especially if you're Manech (Gaspard Ulliel), a young French soldier convicted by a military court, along with four others, of committing self-mutilation with the intent of escaping service in the front lines of World War I. The punishment is grotesque. Rather than death by firing squad, the five are forced over the top of the most forward trench and into the No Man's Land between the French and German positions - there to die by whatever bullet, mortar shell, or bomb strikes them down. The subsequent deaths of all five are attested to. Letters are sent to surviving family members by the French authorities saying their boys died in battle. This was in 1917.
Mathilde (Audrey Tatou) was Manech's fiancée when he marched off to war. She's also crippled in one leg after having been afflicted with polio at a very young age. In 1920, she's contacted by a dying survivor of the war, ex-Sergeant Esperanza (Jean-Pierre Becker), who'd been in charge of the provost detail assigned to escort the five condemned men to the front trench, as well as act as carrier of the last missive each was permitted to write home. He tells Mathilde of their bizarre fate, and gives her their last letters, which he's kept since the war's end. Using these and the veteran's story to provide clues, Mathilde embarks on a lengthy search for the truth behind Manech's death with the help of a private investigator (Ticky Holgado). Interviewing friends, family members, and lovers of Marech's four condemned companions, as well as other soldiers present in the trench, Mathilde needs to answer the question, "Is Manech truly dead?" She has no doubts; he's alive. But, the evidence is elusive and inconsistent.
As crafted by director Jean-Pierre Jeunet, A VERY LONG ENGAGEMENT is a hypnotic tale of mystery, official cover-ups, lies, misperceptions, secrets, coincidence, tenuous clues, guilt, innocence, honor, and, ultimately, love. Jeunet has created a masterpiece of special FX, lighting, unusual camera angles, split screen images, breathtaking panoramas, and visual asides. And then there are the entrancing depths of Audrey Tatou's brown eyes, in which I could happily lose myself forever. There's not been the likes of this young actress since Audrey Hepburn.
Though not advertised as such, this film is a gut wrenching depiction of World War I trench warfare. It's perhaps the best I've ever seen, especially when shown in contrast to gentle Mathilde's quest through post-war Paris and the luminous French countryside.
Astute and sardonic Mathilde, perhaps because of her affliction, is a take-no-prisoners dynamo of perseverance. No obstacle is too great that it can't be overcome. In the end, she finds ... Truth. And, if you see A VERY LONG ENGAGEMENT, you'll experience amazement, delight, and tears. For me, it's 2004's Best Foreign Film no matter what the Academy votes.
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The film is set in France near the end of World War I in the deadly trenches of the Somme, in the gilded Parisien halls of power, and in the modest home of an indomitable provincial girl. It tells the story of this young woman's relentless, moving and sometimes comic search for her fiancC)e, who has disappeared. He is one of five French soldiers believed to have been court-martialed under mysterious circumstances and pushed out of an allied trench into an almost-certain death in no-man's land. What follows is an investigation into the arbitrary nature of secrecy, the absurdity of war, and the enduring passion, intuition and tenacity of the human heart.DVD Features:Audio CommentaryDeleted Scenes:With Director audio commentaryDocumentaries:Paris in the 20'sThe Zepplin ExplosionFeaturette:The Making of A Very Long EngagementTheatrical Trailer
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