Showing posts with label desert. Show all posts
Showing posts with label desert. Show all posts

1/21/2012

Dreamland (Widescreen) (2006) Review

Dreamland (Widescreen) (2006)
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DREAMLAND is one of those little Indie films that sneaks up on you, draws you in and leaves you feeling fulfilled. Written by Tom Willett and directed with great sensitivity to both style and message by Jason Matzner, the film boasts a truly remarkable cast in every role and the ensemble acting is some of the finest in this year's lineup.
"Dreamland" is the name of a very small trailer park in New Mexico, out in the sticks, yes, but surrounded by the magnificence of majestic clouds in crystalline blue skies and a land free of industrial detritus - except for the powerlines that play such an important role in the story. In a sad trailer house live Audrey (Agnes Bruckner), a poet who has given up chances for college to remain with her father Henry (John Corbett), a man decimated by the death of his wife to the point that he is unable to leave the trailer even to buy the beer and cigarettes that sustain his life. Audrey also is caring for her closest friend Calista (Kelli Garner), a beautiful girl who dreams of becoming Miss America but knows her life is to be shortened by the fact that she suffers from Multiple Sclerosis. Audrey writes her poetry but her life is consumed by being the caretaker for Henry and Calista.
Into the trailer park moves a new 'family' - hunky young Mookie (Justin Long) and his mother ex-singer/performer Mary (Gina Gershon) and her live-in boyfriend Herb (Chris Mulkey). Audrey and Calista watch them unpack and while both girls find Mookie attractive, Audrey talks Calista into dating him. Audrey's only male contact is her 'sex-buddy', tacky and gawky Abraham (Brian Klugman) who works at the local convenience store with Audrey. Mookie and Calista begin an affair while Audrey looks on longingly, and when Calista lets Mookie know she has MS the relationship is strained: Mookie also is leaving for the university soon.
Audrey confesses her feelings for Mookie and Calista flees on a motorcycle to chase the now departed Mookie. She is in an accident and is hospitalized and since she has broken her relationship with her caretaker Audrey, Henry manages to draw enough courage to leave his trailer to sit at Calista's hospital bedside - along with visits from Mookie. Calista's accident makes her even more aware of her fractured future and she releases her feelings for Mookie, reconnects with Audrey, and Audrey's father discovers her many letters of acceptance to college she has hidden to prevent abandoning her role as caretaker and convinces Audrey to flow with her dreams instead of being imprisoned in Dreamland. And the manner in which each of the characters in the film resolves the changes now facing them is the tender ending of the story.
DREAMLAND is created by a very strong cast of fine actors who dwell solidly within their characters' psyches, making this somewhat surreal story very real indeed. The setting is extraordinary in its ordinariness and the camerawork by Jonathan Sela is impeccable. This is a strong story about coming of age, about quality of love, and about being human. It is a treasure. Grady Harp, December 06


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11/03/2011

The Adventures of Indiana Jones - The Complete DVD Movie Collection (Full Screen Edition) (1984) Review

The Adventures of Indiana Jones - The Complete DVD Movie Collection (Full Screen Edition) (1984)
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George Lucas produced something other than Star Wars? The younger crowd may not be aware of this, but anyone like me growing up in the 70's -80's would. The answer: Absolutely! (We can forget & forgive his mid-80's mistake "Howard the Duck.")
This collaborative effort from Steven Spielberg & George Lucas brought new life into the action genre. It is equally important to remember that the films also propelled Harrison Ford from Star Wars's loveable "scoundrel" to a silver screen staple. Here is my take on the series so far (barring Indiana Jones 4 which is on & off...hopefully off due to Ford's age and the closure in "Last Crusade.")
Raiders of the Lost Ark:
From the intro Paramount logo shifting into a real mountain, to the mishaps in recovering the golden idol from the temple, "Raiders" pretty much set a tone for what was to come -action. What it brought in after the opening sequence is something not often seen in action movies -story. Not just story, mind you, but intelligent story (dispelling the myth that audiences are stupid.) It is an awkward sight to see Jones transformed from the adventurer to the lecturer, until he is told of The Ark of the Covenant -supposedly holding The Ten Commandments and a source of ultimate power -and chases after it. The rest & former are long embedded in film history. The Nazi's are after it as well and Jones has the fight of his life.
Interesting points:
The beautiful Karen Allen (Starman) portrays Marion (who I personally would like to have seen resurface in later films) and the rolling boulder (reminiscent of the asteroid thundering through a starship in 1979's B-movie "The Black Hole.")
Indiana Jones & the Temple of Doom:
For me, this was the oddball movie. Jones saves child-slaves from an evil cult. That's about as well as I can sum it up. It fails its predecessor and succumbs to mediocre "sequel fever." I don't expect everyone to share my view, nor do I want you to. All-in-all, it's a high action flick and will pass some time well, even with the miscast future Mrs. Spielberg -Kate Capshaw (Space Camp).
Interesting points:
The chase through the mine is an exciting thrill-ride and the tension of bridge scene afterwards makes up for the lower points of this movie.
Indiana Jones & the Last Crusade:
To place this movie alongside the first would be justice served. Here is the return of the intelligent story and type of action/drama mix that resurged the Jones Saga. It opens with young Indiana Jones (River Phoenix, "The Mosquito Coast") stealing a lost artifact from a band of robbers. Ultimately, he is too young to thwart them; however it reveals the character of Jones from an early age and introduces his father, Henry (Sean Connery). Now, fast forward to the Jones we have come to know and Jones is trying to find his father who went searching for the Holy Grail. The movie is a whirlwind trip through Biblical History and pure adrenaline pumped action. The chemistry between Ford & Connery shines throughout the exotic locations and explosions providing comic relief as much as back-story. I can't say enough about this film, so I will stop here.
Interesting points:
So much is revealed in this movie, from the origin of the name "Indiana," to the deepest parts of each character (something rarely seen in films -character depth.)
DVD Extras:
Fortunate enough to have seen it (and I admit I'm not that much of a fan of these DVD revelations on the making's of the movie because it oftentimes destroys the fantasy of it all) I have to bend and tell you it is worth it. The original trailers are laughable (they weren't at the time the movie came out and I mean that in no disrespectful way) and a trip down Nostalgia Lane. One thing that sets this apart is that the documentary is not boring. Most are in DVD Extra-discs (probably because new movies have no real history -save maybe for The Matrix.)
Final Note:
For the cost, quality (remastered, et al.,) this is one box set that I am happy to comment on and also, one that I believe was done right and released right. (Check out other trilogy box-sets, which I won't name here, and you'll find so many versions and "Director's Cuts" that you'll be baffled at what to buy. This set is complete...plain & simple. Enjoy

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8/21/2011

Seraphim Falls (2006) Review

Seraphim Falls (2006)
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Remember when Westerns held nothing back? When the characters were REAL, when the dangers were REAL, when you were pressed to the edge of your seat waiting for the next harrowing moments? "Seraphim Falls" is a movie in this tradition, featuring brilliant acting, great cinematography, and super writing.
Gideon, a former Union captain, has headed out west, alone. The war is three-years gone; he is a wanderer escaping his brutal past. But he is pursued by Carver, a former Confederate general who has a grudge against Gideon. What follows is a chase, of sorts--one man pursuing another through the wilderness, approaching a conclusion that, although predictable, is still strangely satisfying.
Pierce Brosnan, as Gideon, gives his the performance of his career, even topping his previous high in "The Matador." Liam Neeson is engaging as always; you can't take your eyes off him. A super cast, featuring a supporting role from the ever-rivetting Michael Wincott, as well as excellent cameos from other artists, helps keep this movie grounded. The writing is great--dialogue is sparse and never used simply as filler; the violence is real but never gratuitous--and the cinematography is to die for. There's nothing extraordinary here, which is why the film soars--it takes pride in being a Western, in being a revenge story, and doesn't waste time in trying to be anything more. Sure, there are morals to learn from watching this movie, but director/writer David Von Ancken doesn't force them down your throat; he lets you ponder them at your own leasure, when you are finally able to take your eyes away from the screen. "Seraphim Falls" ranks as one of the most engrossing movies I've seen this year; it's easy to watch and hard to forget. To me, that's what makes a great movie.

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Liam Neeson (Batman Begins, Star Wars: Episode 1 "The Phantom Menace" ) and Pierce Brosnan (Bond movies, The Thomas Crown Affair) star in this epic chase and primal battle set in the breathtaking landscape of the West. The civil war has ended but Colonel Morsman Carver (Neeson) is on one final mission: to kill Gideon (Brosnan) no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes them both far from the comforts and codes of civilization, into the bloodiest recesses of their own souls. Also starring Academy Award® winner Anjelica Huston and Angie Harmon. It's been five years since the end of the American Civil War. Somewhere deep within the snowy mountains of the American West a lone figure - Gideon (Brosnan) sits in front of a fire, lost in thought. Abruptly, he is pulled out of his reverie by the echo of a Henry rifle and a bullet puffing into the snow inches from his head. Instantly Gideon calculates his one chance of survival. To leave everything he owns and run for the cover. And so begins the thrilling account of Colonel Morsman Carver's (Neeson) terrible revenge - to hunt down and kill Gideon, no matter what it takes. There will be many men dead before these two meet face to face, and only then will Carver fully comprehend the full cost of his undertaking. Launched by a gunshot and propelled by rage, the relentless pursuit will take them both far from the comforts and codes of civilization and into the unforgiving wilderness.

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7/15/2011

Far From Home (1989) Review

Far From Home (1989)
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This movie does several things pretty well. First, Drew Barrymore's character is really well drawn. She's sensitive, consumed by her own emotions, and, well, horny. Unlike the teenagers in so much of today's cinema, Drew's character has a total lack of attitude, she's fueled by feelings, not cliches. This is all done in a subtle way, and that makes her very likable and sympathetic. Also, the "far from home" atmosphere is created nicely. You really do feel as if you're in the last place on earth, with all these oddball characters either trying to get out or else slowly losing their sanity from the isolation and desolation. These things contrast well and give the film a really uneasy feeling. The totally naive girls put in a dangerous place - but of course she doesn't know it's dangerous. It could so easily descend into melodrama, but it doesn't because of the skillfulness with which it is crafted. The other characters are also well done - everyone has a very definite personality and they all add together to create the atmosphere - exactly what you might expect to find in such a place, but of course you've never thought about it before because who would want to?
Overall, an effective film.

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