Straight Boys Gay Boys 3-Going Undercover Review

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(More customer reviews)Toby Ross does it again and again with his newest title.
The movie is filled with hot, sexy guys. Some call it soft core.
I call it Hot Hot Hot........

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Product DescriptionThe third installment to this fun series is comprised of smaller shorts, each with its own story and lovely lads of course. In "Love Me Even If You Don't," a hot muscular gay farm boy (Bryan Wilde) who has spent years entertaining straight boys is getting tired of this dead end routine and realizes that what he really needs is a different thing completely. He zeroes in on a blond fair skin neighbor with a 10" dick (Newcomer Mike Austin) to quench his love thirst. He will be ready to pay Mike's rent for a whole two months if that stud can pretend to be his lover for one day only (not just sex the whole emotional "husband" Enchilada.) The soft-core erotic session that follows is one of the most riveting Toby has ever filmed, it includes a hammock milking session, camping in a tent and much more. The second short features Shawn Lane and Brenden Black finding themselves in a photo session...totally turned on. The scene is purely magical as the 18-year-old Brenden drools over Shawn's massive endowment, trying to pull himself together and remain professional. It's hard. The third short, starring Ryan di Noor from Like a Moth to a Flame, is about a gay guy, who in a very cunning way, with the help of his girl buddy, manages to lure Jonathan Taylor into a hysterical web of deceit. In the fourth short, Jordan River has the daunting task of researching the campus heteros and finding who of them has had sex with another man...term papers can be hell. He finds Jake Red a very sexy redhead and as he asks him intimate questions his fantasies are running wild. In the fifth short Brenden and Shawn reunite a few months later, this time Shawn that straight enigmatic neighbor is willing to do so much more, he certainly expanded his horizons. The sixth and final short is the story of a gay snob who is just too good for about anything, well at least that is the facade he is trying to promote. He never acts as the submissive one, does not do any drugs, and hates poor people. His friends are on a mission to expose the real him to the world in a very tricky and funny and sexy way. Anyone who remembers "Soir de Paris" from SBGB 2 this one here is it's distant cousin. Filmed in one of Chicago's fanciest gym telling a story that is both hysterical and poignant.

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Frivolous Lola Review

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(More customer reviews)This is Tinto Brass' most delightful film, full of vitality and joie de vivre. There is practically no plot. Lola (Anna Ammirati) wants to experience sex. Her puritanical boyfriend, Masetto (Mario Parodi), does not. He wants her chaste until their wedding. But Lola is so achingly beautiful and gaminely charming that even celibate priests can't help looking twice and staring in rapt adoration. Ordinary mortals lust for her in much more sinful ways. So it comes as no surprise that Lola gets her wish. The film is a zesty celebration of life. It leaves you feeling refreshed, happy and puts a smile on your face for the rest of the day. It is NOT porn. It is Italian erotic comedy at its finest. It is sad that many viewers today cannot see the beauty of such films anymore, films that celebrate the beauty of the female form, the joys of sex, and ultimately, the simple fact of being alive.
Anna Ammirati is absolutely gorgeous as the winsome and irrepressible Lola. The camera cannot get enough of her. There is no explicit sex here, but there is plenty of full frontal nudity and Tinto Brass' trademark fetish for round female bottoms, hairy bushes, and the obligatory shot of his heroine peeing. If this disturbs you, then you should stay away.
The 1950s-influenced soundtrack contributes much to the happy feel of this film. From the upbeat title track, "Mona Monella," sung by Anna Ammirati herself (during the bicycling sequence and the end credits) to the half dozen other gems, including the infectious and very danceable "Mambo Italiano," to American classics like "Be Bop A Lula," "Let's Twist Again" and "In the Mood," the songs breathe with the sunny nature of this happy film.
Unfortunately this "Special Edition" DVD from Cult Epics is a disappointment. It is presented in its entirety, finally uncut and in its orignal theatrical aspect ratio of 1.66:1. However it comes without anamorphic enhancement (not enhanced for widescreen TV). But what is so unforgivable about this edition is how poor the picture actually looks. It doesn't look at all like it was made in 1998. It looks more like a half-hearted transfer of a film from the early 70s. Colors are lacklustre, especially so in exterior shots where they appear washed out. Picture is soft and grainy, partly due to the director's use of soft-focus but also in large part due to the transfer. A lot of the exteriors (and some interiors) look like they were shot through a perpetual soft haze. A very poor effort by Cult Epics. Thankfully, Cult Epics has provided the original Italian Dolby Stereo track which sounds surprisingly good, especially in the music sequences. Optional English subtitles are also provided. This is a treasurable film and it deserves to be properly remastered.

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