Showing posts with label george c scott. Show all posts
Showing posts with label george c scott. Show all posts

9/07/2012

The Savage Is Loose (1974) Review

The Savage Is Loose (1974)
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The odd subject of this screenplay could only have been made into a movie during the sex-ploitation craziness of the early '70's. Produced, directed, and eventually distributed by Scott (ostensibly because not even the major studios would touch it) the movie is about a man, who, with his young wife (real wife, Trish Van Devere) and their 4-year old son, David (played by both Lee Montgomery and John Carson) get marooned on a desert island in 1907, the only survivors from a ship that crashes onto the rocky shore during a terrible storm at sea. Five years later, it's 1912, and the toddler is now a happy-go-lucky 9-year having the time of his life in what starts out like a realistic version of "Swiss Family Robinson". However, once the lad starts going though puberty over the next few years, we are lead to realize (as the voyeurs that we are) there is no outlet for his growing desire for the opposite sex, except for the only woman of the island, namely, his mother.
Eight more years pass, and now David is a very healthy, vibrant 17-year old man. His father taught him well - to be self sufficient in a world where the strong survive and the weak must die. Driven by lust after his mother, he creates a sort of "sex dummy" out of coconut shells, canvas bags from the ship, and other materials around the island. His mother eventually stumbles upon it in the jungle and is horrified by what her son has become. Soon she learns that he plans to kill off his own father so that he - being the stronger of the two males on the island - will reap the spoils, that is, his mother.
The movies drifts off at this point like the raft Mom and Dad built to escape their son, which David sets loose in order to keep them from fleeing the island. While the father is away hunting down his son for a confrontation, David sneaks into his mother's hut and holding up the Bible, demands to know where Cain's wife came from if his mother, Eve, was the only woman on the planet. He tears the crucifix from around her throat and leaves her in shock while he turns to hunt down his own father.
David's mother gets the hint, so she burns down the treehouse and the huts, lets loose the animals, and waits at the edge of a cliff with a knife behind her back to kill her son when he finds her. Will she take her own life as well now that she's destroyed her home, her only protection from the jungle? Meanwhile, David has captured his father and has him hog-tied in the jungle where the fire from the huts is heading. Unfortunately, the incestuous theme is never developed, and eventually, David finds his mother, but before he rapes her, he is suddenly overwhelmed by guilt and confusion. He drops to his knees in tears, his mother drops the knife, embraces her crying son, and just as her husband (having escaped the fire with 3rd degree burns all over his body) is about to plunge a spear into his son's back, she holds up her hand in protest. He backs off, she kisses her son on the lips, and he kisses her back - passionately. The camera pulls away and focuses on the derelict on the beach, and we are frustratingly left to ponder what happens, assuming the three eventually accept the unusual relationship of their strangely particular situation.
The movie is gorgeously photographed and Miss Van Devere is stunningly beautiful throughout the film, but it is a very long, drawn out, and quite frankly, a boring production. I ended up looking for the rescue ships myself - hoping for some life to be kicked into this Oedipal study of a civilized family ending up marooned on a desert island, and slowly becoming savage in their characters.
Hence, "The Savage is Loose" works neither as an adventure film, nor as an exploration into psychological melodrama. It's been out of print for a very long time, and there is a reason for this. However, for movie philes or George C. Scott fans (if there is such a group) you may be able to find grainy used videos selling on Ebay or Amazon, and you may still be able to download it from the public domain for free, as I did - before deleting it.


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7/06/2012

Titanic (1996) Review

Titanic (1996)
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The 1996 Hallmark miniseries of TITANIC was unfortunate in that it ended up being largely overshadowed by James Cameron's 1997 big-screen blockbuster (by the time the miniseries was aired in the UK and Australia, James Cameron's version had well and truly exploded onto the scene). This was a pity, as the Hallmark version has many things in it's favour.
Catherine Zeta-Jones and Peter Gallagher head a star-studded international cast, and the adaptation succeeds in blending five different stories into the narrative. Perhaps most importantly this version depicts a real-life passenger called Alice Cleaver (played by Felicity Waterman) who attempted to kidnap the baby of her employers when the boat began to sink (leaving the family to search for the child until all the lifeboats had departed, thus sealing their fate).
At the time of this miniseries, Catherine Zeta-Jones was at the cusp of Hollywood superstardom. She looks ravishing as Isabella Paradine, who rekindles an affair with her first beau Wynn Park (Peter Gallagher). Also in this miniseries, we meet in greater detail John Jacob Astor (Scott Hylands) and his pregnant young second wife Madeline (Janne Mortil). The affair of Astor and Madeline was one of the biggest scandals of the period and it's great to have them as prominent characters in this version. The younger romance is provided by thief Jamie (Mike Doyle) and Danish convert Aase (Sonsee Neu-Ahray).
No version of TITANIC would be complete without the ebullient and "unsinkable" Molly Brown (Marilu Henner plays her with enough spirit and spunk to make Debbie Reynolds proud and Kathy Bates pale). And the villain of the piece is thieving steward Simon Doonan (performed with oily relish by Tim Curry). A flavour of classic Hollywood is provided by George C. Scott as the Captain and Eva Marie Saint as the selfish Hazel Foley.
The romance of Bella (Zeta-Jones) and Wynn (Gallagher) is a captivating and moving one, played with style and elegance, and I consider it far more effective than the romance in the James Cameron spectacle. True, the special effects are lacking in this version but the dramatics and acting more than compensate. A fantastic production and one I revisit often. Originally shown in two parts. With Tamsin Kelsey, Eric Keenleyside, Malcolm Stewart, Roger Rees, Harley Jane Kozak, Kevin Conway, Matt Hill and Barry Pepper.

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2/11/2012

A Christmas Carol (1984) Review

A Christmas Carol (1984)
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Christmas just isn't Christmas unless you watch at least one version of A Christmas Carol, and this is by far my favorite. George C. Scott gives one of the greatest performances I have ever seen an actor give; he truly becomes Ebenezer Scrooge to the fullest degree possible. Scott can say more with just the slightest hint of a facial movement than many actors can say during the course of an entire movie. All of the performers here are excellent, bringing to life adored characters such as Bob Cratchit, Tiny Tim, and Scrooge's nephew Fred. All four spirits are remarkable, none more so than Scrooge's old partner Jacob Marley; having Marley's jaw drop after untying the burial cloth holding his mouth closed is an important aspect of the story and certainly does make an impression on the viewer. This is just one example of the moviemakers' faithfulness to Charles Dickens' original story; another would be the inclusion of the two miserable children, Ignorance and Want, beneath the robes of the Ghost of Christmas Present.
This timeless tale works extremely well on its own, but the unsurpassed acting skills of Scott make it almost more than real. The change wrought in him during the course of the night, as he changes from a man of crass materialism and unkindness to a repentant soul pleading for a chance to change his ways, is powerfully presented and really touches the viewer emotionally. The simple happiness revealed in the lives of Bob Cratchit and others are as heart-warming as the forgotten mistakes and pains of a younger Scrooge are agonizing. If there is any heart out there that is not touched by the goodness and courage of Tiny Tim, I don't even want to know about it. No matter how many times you watch this movie, it proves itself capable of bringing a tear to your eye, a lump in your throat, and ultimately the very spirit of true holiday cheer and Christian charity that Dickens intended it to convey.
I cannot say I have seen every adaptation of A Christmas Carol, but I really cannot believe any other version could exceed the quality and emotional impact of this one. No matter how many times I read the story or watch the movie, it remains a source of eternal joy to me. This is more than a movie for me; it is an important and necessary part of each and every Christmas holiday season.

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Christmas elicits nothing more than "Bah, humbug!" from Ebenezer Scrooge (Scott), a miser whose sole pursuit of financial success has left him a bitter and lonely old man. But a ChristmasEve visit from the Ghosts of Christmas Past, Present and Future ultimately teaches him to open his heart to the spirit of Christmas and to the joys of friends and family.

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