Showing posts with label full male frontal nudity. Show all posts
Showing posts with label full male frontal nudity. Show all posts

9/07/2012

The Savage Is Loose (1974) Review

The Savage Is Loose (1974)
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The odd subject of this screenplay could only have been made into a movie during the sex-ploitation craziness of the early '70's. Produced, directed, and eventually distributed by Scott (ostensibly because not even the major studios would touch it) the movie is about a man, who, with his young wife (real wife, Trish Van Devere) and their 4-year old son, David (played by both Lee Montgomery and John Carson) get marooned on a desert island in 1907, the only survivors from a ship that crashes onto the rocky shore during a terrible storm at sea. Five years later, it's 1912, and the toddler is now a happy-go-lucky 9-year having the time of his life in what starts out like a realistic version of "Swiss Family Robinson". However, once the lad starts going though puberty over the next few years, we are lead to realize (as the voyeurs that we are) there is no outlet for his growing desire for the opposite sex, except for the only woman of the island, namely, his mother.
Eight more years pass, and now David is a very healthy, vibrant 17-year old man. His father taught him well - to be self sufficient in a world where the strong survive and the weak must die. Driven by lust after his mother, he creates a sort of "sex dummy" out of coconut shells, canvas bags from the ship, and other materials around the island. His mother eventually stumbles upon it in the jungle and is horrified by what her son has become. Soon she learns that he plans to kill off his own father so that he - being the stronger of the two males on the island - will reap the spoils, that is, his mother.
The movies drifts off at this point like the raft Mom and Dad built to escape their son, which David sets loose in order to keep them from fleeing the island. While the father is away hunting down his son for a confrontation, David sneaks into his mother's hut and holding up the Bible, demands to know where Cain's wife came from if his mother, Eve, was the only woman on the planet. He tears the crucifix from around her throat and leaves her in shock while he turns to hunt down his own father.
David's mother gets the hint, so she burns down the treehouse and the huts, lets loose the animals, and waits at the edge of a cliff with a knife behind her back to kill her son when he finds her. Will she take her own life as well now that she's destroyed her home, her only protection from the jungle? Meanwhile, David has captured his father and has him hog-tied in the jungle where the fire from the huts is heading. Unfortunately, the incestuous theme is never developed, and eventually, David finds his mother, but before he rapes her, he is suddenly overwhelmed by guilt and confusion. He drops to his knees in tears, his mother drops the knife, embraces her crying son, and just as her husband (having escaped the fire with 3rd degree burns all over his body) is about to plunge a spear into his son's back, she holds up her hand in protest. He backs off, she kisses her son on the lips, and he kisses her back - passionately. The camera pulls away and focuses on the derelict on the beach, and we are frustratingly left to ponder what happens, assuming the three eventually accept the unusual relationship of their strangely particular situation.
The movie is gorgeously photographed and Miss Van Devere is stunningly beautiful throughout the film, but it is a very long, drawn out, and quite frankly, a boring production. I ended up looking for the rescue ships myself - hoping for some life to be kicked into this Oedipal study of a civilized family ending up marooned on a desert island, and slowly becoming savage in their characters.
Hence, "The Savage is Loose" works neither as an adventure film, nor as an exploration into psychological melodrama. It's been out of print for a very long time, and there is a reason for this. However, for movie philes or George C. Scott fans (if there is such a group) you may be able to find grainy used videos selling on Ebay or Amazon, and you may still be able to download it from the public domain for free, as I did - before deleting it.


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4/09/2012

Ken Park (Uncut Uncensored Director's Version - Import) (2002) Review

Ken Park (Uncut Uncensored Director's Version - Import) (2002)
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This is gorilla film making. Ken Park is an incredibly difficult film to watch - in fact it will be impossible to watch for some. Yet, if you allow yourself to be taken into its world, the film paints a disturbingly accurate portrait of a certain culture which is not at all hard to believe.
We see the majority of characters longing, wanting to make a connection with other humans yet feeling alienated. We see, remarkably, the confusion and disinterest of a major portion of an entire generation that views life as hopeless.
The violence, nudity, graphic (and actual) sex never feel like exploitation or pornography, but they will surely keep a majority of Americans from viewing it. Good thing too, or they'd be asking for Larry Clark's head on a silver platter!
If you try to watch this with an open mind, and can leave your inhabitions and judgment at the door, it will be impossible not to be moved - and powerfully so - by this raw and disturbing film.


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7/14/2011

The Dreamers (Original Uncut NC-17 Version) Review

The Dreamers (Original Uncut NC-17 Version)
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...this film is (for the lack of a better word) a dream--a dream you would not willingly want to wake up from. Completely and utterly mesmerizing, "The Dreamers" pays homage to film, Paris, the 60's, and love. Apart from some of the awkward moments this movie tends to present sporadically, the movie itself was not mired by the abnormalities of some of the main characters. Though, this movie is one of the greatest I've ever viewed, it is not for everyone and cannot be readily recommended without reviewing some of the pros and cons I caught.
CONS:
-First off, if you're offended, in any way, by frontal nudity from either sex... caution: it contains a lot!
-For some, if the ending is a chief factor in deciding that you like a movie, it is possible you could be dissapointed (it ends in an unlikely manner). But if you can appreciate the ending, it doesn't hurt the film at all... Maybe people were disappointed by the ending because they didn't want it to end :)
-If not accustomed to slower-moving movies, based on a load of story depth or the like opposed to action or thiller movies, then it could be a let down.
But the cons are heavily outweighed by the pros...
PROS:
-For film buffs, Bertolucci doesn't dissapoint. The b/w segments intermingled within the storyline are anything short of genius and, for me, was the most beautiful and spellbinding part of this movie.
-For anti-censorship viewers, this movie could seem to be sent from heaven, because it doesn't leave much out.
-The acting is on a par with almost perfection, all three main characters are played flawlessly and completely take on the people they are supposed to evoke... Eva Green is especially amazing.
-The soundtrack is excellent as well. The tone that the music sets is completely appropriate and only adds to the dreamy atomsphere of the film; totally reminiscent of the 60's.
-A perfect representation of Paris in the 60's; eventhough the film's centerpoint is the main characters and their relationship with one another, the artist's home of Europe couldn't be portrayed to be more gorgeous (with the exception of the student riots in foreground).
It is difficult to stop thinking of this movie, even between viewing other movies... if I could i'd give it six stars.

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From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

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