Cheeky (Uncut) ( Trasgredire ) ( Transgressions ) Review

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(More customer reviews)This movie was my initiation to the films of Tinto Brass. I rented it on a whim not knowing what to expect. In all fairness, I'd have to say that it is at least VERY erotic, and on the verge of softcore porn. Its fun and harmless though. The lead acress, Yuliya Mayarchuk, is very cute and likeable in this movie. The storyline is about what you might expect for the type of movie. While it is a little more in-depth than an X-rated movie, it still is a relatively lightly written premise. Definitely not intended for someone looking for a thought provoking or insightful movie.
But in any case, it is fun and not without its charms. Very sexy, enjoyable and light-hearted comedy with lots of nudity!! I recommend it.

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I Like to Play Games Too (1998) Review

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(More customer reviews)This filmmaker seems to triumphantly know his audience - and why they watch his movie. I liked this movie for the extra margin of sophisticated details the filmmaker labors to please its crowd - the rich details in props, ornaments, and costumes - for example, I was really impressed with the toe-rings Maria Ford wore in one scene or all the tuxedos men wore in another party scene. This is a top-notch erotic thriller with a feel of the "Secret Games" series with lots of "surprising" usual suspects. I mean, we all know these bimbos will somehow get naked, but how should it be shown to be refreshing and shocking? The direct answers this question with more money spent on actors' clothes and props and some bold lesbian scenes. However, I thought just too many sexy blondes in the movie were a downside - sorta make me feel numb about seeing yet another blonde undressing.

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Tinto Brass Collection, Vol. III Review

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(More customer reviews)This box set is a collection of Tinto Brass` three most recent releases from Cult Epics, and features his earliest works. 'DEADLY SWEET' (1967), AKA 'Heart In His Mouth', billed as "a cinema fumetti pop art giallo thriller", stars 17 year-old Ewa Aulin ('Candy', 'Legend Of Blood Castle') and features 60`s psychedelic pop art visuals by renowned artist Guido Crepax, Europe's erotic answer to Roy Lichtenstein by way of Aubrey Beardsley. It's a story-light romp through a genre-bending murder mystery/crime drama collision with a swinging London underground as backdrop. Featuring split-screens, triple-screens, comic art storyboards, it`s a lot of fun as a period piece, and not to be taken too seriously..
'THE HOWL' (1969), AKA 'L`urlo', starring Tina Aumont, is an arresting surrealistic cult classic that incorporates psychedelics, poetry, anarchy, absurdism, sexuality and a high level of anti-war sentiment into what amounts to 'Alice In Wonderland' on acid. It revolves around a bride who leaves her wedding in mid-ceremony with a stranger and together they set off on a trippy, wacky and bizarre journey. Welcome to the sexual/political revolution as Tinto Brass imagined it. Brass turned down the offer to direct 'A Clockwork Orange' to film this flick instead, though I'm thinking this wasn't a good decision on his part.
Lastly is 'ATTRACTION' (1969), AKA 'NEROSUBIANCO', AKA 'The Artful Penetration Of Barbara', produced by Radley Metzger, so we've upped the nudity quotient as a result. But it is unquestionably the best film of the three. Taboo-smashing for its time, it involves a married woman (Anita Sanders) whose journey through the (again) psychedelic British youth scene while being sexually persued by an attractive African-American male opens up a world of carnal offerings, tripped-out images, loads of nudity and dazzling 60`s fashions and iconography. If you like 60`s psych, pop-art visuals, near-plot less storylines and gratuitous flesh, grab yours now.


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Monamour Review

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(More customer reviews)Tinto Brass' latest US release, 'Monamour', is actually from 2005 (why does it take so long for us to get our sexploitation kicks stateside?), starring Anna Jimskaia, and is a sexual homage to the female form, like many of his films, this time even more so, and Anna is an even greater exhibitionist than any of his other actresses, bless her heart.
The story concerns itself with a newly married couple, Marta and Dario, whose love life seems to have stagnated since they got married only six months ago. Marta chronicles the sordid details in her diary, and Dario is too busy with his work to notice her sexual drifting. While away at a publisher's convention in the beautiful city of Mantua with her husband, Marta meets a Frenchman while looking at ancient frescos in a museum, and he pursues her aggressively and sexually right there. Soon, her adultery, born out of neglect, boredom and frustration, is in full swing, and she's encouraged by a female friend of hers who's also at the convention with her younger lover.
The two women attend a day spa and trade tales of their escapades while being pampered by two Eurovixens employed at the spa, conjuring up all kinds of fantasies for us to ponder over as the women are oiled-up and erotically massaged as though being devoured by their masseuses. Marta is now having sexual dreams and fantasies in addition to her carnal activities, engaging in a variety of increasingly perverse pleasures with Leon, the French lover, and naturally, hubbie Dario finds the diary she explicitly details her affairs in. Now things go from steaming hot to boiling over...it's one of those times when being a perv is a truly wonderful thing.
These are women, not girls, and they flaunt their sexuality proudly, libidinous creatures who have not just been around the block a few times, but have frequented the sewers as well. They are lewd, sometimes vulgar, their appetites voracious and lusts almost limitless. Looking slutty, talking dirty, behaving salaciously - what's not to love? Hang on a second, I'm getting weepy... OK, I'm back.
There's nary a 30 second frame within the film when we don't have our heads thrust into the breasts, asses, legs, back or nether regions of some delectable Eurovixen's form - this is a voyeur's pastry buffet table, a Lazy Susan of rotating sexual smorgasbords that's guaranteed to delight the demented appetites of undying degenerates everywhere. Tinto Brass knows how to let the camera linger over a woman's form the way Salvador Dali knew surrealism, the way Einstein knew equations, the way Monet knew waterlillies. Uncensored, unflinching, uncut, unyielding, this flick is mandatory viewing for all men who appreciate the female anatomy more than a night of ESPN. Do your self a flavor and savor the juices of 'MonAmour'.


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