7/28/2011

We're Back A Dinosaur's Story (1993) Review

We're Back A Dinosaur's Story (1993)
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Not unlike everything else produced under Steven Spielberg's Amblimation company, "We're Back! A Dinosaur's Story" was a critic's punching bag and a rare find for anybody who didn't catch its original release, but even more so than An American Tail - Fievel Goes West or Balto, the story of four dinosaurs in New York seems forsaken by popular animation history, with seemingly more people not even having heard of it than otherwise. While the film does have its faults, this is still a lamentable fate for a feature that puts to shame a lot of what's on the market today and the DVD release of which was way overdue.
The story: four dinosaurs - Rex (John Goodman, Monsters, Inc.), Elsa (Felicity Kendall, Good Neighbors), Dweeb (Charles Fleischer, Who Framed Roger Rabbit), and Woog (Rene La Vant) - gain intelligence and are transported across time by the benevolent Captain Neweyes (Walter Cronkite) so they may fulfill the wishes of the children of the modern world. Dropped in New York City, they swiftly befriend Louie (Joey Shea) and Cecilia (Yeardley Smith, The Simpsons) - two young runaways from opposite sides of the tracks - and find themselves fleeing from panicked grown-ups as they search for the Museum of Natural History...only to find themselves the target of the spooky ringmaster Professor Screweyes (Kenneth Mars, Young Frankenstein), who harbors sinister plans for the dinosaurs.
"We're Back!" is a children's movie, first and foremost, and was most likely aimed at kids no older than nine or ten. In other words, while there is a decent amount of action, scary parts, and humor, it's all pretty inoffensive. Problems are solved by talking and understanding rather than fighting, and you don't have to be spoiled to know from the start that there's going to be a happy ending. This rather harmless approach carries over to the characters themselves: the dinosaurs are very cuddly, and generally everybody is proved to be very warm-hearted - almost too warm-hearted for me, and probably likewise so for anybody else who grew up watching animated films where peril was commonplace.
The performances and production, overall, tend to be pretty good. In addition to Goodman, Fleischer, Smith, Kendall, and Cronkite, the cast boasts Jay Leno, Martin Short (Treasure Planet), Julia Child, and Blaze Berdahl (Ghostwriter) in supporting roles, creating one of the most unique voice ensembles for any film, and they all tend to do good jobs with their roles. Though it retains the trademark big-budget style prevalent in "Fievel" and could still go toe-to-toe with the visuals of a Disney movie at the time, the animation has a flaw: the outlines of human characters' features occasionally stuttering in-between frames - making a nose or mouth look less defined from one second to the next, and on occasion simply disappearing. It's not a debilitating error, but is a bit disappointing to watch happen repeatedly.
What the film does hold in its favor, though, is its ability to inspire the inner child. I know it sounds corny, but consider: who hasn't dreamed of having a special friend that no one else had or seeing a real dinosaur in your own backyard, or having that dinosaur as a special friend? That wonderful ability to warm hearts that producer Steven Spielberg forsook when he began to tackle adult fare is well at work here, with New York City seeming as magical a place as any wonderland before it became associated with real-life disasters. The film pulls off the nostalgia factor incredibly, taking us back to a time before animation turned to 3D and we had Shrek shoved down our throats. I'm not sure how much this means to other people, but this aspect saved the movie for me.
In all, it's not difficult to see why "We're Back!" didn't do very well when it was first released, but why it remains so largely unremembered continues to perplex me. Disregard the technicalities of my three-star rating and know that the film's strengths outweigh its faults effectively, and that the movie is a secret opus for fans of classical animation. Don't deprive yourself - give it a look.

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For every kid who ever wanted to meet a real dinosaur, Steven Spielberg presents We're Back! A Dinosaur's Story - the animated tale of four prehistoric pals in the most awesome adventure since the dawn of time! Join Rex, Woog, Elsa and Dweeb as they time-travel to New York City to meet their biggest fans - modern-day kids - and make all of their wildest dreams come true. Featuring the voices of John Goodman, Jay Leno, Martin Short and Rhea Perlman, We're Back! A Dinosaur's Story is a magical film the whole family will enjoy.

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Signs (Vista Series) (2002) Review

Signs (Vista Series) (2002)
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War of the Worlds had great special effects but drove me crazy with bad character development and irritating, disrespectful kids. I can understand why they were like that, but it grated on me throughout the movie.
Signs, on the otherhand, went the opposite way. Very little special effects, but far better character development. You cared about the people so that when they were under threat, you wanted to jump into the movie and protect them. The overall theme of the movie is that there is a reason for everything--even disabilities and tragedy. This is a very difficult concept to portray and I have to hand it to writer/director Shyamalan for giving us something different than the average "scary UFO" action flick. This movie had true substance and ventured into topics and subjects that the typical Hollywood movie lacks.

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From M. Night Shyamalan, the writer/director of THE SIXTH SENSE and UNBREAKABLE, comes the story of the Hess family in Bucks County, Pennsylvania, who wake up one morning to find a 500-foot crop circle in their backyard. Graham Hess (Mel Gibson) and his family are told extraterrestrials are responsible for the sign in their field. They watch, with growing dread, the news of crop circles being found all over the world. SIGNS is the emotional story of one family on one farm as they encounter the terrifying last moments of life as the world is being invaded. "It's easy for a filmmaker to blow up the world -- but what Shyamalan does is much riskier. He tries to blow our minds. I was engaged by every inch of SIGNS." - Richard Roeper, Ebert & Roeper.

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Adventures With DiG Review

Adventures With DiG
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its great to see the struggles of how it is to travel by road bike across country spinkled with the deligthful comedy of Mr Digs

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7/27/2011

Soldier Love Story (2010) Review

Soldier Love Story (2010)
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Loughlin (Dana) plays a young professional and single parent who went through a divorce and has custody of a 10 yr old son (Jared). Starting their new life they move 1600 miles from the only home Jared has ever known.
Dana and Jared move in with Dana's mother played by Stephanie Powers. It was great seeing Stephanie Powers acting and offering light but powerful spiritual suggestions and at times great motherly and grandmotherly advice.
Dana is teaching her 10 yr old son some important life lessons that on occasion are spiritual. I love the way she teaches him to look for and be thankful for things they have. Spirituality is not over-done but instead very beautifully planted!
Dana starts a new job, Jared starts a new school and together they start a new life. Jared's biological father moves far a way and makes empty promises to spend time with him.
Randomly chosen Jared's teacher assigns the students to write a letter to soldiers. Jared writes to Sergeant Vince Carerra (played by Johnny Messner). Vince a likeable but lonely soldier soon reaches out to 10 yr old Jared first through writing and then in person to offer some suggestions about playing baseball. Vince soon becomes a positive male role model for Jared. Jared begins to like baseball with the help of coaching from Vince. It helps Jared develop friends.
It doesn't take Jared long to "fakes an illness" to set up time for his mother Dana and mentor Vince to spend time alone.
Sergeant Carerra is relationship shy --as is Dana. Vince, Dana and Jared spend time together and begin a unique bond. For Dana and Vince loving one another becomes natural.
The real test comes when Sergeant Carerra is to be deployed unexpectedly and everything comes to a halt within 10 days.
Will Dana let go of the relationship that occurred so soon after her divorce? Will Vince let Dana go rather than dealing with the pain created by an ex wife?
Jared has been told the union "ran out of time".
Will Jared accept the sadness his mother's heart?
Lori Loughlin does a fantastic job acting as Jared's mother. Each time she is in a movie she just gets better and better. That was the first time I have seen Johnny Messner in movie. I enjoyed his southern accent not to mention how relaxed he appears through out the movie.
This movie was excellent and I would love to see a sequel to this movie. If you enjoy romance, family, and respect for our soldiers and not to mention a little religion/spirituality being a part of a real movie----this is a good one to get!

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The Prowler (1951) Review

The Prowler (1951)
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THE PROWLER is one of the best film noir you've probably never seen.
I first discovered it more than 25 years ago on late night tv in the UK (those were the days when the BBC still screened old movies) and it hooked me right away. The story of illicit passion and murder exuded an incredibly compelling sense of suffocating claustrophobia and barely suppressed tension, and that memory's stuck with me for the ensuing quarter century.
So when I was finally able to get my hands on a VHS copy my concern was that the reality wouldn't live up to the memory, and I'd be left wondering what on earth is was I ever saw in the film.
I watched THE PROWLER again last night all my worries were put to rest. This 1951 film is a five star classic.
Van Heflin stars as Webb Garwood, a police patrolman in an upscale neighborhood in Los Angeles. One night he and his dull as ditchwater partner, Bud Crocker, are called to investigate a prowler at one of the big houses on their beat. They find an attractive young woman, Susan Gilvray, home alone and Webb takes an instant liking to her. Even though she's married and initially resists his advances, Webb determines to seduce her and use her to get what he wants out of life.
Heflin's masterful performance is a major factor in this film's effectiveness. As an actor he often played characters who exuded a certain vulnerability borne of physical or moral weakness, but here he turns it into a strength. Garwood's moral compass has been so eroded by the acidic bitterness of failed dreams that he's no longer restrained by any sense of right and wrong. He targets Susan like a tiger stalking its prey. His cynical and unscrupulous manipulation of her undermines everything that his police uniform represents.
In the hands of Evelyn Keyes, Susan is a not entirely unwilling victim. Looking and acting like a bargain basement Lana Turner, she comes across as only slightly less untrustworthy than her seducer. Trapped in a loveless and controlling marriage to a much older man, she wants to believe that Webb is the solution to her unhappy existence, and at times it's difficult to determine just who is manipulating who.
On a larger scale THE PROWLER is an unsettling indictment of the corrupting influence of materialism on the American Dream. Webb bitterly resents his inability to get ahead yet he's unwilling to put in the honest toil required to bring even his modest ambition of running a motel within his grasp. Susan has more than Webb can ever aspire to yet she lives the life of a bird trapped in a gilded cage, paid for by her husband's syrupy, insincere shilling for the sponsors of his late-night radio show.
What is perhaps most depressing is the lack of viable alternatives offered up by the story. A man in Webb's situation, it says, has no choice but to act boldly and disregard accepted norms of behaviour if he's to avoid being crushed by conformity. The best that the American Dream can offer is the life of mind-numbing soul destroying tedium embodied by Webb's middle-aged partner Bud. The biggest kick in Bud's life is showing off his collection of rocks amassed during his annual vacation to the California desert.
Reportedly shot in just 17 days on a budget of $700,000 THE PROWLER offers up more food for thought than any of the bloated, special effects engorged thrillers which pass for cinematic entertainment these days.
I can't wait for 11 February 2011 and the release of THE PROWLER on DVD. To see the film in its restored version will only enhance its brilliance. Beg, borrow, buy or steal a copy of this film. It will stay with you for life.

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AVAILABLE AT LAST ON DVD! Famed director Joseph Losey's long neglected masterpiece, scripted by legendary blacklisted screenwriter Dalton Trumbo, has been restored to its original bleak splendor by the Film Noir Foundation and the UCLA Film & Television Archive. A nefarious cop stalks a lonely, repressed Los Angeles housewife and decides to win her in the traditional film noir fashion - by knocking off her husband! Bonus Features: Documentary featurette "The Cost of Living: Creating The Prowler," with James Ellroy, Christopher Trumbo, Denise Hamilton and Alan K. Rode, "Masterpiece in the Margins": Bertrand Tavernier on The Prowler, On the Prowl: Restoring The Prowler. The Film Noir Foundation and UCLA Film & Television Archive Partnership, Photo Gallery, Audio Commentary by Film Noir Expert Eddie Muller, Original Theatrical Trailer Product Specs: DVD9; Dolby Digital 2.0; RT - 92 minutes; B&W; Aspect Ratio - 1.37:1 - 4x3; Year - 1951; SRP - $19.99

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Eating - 3rd Edition Review

Eating - 3rd Edition
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I have effortlessly lost 20lbs in just six weeks! Adopting this lifestyle can potentially make Bariatric and Gastric bypass surgery obsolete! Statistically, 1.5 million Americans die from heart disease annually. This DVD will definitely change that! As a practitioner of Herbology and Naturopathy, I have finally discovered THE most critical element in the healing process. Without question, A PLANT BASED DIET IS THE MOST IMPORTANT ELEMENT IN ANY HEALING PROTOCOL. If you suffer from ANY degenerative disease (Heart disease, Diabetes, Cancer, etc.), you must first part company with the Standard American Diet (SAD) and secondly you must adopt a plant based diet, in order to conquer and overcome your condition. Using a plant based diet, the Gerson Clinic (World renown for its Cancer therapy) has successfully cured Diabetics, in just two weeks! This DVD has changed my life and it will definitely change yours. It is truly a life saver! Buy it and share it with family and friends. Michael Anderson's latest installment, "Healing Cancer from Inside Out", is equally as dynamic! I highly recommend it. I give them both, FIVE stars! "The greatest gift than one can give his fellow man, is the gift of health". Michael Anderson has given us just that! Bravo!

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This award-winning DVD covers a lot of ground very comprehensively - and now has subtitles in Spanish, French, German and English (for the deaf). Among the many highlights are interviews with Dr. Caldwell Esselstyn, Dr. Neil Pinckney, Dr. Ruth Heidrich and Dr. Joseph Crowe. Dr. Crowe and Dr. Esselstyn are from the Cleveland Clinic Foundation and know something about heart disease. These interviews will convince you that cardiovascular disease, the #1 killer in America today, can be reversed by making simple changes to your diet. What you will get is a virtual one-on-one consultation with some of the world's leading authorities on heart disease reversal. You will also hear from Dr. Heidrich who treated her breast cancer by simply changing her diet. The DVD also covers a wide-range of other health problems, including the reversal of adult-onset diabetes with diet. It also covers the impact of typical Western diets on the environment. The Eating DVD is used in hospitals and wellness clinics throughout the world to motivate people to change their diets and restore their health.

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Once (2007) Review

Once (2007)
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This is one of those rare movies that defies any neat classification. It isn't a traditional love story by any stretch. Though it is filled with music from beginning to end it isn't really a musical. In the traditional musical characters will suddenly burst into song but it represented an interruption in the otherwise semi-realistic tone of the movie--think of Gene Kelly in SINGIN' IN THE RAIN. But all the songs in this film are in line with the overall realism of the film, they are all songs that occur in normal life.
I don't want to reveal much in the way of details about the movie since much of the joy of the film is discovering the ways it defies expectations. In broad outline it is about a street singer who has put his emotional life on cold storage because of a broken heart and the woman he meets who helps him open himself back up to life. During the day in Dublin he sings familiar standards for tips but at night, when the crowds thin out, he sings his own original material. We see him this way for the first time through the eyes of the Girl as she first meets him (in the credits the two lead characters, never addressed by name, are listed as Guy and Girl). He, played by Frames' frontman Glen Hansard, is singing an absolutely stunning song with intense passion. As he finishes, the camera pulls back to reveal her standing there. From thenceforward we see the two of them get to know each other as they perform a string of amazing songs together.
Neither Glen Hansard nor Markéta Irglová is a professional actor. Hansard did have a prominent role in another great Dublin film about music, THE COMMITMENTS. In that one Hansard played the band's guitarist Outspan Foster, one of the two original members of the band (he is the one who resists the suggestion of the other original member to call their band A Flock of Budgies). In real life, of course, Hansard has long been the resident genius of the great Irish rock band The Frames and both one of the great singers in rock as well as an absolutely brilliant songwriter (neither of which anyone who sees this movie will be inclined to doubt). While visiting Prague a couple of years back he met a precocious teenager who was none other than Markéta Irglová. One thing led to another and within a year of their meeting they recorded and album together entitled THE SWELL SEASON. Next they appeared in this film by John Carney, himself a former member of The Frames. So their time together has been amazingly productive (she also appeared on the critically acclaimed new album by the Frames, THE COST).
The film is filled with wonderful little moments, like the first meeting (driven by Hansard's magnificent performance of "Say It To Me Now"). Or the way the sound engineer recording the Guy's song goes from disinterest to interest as he realizes just how good he is. Or the marvelous extended shot that follows the Girl from a convenience store where she has bought batteries for a CD player down the street for a few blocks as she sings the lyrics she has written for a song the Guy has written the music for.
This truly is a very special film. It does not have the greatest production values; indeed, it feels like the low budget that it is. It works because the two leads, while not professional actors, have a wonderful chemistry both romantically and musically and because Glen Hansard is one of the finest songwriters around. In fact, the soundtrack for the film has to go down as one of the greatest soundtracks ever released. I would urge anyone who loves the music in this film to investigate not merely the soundtrack for the film, but both THE SWELL SEASON, the album by Glen Hansard and Markéta Irglová, and two albums by the Frames, FITZCARRALDO and THE COST.
Update 8/8/07
I just read today on IMDB.com that Twentieth Century Fox, which owns the distribution rights to the movie, has been so pleased with its performance so far - nearly $7 million in box office on only 140 screens - that they are going to release it to a much larger number of screens and give it a publicity push. Obviously this means that this gem will be granted a much larger audience. Hopefully it will garner the kind of acclaim it deserves.

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ONCE - DVD Movie

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